2011 Gala Program
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Srcd Oral History Interview
Therese Gouin-Decarie Born 9/30/1923 in Montreal B.A. (1945), L.Ph. (1947), and Ph.D. (1960) all in Psychology from the University of Montreal Major Employment: University of Montreal – 1951-Present, Professor, Department of Psychology Major Areas of Work: Infant development, cognitive development SRCD Affiliation: Member since 1965 SRCD ORAL HISTORY INTERVIEW Therese Gouin-Decarie Interviewed by Maryse Lassonde April, 1994 Lassonde: Dr. Decarie, very few Canadian scientists have accomplished so much in the field of child psychology. Your work has been recognized by several agencies. You are a member of the Royal Society of Canada, I believe you also have won an award from this Society for the excellence of your work. You have received two honorific doctorates, one from the University Ottawa, one from the University Concordia. You are the first woman to have received an award, a scientific award from the French Canadian Association for the Advancement of Science. You are a member, an officer of the Order of Canada. You are an officer of the National Order of Quebec. You have a long list of awards which I won’t specify in detail today but this is, I think this is a testimony to the excellence of your work in the field of child development. Before we talk about your research experience could you please tell us about your background? I’d like to start with your family history. I know you were born and raised in Montreal and you come from a very well known family. Your grandfather, if I am not mistaken was Premier of Quebec and well I think it would be important for our readers to know more about your own parents, their education, their occupation and how this might have influenced your own career. -
Opening Remarks
Opening Remarks Lawrence Adams was Amy Bowring’s revered mentor; his example has guided and encouraged her to tackle, with determination and purpose, assorted pursuits in dance. As Research Co-ordinator at Dance Collection Danse, Amy has been working with the organization, on contract, for five years. Many of you may know Amy through some of the projects in which she has been involved, and also as founder of the Society for Canadian Dance Studies which can boast a solid and active membership under her direction. First introduced to Dance Collection Danse in 1993 as a student undertaking research through York University’s dance programme, Amy’s passion for dance history triggered her interest in becoming seriously involved with DCD. After completing her BA in Fine Arts, Amy earned an MA in journalism from the University of Western Ontario. She is copy editor for The Dance Current magazine, has written various dance articles and encyclo- pedia entries, and is researching and writing a book on the 1948-1954 Canadian Ballet Festival phenomenon. And, to add more ingredients to the mix, she is a whiz at the computer! As Dance Collection Danse undergoes its planning process for upcoming and future activities, you can expect to see Amy’s involvement with DCD increase. To work with someone who is dedicated and skilled is a blessing, but to have someone on board who is also mindful and gracious is the best. The Editoral Committee and Board of Directors of Dance Collection Danse have dedicated this issue to Lawrence Adams, whose contribution to Canadian dance makes him deserving of .. -
Rapport Annuel 18/19
RAPPORT ANNUEL 2018-2019 SOMMAIRE TABLE OF CONTENTS LES GRANDS BALLETS 4 LES GRANDS BALLETS MOT DU PRÉSIDENT 6 MESSAGE FROM THE PRESIDENT HISTORIQUE DES GRANDS BALLETS 8 HISTORY OF LES GRANDS BALLETS LES GRANDS BALLETS EN CHIFFRES 12 LES GRANDS BALLETS AT A GLANCE SAISON 2018-2019 16 2018-2019 SEASON MUSIQUE ET CHANT 18 MUSIC AND SONG LE BALLET NATIONAL DE POLOGNE 21 THE POLISH NATIONAL BALLET RAYONNEMENT INTERNATIONAL 23 INTERNATIONAL CELEBRITY LA FAMILLE CASSE-NOISETTE 26 THE NUTCRACKER FAMILY CENTRE NATIONAL DE DANSE-THÉRAPIE 28 NATIONAL CENTRE FOR DANCE THERAPY LES STUDIOS 30 GALA-BÉNÉFICE 2018 35 2018 ANNUAL BENEFIT GALA LES JEUNES GOUVERNEURS 36 THE JEUNES GOUVERNEURS COMMANDITAIRES ET PARTENAIRES 38 SPONSORS AND PARTNERS REMERCIEMENTS 39 SPECIAL THANKS Photo: Sasha Onyshchenko • Danseuse / Dancer: Maude Sabourin DANSEURS 45 DANCERS 3 LES GRANDS BALLETS FAIRE BOUGER LE MONDE. AUTREMENT. Depuis plus de 60 ans, Les Grands Ballets Canadiens de Montréal sont une compagnie de création, de production et de diffusion internationale qui se consacre au développement de la danse sous toutes ses formes, en s’appuyant sur la discipline du ballet classique. Les danseuses et danseurs des Grands Ballets, sous la direction artistique d’Ivan Cavallari, interprètent des chorégraphies de créateurs de référence et d’avant-garde. Les Grands Ballets, reconnus pour leur excellence, leur créativité et leur audace, sont pleinement engagés au sein de la collectivité et rayonnent sur toutes les scènes du monde. MOVING THE WORLD. DIFFERENTLY. For over 60 years, Les Grands Ballets Canadiens de Montréal has been a creation, production and international performance company devoted to the development of dance in all its forms, while always staying faithful to the spirit of classical ballet. -
Un Studio En L'honneur De Fernand Nault
Communiqué de presse Pour diffusion immédiate Un studio en l’honneur de Fernand Nault Montréal, le 13 février 2012 — L’École supérieure de ballet du Québec salue l’héritage de Fernand Nault, pionnier de la danse au Québec, et rebaptisera un studio de danse en son honneur le 13 mars prochain. Celui qui a chorégraphié le fameux Casse-Noisette que présentent les Grands Ballets Canadiens à l’approche de Noël, tous les ans depuis 1964, a travaillé avec plusieurs générations de danseurs. Il a également fait sa marque à l’École supérieure, où il a notamment été directeur de 1974 à 1976. « J’ai eu la chance de côtoyer cet artiste généreux, d’une grande ouverture, raconte Anik Bissonnette, maintenant directrice artistique de l’École supérieure de ballet du Québec. Lorsque je reprenais un rôle dans l’un de ses ballets, il me donnait l’impression qu’il le créait de nouveau, spécialement pour moi. » Le studio Fernand-Nault sera décoré avec des photographies d’archives retraçant le parcours du danseur, du maître de ballet et du chorégraphe qu’il a été. « Nous souhaitons préserver le passé pour mieux construire l’avenir. Nous sommes persuadés que cette figure inspirante encouragera nos élèves à poursuivre leur rêve de devenir danseur professionnel », affirme Alix Laurent, directeur général de l’École supérieure de ballet du Québec. « Il a toujours traité les jeunes comme des danseurs professionnels, et je pense que c’est pour cela que les jeunes l’aimaient autant », dit André Laprise, fiduciaire du Fonds chorégraphique Fernand Nault, partenaire de cette commémoration. -
Margie Gillis
vol. 3, no. 1 — Nov. 2003 vol. 3, no. 1 — Nov. BulletinLe bulletin d’information de Danse Danse Arborant l’énergie et l’enthousiasme des premiers jours, Danse Danse lance prochainement sa sixième saison : six spectacles en provenance de trois continents, des chorégraphes chevronnés et des danseurs hors pair. En 2003-2004, le public montréalais aura encore une fois accès aux spectacles de danse contemporaine parmi les plus marquants d’ici et de l’étranger. La sixième saison de Danse Danse s’ouvrira donc le 20 novembre 2003 avec Danzahoy, une compagnie qui, tout comme la compagnie brésilienne Grupo Corpo présentée l’année dernière, est une histoire de famille! Fondée au Venezuela en 1980 par les sœurs Luz et Adriana Urdaneta, Danzahoy est vite devenue familière des scènes européennes et américaines. Elle présen- tera Exodo, une chorégraphie en rouge et noir imprégnée de l’esprit et des airs lanci- nants du tango, cette pensée triste qui se danse, comme disait Gardel. En décembre, Danse Danse célébrera les Michael Slobodian 30 ans de carrière de l’incomparable Margie Gillis. Pour l’occasion, la chorégraphe et interprète chérie du grand public offrira un programme de nouveaux solos, anniversaire — ainsi qu’une sélection d’autres pièces marquantes de e 30 2003 4 son répertoire. De grands moments en perspective ! Bonne saison de danse ! Saison Season Bright and feisty as ever, Danse Danse is back for season six with six productions from three continents by the world’s foremost choreographers starring today’s top dancers. The 2003-2004 season will once again bring Montrealers the finest in contemporary dance from around the world—and down the street. -
Dis/Counting Women: a Critical Feminist Analysis of Two Secondary Social Studies Textbooks
DIS/COUNTING WOMEN: A CRITICAL FEMINIST ANALYSIS OF TWO SECONDARY SOCIAL STUDIES TEXTBOOKS by JENNIFER TUPPER B.Ed., The University of Alberta, 1994 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF CURRICULUM STUDIES; FACULTY OF EDUCATION; SOCIAL STUDIES SPECIALIZATION We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1998 ©Copyright: Jennifer Tupper, 1998 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Curriculum Studies The University of British Columbia Vancouver, Canada Date October ff . I 9 92? 11 ABSTRACT Two secondary social studies textbooks, Canada: A Nation Unfolding, and Canada Today were analyzed with regard to the inclusion of the lives, experiences, perspectives and contributions of females throughout history and today. Drawing on the existing literature,-a framework of analysis was created comprised of four categories: 1) language; 2) visual representation; 3) positioning and; 4) critical analysis of content. Each of these categories was further broken into a series of related subcategories in order to examine in depth and detail, the portrayal of women in these two textbooks. -
Spring Convocation 2007 Celebrating Achievement a Convocation Procession Wends Its Way Towards the Administration Building, May 1928
Spring Convocation 2007 Celebrating achievement A Convocation procession wends its way towards the Administration building, May 1928. A-1666 University of Saskatchewan 3 Spring Convocation 2007 The graduation lists shown in this program were prepared prior to Convocation and may not reflect final college decisions regarding each student’s eligibility for graduation. As a result, some of the students listed in this program may not have been formally approved to receive the degree or diploma indicated. The Registrar maintains the official list of graduates. All photos are from University Archives, unless otherwise noted. President’s Message PETER MacKINNON I want to express a very warm welcome to the graduates, families and friends who join us today. Convocation is the University’s most important ceremony, for it is here that we celebrate the accomplishments of our students and the contributions of their loved ones to their success. You should be proud of this day and of the commitment and sacrifice that it represents. In this our Centennial year, we at the University of Saskatchewan are especially proud of our accomplishments over the past 100 years, and it is thanks in large part to you, our students, who have helped us to achieve our goal of building a world- class institution of higher learning. As we celebrate our successes with pride and anticipate our future with excitement, the University of Saskatchewan is ready to expand on the original vision of our founders. Our mission now is to engage fully in all we do, to enlighten all we serve, and to explore all aspects of our world. -
FILM FESTIVAL 22Nd - 29Th November 2012
UNDER THE AUSPICES OF THE EMBASSY OF THE REPUBLIC OF SERBIA IN PRETORIA SERBIAN ARTS AND CULTURE SOCIETY AFRICA SERBIAN FILM FESTIVAL 22nd - 29th November 2012 NU METRO, MONTECASINO An author’s perspective of the world Film, as a sublimation of all arts, is a true medium, a universal vehicle with which the broader public is presented with a world view, as seen by the eye of the fi lmmaker. Nowadays, due to the global economic crisis, which is ironically producing technological and all sorts of other develop- ments, an increasing number of people are pushed to the margins of average standards of living, and fi lmmakers are given the chance to bring under their ‘protection’ millions of disillusioned people with their fi lmmaking capabilities. Art, throughout its history, has always praised but has also been heavily critical of its subject. Film is not just that. Film is that and so much more. Film is life itself and beyond life. Film is everything many of us dream about but never dare to say out loud. That is why people love fi lms. That is why it is eternal. It tears down boundaries and brings together cul- tures. It awakens curiosity and builds bridges from one far away coast to another. Film is a ‘great lie’ but an even greater truth. Yugoslavian, and today the Serbian fi lm industry has always been ‘in trend’. It might sound harsh but, unfortunately, this region has always provided ample ‘material’ for fi lms. Under our Balkan clouds there has been an ongoing battle about which people are older, which came and settled fi rst, who started it and who will be fi rst to leave and such battles have been and continue to be an inspiration to fi lm producers. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Interiors by Coleman Lemieux & Compagnie
INTERIORS by Coleman Lemieux & Compagnie An NAC co-production STUDY GUIDE National Arts Centre, Dance 2008–2009 Season Cathy Levy Producer, Dance Programming This study guide was prepared by Coleman Lemieux & Compagnie, DanceWorks education consultant Laurence Siegel and NAC Outreach Coordinator Renata Soutter for the National Arts Centre Dance Department, October 2008. This document may be used for educational purposes only. INTERIORS STUDY GUIDE TABLE OF CONTENTS About the NAC ……………………………………………… 1 Dance at the NAC ……………………………………………... 2 Theatre Etiquette ………………………………………….…. 3 Interiors Artistic Team and Synopsis .……………………. 4 What students can expect ………………………………..…… 5 About the Company …………………………………….. 7 About the Artistic Directors …………………….………………. 8 About the Dancers …………………………………….. 9 An interview with Laurence Lemieux …………………….. 10 Appreciating Contemporary Dance …………………….. 12 How to watch a performance ……….………….… 13 Pre- and post-performance activities ……………….……. 14 Bibliography/internet sites of interest …………………..… 18 1 Canada’s National Arts Centre Officially opened on June 2, 1969, the National Arts Centre was one of the key institutions created by Prime Minister Lester B. Pearson as the principal centennial project of the federal government. Built in the shape of a hexagon, the design became the architectural leitmotif for Canada's premier performing arts centre. Situated in the heart of the nation's capital across Confederation Square from Parliament Hill, the National Arts Centre is among the largest performing arts complexes in Canada. It is unique as the only multidisciplinary, bilingual performing arts centre in North America and features one of the largest stages on the continent. Designed by Fred Lebensold (ARCOP Design), one of North America's foremost theatre designers, the building was widely praised as a twentieth century architectural landmark. -
José Carlos Felix Caos Controlado: a Tensão Entre Controle Técnico E Liberdade Criativa Em Mistérios E Paixões E Cidade De
JOSÉ CARLOS FELIX CAOS CONTROLADO: A TENSÃO ENTRE CONTROLE TÉCNICO E LIBERDADE CRIATIVA EM MISTÉRIOS E PAIXÕES E CIDADE DE DEUS CAMPINAS, 2013 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM JOSÉ CARLOS FELIX CAOS CONTROLADO: A TENSÃO ENTRE CONTROLE TÉCNICO E LIBERDADE CRIATIVA EM MISTÉRIOS E PAIXÕES E CIDADE DE DEUS Orientador: Prof. Dr. Fabio Akcelrud Durão Tese de doutorado apresentada ao Instituto de Estudos da Linguagem da Universidade Estadual de Campinas para obtenção do título de doutor em Teoria e História Literária, na área de: Teoria e Crítica Literária. CAMPINAS, 2013 iii FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Felix, José Carlos, 1974- F335c Caos controlado: a tensão entre controle técnico e liberdade criativa em Mistérios e paixões e Cidade de Deus / José Carlos Felix. -- Campinas, SP : [s.n.], 2013. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Mistérios e paixões (Filme). 2. Cidade de Deus (Filme). 3. Cinema - Estética - Técnica. 4. Indústria cultural. 5. Liberdade na arte. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Controlled chaos: the tension between technical control and artistic freedom in Naked Lunch and City of God. Palavras-chave em inglês: Naked lunch (Motion picture) Cidade de Deus (Motion picture) Moving-pictures - Aesthetics - Technique Cultural industry Liberty in art Área de concentração: Teoria e Crítica Literária. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Ravel Giordano Paz Washington Luis Lima Drummond Danielle dos Santos Corpas Robson Loureiro Data da defesa: 14-03-2013. -
Dramaturgies of Power a Dissertat
UNIVERSITY OF CALIFORNIA, SAN DIEGO UNIVERSITY OF CALIFORNIA, IRVINE The Master of Ceremonies: Dramaturgies of Power A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Drama and Theatre by Laura Anne Brueckner Committee in charge: University of California, San Diego Professor James Carmody, Chair Professor Judith Dolan Professor Manuel Rotenberg Professor Ted Shank Professor Janet Smarr University of California, Irvine Professor Ian Munro 2014 © Laura Anne Brueckner, 2014 All rights reserved The Dissertation of Laura Anne Brueckner is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ ___________________________________________________________ Chair University of California, San Diego University of California, Irvine 2014 iii DEDICATION This study is dedicated in large to the sprawling, variegated community of variety performers, whose work—rarely recorded and rarely examined, so often vanishing into thin air—reveals so much about the workings of our heads and hearts and My committee chair Jim Carmody, whose astonishing insight, intelligence, pragmatism, and support has given me a model for the kind of teacher I hope to be and Christopher