The Lion King Audition Flyer

Total Page：16

File Type：pdf, Size：1020Kb

Music & Lyrics by Elton John & Tim Rice Additional Music & Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Auditions Performances Thursday, February 13 • 4pm-8pm Friday, May 1, 2020 at 5:30pm & 8pm Ages 7-18 • Free to Audition • $17 Cast Fee Saturday, May 2, 2020 at 2pm & 6pm Steelworkers’ Auditorium • 8437 Sierra Ave. Arts.Fontana.org • 909.349.6949 DISNEY’S THE LION KING JR is presented through special arragement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. • www.MTIShows.com Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat” written by Will Van Dyke “It’s a Small World” Written by Richard M. Sherman and Robert B. Serman PARTICIPANT Audition # Last First M.I. Administrative Use AGE HEIGHT SCHOOL PARENT/GUARDIAN Last First M.I. ADDRESS Street Address Apartment Number PHONE EMAIL Auditions Thursday, February 13, 2020 • 4-8pm Auditions are by appointment (booked in 1hr increments) Appointments can be made online at fontanaca.perfectmind.com or via phone at 909-349-6949 Auditions are open to youth ages 7-18 years old To audition, participant should: Prepare to sing 16 bars of sheet music • Wear dance/athletic attire • Provide a headshot and résumé If chosen to be in the cast there will be a $17 cast fee due on the first day of rehearsal. Auditions will be held at Steelworkers’ Auditorium 8437 Sierra Ave. All Rehearsals are to be held at Steelworkers’ Auditorium (8437 Sierra Ave), or at the Art Depot Gallery* (16822 Spring St.). Dates and times are as follows: Friday, February 21, 2020.................. 7:30-9pm Sunday, April 5, 2020..........................4:00-8pm Saturday, February 29, 2020........... 6:00-9pm Friday, April 17, 2020............................7:00-9pm Sunday, March 1, 2020....................... 5:00-8pm Saturday, April 18, 2020......................4:00-7pm Friday, March 6, 2020......................... 7:30-9pm Sunday, April 19, 2020.........................4:00-8pm Saturday, March 7, 2020.................... 7:00-9pm Friday, April 24, 2020..........................7:00-9pm Sunday, March 8, 2020...................... 6:00-9pm Saturday, April 25, 2020.....................4:00-9pm Friday, March 13, 2020........................ 7:30-9pm Sunday, April 26, 2020........................4:00-9pm Saturday, March 14, 2020.................. 7:00-9pm Monday, April 27, 2020.......................4:00-9pm Sunday, March 15, 2020..................... 5:00-9pm Tuesday, April 28, 2020......................4:00-9pm Friday, March 20, 2020...................... 7:00-9pm Wednesday, April 29, 2020................4:00-9pm Friday, April 3, 2020........................... 7:00-9pm Thursday, April 30,2020.....................4:00-9pm Saturday, April 4, 2020...................... 4:00-7pm Attendance is required for all cast members when called to a rehearsal. Actual attendance for each rehearsal dependent upon role of cast member. Performances (4 Total) at Steelworkers’ Auditorium: Friday, May 1, 2020 • 5:30 & 8pm | Saturday, May 2, 2020 • 2 & 6pm *Rehearsal time and location subject to change. CASTING NOTES SINGING/ACTING DANCE/MOVEMENT RECOMMENDATION.

Copy Link

Recommended publications

Children's Theatre
Children’s Theatre June 19 - July 6 July 10 - 27 July 31 - Aug. 17 Sept. 21 - Oct. 20 Nov. 23 - Dec. 15 WorkshopS Sensory Friendly Ice Cream Socials Performances New! Discover the Magic of Narnia Pre-show Workshops before the Little Lake wants every young Join us for an ice cream party with performance.You are invited to join audience member to experience the your favorite Looking Glass charac- members of our cast in this excit- magic of live theater. This season will ters! For just an additional $5 pwer ing, hands-on workshop. Discover feature three special Sensory-friendly person, enjoy delicious ice cream the secrets of Narnia as you create performances for Disney’s The Lion sundaes, lemonade, and a special props that will be used in our show King Jr, Junie B. Jones Is Not A Crook, visit from the actors in that day’s and learn a part of the play that you and Winnie-The-Pooh. Select sensory play. Ice Cream Socials will be held will be invited to perform along with friendly performances dates are listed on June 22, July 13, and August 3 following the performance. our actors during the performance. on our website at www.littlelake,org Disney’s The Lion King Jr. -Music & Lyrics by Tim Rice, Elton John; Additional Music & Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer; Book by Roger Allers & Irene Mecchi; Based on the Broadway production directed by Julie Taymor.Junie B. Jones Is Not A Crook - By Allison Gregory, based on the book series by Barbara Park.
[Show full text]
Lion King Jr.” She Also Had Roles Including Annie, Flotsam, and Cogsworth in Previous Productions
Music and Lyrics by Elton John & Tim Rice Additional Music and Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat” written by Will Van Dyke “It’s a Small World” written by Richard M. Sherman and Robert B. Sherman Director Meredith Vandre Assistant Director Nora Wickman July 31-August 2 In Consideration of Other Patrons... • Please turn off or silence all cell phones. • Please do not text during the production. • Thank you for your patronage and polite considera- tion. • Maintain 6’ of social distance at all times • Face coverings over the nose and mouth should be worn at all times when not seated • Concessions will not be available • Bring your own lawn chair and/or blanket And enjoy the show! Cast Cast…………………………………………………………………………………………………………….Role Kaelin Baird……………………………………………………………………………………………………………..Scar Emerson Carter…………………………………………………………………………………………….Young Nala Riley Carter….……………………………………………………………………………………………………..Lioness Angela D’Andrea………………………………………………………………………………………………..Mufasa Madison Herlehy…………………………………………………………………………………………………….Nala Elise Hocevar…………………………………………….……………………………………………………………….Ed Luke Hogan…………………………………………………………………………………………………………..Simba Tyler Hogan…………………………………………………………………………………………………………….Zazu Zoe Hogan……………………………….…………………………………………………………………………….Rafiki Jeannie Hughes………………………………………………………………………..………………Young Simba Ava Ludwig………………………………………………………………………..………………………………Sarafina
[Show full text]
NCTC- Lkaudition Packet Copy
AUDITIONS MARCH 22 & 23, by appointment FREQUENTLY ASKED QUESTIONS HOW OLD DO I HAVE TO BE TO AUDITION? To audition for the full cast, you must be eight years old by the closing performance. If you have participated in ﬁve (5) or more IN PERFORMANCE classes, you may be eligible to audition for the full cast. YOUNGER THAN 8? Children ages 5-8, check out our IN PERFORMANCE: DISNEY’S THE LION KING EXPERIENCE JR class beginning in May. While you may not having speaking lines, you will still have an opportunity to be in the production. WHEN ARE THE AUDITIONS? Auditions are March 22 & 23, by appointment. DO I HAVE TO MAKE AN APPOINTMENT TO AUDITION? Yes. Either schedule your audition online at www.NCTCArts.org. Appointments will last between 5-10 minutes. Appointments begin at 4:30pm on both days. WHERE WILL THE AUDITIONS, REHEARSALS AND PERFORMANCES TAKE PLACE? NCTC Performing Arts Theatre located at 743 North Mountain Road in Newington. IʼVE NEVER DONE THIS BEFORE, CAN I STILL AUDITION? Yes! In each of our productions, we have both children who have had stage experience and children who have not. DO MY PARENTS/FRIENDS WATCH MY AUDITION? No. We ask that all family and friends wait in the lobby during your audition. You will audition for the director and stage manager. WHAT DO I NEED TO PREPARE FOR MY AUDITION? Please make sure to ﬁll out the audition form completely, attach a recent picture of yourself (size of picture doesnʼt matter-as long as we can see your face) and bring with you to your audition appointment.
[Show full text]
Disney's the Lion King Opens This Week!
Contact: Molly Sommerhalder For Immediate Release Marcus Performing Arts Center Phone: 414-273-7121 x399 Email: [email protected] DISNEY’S THE LION KING OPENS THIS WEEK! Performances Begin on February 5, 2020 And Play for Four Weeks at the Marcus Performing Arts Center through March 1, 2020 MILWAUKEE (February 3, 2020) – Disney’s The Lion King will leap onto the Marcus Performing Arts Center stage this Wednesday, February 5 for a four-week engagement through March 1st. The Lion King is part of the Johnson Financial Group Broadway at the Marcus Center and Broadway Across America-Milwaukee series. Tickets are available via lionking.com, MarcusCenter.org or Ticketmaster.com, by phone at 414-273-7206, and the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. VIP Ticket Packages, which include a prime seat location, a commemorative souvenir program and an exclusive merchandise item, are also available. Groups of 10 or more may reserve seating by calling 414-273-7121 x210 or x213. Ticket buyers are reminded that the outlets listed above are the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Marcus Performing Arts Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. The North American touring productions of The Lion King have been seen by more than 20 million theatergoers. Having already played more than 80 cities across North America, The Lion King now proudly makes its return to Milwaukee.
[Show full text]
Southwest Playhouse Inc. Student Liability Waiver & Release Form
Southwest Playhouse Inc. Student Liability Waiver & Release Form Student’s Name ________________________________________________ DOB_______________ Parent(s)/Guardian(s) ____________________________________________________________ Address _______________________________________________________________________ City _______________________________________ State _____________ Zip ______________ First Emergency Contact _____________________________________ Phone _________________ Second Emergency Contact ___________________________________ Phone ______________ Special Health Care Needs and/or Allergies ___________________________________________ ________________________________________________________________________________ RELEASE AND WAIVER I hereby give permission for the above named student to participate in Southwest Playhouse’s Camp Hakuna Matata. I declare that I am the parent or legal guardian of the above named child, and I have custody and control of the child. In the event my child is injured or should require medical attention, I hereby request that you contact me or our emergency contact. In the event that we cannot be reached, I hereby authorize Southwest Playhouse Inc’s representative(s) to secure necessary medical treatment for my child, including consent to and authorization of medical procedure by physicians, dentists, hospital or other emergency medical personnel, as they, in the exercise of their sole discretion, may deem necessary. I further acknowledge that I will be responsible for any medical or hospital fees or costs associated with my child’s medical treatment. I understand that participation in any programs at Southwest Playhouse Inc may expose my child to activities and equipment which could cause accidents and injuries; I further understand that my child will not be supervised outside of class time. I understand that as a participant, my child may be climbing on and off of stage and set pieces. I also understand that my child may be running, jumping, dancing and varied other movements on stage.
[Show full text]
Disney Theatricals & the Lion King
DISNEY THEATRICALS & THE LION KING Sunrise on the savanna. The shaman baboon Rafiki raises her voice in a glorious chant, calling the animals to Pride Rock. Her words sing out, and the animals come. The elephants, rhinos, zebras, giraffes, wildebeests, cheetahs, and antelope all come to honor the new prince and celebrate the unending Circle of Life. "The Lion King," a brilliant and life-affirming musical, has begun. When the animated feature film "The Lion King" opened in 1994, it caught the imaginations of children and adults all over the world. The epic adventure of the young lion Simba touched millions with its thrilling story and its powerful vision of family and the connection between all living things. Now, just as Disney has always given us new ways to look at animated films, Disney Theatricals is dedicated to innovative theater. "The Lion King" uses a breathtaking fusion of puppetry and human performance to re-create the animal characters. Its soaring score is a blend of American popular music and African rhythms. As Michael Eisner, chairman and CEO of The Walt Disney Company, said, "This production ... reaffirms our commitment to legitimate theater, which began with the record- breaking stage production of ’Beauty and the Beast’ ... We have assembled a great creative team for ’The Lion King’ with backgrounds in theater, opera, puppetry, and dance to bring a bold new dimension to the source material." For young people, "The Lion King" offers a once-in-a-lifetime event, a wonderful introduction to the excitement of a live performance experience. For educators, the elements of "The Lion King"’s story and its creation can be launching points for vibrant classroom discussions and explorations.
[Show full text]
NYC-YUL Programme
Introduction Witnessing the birth of a brand-new Cirque du Soleil show is a must-see event that every fan of the Cirque should attempt at least once in their lifetimes. Taking that show in with the hometown crowd is a singular experience not to be missed – the abundance of excitement, that electric spark of energy, and unfettered restlessness over the anticipation of reveal is both fascinating and intoxicating. A pure, raw, energy invades the Grand Chapiteau (or theater) unlike anywhere else in the world. And when you share that encounter with friends the experience can be most enlightening. Welcome, Passionate, to CirqueCon 2010 . Over the years, CirqueCon has journeyed across oceans and transcended borders, touching fans in Canada, North America, Japan and Mexico to much success. As we gather now for the seventh time this year, not only do we find ourselves once again witnessing the evolution of some of Cirque du Soleil’s newest productions – BANANA SHPEEL, a new venue concept in New York City, and TOTEM, a new traveling spectacle opening in Montréal – we also find ourselves part of a nouvelle experience at CirqueCon. For the first time in our brief history we’ve expanded our traditional weekend to encompass two separate locations spanning a distance over five-hundred kilometers: one, a new and exciting metropolis for Passionates to explore, a city that never sleeps; the other, a cobblestone-lined historical village, with the familiarity of a heartwarming homecoming. We’re excited to present C irqueCon 2010: New York City & Montréal to you! Bridging oceans and transcending borders while taking in three Cirque du Soleil productions (two of which are brand new) is an exciting new step for us.
[Show full text]
Casting Announced for Disney’S the LION KING Performances Begin on January 10 and Play for Three Weeks Through January 28 at the Fox Theatre
FOR IMMEDIATE RELEASE Press Contacts: Haley Sheram BRAVE Public Relations [email protected] 404.233.3993 Casting Announced for Disney’s THE LION KING Performances Begin on January 10 and Play for Three Weeks Through January 28 at the Fox Theatre (ATLANTA) December 19, 2017 – Casting has been announced for the Atlanta return engagement of Disney’s The Lion King, which will leap onto the Fox Theatre stage on January 10 for a limited three week engagement through January 28, as a special to the Fifth Third Bank Broadway in Atlanta 2017/2018 season. The production features three Atlanta natives – Nia Holloway as “Nala,” Courtney Thomas and Jane King. Holloway, who attended Norcross High School, is the youngest woman to play the adult “Nala” in The Lion King. Thomas began attending dancing classes at North Atlanta High School at the age of 16, and he studied dance with AREA (Atlanta’s Resource for Entertainment and Arts). King danced for The Metropolitan Opera and Lustig Dance Theatre and was raised in Stone Mountain, Georgia. Accompanying them is Mark Campbell as “Scar,” Gerald Ramsey as “Mufasa,” Buyi Zama as “Rafiki,” Nick Cordileone as “Timon,” Greg Jackson as “Zazu,” Ben Lipitz as “Pumbaa,” Gerald Caesar as “Simba,” Keith Bennett as “Banzai,” Martina Sykes as “Shenzi” and Robbie Swift as “Ed.” The role of “Young Simba” is alternated between Joziyah Jean-Felix and Ramon Reed and the role of “Young Nala” is alternated between Danielle W. Jalade and Gloria Manning. Rounding out the cast are Derek Adams, Kayla Rose Aimable, Andrew Arrington, William John Austin, Eric Bean, Jr., Kolin Jerron, Thabani Buthelezi, Sasha Caicedo, Kyle Robert Carter, Thembelihle Cele, Erynn Marie Dickerson, Tony Freeman, Mukelisiwe Goba, Deidrea Halley, Jalen Harris, William James Jr., Gregory Manning II, Christopher L.
[Show full text]
Edition 1 | 2018-2019
Dear Ladies & Gentlemen, Welcome to the Saroyan Theatre for the first show of our 18-19 Fresno Lexus Broadway in Fresno season, Disney’s The Lion King. In fact, this is the first time Disney’s The Lion King has played Fresno, and I couldn’t be more thrilled. How special is Disney’s The Lion King? Where do I start? The show has been seen by over 90 million patrons worldwide, is the third longest running show on Broadway, has won six Tony Awards, including Best Musical….and that is just the beginning. I’m Mike Gibson of Fresno Lexus and as the Title Sponsor of the Broadway Series, I want to extend my personal warm welcome. Whether you are a subscriber, a frequent attendee, or at our beloved Saroyan Theatre for the first time, thank you for coming! And for the 18-19 season, we have more season ticket subscribers here in Fresno than ever before! Thank you for supporting the arts in Fresno. We are very excited to partner with Disney hosting several community outreach efforts targeted at our local youth. Helping support our community is central to our mission at Fresno Lexus. As always, we appreciate your patronage… our Broadway Series can’t happen without your support. You are going to love this performance of Disney’s The Lion King. Mike Gibson General Manager Fresno Lexus broadway in fresno 3 Did You Know? Young people who participate in the arts for at least three hours on three days each week through at least one full year are: • 4 times more likely to be recognized for academic achievement • 3 times more likely to be elected to class office
[Show full text]
ANNUAL REPORT UNDER SECTION 13 OR 15(D) of the SECURITIES EXCHANGE ACT of 1934 for the FISCAL YEAR ENDED DECEMBER 31, 2005
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-KSB (Mark One) |X| ANNUAL REPORT UNDER SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2005 |_| TRANSITION REPORT UNDER SECTION13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM __________ TO __________ COMMISSION FILE NUMBER ________________________________ DIGICORP -------- (Name of small business issuer in its charter) UTAH 87-0398271 ---- ---------- (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) 4143 Glencoe Avenue, Marina Del Rey, CA 90292 --------------------------------------------- (Address of principal executive offices) (Zip Code) Issuer's telephone Number: (310) 728-1450 Securities registered under Section 12(b) of the Exchange Act: None. Securities registered under Section 12(g) of the Exchange Act: Common Stock, $.001 par value Check whether the issuer is not required to file reports pursuant to Section 13 or 15(d) of the Exchange Act. |_| Check whether the issuer (1) filed all reports required to be filed by Section 13 or 15(d) of the Exchange Act during the past 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes |_| No |X| Check if there is no disclosure of delinquent filers in response to Item 405 of Regulation S-B contained in this form, and no disclosure will be contained, to the best of registrant's knowledge, in definitive proxy or information statements incorporated by reference in Part III of this Form 10-KSB or any amendment to this Form 10-KSB.
[Show full text]
Collection of the Center for the Study of Political Graphics
http://oac.cdlib.org/findaid/ark:/13030/c8959k7m No online items Collection of the Center for the Study of Political Graphics Center for the Study of Political Graphics 3916 Sepulveda Blvd. Suite 103 Culver City, California 90230 (310) 397-3100 [email protected] http://www.politicalgraphics.org/ 2020 Collection of the Center for the See Acquisition Information 1 Study of Political Graphics Descriptive Summary Title: Collection of the Center for the Study of Political Graphics Dates: 1900- ; bulk 1960- Collection Number: See Acquisition Information Creator/Collector: Multiple creators Extent: 330 flat files Repository: Center for the Study of Political Graphics Culver City, California 90230 Abstract: The collection of the Center for the Study of Political Graphics (CSPG) contains over 90,000 domestic and international political posters and prints relating to historical and contemporary movements for social change. The finding aid represents the collection in its entirety. Language of Material: English Access The CSPG collection is open for research by appointment only during the Center's operating hours. Publication Rights CSPG does not hold copyright for any items in the collection. CSPG provides access to the materials for educational and research purposes only. Users are responsible for obtaining all necessary permissions for use. Preferred Citation [Identification of item], Collection of the Center for the Study of Political Graphics (CSPG). Acquisition Information CSPG acquires 3,000 to 5,000 items annually, primarily through donations. Each acquisition is assigned a unique acquisition number and is written on individual items before these are sorted and filed by topic. Scope and Content of Collection The collection represents diverse social and political movements.
[Show full text]
Lion-King-Study-Companion.Pdf
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..7 Background…………………………………….………….….……..……8 Lion King Lithographs: Landscape, Setting and Number Lines…….……..……….…..49 Lion King Graphs and Map Making.…………………..…….…..74 Lion King Stories and Journeys …………….………...…………94 Lion King Set Design: Mud Cloth Patterns ………….………126 African Symbolism in Local Architecture…………….………141 Additional Resources……………………………….…..….……...148 2 | P a g e Teacher’s Notes Music and Lyrics by Tim Rice and Elton John Additional Music and Lyrics by Will Van Dyke, Lebo M, Mark Mancina, and Jay Rifkin Book by Roger Allers and Irene Mecchi Based on the Broadway production directed by Julie Taymor Synopsis: A lively stage adaptation of the Academy Award- winning 1994 Disney film, The Lion King is the story of a young lion prince living in the flourishing African Pride Lands. Born into the royal family, precocious cub Simba spends his days exploring the sprawling savanna grasslands and idolizing his kingly father, Mufasa, while youthfully shirking the responsibility his position in life requires. When an unthinkable tragedy, orchestrated by Simba’s wicked uncle, Scar, takes his father’s life, Simba flees the Pride Lands, leaving his loss and the life he knew behind. Eventually companioned by two hilarious and unlikely friends, Simba starts anew. But when weight of responsibility and a desperate plea from the now ravaged Pride Lands come to find the adult prince, Simba must take on a formidable enemy, and fulfill his destiny to be king.
[Show full text]