Sri Krishna Kathamrita
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@Ibet,@Binu^ Un! Lupun
@be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N. -
Mahabharata Tatparnirnaya
Mahabharatha Tatparya Nirnaya Chapter XIX The episodes of Lakshagriha, Bhimasena's marriage with Hidimba, Killing Bakasura, Draupadi svayamwara, Pandavas settling down in Indraprastha are described in this chapter. The details of these episodes are well-known. Therefore the special points of religious and moral conduct highlights in Tatparya Nirnaya and its commentaries will be briefly stated here. Kanika's wrong advice to Duryodhana This chapter starts with instructions of Kanika an expert in the evil policies of politics to Duryodhana. This Kanika was also known as Kalinga. Probably he hailed from Kalinga region. He was a person if Bharadvaja gotra and an adviser to Shatrujna the king of Sauvira. He told Duryodhana that when the close relatives like brothers, parents, teachers, and friends are our enemies, we should talk sweet outwardly and plan for destroying them. Heretics, robbers, theives and poor persons should be employed to kill them by poison. Outwardly we should pretend to be religiously.Rituals, sacrifices etc should be performed. Taking people into confidence by these means we should hit our enemy when the time is ripe. In this way Kanika secretly advised Duryodhana to plan against Pandavas. Duryodhana approached his father Dhritarashtra and appealed to him to send out Pandavas to some other place. Initially Dhritarashtra said Pandavas are also my sons, they are well behaved, brave, they will add to the wealth and the reputation of our kingdom, and therefore, it is not proper to send them out. However, Duryodhana insisted that they should be sent out. He said he has mastered one hundred and thirty powerful hymns that will protect him from the enemies. -
Lalitha Sahasranamam
THE LALITHA SAHASRANAMA FOR THE FIRST TIME READER BY N.KRISHNASWAMY & RAMA VENKATARAMAN THE UNIVERSAL MOTHER A Vidya Vrikshah Publication ` AUM IS THE SYMBOL OF THAT ETERNAL CONSCIOUSNESS FROM WHICH SPRINGS THY CONSCIOUSNESS OF THIS MANIFESTED EXISTENCE THIS IS THE CENTRAL TEACHING OF THE UPANISHADS EXPRESSED IN THE MAHAVAKYA OR GREAT APHORISM tt! Tv< Ais THIS SAYING TAT TVAM ASI TRANSLATES AS THAT THOU ART Dedication by N.Krishnaswamy To the Universal Mother of a Thousand Names ------------------------------------------------------------------------------------------- Dedication by Rama Venkataraman To my revered father, Sri.S.Somaskandan who blessed me with a life of love and purpose ACKNOWLEDGEMENT Our gratitude to Alamelu and C.L.Ramakrishanan for checking the contents to ensure that they we were free from errors of any kin d. The errors that remain are, of course, entirely ours. THE LALITHA SAHASRANAMA LIST OF CONTENTS TOPICS Preface Introduction The Lalitha Devi story The Sri Chakra SLOKA TEXT : Slokas 1 -10 Names 1 - 26 Slokas 11 -20 Names 27 - 48 Slokas 21 -30 Names 49 - 77 Slokas 31 -40 Names 78 - 111 Slokas 41 -50 Names 112 - 192 Slokas 51 -60 Names 193 - 248 Slokas 61 -70 Names 249 - 304 Slokas 71 -80 Names 305 - 361 Slokas 81 -90 Names 362 - 423 Slokas 91 -100 Names 424 - 490 Slokas 101 -110 Names 491 - 541 Slokas 111 -120 Names 542 - 600 Slokas 121 -130 Names 601 - 661 Slokas 141 -140 Names 662 - 727 Slokas 141 -150 Names 728 - 790 Slokas 151 -160 Names 791 - 861 Slokas 161 -170 Names 862 - 922 Slokas 171 -183 Names 923 - 1000 Annexure : Notes of special interest ------------------------------------------------------------ Notes : 1. -
The Complete Mahabharata in a Nutshell
Contents Introduction Dedication Chapter 1 The Book of the Beginning 1.1 Vyasa (the Composer) and Ganesha (the Scribe) 1.2 Vyasa and his mother Sathyavathi 1.3 Janamejaya’s Snake Sacrifice (Sarpasastra) 1.4 The Prajapathis 1.5 Kadru, Vinatha and Garuda 1.6 The Churning of the Ocean of Milk 1.7 The Lunar and Solar races 1.8 Yayathi and his wives Devayani and Sharmishta 1.9 Dushyanta and Shakuntala 1.10 Parashurama and the Kshatriya Genocide BOOKS 1.11 Shanthanu, Ganga and their son Devavratha 1.12 Bhishma, Sathyavathi and Her Two Sons 1.13 Vyasa’s Sons: Dhritharashtra,DC Pandu and Vidura 1.14 Kunthi and her Son Karna 1.15 Birth of the Kauravas and the Pandavas 1.16 The Strife Starts 1.17 The Preceptors Kripa and Drona 1.18 The Autodidact Ekalavya and his Sacrifice 1.19 Royal Tournament where Karna became a King 1.20 Drona’s Revenge on Drupada and its Counterblow 1.21 Lord Krishna’s Envoy to Hasthinapura 1.22 The Story of Kamsa 1.23 The Wax Palace Inferno 1.24 Hidimba, Hidimbi and Ghatotkacha 1.25 The Ogre that was Baka 1.26 Dhaumya, the Priest of the Pandavas 1.27 The Feud between Vasishta and Vishwamithra 1.28 More on the Quality of Mercy 1.29 Draupadi, her Five Husbands and Five Sons 1.30 The Story of Sunda and Upasunda 1.31 Draupadi’s Previous Life 1.32 The Pandavas as the Incarnation of the Five Indras 1.33 Khandavaprastha and its capital Indraprastha 1.34 Arjuna’s Liaisons while on Pilgrimage 1.35 Arjuna and Subhadra 1.36 The Khandava Conflagaration 1.37 The Strange Story of the Sarngaka Birds Chapter 2 The Book of the Assembly Hall -
The Implications of the Teo-Feminism Education in the Epic of Mahābhārata for Readers
Vol. 4 No. 1 May 2020 THE IMPLICATIONS OF THE TEO-FEMINISM EDUCATION IN THE EPIC OF MAHĀBHĀRATA FOR READERS By: Ni Made Anggreni1, I Wayan Sukayasa2, Ni Made Indiani3 1Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar 23Universitas Hindu Indonesia E-mail : [email protected], [email protected], [email protected] Received: May 13, 2020 Accepted: May 25, 2020 Published: May 30, 2020 Abstract Women increasingly develop themselves into the same human as their husbands (men). However, in view of this phenomenon, it can be seen that among the progress of women there are still gender gaps in women's daily lives. In addition to seeking self-nature, women are also required to be able to manage the situation of the household, the needs of children, and to participate in activities in the community. One solution that can be done so that the gap can be minimized, namely between men and women can complement each other by reflecting on religious teachings. One of them is the teachings contained in literature, the epic Mahābhārata. This research is examined based on the perspective of Hindu religious education with the aim of analyzing the implications of theo-feminism in the epic of Mahābhārata (perspective of Hindu religious education). This research was analyzed by qualitative descriptive method with interview and documentation data collection techniques. The findings in this study are that women not only play a domestic role but also play a social role, the struggle for gender equality, and the occurrence of karmic phala. The implications for the reader, namely the implications of leadership, politics, culture, and education. -
Dr.Rupnathji( Dr.Rupak Nath )
*List of Sadhana's:- Below mentioned Sadhanas are devised with the soul aim of attaining the Divine Grace and experience the True power of Tantra to its fullest - Each Individual is Unique, so Mantra should be framed in such a way that resonates with the Vibrations of the Sadhak. More the mantra is in sync, earlier and safer the Siddhi. So the Mantra and Sadhana procedure may differ from Individual to Individual. I have learned these Sadhanas from my Guru. Over a period of time tested it and every time gained 100 % results. Many fail in Sadhana due to some of the major reasons below- 1- Due to lack of Guidance. 2- Lack of Faith in themselves or the Mantra. 3- Possessing a mind set that they don't deserve it. 4- Lack of control or no Control over their thoughts. *List of Sadhanas - 1.Apsara Sadhana 2.Kaamdev-Rati Sadhana (The God of Love) DR.RUPNATHJI( DR.RUPAK NATH ) 3.Kleem Sadhana 4.Potent Shukra Sadhana (Planet Venus) 5.Kinnari Sadhana 6.Radha-Krishna Sadhana 7.Vashikaran Sadhana (Only available under Genuine Cases) 8.Sammohan or Akarshan Sadhana 9.Awakening The Third Eye- (Ajna Chakra) **APSARA SADHANA APSARA SIDDHI:- Apsara’s are Angels or Nymphs. They are extremely beautiful immortals who reside in heaven and entertain the Demi-Gods with their dancing and singing. In Reality Apsara’s are Celestial Maidens of exquisite beauty and alluring charm, and have the power and will to use both. Like other divine beings they are able to change their form as and when desired. -
The Music Academy, Madras 115-E, Mowbray’S Road
THE JOURNAL THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC VoLXXIX 1958 Parts I-1V silt si i m iiwfer m farmfo u “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; where my Bhaktas sing, there be I, Narada ! ” EDITED BY V. RAGHAVAN, m .a ., p h .d . 1959 PUBLISHED BY THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription :—Inland Rs. 4 : Foreign 8 sh. Post paid. A11 correspondence should be addressed to Dr. V. Raghavan, Editqr,Journal of the Music Academy. * Articles on musical Subjects,are accepted for publication; on the understandihg that they .are contributed solely to the Journal of the Music Academy. • n All’manuscripts should be legibly written or preferably typewrit ten (double spaced—on one side of the paper only) and should be signed by the writer giving his address in full. ^ All .articles and communications intended for publication should reach the office at least one month before the date of publication (ordinarily the 15th of the* 1st month in each quarter). n The Editor of the. Journal is not responsible for the views expres sed by individual contributors. v All advertisements intended for publication should, reach the office not later than the 1st of the first month of each quarter. All books, moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan, Editor. *• f ADVERTISEMENT CHARGES COV&R PA G ES: Full Page Half page A.• f Back (outside) Rs. -
Lord Shanmukha and His Worship
LORD SHANMUKHA AND HIS WORSHIP By SRI SWAMI SIVANANDA SERVE, LOVE, GIVE, PURIFY, MEDITATE, REALIZE Sri Swami Sivananda So Says Founder of Sri Swami Sivananda The Divine Life Society A DIVINE LIFE SOCIETY PUBLICATION First Edition: 1950 Second Edition: 1974 Third Edition: 1996 (3,000 Copies) World Wide Web (WWW) Edition: 2000 WWW site: http://www.SivanandaDlshq.org/ This WWW reprint is for free distribution © The Divine Life Trust Society ISBN 81-7052-115-7 Published By THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Distt. Tehri-Garhwal, Uttar Pradesh, Himalayas, India. OM Dedicated to LORD SHANMUKHA The Consort of Valli, Deivayanai, The Destroyer of all Asuric Forces, and the Bestower of Divine Strength, Wisdom, Peace, Bliss and Immotality And to All His Devotees and Seekers in the Path of Truth. OM PUBLISHERS’ NOTE The Advent of Lord Skanda or Karttikeya, the purpose of His incarnation as an Avatara and its significance should be of great importance and of immense value to seekers after Truth. Lord Skanda, also known as Shanmukha, is adored and worshipped with intense faith and devotion throughout South India and Sri Lanka. And naturally it will be of great interest to all His devotees, in particular, to know more about Him, the significance of His birth and His life and career as a victorious General. Sri Swami Sivanandaji, the author of this book, graphically describes the above-mentioned subjects in his usual style,—inspiring and direct, instructive and illuminating, soul-elevating and at once impressive. It is needless to introduce him to the readers, who is so very well-known as a versatile genius in all the spiritual subjects and as an author of many an immortal and monumental work that breathes the spirit of ancient wisdom and of direct and intuitive realisation of the Supreme. -
Arjunawiwāha
arjunawiwāha Old Javanese text and translation Stuart Robson - 9789004253940 Downloaded from Brill.com10/01/2021 05:08:54PM via free access Awighnam astu Canto 1 Śārdūlawikrīdita 1 ambĕk sang paramārthapandita huwus limpad sakêng śūnyatā tan sangkêng wisaya prayojana nira lwir sanggrahêng lokika siddhā ning yaśa wīrya don ira sukhā ning rāt kininkin nira santosâhĕlĕtan kĕlir sira sakêng sang hyang jagatkārana 2 usnīsangkw i lĕbū ni pāduka nirā sang mangkana lwir nira manggĕh manggala ning mikĕt kawijayan sang Pārtha ring kahyangan sambaddhanya bhatāra Śakra katĕkan durnīti lāwan bhaya wwantĕn daitya madĕg Niwātakawacākhyātîng jagat digjaya 3 jöng ning Meru kidul kutanya maharĕp sumyūha ng indrālaya mwang molih wara wīrya tan pĕjaha dening dewayaksāsura nghing yan mānusa śakti yatna juga ko nā ling bhatārêriya yekā nitya hinöm watĕk rsi kabeh ring swarga hārohara 4 sang hyang Śakra sumimpĕn ing naya kumon pöh ning rasâlapkĕna an wwang śakti sahāya ning mĕjahanêkang śatru petĕn tĕkā sang Pārtha pwa hañar karĕngwan atapâsādhyâjayā ring rana yan polih wara hundangĕn lĕwu matêwĕh ning krtānugraha 5 wyarthêkang japamantra yan kasalimur dening rajah mwang tamah nghing yan langgĕng ikang Śiwasmrti datĕng śraddhā bhatārêśwara ambĕk nirwisayâlilang huwa-huwā lwirnyân sukhâdhyātmika singhit matra juga prabheda nika lāwan prih kayogīśwaran Stuart Robson - 9789004253940 Downloaded from Brill.com10/01/2021 05:08:54PM via free access Translation Canto 1 1 The mind of the scholar who understands the highest truth has already penetrated the Void and passed beyond. His intentions do not flow from a desire for the objects of the senses, as if he were concerned with the things of this world, But his aim is to succeed in winning fame for deeds of valour, and it is the happi- ness of the world that he longs for, Content to remain veiled from the divine Cause of the World. -
Apsaras - the Dancing Damsels of Indra's Court
Newsletter Archives www.dollsofindia.com Apsaras - The Dancing Damsels of Indra's Court Copyright © 2019, DollsofIndia The interesting and entertaining tales of Indian mythology talk about not only Gods and Goddesses, but also about celestial beings of all kinds; especially those working in tandem with the Devas and Devis; loyally serving them; many times, actually being the catalysts of change, bringing about transformation for the good of all beings in all the three worlds. Such is the tale of the enchanting Apsaras of the court of Indra, the God of the Devas. Apsaras Apsaras are celestial nymphs, who dance in the court of Indra, the King of the Devas. Quite a few in number; they are considered to be extremely beautiful, charming, seductive and greatly talented in both music and dance. Apsara - Temple Sculpture from Belur, Karnataka, India (Photo Print) Etymology The word "Apsara" originates from the Sanskrit "Apsaras". It could loosely be defined as "the one going in the waters or between the waters of the clouds". There are two types of Apsaras, namely, laukika (wordly) and daivika (divine). Thirty-four nymphs are specified of the first type and ten of the second type. These celestial beings are also known as vidyadhari or tep apsar in Khmer, acchara in Pali, bo sa la tu in Vietnam, bidadari in Indonesia and Malaysia, widadari in Java and aapson in Thailand. The most famous Apsaras in Indian mythology are Rambha, Menaka, Urvashi, Tilottama and Ghritachi. The Puranas also mention other minor nymphs such as Mishrakesi, Vapu, Viprachitti, Purvachitti, Sahajanya, Karnika, Punjikasthala, Viswachi, Rithisthala, Umlocha, Pramlocha, Swayamprabha,Janapadi, and Adrika. -
The Indus Fish Swam in the Great Bath
BULLETIN OF THE INDUS RESEARCH CENTRE No. 2, August 2011 Indus Research Centre Roja Muthiah Research Library Chennai, India The Indus Fish Swam in the Great Bath : A New Solution to an Old Riddle Iravatham Mahadevan Indus Research Centre Roja Muthiah Research Library © Indus Research Centre, Roja Muthiah Research Library, August 2011 Published with financial assistance from the Central Institute of Classical Tamil, Government of India Vide Sanction No.F.11-264/2009-10/CICT/Projects/1778 November 10, 2009 Title page illustration : Grayware Bowl with Swirling Fish Motif. Mehrgarh. (Courtesy : Fig. 2.12 J.M. Kenoyer 1998. Ancient Cities of the Indus Valley Civilization, Oxford University Press). CONTENTS PART I : FISH SIGNS OF THE INDUS SCRIPT* I. FISH Signs 01 II. The ‘Great Bath’ at Mohenjodaro 14 III. West Asian parallels 21 IV. Indo-Aryan parallels 23 V. Dravidian parallels 24 VI. Interpretation of the FISH Signs 30 * Part II of the paper titled ‘The Sacred Pool (Great Bath) and associated Structures in the Indus Texts’ will be published later in a Bulletin of the Indus Research Centre, Roja Muthiah Research Library, Chennai. The Indus Fish swam in the Great Bath : A New Solution to an Old Riddle Iravatham Mahadevan PART I : FISH SIGNS OF THE INDUS SCRIPT I. FISH signs of the Indus Script 1.1 The FISH signs stand out prominently in the Indus texts (Fig. 1.1). They occur with high frequency and occupy nearly ten percent of the total textual matter. FISH signs Frequency 381 216 279 73 188 76 67 Alphabetic Index A B C D E F G Conventional Labels FISH + roof + rays + vertical + slanted + rake + two stroke stroke tall lines Fig.1.1 FISH Signs in the Indus Script (ASI Concordance 1977) The striking resemblance and almost identical positional distribution of the FISH signs in the Indus texts make it reasonably certain that they must have similar or related meanings. -
Mahabaratha Tatparya Nirnaya -.:: GEOCITIES.Ws
Mahabaratha Tatparya Nirnaya - Introduction by Prof.K.T.Pandurangi Chapter XX Benevolent administration of Pandavas This chapter begins with the description of the benevolent administration of Pandavas in Indraprastha. The portfolios allotted by Pandavas among themselves are quite interesting. Yudhishtira took charge of performing sacrifices, bestowing gifts, hospitality to sages etc. Bhimasena took charge of the defense, education in spiritual knowledge, maintenance of the Varnashrama duties etc. Draupadi looked after women’s welfare, welfare of the servants, supervision of the treasury and helping women developing devotion to the Supreme God Vishnu. Arjuna looked after foreign relations. However, in the case of Jarasandha etc strong enemies Bhima used to keep watch. Nakula and Sahadeva looked after the welfare of the army and the political policy of sandhi , vigraha etc. During the administration of Pandavas, particularly, that of Bhimasena, there was no poverty, no premature death, no diseases, no body transgresses varnashrama duties, and no body opposed the Supremacy of God Vishnu. People had no need to meet the king for their needs, since all their needs fully satisfied. They met the king to have his darshana only. After narrating the good administration of Pandavas certain family details are i.e.Yudhishtira married Devaki the daughter of Shishupala. She was Shyamala the wife of Yama in her original form. He begot a son viz. Suhotra. Bhima married Kaali the daughter of the king of Kashi. The Kaali was Bharati herself. When Jarasandha found the Kaali garlanded Bhima, he went on abusing Vishnu and praising Shiva and attacked Bhima. It was a double attack, an attack on the Supremacy of Gods Vishnu and an attack on Bhima physically.