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20 Dokumentar Stücke Zum Holocaust in Hamburg Von Michael Batz
„Hört damit auf!“ 20 Dokumentar stücke zum Holocaust in „Hört damit auf!“ „Hört damit auf!“ 20 Dokumentar stücke Hamburg Festsaal mit Blick auf Bahnhof, Wald und uns 20 Dokumentar stücke zum zum Holocaust in Hamburg Das Hamburger Polizei- Bataillon 101 in Polen 1942 – 1944 Betr.: Holocaust in Hamburg Ehem. jüd. Eigentum Die Versteigerungen beweglicher jüdischer von Michael Batz von Michael Batz Habe in Hamburg Pempe, Albine und das ewige Leben der Roma und Sinti Oratorium zum Holocaust am fahrenden Volk Spiegel- Herausgegeben grund und der Weg dorthin Zur Geschichte der Alsterdorfer Anstal- von der Hamburgischen ten 1933 – 1945 Hafenrundfahrt zur Erinnerung Der Hamburger Bürgerschaft Hafen 1933 – 1945 Morgen und Abend der Chinesen Das Schicksal der chinesischen Kolonie in Hamburg 1933 – 1944 Der Hannoversche Bahnhof Zur Geschichte des Hamburger Deportationsbahnhofes am Lohseplatz Hamburg Hongkew Die Emigration Hamburger Juden nach Shanghai Es sollte eigentlich ein Musik-Abend sein Die Kulturabende der jüdischen Hausgemeinschaft Bornstraße 16 Bitte nicht wecken Suizide Hamburger Juden am Vorabend der Deporta- tionen Nach Riga Deportation und Ermordung Hamburger Juden nach und in Lettland 39 Tage Curiohaus Der Prozess der britischen Militärregierung gegen die ehemalige Lagerleitung des KZ Neuengam- me 18. März bis 3. Mai 1946 im Curiohaus Hamburg Sonderbehand- lung nach Abschluss der Akte Die Unterdrückung sogenannter „Ost“- und „Fremdarbeiter“ durch die Hamburger Gestapo Plötzlicher Herztod durch Erschießen NS-Wehrmachtjustiz und Hinrichtungen -
History Timeline from 13.7 Billion Years Ago to August 2013. 1 of 588 Pages This PDF History Timeline Has Been Extracted
History Timeline from 13.7 Billion Years ago to August 2013. 1 of 588 pages This PDF History Timeline has been extracted from the History World web site's time line. The PDF is a very simplified version of the History World timeline. The PDF is stripped of all the links found on that timeline. If an entry attracts your interest and you want further detail, click on the link at the foot of each of the PDF pages and query the subject or the PDF entry on the web site, or simply do an internet search. When I saw the History World timeline I wanted a copy of it for myself and my family in a form that we could access off-line, on demand, on the device of our choice. This PDF is the result. What attracted me particularly about the History World timeline is that each event, which might be earth shattering in itself with a wealth of detail sufficient to write volumes on, and indeed many such events have had volumes written on them, is presented as a sort of pared down news head-line. Basic unadorned fact. Also, the History World timeline is multi-faceted. Most historic works focus on their own area of interest and ignore seemingly unrelated events, but this timeline offers glimpses of cross-sections of history for any given time, embracing art, politics, war, nations, religions, cultures and science, just to mention a few elements covered. The view is fascinating. Then there is always the question of what should be included and what excluded. -
March 1St-18Th, 2012
www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne Volume 42 Number 9 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. March 1ST-18 TH, 2012 MARCH 2012 THIS MONTH page page page page 2 4 5 6 Phantom of the Opera 60s Pop, Rock & Soul Dr. Wayne Dyer: Wishes Fulfilled Live from the Artists Den: Adele at Royal Albert Hall f March 6 & 14 @ 7 p.m. f March 5 @ 7 p.m. f March 30 @ 9w p.m. f March 7 @ 7 p.m. 2page FESTIVAL “The Phantom of the Opera” at the Royal Albert Hall f Wednesday March 7 at 7 p.m. Don’t miss a fully-staged, lavish 25th anniversary mounting of Andrew Lloyd Webber’s long-running Broadway and West End extravaganza. To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cam- eron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. This dazzling restaging of the original production recreates the jaw-dropping scenery and breath- Under the Streetlamp taking special effects of the original, set to Lloyd Webber’s haunting score. f Tuesday March 13 at 7 p.m. The production stars Ramin Karimloo as The Phantom and Sierra Boggess Under the Streetlamp, America’s hottest new vocal group, as Christine, together with a cast and orchestra of more than 200, including performs an electrifying evening of classic hits from the special guest appearances by the original Phantom and Christine, Michael American radio songbook in this special recorded at the Crawford and Sarah Brightman. -
Selected Films of Interest for Chicana/O and Latino Studies in the SDSU Library Media Center
Selected Films of Interest for Chicana/o and Latino Studies In the SDSU Library Media Center Check the library catalog (the PAC) for complete information and availability of individual films. Adelante, Mujeres! National Women's History Project, 1992. "Focuses on the history of Mexican-American/Chicana women. The major themes, organizations and personalities are introduced chronologically in a tribute to the strengths and resilience of women at the center of their families, as activists in their communities and as contributors to American history." VTC-245 The American Experience : Zoot Suit Riots. Boston, Mass. : WGBH Educational Foundation : PBS Home Video, 2002. VTC-1904 Barrio Logan : Youth Voices, Community Stories. Media Arts Center San Diego, 2006 "… a storytelling project that helps sustain, support, celebrate and maintain community identity and pride in an area that is widely regarded as a center for Latino civic engagement. This project is a partnership between the City of San Diego Public Library and Media Arts Center San Diego.” DVD-2667 Bettina Gray Speaks with Luis Valdez. Films for the Humanities & Sciences, 1993. VTC-686 Beyond the Border = más allá de la frontera. Dos Vatos Production, 2001. “… with tenderness and beauty, follows the immigrant experience with Marcelo Ayala, who leaves his family on a risky journey to the United States. Beyond the Border rounds out the immigration's effect on family in Marcelo's home town of Michoacan, Mexico.” VTC-2085 Bilingualism : A True Advantage. Films for the Humanities & Sciences, 1994 “The first segment focuses on the bilingual education program at San Antonio's De Zavala Elementary school. -
A Tribute to Betty Price Thank You, Betty
IMPROVING LIVES THROUGH THE ARTSNEWSLETTER OF THE OKLAHOMA ARTS COUNCIL FALL 2007 Thank You, Betty or 33 years, Betty Price has been the voice of the Oklahoma Arts Council. Recently retired Fas Executive Director, Price has been at the helm of this state agency for most of its existence. We couldn’t think of anyone more eloquent than her good friend, Judge Robert Henry to celebrate Betty and her passionate commitment to Oklahoma and to the arts. We join Judge Henry and countless friends in wishing Betty a long, happy and productive retirement. A Tribute to Betty Price From Judge Robert Henry ur great President John Fitzgerald Kennedy once noted: “To further the appreciation of Oculture among all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art -- this is one of the fascinating challenges of these days.” Betty Price took that challenge more seriously than any other Oklahoman. And, it is almost impossible to imagine what Oklahoma’s cultural landscape would look like without her gentle, dignified, and incredibly Betty in front of the We Belong to the Land mural by Jeff Dodd. persistent vision. Photo by Keith Rinerson forMattison Avenue Publishing Interim Director. Finally, she was selected by the Council to serve as its Executive Director. Betty, it seems, has survived more Oklahoma governors than any institution except our capitol; she has done it with unparalleled integrity and artistic accomplishment. Betty and Judge Robert Henry during the dedication of the Ada Lois Sipuel Fisher portrait by Mitsuno Reedy. -
Burma's Long Road to Democracy
UNITED STATES InsTITUTE OF PEACE www.usip.org SPECIAL REPORT 1200 17th Street NW • Washington, DC 20036 • 202.457.1700 • fax 202.429.6063 ABOUT THE REPORT Priscilla Clapp A career officer in the U.S. Foreign Service, Priscilla Clapp served as U.S. chargé d’affaires and chief of mission in Burma (Myanmar) from June 1999 to August 2002. After retiring from the Foreign Service, she has continued to Burma’s Long Road follow events in Burma closely and wrote a paper for the United States Institute of Peace entitled “Building Democracy in Burma,” published on the Institute’s Web site in July 2007 as Working Paper 2. In this Special to Democracy Report, the author draws heavily on her Working Paper to establish the historical context for the Saffron Revolution, explain the persistence of military rule in Burma, Summary and speculate on the country’s prospects for political transition to democracy. For more detail, particularly on • In August and September 2007, nearly twenty years after the 1988 popular uprising the task of building the institutions for stable democracy in Burma, public anger at the government’s economic policies once again spilled in Burma, see Working Paper 2 at www.usip.org. This into the country’s city streets in the form of mass protests. When tens of thousands project was directed by Eugene Martin, and sponsored by of Buddhist monks joined the protests, the military regime reacted with brute force, the Institute’s Center for Conflict Analysis and Prevention. beating, killing, and jailing thousands of people. Although the Saffron Revolution was put down, the regime still faces serious opposition and unrest. -
Endbericht Für Den Zukunftsfonds Der Republik Österreich
ENDBERICHT FÜR DEN ZUKUNFTSFONDS DER REPUBLIK ÖSTERREICH DIE STRAFRECHTLICHE VERFOLGBARKEIT NATIONALSOZIALISTISCHER VERBRECHEN IM KOMPLEX LUBLIN-MAJDANEK. DIE DEUTSCHEN PROZESSE: QUELLEN, ÜBERBLICK UND VERGLEICH MIT ÖSTERREICH Projekt P09-0560 Projektleitung: Dr. Winfried R. Garscha Sachbearbeiterin: Dr.in Claudia Kuretsidis-Haider Trägerverein: Zentrale österreichische Forschungsstelle Nachkriegsjustiz (FStN) Projekt: Die strafrechtliche Verfolgbarkeit nationalsozialistischer Verbrechen im Komplex Lublin-Majdanek Zentrale österreichische Forschungsstelle Nachkriegsjustiz Projektleitung: Dr. Winfried R. Garscha ([email protected]; 0699 10332810) I. Forschungsgegenstand 2008 erteilte die damalige Bundesministerin für Justiz, Dr.in Maria Berger, der Zentralen österreichischen Forschungsstelle Nachkriegsjustiz (FStN) den Auftrag, eine eventuell noch mögliche strafgerichtliche Verfolgbarkeit von NS-Verbrechen im KZ Majdanek aus der Sicht der historischen Forschung einzuschätzen. Ausgangspunkt dieses Forschungsauftrages war, dass im Zuge der vom Leiter des Jerusalemer Simon-Wiesenthal-Zentrums, Efraim Zuroff, im Jahre 2002 initiierten „Operation: Last Chance“ zur Ausforschung noch lebender mutmaßlicher NS- TäterInnen im Mai 2004 der Name einer in Wien lebenden ehemaligen Aufseherin des KZ Majdanek, Erna Wallisch, genannt wurde. 2006 legten die polnischen Justizbehörden dem österreichischen Justizministerium polnische Zeugenaussagen vor, die eine Beteiligung Wallischs an Morden in Majdanek vermuten ließen. Das in der Folge eingeleitete -
Support the Oshkosh Herald Koeller Road
*****************ECRWSS**** PRST STD U.S. POSTAGE POSTAL CUSTOMER PAID SHAWANO, WI PERMIT NO. 135 AUGUST 25, 2021 x OSHKOSHHERALD.COM VOLUME 4, ISSUE 34 Teen Dating Violence With Growing Christine Ann Checkout Episode 13 diversity www.breakwaterwi.org help is one call or text away! in census call 2-1-1 or text your zip code to 898211 snapshot Slow growth in area on INSIDE top of multiracial shift By Kaitlyn Scoville Oshkosh Herald After a months-long delay, 2020 cen- sus data began its release in mid-August. National headlines broadcasted that the non-Hispanic white population had shrunk to its lowest share of the popula- tion since 1790 despite a slow increase over the past decade. Prep football Statistics detail the growth of non-white populations, noting a staggering increase High schools win of multiracial in- opening games dividuals by 276 Inside percent – from 9 Pages 18, 19 million in 2010 to County map almost 34 million lines to shift / in 2020. Page 8 Board size holds Front man The non-Hispan- at 36 / Page 8 Boston singer was ic white population Photo by Michael Cooney shrank by 8.6 per- their biggest fan A large oak tree upended by a July storm damaged a boardwalk at Sullivan’s Woods and made cent and now accounts for 57.8 percent of part of the trail impassable. the U.S. population, according to Reuters. Page 4 Every decade, the U.S. gets a refresher course on demography as it makes sense of local and national data. Forest preserve, trail University of Wisconsin Oshkosh so- School district ciology department chair Paul Van Auken has been monitoring this unsurprising pivots back to will need repair work change in numbers, citing projections of non-Hispanic white people no lon- Sullivan’s Woods area means that we need to completely replace ger holding more than half of the pop- mask mandate this structure,” he said. -
Andrea Bowers the New Woman's Survival Guide
Andrea Bowers The New Woman’s Survival Guide October 29th – December 17th, 2011 Opening reception: Saturday, October 29th, 6 – 8pm The Andrew Kreps Gallery is pleased to present Andrea Bowers’ second exhibition at the gallery entitled,The New Woman’s Survival Guide. Consisting of drawings layered over wallpaper made up of hand-bills and protest signs collected by the artist, the show contrasts previous tropes of feminism with current ones. Three walls in the gallery will be covered completely with recent feminist activist signs – paired with brightly colored “wall paper” which grounds contemporary activist rhetoric to a more traditional idea of the feminine in the form of floral or glittered wallpaper patterns. And upon this will be layered starkly captured graphite drawings. Drawing inspiration from a feminist handbook published and circulated in the ‘60’s, Andrea Bowers has made 10 drawings based directly on “ads” placed within. The graphics are stark, and sometimes hilarious, one featuring a group of women dancing in a circle hands entwined, emulating the Matisse painting Dance. In the famous painting the genitalia of the female dancers is avoided, but in the ‘60’s version it is drawn in darkly, intentionally eliciting the viewers gaze, with the banner stasting above: . In another drawing, Andrea has used a photo of a group of women gazing with wonder at another’s genitalia, her legs spread in the air – apparently at a party at which women would gather to explore the taboo and never-spoken about parts of their own and other’s bodies. In contrast to these drawings are three works, which are photo-realist drawings of pictures that the artist took while at recent feminist marches and rallies. -
Remembering the Alamo. Heights
FUND-RAISING PHIL GRAMM LOOKS TO '96 Pg. 10 A JOURNAL OF FREE VOICES NOVEMBER 13, 1992 $1.75 Remembering the Alamo . Heights BY NANCY FOLBRE San Antonio; Amherst, Mass. HERE'S AN ENGLISHMAN, A Frenchman, a Texan and a T Mexican, plus a pilot, on a four- engine cargo plane flying an emer- gency mission. One of the engines conks out and the pilot announces that the plane will crash unless they lighten their load. He asks for a vol- unteer to parachute from the plane. The Englishman quietly says "God Save the Queen" and steps out the door. A few minutes later, a second engine conks out. Another sacrifice is required. The Frenchman leaps out, with a gallant "Vive la France." Then a third engine goes, and the pilot screams, "Act fast, boys, somebody else has got to jump." The Texan yells "Remember the Alamo!" and pushes the Mexican out the door. When I first heard this joke, in the halls of Alamo Heights High School about 25 years ago, I thought it was incredibly funny. For some reason, I was reminded of it when I received Demetrio Rodriguez and his grandson at new elementary school ALAN POGUE an upscale brochure in the mail ask- ing for my donation to the Alamo Heights School Anyway, I didn't exactly whip out my check- Court ruling that struck down the principle of Foundation. "This year," the enclosed letter said, book. What can you expect from someone who "separate but equal" education in 1954, Brown "approximately $4 million of Alamo Heights was elected "most revolutionary" of the gradu- v. -
Political in the Visual Arts Catriona Moore and Catherine Speck
CHAPTER 5 How the personal became (and remains) political in the visual arts Catriona Moore and Catherine Speck Second-wave feminism ushered in major changes in the visual arts around the idea that the personal is political. It introduced radically new content, materials and forms of art practice that are now characterised as central to postmodern and contemporary art. Moreover, longstanding feminist exercises in ‘personal-political’ consciousness-raising spearheaded the current use of art as a testing ground for various social interventions and participatory collaborations known as ‘social practice’ both in and outside of the art gallery.1 Times change, however, and contemporary feminism understands the ‘personal’ and the ‘political’ a little differently today. The fragmentation of women’s liberation, debates around essentialism within feminist art and academic circles, and institutional changes within the art world have prompted different processes and expressions of personal-political consciousness-raising than those that were so central to the early elaboration of feminist aesthetics. Moreover, the exploration and analysis of women’s shared personal experiences now also identify differences among women—cultural, racial, ethnic and class differences—in order to 1 On-Curating.org journal editor Michael Birchall cites examples such as EVA International (2012), the 7th Berlin Biennial and Documenta 13 that reflect overt and covert political ideas. Birchall outlined this feminist connection at the Curating Feminism symposium, A Contemporary Art and Feminism event co-hosted by Sydney College of the Arts, School of Letters, Arts and Media, and The Power Institute, University of Sydney, 23–26 October 2014. 85 EVERYDAY REVOLUTIONS serve more inclusive, intersectional cultural and political alliances. -
The Relation of Gloria Anzaldúa's Mestiza Consciousness to Mexican American Performance A
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 10-26-2010 Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art Maria Cristina Serrano University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Serrano, Maria Cristina, "Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art" (2010). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/3591 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Visualizando la Conciencia Mestiza: The Relation of Gloria Anzaldúa’s Mestiza Consciousness to Mexican American Performance and Poster Art by Maria Cristina Serrano A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Adriana Novoa, Ph.D. Ylce Irizarry, Ph.D. Date of Approval: October 26, 2010 Chicano/a, border art, immigration, hybridity, borderlands Copyright © 2010, Maria Cristina Serrano Table of Contents