Mom Tastes Street Life

Total Page:16

File Type:pdf, Size:1020Kb

Mom Tastes Street Life • .,11: . $ SS I Histor i ca l Ar c h~ ves 29 McPhillip s Ave 1 V8K 2T6 f r Salt Spring Island, BC Ft o1/01/2003 F ']_.,4. J_j :;sue 9- iVD , CJ 328 Lower Ganges Road, Salt Spring Island, B. C. V8K2V3 Tel: 250·537-9933 Fax: 250-537-2613 Toll-free: 1·877·537·9934 e-mail: [email protected] Website: www.gulfislands.net INSIDE PENDER Mom tastes NEWS Page 19 street life By SUSAN LUNDY when they go missing, the Staff Writer other kids come and ,, Second in a Series break them out. If you "You have to imagine don 't get broken out, you what it is like to be in a try to climb higher ... squat with no light except out a window and down a your Bic lighter. You ·are _gutter. waist-deep in debris .. "If you fall and die, there is no point ofrefer­ your body could be ence for light or sound or' thrown in~ dumpster." anything. " You are walking - - Sandie Ferguson through corridors of .Island boxes arid broken glass . A "light went out" for until you· come to a blan­ Sandie Ferguson on the erotica ket across an opening that day she lost her 14-year­ winds down, is filled with old nuittress­ old daughter Danielle to Eros2002 finished up es and cushions. Ten or 15 the streets. with a literary read­ kids are sleeping in filth Danielle ran away for ing and ball last like you can't imagine. the first time on her weekend. " You wake up in the brother's 11th birthday. .morning and you have no "We blew out the can­ ·......•. / .....Pagel4 concept of time . and dles and went to the - the city has come along police station," Sandie in the night and bolted recalls. you iri. It takes two guys But for the Salt Spring to kick their way out. If single mother of two, that there are no "guys " and day marked the start of the girls are connected ON THE STREETS 2 Burgoyne park plans up for grabs Basketball After two years of nail-biting efforts to. secure the pur­ heros hit chase of Texada lands, Salt Springers will finally have a say in the future of the land destined to become Burgoyne Bay th~ ho(Jps ProvinciaLPark. Three isltifid basketS And while it may seem like the issue that obsessed Salt lfall team~ played Spring for those two years has been yanked off ·centre stage tournaments 'last into oblivion, that isn't the case. u/c.'ekeiid, ziJith one Since the land purchase was completed last November ­ taking first place. following the Nature Trust of B.C. preservation of the huge Garry oak woodland area several months earlier- B.C. • . .. :Pa~~s J~~ lfJ . HIP HOPPING: Seanna Johnston is having a whale of ~ time with friends at Parks staff have quietly worked away on facilitating the the annual Fulford Country Dance, held last Friday evening at Fulford lands' transition from logging company holdings to park. Elementary School. The event, which included tasty treats an_d a silent auction, On Thursday, March 14, at 7 p.m. at Gulf Islands was a fundraiser for playground equipment at the school. PhotobyoernckLundy BURGOYNE 3 !i: J\rt§ _.. ';,c;• •c ¥:%' }; .• · ... Glassifteds:.. ~ -· .. · Editori~!) J/ . , .. ·.. Letters ~ -·; ·· ·.Pe.l1deP'' Eyewitness describes massive protest rally · Sports ... ,., ; ..... By MELISSA MOUAT pare. My friend and I arrived at the ed out with words of thanks devot­ · TV Listiii.gs ......... 9 Special to the Driftwood The atmosphere was like that of a legislature before the crowd from ed to those who helped organize the Union workers, seniors in crowd awaiting an anticipated Centennial Square. However, the event. Then the speeches took wheelchairs and people unrecog­ sports game. area was already crowded. Near place, mostly from people speaking nizable in peculiar costumes were With my camera tucked safely one edge of the lawn wen~ tents full on their union's behalf. Weather among those flocking Victoria under my jacket and my notebook · of campers who had already been But what really caught the G~t use~ to the §Ull streets and public lawns of the B.C. in hand, I allowed myself to be there for several days. , crowd's attention and raised some · :..:_ . ~nd 'cold tempera­ legislature building Saturday. engulfed by the swarming crowds. Away from the roads; near the noise were the sing-alongs, com­ tures. Sun' and a few Thousands came from all over The noi~e of aboriginal drums filled steps of the building, a crew_had set posed to the tunes of many well­ douds 'are forecast, B.C. to fight Premier Gordon the air, and the colours of hundreds up a large stand for the protest host known nursery rhymes.· Campbell's cuts and make their of signs filled the sky. and guest speakers. The crowd The themes of the song brought ~th possible showefs on the.\ . weekend. opinions heard. The protest was At 1 1:15 the crowd began to grew quickly, helped alpng not only to the crowd's attention the many scheduled to begin at noon, howev­ march towards its final destination, by the Centennial Square group but contracts Campbell had altered, the Highs to 9 C (Sunday), er, many people met in Centennial blocking off streets along the way. also by others who had parked thousands of people out of work lows to . -1 C Square, about six blocks from the Several buses had to find alternate around the downtown area. (Thursday); legislature, at around 10 a.m. to pre- routes to avoid theo ncoming mob. At noon, the show began. It start- RALLY 3 Car and Truck Sales 2440 Bevan, Sidney, BC, 655·2600 Fax 655·2615 2 ~ THURSDAY, FEBRUARY 28, 2002 NEWS BEAT GULF ISLANDS DRIFTWOOD more than a tragic three­ the li ves of her street and-a-half-year estrange­ ON THE STREETS friends. ment from her daughter. "They are dying," she It became the day her life From Page 1 says angrily. "They are changed ·forever. Over the dying from homelessness, next few years she would and hoping it would net­ disease, drugs, suicide. I butt up against police and work through to Danielle. don't know many kids who society, look deep into the One month later, Danielle haven't slept in the same heart of street life and open called "out of the blue," ask­ building as a corpse." her eyes wide to a way of ing if she and a few friends Next week: the kids. life most people will never could crash at her house. see. " She arrived with six Searching for Danielle in smelly, raunchy kids. She the streets of Victoria even­ was skinny as hell .. they tually led to a new way of had a range of ailments from "being" for Sandie. As she malnutrition, staff infections became more familiar on and scabies . ... And they the streets, she was accept­ stunk." ed among those who live As the kids spread out there. And because street thei r blankets in the base­ • Perfect for raised beds youth in various cities net­ ment, Sandie told them not • Honda easy start mini 4-stroke work among themselves, to wake up her and her son. engine she maintained a link Sandie Ferguson and daughter Danielle When several attempts to between herself and her quiet them failed and the • Transport wheels standard daughter. Photo by Derrick Lundy noise didn't subside, she ran .• 4 optional attachments (digging Sandie's work with street shocked at how people dealt following Danielle's di sap­ down the stairs, smacked tines, aerator, dethatcher, edger) youth began while she lived with her. pearance became a time of the wall with her fist and • Convenient built-in carrying handle temporarily in Ladysmith. "It was absolutely differ­ self-reflection. told them to "shut the f-­ SAVE $50.00 I Reg $499.00 Several arrived one day on ent than how anyone else Friction with status quo up." her doorstep with Danielle, would be treated," she says, began for Sandie the first "They said to Danielle, looking for a place to stay. recalling the time two time she brushed up against 'your mom's rad;' they 'Her acceptance of them pre­ policemen approached her police soon after Danielle seemed surprised that I was­ cipitated a parade of youth and said "it's time to leave," ran away in 1995. She did n't afraid of them. They still through her homes in even though she was just not like what the Sannich talk about it." Ladysmith and Salt Spring. standing on a street corner. detachment told her: Danielle stayed for two And they took Sandie "They would never, never Danielle was over the age of days before returning to onto the streets. Dressed in do that if they thought I was 12, her name would go into Vancouver; some of the kids Pacific Standard Time - measured in feet her street garb of high-top a dental hygienist .. These a book as a runaway. And stayed on and off with sponsored by Harbours End Marine & Equipment Ltd. boots, army pants and a kids are treated horribly. nothing more would be done Sandie for five years. FEB 0555 11.2 03 0110 5.2 black "hoody" (sweatshirt "I became a peer, I was 27 1110 7.9 su 0745 11.2 They are denied access to unless she was caught in an WE 1605 10.2 1430 3.6 with a hood), she flitted in toilets in restrooms, and act of crime or attempting taken into the subculture 2300 1.6 2110 9.2 and out of the world that and learned about it .
Recommended publications
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • José Carlos Felix Caos Controlado: a Tensão Entre Controle Técnico E Liberdade Criativa Em Mistérios E Paixões E Cidade De
    JOSÉ CARLOS FELIX CAOS CONTROLADO: A TENSÃO ENTRE CONTROLE TÉCNICO E LIBERDADE CRIATIVA EM MISTÉRIOS E PAIXÕES E CIDADE DE DEUS CAMPINAS, 2013 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM JOSÉ CARLOS FELIX CAOS CONTROLADO: A TENSÃO ENTRE CONTROLE TÉCNICO E LIBERDADE CRIATIVA EM MISTÉRIOS E PAIXÕES E CIDADE DE DEUS Orientador: Prof. Dr. Fabio Akcelrud Durão Tese de doutorado apresentada ao Instituto de Estudos da Linguagem da Universidade Estadual de Campinas para obtenção do título de doutor em Teoria e História Literária, na área de: Teoria e Crítica Literária. CAMPINAS, 2013 iii FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Felix, José Carlos, 1974- F335c Caos controlado: a tensão entre controle técnico e liberdade criativa em Mistérios e paixões e Cidade de Deus / José Carlos Felix. -- Campinas, SP : [s.n.], 2013. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Mistérios e paixões (Filme). 2. Cidade de Deus (Filme). 3. Cinema - Estética - Técnica. 4. Indústria cultural. 5. Liberdade na arte. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Controlled chaos: the tension between technical control and artistic freedom in Naked Lunch and City of God. Palavras-chave em inglês: Naked lunch (Motion picture) Cidade de Deus (Motion picture) Moving-pictures - Aesthetics - Technique Cultural industry Liberty in art Área de concentração: Teoria e Crítica Literária. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Ravel Giordano Paz Washington Luis Lima Drummond Danielle dos Santos Corpas Robson Loureiro Data da defesa: 14-03-2013.
    [Show full text]
  • SWFF 2013 Oct16 Web.Pdf
    Ocial Host Hotel of The Silver Wave Film Festival THE CROWNE PLAZA LORD BEAVERBROOK1948! where people meet, business is conducted, and history is made... since FOR MORE INFORMATION: 659 Queen St. Fredericton 1-866-444-1946 www.cpfredericton.com HOME OF THE SILVER WAVE SOCIAL SCENE Offi cial Program Selection 2013 Festival Contact Info/Information Silver Wave Film Festival/Festival du fi lm Silver Wave 732 Charlotte Street/732, rue Charlotte Fredericton, NB E3B 1M5/Fredericton, N.B. E3B 1M5 Tel: 506-455-1632/Tél.: 506-455-1632 Fax: 506-457-2006/Téléc.: 506-457-2006 Email: info@nbfi lmcoop.com/Courriel: info@nbfi lmcoop.com Table of Contents Table des matières Message from Festival Organizers .............................................................. 1 Message des organisateurs Message from Festival Supporters ............................................................. 6 Message des commanditaires Box Offi ce: Tickets / Prices / Venues ........................................................ 11 Billetterie: Billets / Prix / Sites Thursday – Nov. 7/2013 ............................................................................ 14 Jeudi le 7 novembre 2013 Friday – Nov. 8/2013 ................................................................................. 16 Vendredi le 8 novembre 2013 Saturday – Nov. 9/2013 ............................................................................. 24 Samedi le 9 novembre 2013 Sunday – Nov. 10/2013 ............................................................................. 36 Dimanche le 10 novembre
    [Show full text]
  • Les Belles Soeurs [Sic]' Tient Presque Du Chef-D'oeuvre," Échos- Vedettes, 7 September 1968
    Modulating Popular Culture: Cultural Critics on Tremblay's Les Belles-Soeurs Michèle Martin la compagnie des deux chaises rions es be es-soeurs 'ÙM de gauche * droits : Madeleine Langlols, Christine Olivier, MU Lafontalno, Mlrlelle Lachance, Carmen Tremblay, Danlèle Lorain, Déniée Filialrault, Juliette Huol, Monique Mercure, Fredénqu» Collln, Denise Morelle, Pauline Martin, Sylvie Heppel, Eve Gagnier. Les Belles-Soeurs's cast at L'Espace Pierre Cardin, as shown in L'Espace's programme re­ leased for the play in Paris. Missing in the photograph is Odette Gagnon. National Library of Canada (hereafter NLC), Fond Michel Tremblay, 1991-1, Box 1. With the permission of Michel Tremblay. Michèle Martin, "Modulating Popular Culture: Cultural Critics on Tremblay's Les Belles-Soeurs;' Labour/Le Travail, 52 (Fall 2003), 109-35. 110 LABOUR/LE TRAVAIL Modulating Popular Culture: Journalistic Theatre Critics on Tremblay 's Les Belles-Soeurs THIS PAPER DISCUSSES the appropriation of a work of popular culture as a tactic in a politics of cultural hegemony. The work in question, a play by Michel Tremblay called Les Belles-Soeurs, is particularly interesting as it is the first working-class theatre production, written in joual, shown in public in the "new" Québec of the 1960s. It thus illustrates a project of cultural critique in newspapers that appealed to class- and culturally-specific audiences. Tremblay's play, first produced in 1968 and later translated into more than twenty languages including Yiddish and Japa­ nese, is a work of popular culture, not only because of its object, which is to relate a moment in the everyday lives of fifteen working-class women, but especially for the language it uses.
    [Show full text]
  • The Film Imagine an Angel Who Memorized All the Sights and Sounds of a City
    The film Imagine an angel who memorized all the sights and sounds of a city. Imagine them coming to life: busy streets full of people and vehicles, activity at the port, children playing in yards and lanes, lovers kissing in leafy parks. Then recall the musical accompaniment of the past: Charles Trenet, Raymond Lévesque, Dominique Michel, Paul Anka, Willie Lamothe. Groove to an Oscar Peterson boogie. Dream to the Symphony of Psalms by Stravinsky. That city is Montreal. That angel guarding the sights and sounds is the National Film Board of Canada. The combined result is The Memories of Angels, Luc Bourdon’s virtuoso assembly of clips from 120 NFB films of the ’50s and ’60s. The Memories of Angels will charm audiences of all ages. It’s a journey in time, a visit to the varied corners of Montreal, a tribute to the vitality of the city and a wonderful cinematic adventure. It recalls Wim Wenders’ Wings of Desire in which angels flew over and watched the citizens of Berlin. It has the same sense of ubiquity, the same flexibility, the sense of dreamlike freedom allowing us to fly from Place Ville- Marie under construction to the workers in a textile factory or firemen at work. Underpinning the film is Stravinsky’s music, representing love, hope and faith. A firefighter has died. The funeral procession makes its way up St. Laurent Boulevard. The Laudate Dominum of the 20th century’s greatest composer pays tribute to him. Without commentary, didacticism or ostentation, the film is a history lesson of the last century: the red light district, the eloquent Jean Drapeau, the young Queen Elizabeth greeting the crowd and Tex Lecor shouting “Aux armes Québécois !” Here are kids dreaming of hockey glory, here’s the Jacques-Cartier market bursting with fresh produce, and the department stores downtown thronged with Christmas shoppers.
    [Show full text]
  • Reference Guide This List Is for Your Reference Only
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R.
    [Show full text]
  • TAKING CHANCES * -Dfs
    leSoleil vendredi 9 novembre 2007 La première de Daniel Bélanger à Québec ^A6 Cahier A spe>arts& TAKING CHANCES * -DfS Au moment de tourner la page témoigne d'une volonté, chez sur son aventure de Las Vegas, où ' f?| l'artiste de 39 ans, de se mettre trois millions de spectateurs l'ont | - en danger sur le plan musical. vue en cinq ans, Céline Dion amor- y F ^ Production éclectique à souhait, ce un nouveau chapitre de sa car- J|J avec ses saveurs pop, rock, hip- rière avec la parution mardi de ? / hop et soul, Taking Chances Taking Chances, son premier A-• B* porte en outre l'empreinte album en anglais en quatre /ÉS&UHrePT jEgt de nombreux créateurs aux ans. Préalable à une vaste mfc' feuilles de route tout aussi tournée mondiale qui l'amè- diversifiées. Un pari... nera notamment en Chine, ^ ,f calculé? Le Soleil se pro- la collection de 16 titres v ; nonce. A3 urn# 1784612 A2 Arts et spectacles leSoleil vendredi 9 novembre 2007 ONTI EN SALLES AUJOURD’HUI ENTAL Normand Provencher [email protected] Lions et agneaux Alors que la guerre fait rage en Afghanistan, un séna­ teur, une journaliste, un professeur d’université et ses Marie-Ginette Guay dans Continental, un film sans fusil étudiants discutent aux États-Unis des implications du conflit pour leur pays. Avec Tom Cruise, Robert Redford, Meryl Streep, Michael Pena, Luke Derek, Pe­ ter Berg et Andrew Garfield. Une mise en scène de Ro­ bert Redford (L’homme qui murmurait à l’oreille des chevaux, La rivière du sixième jour).
    [Show full text]
  • Monique Mercure's
    • p R o F I L E • onique Mercure, one of, if not the most internationally renowned Mfrancophone actress from Canada, came close to never having an acting career at all. First trained as a musician, then for a long time content as a verypri­ vate wife and mother, she came to acting later in life than most of her contem­ poraries. Born Monique Hemond in the Mont­ real of the Great Depression, in 1930, she remembers her lower-middle-class neighborhood of Snowdon with affec­ tion. Standing out in her mind ate the in­ fluences of her father, a poor bank teller most of his life, her mother who loved to play the piano, and a peculiat older aunt who played cello for the Montreal Sym­ phony Orchestra and who encouraged the bright lO-yeat-old Monique into a classical music cateer. Scenes etched into her childhood memory: listening for hours to dramas and operas on the radio; her uncle bring­ ing her to see a Shakespeate play at His Majesty's Theatre (now gone) on Guy Street in an English language she did not yet understand; being called on to recite poems in front of the class because she had such a cleat and distinct voice; leatning to sing and to perform. "My first time on stage I was only five III yeats old. I remember only the panic. ·s Also the pleasure of being backstage, of ~ _______________.. __________________________________ .. o putting on a costume." Her patents made sacrifices so she could attend a private music school, even buying her a 575 cello - an incred­ ible sum in those days.
    [Show full text]
  • Noémie Godin
    La nouvelle référence du cinéma d’ici novembre 2004 | o vol. 3 | n 9 PATRICK HUARD* Les cinq films qui l'ont fait craquer RENÉE ZELLWEGER* La princesse au petit poids COLIN FARRELL* Boucles d'or NoNoémémieie Godin- Godin- La douce conquérante de Nouvelle-France ViViCONVENTION DE LA POSTE-PUBLICATIONS No 40708019 gneagneauu 3.00 $ EN PRIME: LES CONFESSIONS DE ROY DUPUIS ET DE JENNIFER TILLY Seed of Chucky Famous#FE22.qxd5 10/19/04 11:37 AM Page 1 CHUCKY TIFFANY JENNIFER TILLY REDMAN GÉNÉRATION Version française de Seed of Chucky MATÉRIEL VISUEL © FOCUS FEATURES, LLC. CORP 2004. TOUS DROITS RÉSERVÉS. www.seed-of-chucky.com À L’AFFICHE LE 12 NOVEMBRE JOHNNY DEPP KATE WINSLET JULIE CHRISTIE ET DUSTIN HOFFMAN Succombez à la fantaisie. Version française de FINDING NEVERLAND TRAME SONORE DISPONIBLE SUR ÉTIQUETTE DECCA / UMG SOUNDTRACKS MATÉRIEL GRAPHIQUE © 2004 MIRAMAX FILM CORP.TOUS DROITS RÉSERVÉS. À L’AFFICHE DÈS LE 12 NOVEMBRE HO-04-12042_FamousQuebec 4/6/04 2:16 PM Page 1 Server:Current Jobs:ACLC:ACLC_HONDA:D6092/HO-04-12042-ElementMagAds:quark:finals: WBOARD SNO FE N DE IA R D A A T I N O A N C Véhicule officiel de l’équipe nationale canadienne de Surf des Neiges. F É A D D É A R N A A TI C ON U D S D E GE SURF DES NEI Il refuse de se conformer. préparation de 1 240 $, frais de publication, taxes, immatriculation et assurances en sus. Le prix de vente des concessionnaires peut êtreconcessionnairespeutdes vente de prix Le sus.
    [Show full text]
  • THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
    THE ADVENTURES OF ELMO IN GROUCHLAND Mandy Patinkin. Vanessa Williams. Sonia Manzano. Roscoe Orman. Alison Bartlett-O'Reilly. Ruth Buzzi. Emilio Delgado. Loretta Long. Bob McGrath. VOICEOVERS. Kevin Clash. Fran Brill. Stephanie D'Abruzzo. Dave Goelz. Joseph Mazzarino. Jerry Nelson. Carmen Osbahr. Martin P. Robinson. David Rudman. Caroll Spinney. Steve Whitmire. Frank Oz. THE ADVENTURES OF SEBASTIAN COLE Margaret Colin. Clark Gregg. Aleksa Palladino. John Shea. Adrian Grenier. Joan Copeland. Tom Lacy. Marni Lustig. Rory Cochrane. Gabriel Macht. Levon Helm. Russel Harper. Greg Haberny. Peter McRobbie. Merrit Wever. Marisol Padilla Sanchez. Famke Janssen. Tennison Hightower. Nicole Ari Parker. Graeme Malcolm. Dan Tedlie. Miguel Najera. Jane Jensen. C.S. O'Brien. Nikki Uberti. Joe Lisi. Kip Williams. AFTER LIFE Arata. Erika Oda. Susumu Terajima. Taketoshi Naito. Kyoko Kagawa. Kei Tani. Takashi Naito. Sadao Abe. Kisuke Shoda. Kazuko Shirakawa. Yusuke Iseya. Hisako Hara. Sayaka Yoshino. Kotaro Shiga. Natsuo Ishidou. Akio Yokoyama. Tomomi Hiraiwa. Yasuhiro Kasamatsu. AGNES BROWNE Anjelica Huston. Marion O'Dwyer. Ray Winstone. Arno Chevrier. Gerard McSorley. Niall O'Shea. Ciaran Owens. Roxanna Williams. Carl Power. Mark Power. Gareth O'Connor. James Lappin. Tom Jones. June Rodgers. Jennifer Gibney. Eamonn Hunt. Richie Walker. Sean Fox. Steve Blount. Gavin Kelty. Arthur Lappin. Brendan O'Carroll. Katriona Boland. Bernadette Lattimore. Terry Byrne. Joe Hanley. Paddy McCarney. Clodagh Long. Fionnuala Murphy. Frank Melia. Virginia Cole. Olivia Tracey. Joe Pigott. Cristen Kauffman. Frank McCusker. Cecil Bell. Peter Dix. Anna Megan. Joe Gallagher. Maria Hayden. Aedin Moloney. Malachy Connolly. Pauline McCreery. Chrissie McCreery. Noirín Ni Riain. Joanne Sloane. Keith Murtagh. Jim Smith. Tara Van Zyl. Anne Bushnell.
    [Show full text]
  • 2011 Gala Program
    2011 GOVERNOR GENERAL’S PERFORMING ARTS AWARDS GALA The arts engage and inspire us 2011 GOVERNOR GENERAL’S PERFORMING ARTS AWARDS GALA Presented by National Arts Centre Ottawa May 14, 2011 The Governor General’s Performing Arts Awards The Governor General’s Performing Arts Awards are Recipients of the National Arts Centre (NAC) Award, Canada’s most prestigious honour in the performing arts. which recognizes work of an extraordinary nature in the Created in 1992 by the late Right Honourable Ramon John previous performance year, are selected by a committee Hnatyshyn (1934–2002), then Governor General of Canada, of senior NAC programmers. This Award comprises a and his wife Gerda, the Awards are the ultimate recognition $25,000 cash prize provided by the NAC, a commissioned from Canadians for Canadians whose accomplishments work created by Canadian ceramic artist Paula Murray and have inspired and enriched the cultural life of our country. a commemorative medallion. Laureates of the Lifetime Artistic Achievement Award are All commemorative medallions are generously donated selected from the fields of broadcasting, classical music, by the Royal Canadian Mint. dance, film, popular music and theatre. Nominations for this Award and the Ramon John Hnatyshyn Award for The Awards also feature a unique Mentorship Program Voluntarism in the Performing Arts are open to the public designed to benefit a talented mid-career artist. and solicited from across the country. All nominations The Program brings together a past Lifetime Artistic are reviewed by juries of professionals in each discipline; Achievement Award recipient with a next-generation each jury submits a short list to the Board of Directors artist, helping them to develop their work, explore 2 of the Governor General’s Performing Arts Awards ideas and navigate career options.
    [Show full text]
  • Le Fonds Harold Greenberg, 10 Years of Action!
    20 YEARS OF ACTION! ANNUAL REPORT 2005-2006 LE FONDS HAROLD GREENBERG, 10 YEARS OF ACTION! WE WERE THE FIRST BROADCASTER TO SET UP A PRIVATE FUND FOR FILM FINANCING THE HAROLD GREENBERG FUND 20 YEARS OF ACTION! INVESTMENTS TO DATE IN SUPPORT WE REMAIN COMMITTED TO CONTINUING OF CANADIAN WRITERS, DIRECTORS, PRODUCERS AND PERFORMERS TOTAL $50.7 MILLION OUR FINANCIAL SUPPORT FOR CANADIAN FILM AND TELEVISION PRODUCTIONS MESSAGE FROM OUR PARTNER One of the most important objectives of The Fund/Le Fonds when This is a special year for Astral Media The Harold Greenberg Fund/ Since 1986, The Fund/Le Fonds has continued to grow and to diver- it was founded was to assure that the elements necessary to Le Fonds Harold Greenberg. It marks the 20th anniversary of sify. Investments to date in support of Canadian writers, directors, make a successful industry could be found right here in Canada. support for the Canadian film and television industries for its producers and performers total $50.7 million, and this year alone As a funding partner, we are very proud of our long history of English-language Program and ten years of operation for its $5.1 million has been invested in 168 projects. The Fund/Le Fonds support for the industry and we feel strongly that the growth and French-language Program. Astral Media has always been unique in has programs in both official languages, supporting a wide array success of this industry will continue to depend on the essential its approach to the industry. Not only were we the first broadcaster of film and television productions including: feature films, mix of private and public funding.
    [Show full text]