How "The Lion King" Remake Is Different from the Animated Version by USA Today, Adapted by Newsela Staff on 07.29.19 Word Count 854 Level MAX

Total Page:16

File Type:pdf, Size:1020Kb

How How "The Lion King" remake is different from the animated version By USA Today, adapted by Newsela staff on 07.29.19 Word Count 854 Level MAX Image 1. Mufasa (left) and Simba in a scene from Disney's animated "The Lion King" which was released in 1994. Photo by: Disney Studios How does Disney tell the story of a lion becoming king in 2019? Well, largely the same way it did in 1994. This time the movie studio is using photorealistic computer-generated imagery (CGI). Jon Favreau's remake of "The Lion King" (in theaters since July 19) brings Simba, Nala, Scar and the whole pride back to the big screen with new voice talent but much of the original plot intact. Fans of the animated classic get those moments they love: Simba's sneeze, the cub's presentation to the kingdom, Timon and Pumbaa's vulture-kicking entrance. Even much of the dialogue is identical to that of the 25-year-old movie. But there are some changes that add a half-hour of running time to the story. Here are a few notable updates, aside from the obvious fact that the animals no longer look like cartoons. Be prepared for a different version of Scar's sinister song, and for new Beyoncé music. This time, Scar (Chiwetel Ejiofor) doesn't so much croon "Be Prepared" as deliver his signature song like a dark, militaristic monologue. In place of a catchy chorus and humorous digs at hyenas This article is available at 5 reading levels at https://newsela.com. for having "powers of retention ... as wet as a warthog's backside" is a terrifying spiel about overthrowing Mufasa's regime. It's half the length of the original tune, but twice as scary. But if fans want to hear more ballads, they're in luck: Beyoncé performs the new uplifting song "Spirit" to go with Simba's triumphant return home. (Good luck trying to sing along to the sweeping track that showcases the singer's incomparable pipes.) Elton John contributes a new song as well, "Never Too Late." It's an upbeat dance-in-your-seat song that plays during the end credits. Scar has a few other updates, too, including a new reason to be bitter. New for 2019: Scar is in love with Simba's mom. In this version of "The Lion King," Scar references the fact that long ago Sarabi (Alfre Woodard) chose Mufasa over him. He's not over it, and she objects to his advances. Favreau says Shakespeare inspired the new love triangle in the film, because "in Hamlet, there was the mother of the murdered father going with the uncle." The new plot point also works to undo what some considered the first movie's "queer coding" of the flamboyant Disney villain. (Some accuse the animation studio of giving its baddies – including Scar, Hades and Captain Hook – stereotypically homosexual traits.) Another major change: Scar looks rougher than his animated predecessor, with a bite taken out of his ear and a matted mane. Visual effects supervisor Rob Legato says his team gave Scar a violent history: "Our made-up story was that he got into a lot of scraps and fights because he's kind of a jerk, so he probably got scarred up." The new actors do their own singing. Beyoncé (who voices Nala) sings in this movie, of course. She and Donald Glover (Simba) perform a memorable "Can You Feel the Love Tonight" duet. They're in perfect harmony, all right. And Beyoncé's not shy about adding several riffs and runs to the Oscar-winning classic. Don't worry: Glover gets to show off on the end of "Hakuna Matata." Speaking of that feel-good tune, Billy Eichner and Seth Rogen (Timon and Pumbaa) sing the feel- good anthem onscreen and add a few new comedic asides, including the word "farted." Rogen sings it hesitantly, before asking "Are you gonna stop me?" Eichner retorts: "No, I'm not. You disgust me!" This new movie is PG, after all. In the G-rated animated movie, Pumbaa never gets to say "fart." The hyenas have new names and Rafiki has a more sensible tail. The only hyena who has the same name as she did in the original movie is Shenzi (Florence Kasumba). This time around, she's scarier and intimidates two new hyenas (replacing Banzai and Ed): Azizi (Eric Andre) and Kamari (Keegan-Michael Key), whose roles felt like a buddy comedy. "We were given a lot of license to do what we wanted, and I think that we got to develop a little more nuanced relationship than you saw in the original film," Key said. This article is available at 5 reading levels at https://newsela.com. As for Rafiki, the mandrill has a short tail in this movie (as opposed to his strangely long one – uncharacteristic of mandrills – in the animated movie). And instead of singing about a "squash banana," he has a new dialogue. "I bring in my own songs, my stories," says voice actor John Kani, who incorporated sounds from indigenous languages into the character. Nala gets more to do in this movie. After the young Nala (Shahadi Wright Joseph) gets more lines to sing in "I Just Can't Wait to Be King," the adult Nala also gets more to do. In the new "Lion King," there's a scene where Nala has to sneak away from Pride Rock (and Scar) to try and find more food for her family. She also gets a moment where she summons the lionesses to fight Scar, asking, "Are you with me?" Of course, they are. This article is available at 5 reading levels at https://newsela.com. Quiz 1 Which selection from the article BEST supports the conclusion that the new movie tried to add more realistic details? (A) Fans of the animated classic get those moments they love: Simba's sneeze, the cub's presentation to the kingdom, Timon and Pumbaa's vulture-kicking entrance. (B) Favreau says Shakespeare inspired the new love triangle in the film, because "in Hamlet, there was the mother of the murdered father going with the uncle." (C) The only hyena who has the same name as she did in the original movie is Shenzi (Florence Kasumba). (D) As for Rafiki, the mandrill has a short tail in this movie (as opposed to his strangely long one – uncharacteristic of mandrills – in the animated movie). 2 Read the conclusion below. The original Scar had a less malicious appearance than the remake. Which sentence from the article provides the BEST support to the statement above? (A) This time, Scar (Chiwetel Ejiofor) doesn't so much croon "Be Prepared" as deliver his signature song like a dark, militaristic monologue. (B) In this version of "The Lion King," Scar references the fact that long ago Sarabi (Alfre Woodard) chose Mufasa over him. (C) The new plot point also works to undo what some considered the first movie's "queer coding" of the flamboyant Disney villain. (D) Another major change: Scar looks rougher than his animated predecessor, with a bite taken out of his ear and a matted mane. 3 How does the author build an understanding of the new "Lion King" movie? (A) by showing how much of the new movie is focused on Scar, and explaining how Simba is victorious in his return to Pride Rock (B) by explaining how computer-generated imagery is used in the new movie, and showing how Favreau added new characters (C) by describing how much of the plot from the original movie is preserved, and highlighting changes in some characters and songs (D) by highlighting Beyonce and Donald Glover's roles in the new movie, and providing details about dialogue and comedic features 4 Read the following passage introducing Billy Eichner and Seth Rogen in the new movie. Speaking of that feel-good tune, Billy Eichner and Seth Rogen (Timon and Pumbaa) sing the feel- good anthem onscreen and add a few new comedic asides, including the word "farted." Rogen sings it hesitantly, before asking "Are you gonna stop me?" Eichner retorts: "No, I'm not. You disgust me!" This new movie is PG, after all. In the G-rated animated movie, Pumbaa never gets to say "fart." What does the author MOST LIKELY want the reader to think about the new "Lion King" movie based on this selection? (A) that Eichner and Rogen have playful and naughty interactions in the movie (B) that the rating for "The Lion King" will change who gets to see the movie (C) that Eichner and Rogen's scene in the new movie is inappropriate (D) that the use of bad language is offensive in the new movie This article is available at 5 reading levels at https://newsela.com..
Recommended publications
  • Music Video As Black Art
    IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru.
    [Show full text]
  • Assessment Day 2013 1. Gender 2. Race Or Ethnicity
    Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise
    [Show full text]
  • The Lion King Audition Monologues
    Audition Monologues Choose ONE of the monologues. This is a general call; the monologue you choose does not affect how you will be cast in the show. We are listening to the voice, character development, and delivery no matter what monologue you choose. SCAR Mufasa’s death was a terrible tragedy; but to lose Simba, who had barely begun to live... For me it is a deep personal loss. So, it is with a heavy heart that I assume the throne. Yet, out of the ashes of this tragedy, we shall rise to greet the dawning of a new era... in which lion and hyena come together, in a great and glorious future! MUFASA Look Simba. Everything the light touches is our kingdom. A king's time as ruler rises and falls like the sun. One day, Simba, the sun will set on my time here - and will rise with you as the new king. Everything exists in a delicate balance. As king, you need to understand that balance, and respect for all creatures-- Everything is connected in the great Circle of Life. YOUNG SIMBA Hey Uncle Scar, guess what! I'm going to be king of Pride Rock. My Dad just showed me the whole kingdom, and I'm going to rule it all. Heh heh. Hey, Uncle Scar? When I'm king, what will that make you? {beat} YOUNG NALA Simba, So, where is it? Better not be any place lame! The waterhole? What’s so great about the waterhole? Ohhhhh….. Uh, Mom, can I go with Simba? Pleeeez? Yay!!! So, where’re we really goin’? An elephant graveyard? Wow! So how’re we gonna ditch the dodo? ZAZU (to Simba) You can’t fire me.
    [Show full text]
  • Disney Magic Becomes a Little Less Magical and a Little More
    University of Hawai‘i at Hilo HOHONU 2019 Vol. 17 majority of Disney films often bequeath the antagonist of Disney Magic Becomes a Little the storyline with a non-American accent, exemplified Less Magical and a Little More by Shere Khan’s British accent in The Jungle Book. The protagonists of the films, like Mowgli in The Jungle Book, Discriminatory are almost always portrayed with the Standard American Kaleigh Anderson accent. It has been a common pattern within Disney’s animated features that characters who speak with non- Storytelling is a crucial part for humankind as well Standard American accents are portrayed as outsiders, as in oral history. Movie adaptations have also become and are selfish and corrupt with the desire to seek or a key ingredient in relaying certain messages to people obtain power. This analysis is clearly displayed in one of of all ages. However, children watching movies and Disney’s most popular animated feature films, The Lion absorbing stories are susceptible and systematically King. In this Hamlet-inspired tale, the main characters’ exposed to a standard (or specific) language ideology accents bring attention to which characters fall into by means of linguistic stereotypes in films and television the “good guy” versus “bad guy” stereotype. Simba, shows. These types of media specifically, provide a the prized protagonist in the film, and Nala, his love wider view on people of different races or nationalities interest, both speak Standard American dialects. Through to children (Green, 1997). Disney films, for instance, linguistic production, Simba’s portrayal as the Lion King are superficially cute, innocent and lighthearted, but translates an underlying message to children viewers through a deeper analysis , the details of Disney movies that characters who are portrayed as heroes or heroines provide, a severe, and discriminating image.
    [Show full text]
  • Friday, July 19
    Movies starting Friday, July 19 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Lion King” Rated PG Run Time 2:00 Starring (voices) Donald Glover, Beyonce Knowles and Seth Rogen Start 2:40 5:40 8:45 End 4:50 7:40 10:45 Rated PG for sequences of violence and peril, and some thematic elements. “Pavarotti: Genius is Forever” Rated PG-13 Run Time 2:00 Starring Luciano Pavarotti Start 2:50 5:50 9:00 End 4:50 7:50 11:00 Rated PG-13 for brief strong language and a war related image. “Crawl” Rated R Run Time 1:30 Starring Kaya Scodelario and Barry Pepper Start 3:00 6:00 9:00 End 4:30 7:30 10:30 Rated R for bloody creature violence, and brief language. “Spider-Man: Far From Home” Rated PG-13 Run Time 2:10 Starring Tom Holland and Samuel L. Jackson Start 2:30 5:30 8:45 End 4:40 7:40 10:55 Rated PG-13 for sci-fi action violence, some language and brief suggestive comments. ***Prices*** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Lion King (PG) (voices) • Donald Glover • Beyonce Knowles • Disney’s The Lion King, directed by Jon Favreau, journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny.
    [Show full text]
  • Summer 2019 Calendar of Events
    summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents.
    [Show full text]
  • SETH ROGEN Talks to Versus About “Observe and Report,” How He Gets Into Character and What It’S Like Not to Have a Grand Plan
    VerThe Vanderbilt Hustler’s Arts & su Entertainment Magazine s APRIL 15—APRIL 21, 2009 VOL. 47, NO. 13 SETH ROGEN talks to Versus about “Observe and Report,” how he gets into character and what it’s like not to have a grand plan. Check out page 9 for the whole story. Run with Bulls’ Brad Sample thought we were cool enough to meet at Fido. We think he’s cool right back. Flip to page 6 for the interview. Everything you need to know about Rites of Spring is on page 8. Seriously. PLACES TO GO, PEOPLE TO SEE THURSDAY, APRIL 16 FRIDAY, APRIL 17 SATURDAY, APRIL 18 The Regulars Urban Acoustic League — Edgehill Studios Cafe T.I., Q-Tip, Santigold and more — Vanderbilt University supre X — The Rutledge THE RUTLEDGE With just enough misspelling and strange capitalization style to The Urban Acoustic League was founded as a place for songwriters With Rites of Spring weekend finally upon us, what better way to 410 Fourth Ave. South 37201 irritate me infinitely, as well as weird song names like “Traenor” and acoustic instrumentalists to unite and hone their craft. The kick it off than heading over to Alumni lawn for a great afternoon/ 782-6858 League aims to overturn today’s overproduced, commercialized evening of performances?! Apart from the always swagger-tastic and “Stunkuf,” this is one of those bands that will probably cater to those who are much more hip and emo and all that than I am. music scene with a return to attention to artistry and craft in Q-Tip and T.I., crowd pleasers like Santigold, Okkervil River and THE MERCY LOUNGE/CANNERY music.
    [Show full text]
  • Character Breakdown BANZAI a Slick Yet Childish Hyena Who Works For
    Character Breakdown BANZAI A slick yet childish hyena who works for Scar. He would be the leader of the group if hyenas weren't so lazy. Look for an outgoing and confident actor who can portray nastiness and gruffness. As Banzai is always featured with Shenzi and Ed, consider auditioning the hyenas in trios. Male or Female, Any Age ED The third member of Scar's trio of lackeys. He has a loud, cackling laugh that is his only form of communication. Ed should be played by an actor who can laugh unabashedly and communicate through physicality and facial expressions rather than words. This role can be played by a boy or girl. Male or Female, Any Age ENSEMBLE The ensemble plays various inhabitants of the Pridelands, such as giraffes, elephants, antelopes, wildebeest, and other creatures you choose to include. This group can have as few or as many performers as your production permits. There are also several moments to showcase individual dancers in "The Lioness Hunt" and "I Just Can't Wait to Be King." HYENAS Scar's army, helping carry out his evil plot to take over the Pridelands. Hyenas are mangy, mindless creatures who sing in "Be Prepared." Male or Female, Any Age LIONESSES The fierce hunters of the Pridelands and featured in "The Lioness Hunt," "The Mourning," and "Shadowland." Female, Any Age MUFASA The strong, honorable, and wise lion who leads the Pridelands. Mufasa should command respect onstage and also show tenderness with his son, Simba. Male, Any Age NALA Grows from a cub to a lioness before she confronts Scar, so cast a more mature actress to play the character beginning in Scene 10, As with older Simba and Young Simba, ensure that this switch in actors performing a single role is clear.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Seth Rogen and Katherine Heigl Share an Awkward Meal Knock, in Knocked up Page: 5 MP: Y M C
    + Pregnant pause: Seth Rogen and Katherine Heigl share an awkward meal Knock, in Knocked Up Page: 5 MP: Y M C knock, K who’s there? Seth Rogen’s role in Knocked Up was a case of life imitating art, writes SALLY BROWNE Couple: Colour: ITH Seth Rogen, what you see is what you get. The Canadian actor, who plays amiable slacker Ben Stone in the roman- tic comedy Knocked Up, says his scenes Win the movie aren’t far off his real-life experiences. In the film, directed by The 40 Year Old Virgin’s Judd Apatow and also starring Paul Rudd, Ben gets a sur- prise when his one-night stand with attractive E! News presenter Alison Scott (played by Grey’s Anatomy’s Katherine Heigl) turns into a life-changing situation after she falls pregnant. That might be a stretch from Seth’s reality, but the scenes where Ben hangs out at home with his friends, who play pranks on each other and watch DVDs all day, are not far off. ‘‘I actually lived with a lot of those guys,’’ Rogen says. ‘‘Those were my actual best friends those guys. It was at times literally identical to what you see in the movie. We all took pictures of our apartments and gave them to the set decorators, and that’s how they made the set.’’ Rogen’s deep, booming laugh is easy to warm to. You get the feeling he’d be a fun guy to hang out with, provided you were equipped with safety gear. ‘‘They would just ask us, ‘What do you guys do in your free time?’ We would smoke weed and then light boxing gloves on fire and beat the crap out of each other with them,’’ he says.
    [Show full text]
  • Lion King Playbill
    p ed b: al 9-1 t fm tt 1 E. Mo I Jso, A 7 1 I (8)9-2 I f ­ob .o Te a a le on o a t F¡ B£ O¥¦c M c & Lc b a t a m c a lc b b b En J & l m, m mi, Rr ar & T ­ R j r i, & H z ­e i e mh b d o t b d¤¥ p §u©o d cª§ b J e To production of presented by Music and Lyrics by Elton John & Tim Rice Additional Music and Lyrics by Lebo M, Mark Mancina, Jay Rifkin, and Hans Zimmer Book by Roger Allers & Irene Mecchi Based on the Broadway production directed by Julie Taymor Music Adapted & Arranged and Additional Music & Lyrics and “Luau Hawaiian Treat: written byWill Van Dyke “It’s a Small World” written byRichard M. Sherman and Robert B. Sherman Musical Numbers ACT 1 Circle of Life Grasslands Chant The Lioness Hunt I Just Can’t Wait to Be King Be Prepared They Live In You The Stampede The Mourning Hakuna Matata ACT 2 Shadowland Can You Feel The Love Tonight He Lives In You Luau Hawaiian Treat Finale/Bows Crew Director: Elea Allen Assistant Directors: Sophie Ramsey & Abby Orr Music Director: Morgan Vermillion Costumer: Abi Mason Light Technician: Kenny Fields Sound Technician: Clair Pulliam Spot Lights: Will Allen & Evey Pulliam Fly Rail: Reid Rogers Cast Rafiki..................................................Abby Jayne Spades Mufasa........................................................Kade Vaughn Sarabi..........................................................Callie Reeves Zazu..........................................................Maggie Moyer Scar.......................................................Kayden Meredith Young Simba...........................................James
    [Show full text]
  • About Hakuna Matata and Lion King
    EXHIBITION DESIGN 1 INSPIRATION SOURCE PROGRAM DESCRIPTION 2 3 PROGRAM IMPLEMENTATION PROGRAM PRESENTATION 4 1 INSPIRATION SOURCE INSPIRATION SOURCE Painting Ceramic tile INSPIRATION SOURCE Sticker 2 PROGRAM DESCRIPTION Images Placeholders Easy to use This is about the Swahili saying in popular culture. For the song from The Lion King, see Hakuna Matata (song). ABOUT "Hakuna matata" is a Swahili phrase; translated, it roughly means "No worries". It is formed by the words hakuna (there is not here) and matata (plural form of problem). The phrase has been popularized by its use in The Lion King (in which it is translated as "no worries" in a song named after the phrase), so that it is heard often at HAKUNA resorts, hotels, and other places appealing to the tourist trade. The phrase is in more common use in Zanzibar and Kenya. The phrase is uncommon among native speakers of Swahili in Tanzania, who prefer the phrase MATATA "hamna shida" in the north and "hamna tabu" in the south. ABOUT HAKUNA MATATA AND LION KING In 1994 the Walt Disney Animation Studios animated movie The Lion King brought the phrase international recognition, featuring it prominently in the plot and In the mid-1980s, the saying appeared in the Swedish devoting a song to it. A meerkat and a warthog, named comic book Bamse by Rune Andréasson. The first words Timon and Pumbaa respectively, teach the main of Brumma, the baby daughter of Bamse the bear, are character, a lion cub named Simba, that he should forget "Hakuna matata", which no one understands except the his troubled past and live in the present.
    [Show full text]