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Character Breakdown BANZAI a Slick Yet Childish Hyena Who Works For
Character Breakdown BANZAI A slick yet childish hyena who works for Scar. He would be the leader of the group if hyenas weren't so lazy. Look for an outgoing and confident actor who can portray nastiness and gruffness. As Banzai is always featured with Shenzi and Ed, consider auditioning the hyenas in trios. Male or Female, Any Age ED The third member of Scar's trio of lackeys. He has a loud, cackling laugh that is his only form of communication. Ed should be played by an actor who can laugh unabashedly and communicate through physicality and facial expressions rather than words. This role can be played by a boy or girl. Male or Female, Any Age ENSEMBLE The ensemble plays various inhabitants of the Pridelands, such as giraffes, elephants, antelopes, wildebeest, and other creatures you choose to include. This group can have as few or as many performers as your production permits. There are also several moments to showcase individual dancers in "The Lioness Hunt" and "I Just Can't Wait to Be King." HYENAS Scar's army, helping carry out his evil plot to take over the Pridelands. Hyenas are mangy, mindless creatures who sing in "Be Prepared." Male or Female, Any Age LIONESSES The fierce hunters of the Pridelands and featured in "The Lioness Hunt," "The Mourning," and "Shadowland." Female, Any Age MUFASA The strong, honorable, and wise lion who leads the Pridelands. Mufasa should command respect onstage and also show tenderness with his son, Simba. Male, Any Age NALA Grows from a cub to a lioness before she confronts Scar, so cast a more mature actress to play the character beginning in Scene 10, As with older Simba and Young Simba, ensure that this switch in actors performing a single role is clear. -
Children's Theatre
Children’s Theatre June 19 - July 6 July 10 - 27 July 31 - Aug. 17 Sept. 21 - Oct. 20 Nov. 23 - Dec. 15 WorkshopS Sensory Friendly Ice Cream Socials Performances New! Discover the Magic of Narnia Pre-show Workshops before the Little Lake wants every young Join us for an ice cream party with performance.You are invited to join audience member to experience the your favorite Looking Glass charac- members of our cast in this excit- magic of live theater. This season will ters! For just an additional $5 pwer ing, hands-on workshop. Discover feature three special Sensory-friendly person, enjoy delicious ice cream the secrets of Narnia as you create performances for Disney’s The Lion sundaes, lemonade, and a special props that will be used in our show King Jr, Junie B. Jones Is Not A Crook, visit from the actors in that day’s and learn a part of the play that you and Winnie-The-Pooh. Select sensory play. Ice Cream Socials will be held will be invited to perform along with friendly performances dates are listed on June 22, July 13, and August 3 following the performance. our actors during the performance. on our website at www.littlelake,org Disney’s The Lion King Jr. -Music & Lyrics by Tim Rice, Elton John; Additional Music & Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer; Book by Roger Allers & Irene Mecchi; Based on the Broadway production directed by Julie Taymor.Junie B. Jones Is Not A Crook - By Allison Gregory, based on the book series by Barbara Park. -
Redalyc.DISNEY's “WAR EFFORTS”: the LION KING and EDUCATION
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Modenessi, Alfredo Michel DISNEY’S “WAR EFFORTS”: THE LION KING AND EDUCATION FOR DEATH, OR SHAKESPEARE MADE EASY FOR YOUR APOCALYPTIC CONVENIENCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 49, julio-diciembre, 2005, pp. 397-415 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348687019 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Disney's "War efforts": The Lion King and... 397 DISNEY’S “WAR EFFORTS”: THE LION KING AND EDUCATION FOR DEATH, OR SHAKESPEARE MADE EASY FOR YOUR APOCALYPTIC CONVENIENCE Alfredo Michel Modenessi Universidad Nacional Autónoma de México [...]circumstances are incalculable in the manner in which they come about, even if apocalyptically or politically foreseen, and the identity of the vital individuals and objects is hidden by their humble or frivolous role in an habitual set of circumstances. Nadine Gordimer, July’s People I. “Who is here so rude that would not be a Roman?” “‘Peace, ho! Brutus speaks.’ And speaks. And speaks. And except for a couple of fatal blows that he somewhat misplaces in the bodies of his “best lover[s]” (i.e. Caesar and himself), he hardly does anything but deliver speeches. -
How "The Lion King" Remake Is Different from the Animated Version by USA Today, Adapted by Newsela Staff on 07.29.19 Word Count 854 Level MAX
How "The Lion King" remake is different from the animated version By USA Today, adapted by Newsela staff on 07.29.19 Word Count 854 Level MAX Image 1. Mufasa (left) and Simba in a scene from Disney's animated "The Lion King" which was released in 1994. Photo by: Disney Studios How does Disney tell the story of a lion becoming king in 2019? Well, largely the same way it did in 1994. This time the movie studio is using photorealistic computer-generated imagery (CGI). Jon Favreau's remake of "The Lion King" (in theaters since July 19) brings Simba, Nala, Scar and the whole pride back to the big screen with new voice talent but much of the original plot intact. Fans of the animated classic get those moments they love: Simba's sneeze, the cub's presentation to the kingdom, Timon and Pumbaa's vulture-kicking entrance. Even much of the dialogue is identical to that of the 25-year-old movie. But there are some changes that add a half-hour of running time to the story. Here are a few notable updates, aside from the obvious fact that the animals no longer look like cartoons. Be prepared for a different version of Scar's sinister song, and for new Beyoncé music. This time, Scar (Chiwetel Ejiofor) doesn't so much croon "Be Prepared" as deliver his signature song like a dark, militaristic monologue. In place of a catchy chorus and humorous digs at hyenas This article is available at 5 reading levels at https://newsela.com. -
Lion King Jr.” She Also Had Roles Including Annie, Flotsam, and Cogsworth in Previous Productions
Music and Lyrics by Elton John & Tim Rice Additional Music and Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat” written by Will Van Dyke “It’s a Small World” written by Richard M. Sherman and Robert B. Sherman Director Meredith Vandre Assistant Director Nora Wickman July 31-August 2 In Consideration of Other Patrons... • Please turn off or silence all cell phones. • Please do not text during the production. • Thank you for your patronage and polite considera- tion. • Maintain 6’ of social distance at all times • Face coverings over the nose and mouth should be worn at all times when not seated • Concessions will not be available • Bring your own lawn chair and/or blanket And enjoy the show! Cast Cast…………………………………………………………………………………………………………….Role Kaelin Baird……………………………………………………………………………………………………………..Scar Emerson Carter…………………………………………………………………………………………….Young Nala Riley Carter….……………………………………………………………………………………………………..Lioness Angela D’Andrea………………………………………………………………………………………………..Mufasa Madison Herlehy…………………………………………………………………………………………………….Nala Elise Hocevar…………………………………………….……………………………………………………………….Ed Luke Hogan…………………………………………………………………………………………………………..Simba Tyler Hogan…………………………………………………………………………………………………………….Zazu Zoe Hogan……………………………….…………………………………………………………………………….Rafiki Jeannie Hughes………………………………………………………………………..………………Young Simba Ava Ludwig………………………………………………………………………..………………………………Sarafina -
The Lion King Monologues
THE LONE KING MONOLOGUES LAST WEEK – VOCAL SKILLS • Pace • Pitch • Power • Pause • Pronunciation THIS WEEK Monologues – VOCAL SKILLS • Space • Levels • Facial Expression • Body Language Zazu – The Lion King Oh, just look at you two. Little seeds of romance blossoming in the savannah. Your parents will be thrilled… what with your being betrothed and all. {trying to explain} Betrothed. Intended. Affianced. One day you two are going to be married! {beat} Well, sorry to bust your bubble, but you two turtle doves have no choice. It’s a tradition… going back generations. {beat} Oh, you can’t fire me. Only a king can do that. You’re not a king yet. And with an attitude like that, I'm afraid you’re shaping up to be a pretty pathetic king indeed. If this is where the monarchy is headed count me out! Out of service, out of Africa, I wouldn't hang about! Young Simba – The Lion King Hey Uncle Scar, guess what! I'm going to be king of Pride Rock. My Dad just showed me the whole kingdom, and I'm going to rule it all. Heh heh. I’m gonna be a mighty king so enemies beware. I’m working on my roar. Here, listen! Roar!! I can’t wait to be king! No one bossing me around… Free to play all day... Free to do it all my way! Hey, Uncle Scar? When I'm king, what will that make you? Mufasa – The Lion King Look Simba. Everything the light touches is our kingdom. A king's time as ruler rises and falls like the sun. -
Disney's the Lion King Opens This Week!
Contact: Molly Sommerhalder For Immediate Release Marcus Performing Arts Center Phone: 414-273-7121 x399 Email: [email protected] DISNEY’S THE LION KING OPENS THIS WEEK! Performances Begin on February 5, 2020 And Play for Four Weeks at the Marcus Performing Arts Center through March 1, 2020 MILWAUKEE (February 3, 2020) – Disney’s The Lion King will leap onto the Marcus Performing Arts Center stage this Wednesday, February 5 for a four-week engagement through March 1st. The Lion King is part of the Johnson Financial Group Broadway at the Marcus Center and Broadway Across America-Milwaukee series. Tickets are available via lionking.com, MarcusCenter.org or Ticketmaster.com, by phone at 414-273-7206, and the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. VIP Ticket Packages, which include a prime seat location, a commemorative souvenir program and an exclusive merchandise item, are also available. Groups of 10 or more may reserve seating by calling 414-273-7121 x210 or x213. Ticket buyers are reminded that the outlets listed above are the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the Marcus Performing Arts Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. The North American touring productions of The Lion King have been seen by more than 20 million theatergoers. Having already played more than 80 cities across North America, The Lion King now proudly makes its return to Milwaukee. -
July 31-August 2 in Consideration of Other Patrons
Music and Lyrics by Elton John & Tim Rice Additional Music and Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat” written by Will Van Dyke “It’s a Small World” written by Richard M. Sherman and Robert B. Sherman Director Meredith Vandre Assistant Director Nora Wickman July 31-August 2 In Consideration of Other Patrons... • Please turn off or silence all cell phones. • Please do not text during the production. • Thank you for your patronage and polite considera- tion. • Maintain 6’ of social distance at all times • Face coverings over the nose and mouth should be worn at all times when not seated • Concessions will not be available • Bring your own lawn chair and/or blanket And enjoy the show! Cast Cast…………………………………………………………………………………………………………….Role Kaelin Baird……………………………………………………………………………………………………………..Scar Emerson Carter…………………………………………………………………………………………….Young Nala Riley Carter….……………………………………………………………………………………………………..Lioness Angela D’Andrea………………………………………………………………………………………………..Mufasa Madison Herlehy…………………………………………………………………………………………………….Nala Elise Hocevar…………………………………………….……………………………………………………………….Ed Luke Hogan…………………………………………………………………………………………………………..Simba Tyler Hogan…………………………………………………………………………………………………………….Zazu Zoe Hogan……………………………….…………………………………………………………………………….Rafiki Jeannie Hughes………………………………………………………………………..………………Young Simba Ava Ludwig………………………………………………………………………..………………………………Sarafina -
Hercules Saturday, August 31
PRESS CONTACT: [email protected] // 212-539-8624 THE PUBLIC THEATER BEGINS FREE PERFORMANCES FOR PUBLIC WORKS’ MUSICAL ADAPTATION OF HERCULES SATURDAY, AUGUST 31 Music by Alan Menken Lyrics by David Zippel Book by Kristoffer Diaz Choreography by Chase Brock Directed by Lear deBessonet Seventh Season of Public Works to Feature 200 New Yorkers From All Five Boroughs on The Delacorte Stage with Jelani Alladin, Roger Bart, Jeff Hiller, James Monroe Iglehart, Ramona Keller, Tamika Lawrence, Krysta Rodriguez, and Rema Webb Featuring Special Performance by Broadway Inspirational Voices and Cameo Group Performances by 10 Hairy Legs and Passaic High School Marching Band August 22, 2019 − The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin free performances for Public Works’ musical adaptation of HERCULES, with music by Alan Menken, lyrics by David Zippel, book by Kristoffer Diaz, and directed by Lear deBessonet, on Saturday, August 31. Based on the Disney film written by Ron Clements, John Musker, Donald McEnery, Bob Shaw, and Irene Mecchi and directed by Ron Clements and John Musker, HERCULES will feature over 200 New Yorkers from all five boroughs and features choreography by Chase Brock, as well as additional new songs by Menken and Zippel for this Public Works production, in addition to six songs from the film’s beloved Academy Award-nominated score. A new stage adaptation of the Disney classic, HERCULES will run for seven nights for free, beginning August 31 through September 8, at The Delacorte Theater. The Public Theater’s initiative that invites communities across New York to create ambitious works of participatory theater is closing out the summer in truly epic fashion. -
Deconstructing Walt Disney's the Lion King
Deconstructing Walt Disney’s The Lion King By Vicky Wong Spring 1999 Issue of KINEMA DECONSTRUCTING THE WALT DISNEY ANIMATION THE LION KING: ITS IDEOL- OGY AND THE PERSPECTIVE OF HONG KONG CHINESE Walt Disney’s animations have always been popular, largely of course due to their aesthetic appeal, vivid characters, interesting plots, and for the parents, obvious moral standards that save their time teaching their children. The artifact this paper is going to study is one of Disney’s most popular animation The Lion King released in 1994 both in the US and in Hong Kong. The film broke all records in the first weekend, grossing USD42 million. It was similarly popular when it was released in Hong Kong during the summer vacation in the same year. Simply put, the story is about how a regal lion is victimised by his uncle: experiences an exile and a life free from responsibility: free by whim or by chance, when he grows up, meets up with his friend and goes through a period of identity crisis and introspection: and finally, the lion gains back his throne by challenging the illegitimate king, his uncle. Though in the form of an animation which one would naturally think is dedicated to children, and which is generally thought of as being surrealistic, which at most contain moral lessons. The Lion King, in analysis, is more than a fable. I will argue that The Lion King should ”rightfully” (a term often appears in the script as we will discuss later) be an adult’s film. Hinson (1994) said, ”Of the 32 animated films Disneyhas produced, this story of a young African lion’s search for identity is not only more mature in its themes, it is also the darkest and the most intense. -
Southwest Playhouse Inc. Student Liability Waiver & Release Form
Southwest Playhouse Inc. Student Liability Waiver & Release Form Student’s Name ________________________________________________ DOB_______________ Parent(s)/Guardian(s) ____________________________________________________________ Address _______________________________________________________________________ City _______________________________________ State _____________ Zip ______________ First Emergency Contact _____________________________________ Phone _________________ Second Emergency Contact ___________________________________ Phone ______________ Special Health Care Needs and/or Allergies ___________________________________________ ________________________________________________________________________________ RELEASE AND WAIVER I hereby give permission for the above named student to participate in Southwest Playhouse’s Camp Hakuna Matata. I declare that I am the parent or legal guardian of the above named child, and I have custody and control of the child. In the event my child is injured or should require medical attention, I hereby request that you contact me or our emergency contact. In the event that we cannot be reached, I hereby authorize Southwest Playhouse Inc’s representative(s) to secure necessary medical treatment for my child, including consent to and authorization of medical procedure by physicians, dentists, hospital or other emergency medical personnel, as they, in the exercise of their sole discretion, may deem necessary. I further acknowledge that I will be responsible for any medical or hospital fees or costs associated with my child’s medical treatment. I understand that participation in any programs at Southwest Playhouse Inc may expose my child to activities and equipment which could cause accidents and injuries; I further understand that my child will not be supervised outside of class time. I understand that as a participant, my child may be climbing on and off of stage and set pieces. I also understand that my child may be running, jumping, dancing and varied other movements on stage. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.