B. 1951, Kibbutz Ein Shemer, Israel. Lives and Works in Tel Aviv and NY
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Since 2017 Bezalel Academy for Art and Design, MFA
Hadas Maor Curiculum Vitae Professional Experience: Since 2017 Bezalel Academy for Art and Design, MFA Program, lecturer 2017 Bait LeOmanut Israelit, lecturer 2017 French Institute Focus Program 2016 Sculpture Quadrennial Riga 2016 Invited guest Lecture: Conservatism and Liberalism, appearances in contemporary culture 2015 Curator of the Israeli Pavilion, the 56th International Art Exhibition – la Biennale di Venezia 2014 Artist Mentor Artport, Tel Aviv 2012 The 2nd Ural Industrial Biennial of Contemporary Art Intellectual platform, invited guest Lecture: Contemplating the possibility of criticality within the field of visual art 2012 Lecturer of curatorial studies, School of Arts, Kibbutzim College of Education, Tel Aviv 2011 ARCOmadrid 2011, Professional Meetings, invited guest 2010 Professional visit to LA, organized by the LA-TLV partnership and The Jewish Federation of Los Angeles 2009 Study visit to Poland, organized by Adam Mickiewicz Institute, Warsaw 2007 Art Basel 2007, 7db platform for art professionals, invited guest Since 2006 Consultant to Bank Hapoalim Collection of Israeli Art 2006-2009 Consultant to the Angel Collection of Contemporary Art Since 2001 Curator of the Geny and Hanina Brandes Art Collection, Tel Aviv Since 1998 Independent contemporary art curator (The Tel Aviv Museum of Art, The Haifa Museum of Art, The Herzliya Museum of Contemporary Art, The Petach Tikva Museum of Art, The Ramat Gan Museum of Israeli Art, The Ein Harod Museum of Art, The Tel Aviv University Gallery and more) 1997 - 2005 Senior Lecturer -
Details of Aquaculture Fish Farms in the Desert and Arid Lands of Israel
85 An overview on desert aquaculture in Israel Gideon Hulata Department of Poultry and Aquaculture Institute of Animal Science Agricultural Research Organization Bet Dagan, Israel E-mail: [email protected] Yitzhak Simon Ministry of Agriculture Extension Service Aquaculture Division Bet Dagan, Israel E-mail: [email protected] Hulata, G. & Simon, Y. 2011. An overview on desert aquaculture in Israel. In V. Crespi & A. Lovatelli, eds. Aquaculture in desert and arid lands: development constraints and opportunities. FAO Technical Workshop. 6–9 July 2010, Hermosillo, Mexico. FAO Fisheries and Aquaculture Proceedings No. 20. Rome, FAO. 2011. pp. 85–112. SUMMARY The State of Israel has a very diverse climate. Most of the country is in a semi-arid zone, with distinct short winter (wet) and long summer (dry) seasons, and a low annual rainfall of around 500 mm (an overall multi-annual average). The country can be divided into two climatic regions: (1) the southern arid/semi-arid areas have very low annual precipitation (<100 mm) and consist of the Negev Desert and the Arava Valley; this arid zone extends also to the Jordan Valley where annual rainfall is below 300 mm; (2) the central-north of the country that has a temperate, Mediterranean climate and a relatively high annual rainfall (>600 mm). Israel has suffered from a chronic water shortage for years. In recent years, however, the situation has developed into a severe crisis; since 1998, the country has suffered from drought, and the annual rainfall was short of the multi-annual average in most of the years. -
Tsibi Geva Selected to Represent Israeli Pavilion at the 56Th International Art Exhibition – La Biennale Di Venezia Ends
Tsibi Geva selected to represent Israeli Pavilion at the 56th International Art Exhibition – la Biennale di Venezia 5 February 2015 – Tsibi Geva has been selected to present Archeology of the Present for the Israeli Pavilion at the 56th International Art Exhibition – la Biennale di Venezia. Geva, who lives and works in Tel Aviv, is one of Israel’s most prominent and influential artists, and has exhibited extensively in major exhibitions across Israel, America, and Europe. Geva works in diverse media, his work often pushing beyond its physical limits into unique large-scale site- specific installations. Archeology of the Present will cover both the exterior and interior of the Pavilion, and will encompass the formal and thematic characteristics of Geva’s work as it has evolved throughout his career. In a year when curator Okuwi Enwezor, proposes to focus on All the World’s Futures, Geva’s site-specific, all-encompassing installation may also be read with regard to the current state of humanity and the world. Geva’s work contains numerous layers of significance shaped by processes of figuration and abstraction, revelation and concealment. The question of painting in particular, and of the art object in general, is present in his work alongside political and cultural questions, which simultaneously camouflage and enhance one another. Employing disruption and displacement, repetition and accumulation, Geva makes hybrid works that open up new discursive channels. Archeology of the Present will present paintings alongside sculptural installations and abandoned and manipulated objects, while abolishing the hierarchical distinctions between artistic mediums and structure. In doing so, it will give expression to Geva’s ongoing concern with elements related to the notion of ‘home’ – including terrazzo tiles, windows, shutters, lattices, cement blocks; elements which exist as fragments of what once was or could in principle constitute a home. -
February 7, 2021 Jordan $4,965
Bethlehem Sea of Galilee Nazareth HOLY LAND HERITAGE & Jordan Jerusalem January 25 – February 7, 2021 Jordan $4,965. *DOUBLE OCCUPANCY Single Supplement Add $680 Inclusions: R/T Air - Fargo/Bismarck - Subject to change Hotel List: Leonardo Plaza– Netanya • 4 Star Accommodations Maagan - Tiberias • Baggage Handling at Hotel Ambassador – Jerusalem • 21 Included Meals Petra Guest House – Petra • Caesarea Maritima * Plain of Jezreel Dead Sea Spa Hotel – Dead • Nazareth * Sea of Galilee Sea • Beth Saida * Capernaum * Chorazin • Jordan River * Jordan Valley • Caesarea Philippi * Golan Heights • Beth Shean * Ein Harod * Jericho • Mt. of Olives * Rachael’s Tomb For Reservations Contact: • Bethlehem * Dead Sea Scrolls JUDY’S LEISURE TOURS • Jerusalem * Bethany * Masada *Passport is required • Dung Gate * Western Wall Valid for 6 months 4906 16 STREET N • Pools of Bethesda * St. Anne’s Church beyond travel date. Fargo, ND 58102 • King David’s Tomb • Mt. Zion * Garden Tomb 701/232-3441 or • Jordan * Petra * Seir Mountains • Royal Tombs * Historical King’s Highway 800/598-0851 • Madaba * Mt Nebo • Baptismal Site “Bethany beyond the Jordan” Insurance $382. Purchase at time of Deposit Day 1 & 2: We will depart the United States for overnight travel to Israel. After clearing customs, we will be met by our guide who will take us on a scenic drive through Jaffa, the oldest port in the world. Jonah set sail for Tarshish from Jaffa but was swallowed by a large fish. Jaffa was also the home of Tabitha, who was raised from the dead by Peter. Peter had his vision here while lodging in the home of Simon the Tanner. -
Scarica Artribune Israel In
ISSN 2280-8817 ISRAEL year i number 0 summer 2015 trilingual BIMESTRALE - POSTE ITALIANE S.P.A. SPED. IN A.P. 70% - ROMA - COPIA EURO 0,001 - COPIA 70% - ROMA A.P. SPED. IN S.P.A. BIMESTRALE - POSTE ITALIANE INSIDE VENICE BIENNALE: DESIGN MUSEUM EXPO2015 INTERVIEW WITH TSIBI GEVA HOLON ISRAEL ALL ISRAEL: COLORFOOD THE ART MAP OVER THE WORLD Ucio culturale Ambasciata di Israele - Roma pagina artribune MARGUTTA Arcimboldo copia.pdf 1 16/04/15 08:54 “Our bodies “I nostri corpi Libera interpretazione di "Flora" Giuseppe ARCIMBOLDO Libera interpretazione are our gardens” sono i nostri giardini” William Shakespeare C M Y CM The MY natural CY CMY K choice Open your vegetarian art restaurant franchise i l a v M e t 9 g t 7 et u 19 a a g r r ia ce n food & art sin ilmargutta.com pagina artribune MARGUTTA Arcimboldo copia.pdf 1 16/04/15 08:54 “Our bodies “I nostri corpi Libera interpretazione di "Flora" Giuseppe ARCIMBOLDO Libera interpretazione are our gardens” sono i nostri giardini” William Shakespeare C M Y CM The MY natural CY CMY K choice Open your vegetarian art restaurant franchise i l a v M e t 9 g t 7 et u 19 a a g r r ia ce n food & art sin ilmargutta.com zero issue www.artribune.com director Massimiliano Tonelli vice-director Architecture, eco-sustainability, the fields of Marco Enrico Giacomelli tomorrow. The focus dedicated to Expo 2015 and to the Israeli Pavilion begins with the editor in chief Giorgia Calò words of the journalist Daniel Reichel… news editing & project management Santa Nastro contributors Christian Caliandro Elazar Cohen 10 Raphael Gamzou Hadas Maor Santa Nastro Daniel Reichel Ronit Sorek Aldo Spinelli Carlo Spinelli Art to eat. -
Israeli Settler-Colonialism and Apartheid Over Palestine
Metula Majdal Shams Abil al-Qamh ! Neve Ativ Misgav Am Yuval Nimrod ! Al-Sanbariyya Kfar Gil'adi ZZ Ma'ayan Baruch ! MM Ein Qiniyye ! Dan Sanir Israeli Settler-Colonialism and Apartheid over Palestine Al-Sanbariyya DD Al-Manshiyya ! Dafna ! Mas'ada ! Al-Khisas Khan Al-Duwayr ¥ Huneen Al-Zuq Al-tahtani ! ! ! HaGoshrim Al Mansoura Margaliot Kiryat !Shmona al-Madahel G GLazGzaGza!G G G ! Al Khalsa Buq'ata Ethnic Cleansing and Population Transfer (1948 – present) G GBeGit GHil!GlelG Gal-'A!bisiyya Menara G G G G G G G Odem Qaytiyya Kfar Szold In order to establish exclusive Jewish-Israeli control, Israel has carried out a policy of population transfer. By fostering Jewish G G G!G SG dGe NG ehemia G AGl-NGa'iGmaG G G immigration and settlements, and forcibly displacing indigenous Palestinians, Israel has changed the demographic composition of the ¥ G G G G G G G !Al-Dawwara El-Rom G G G G G GAmG ir country. Today, 70% of Palestinians are refugees and internally displaced persons and approximately one half of the people are in exile G G GKfGar GB!lGumG G G G G G G SGalihiya abroad. None of them are allowed to return. L e b a n o n Shamir U N D ii s e n g a g e m e n tt O b s e rr v a tt ii o n F o rr c e s Al Buwayziyya! NeoG t MG oGrdGecGhaGi G ! G G G!G G G G Al-Hamra G GAl-GZawG iyGa G G ! Khiyam Al Walid Forcible transfer of Palestinians continues until today, mainly in the Southern District (Beersheba Region), the historical, coastal G G G G GAl-GMuGftskhara ! G G G G G G G Lehavot HaBashan Palestinian towns ("mixed towns") and in the occupied West Bank, in particular in the Israeli-prolaimed “greater Jerusalem”, the Jordan G G G G G G G Merom Golan Yiftah G G G G G G G Valley and the southern Hebron District. -
Kibbutz Fiction and Yishuv Society on the Eve of Statehood: the Ma'agalot
The Journal of Israeli History Vol. 31, No. 1, March 2012, 147–165 Kibbutz fiction and Yishuv society on the eve of statehood: The Ma’agalot (Circles) affair of 19451 Shula Keshet* The novel Circles (1945) by David Maletz, a founding member of Kibbutz Ein Harod, created a furor both in kibbutz society and among its readers in the Yishuv. The angry responses raise numerous questions about the status of kibbutz society at the time and the position of the writer in it. This article examines the reasons for the special interest in Maletz’s book and considers its literary qualities. On the basis of the numerous responses to the book, it analyzes how kibbutz society was viewed in that period, both by its own members and by the Yishuv in general, and addresses the special dynamics of the work’s reception in a totally ideological society. The case of Circles sheds light on the ways in which kibbutz literature participated in the ideological construction of the new society, while at the same time criticizing its most basic assumptions from within. Keywords: David Maletz; Berl Katznelson; kibbutz; Hebrew literature; kibbutz literature; Yishuv society; readers’ response; ideological dissent Introduction The novel Circles by David Maletz, a founding member of Kibbutz Ein Harod, created a furor both within and outside kibbutz society upon its publication in 1945, in many ways marking the start of an internal crisis in kibbutz society that erupted in full force only some forty years later, in the late 1980s. Reading this novel in historical perspective provides insight into the roots of this crisis. -
American Friends of the Tel Aviv Museum of Art Spring Gala! Thursday, April 25, 2013 the Pierre Hotel
American Friends of the Tel Aviv Museum of Art Spring Gala! Thursday, April 25, 2013 The Pierre Hotel American Friends of the Tel Aviv Museum of Art 36 West 44th Street, Suite 1209 New York, NY 10036 To Dave Genser for the years Congratulations of dedicated leadership Suzanne Landau of the Director and Chief Curator American Friends of the of the Tel Aviv Museum of Art. Tel Aviv Museum of Art. Best wishes for great success, Herta and Paul Amir With friendship and best wishes, Herta and Paul Amir American Friends of the Tel Aviv Museum of Art Spring Gala 2013 Honoring Patron of the Arts Martin Sanders Artist of the Year Tal R Leadership in Public Arts Tsipi Ben-Haim Thursday, April 25, 2013 6:30 pm Cocktails and Silent Auction 7:30 pm Dinner Dance and Live Auction The Pierre Hotel, New York Welcome David Genser AFTAM Chairman Motzi Adam Sanders Address Suzanne Landau Director and Chief Curator Tel Aviv Museum of Art Patron of the Arts Martin Sanders Presented by: Suzanne Landau Director and Chief Curator Tel Aviv Museum of Art Artist of the Year Tal R Introduction by: Anders Kold Curator & Head of Acquisitions Louisiana Museum of Modern Art Presented by: Joan Genser Leadership in Public Arts Tsipi Ben-Haim Presented by: Ambassador Ron Prosor Permanent Representative of Israel to the United Nations Dinner and Dance Performance Burr Johnson Live Auction DawnMarie Kotsonis Auctioneer Musical Program Passacaglia of Handel-Halvorsen 2013 Recipient of the Irving and Mollie Sanders Memorial Juilliard / Tel Aviv Museum of Art Prize Dane Johansen, Cellist 2012 Recipient of the Irving and Mollie Sanders Memorial Juilliard / Tel Aviv Museum of Art Prize Sean Lee, Violinist Honorary Committee Paul and Herta Amir Mayor and Mrs. -
Tsibi Geva: SUBSTRATA, on View from January 9 Through February 15, 2020
NEW YORK, NY.- Tsibi Geva: SUBSTRATA, on view from January 9 throuGh February 15, 2020. The exhibition features a new body of work created over the past two years, defined by Geva’s focus on deconstruction and abstraction to convey the emotional and cultural tenor of his surroundinGs. Motifs of terrazzo tiles, stone walls, and latticework, which have been prevalent in Geva’s paintinGs since the nineteen-nineties, are pushed to the forefront in these new works. These Mediterranean urban patterns, once abstracted, become a reflection of a collective subconscious, revealinG a conflicted, restless landscape where borders are in a constant neGotiation. The various patterns are applied in layers that flow into one another, in entropic fashion. With expressive and spontaneous Gestures, Geva collapses the distance between the precarious cultural “Exhibition at albertz benda features a new body of work by Tsibi Geva,” artdaily.com. January 9, 2020 amalGam of the present and the reGion’s splintered history. TranscendinG familiar schemas and Grids, Geva continuously constructs, erases, and builds from the found remnants of his process to produce paintings that oscillate between various compositional options within a single canvas. Tsibi Geva Born in 1951 at Kibbutz Ein Shemer, Israel, Geva lives and works in Tel Aviv, Israel and Brooklyn, New York. He received a BFA from the Beit Berl School of Arts, Israel and proceeded to study at the New York Studio School, New York. Concurrent to the show at albertz benda, his work is the subject of a major exhibition at the Herzliya Museum of Art, Israel on view throuGh February 1, 2020. -
Article No.1 Voices
Voices From Israel is a new column that The Jewish Federation is proud to contribute as part of our Israel Program Center. In order to develop closer ties between Las Vegas and Israel there will be occasional submissions from Las Vegans who have participated in programs in Israel or made Aliyah (moved to Israel) with the help of the Israel Program Center. The article below is written by Jonathon Berman, a Las Vegas native who recently made Aliyah with the help of the Israel Program Center. Voices From Israel: Article 1 Following a Dream I am Jonathon Berman. I am 26 years old, Jewish, a Las Vegas Native, and almost one year ago I made Aliyah to Israel. Along with some personal goals and a desire to experience life and culture outside the U.S. since my Birthright trip in 2011, I have had a dream of giving back to Israel through service in the IDF (Israeli Defense Force). It was a long process, but as of right now I am a Chayal Boded (Lone Soldier- A soldier with no family within Israel). Initially, I looked into volunteer options but hit roadblocks due to my age, 24 at that time. I found an alternative way to join the IDF by making Aliyah and completing the 6-month mandatory service. I was given a spot in a 5 month Hebrew course on a Kibbutz in the north of Israel. I packed my bags and last November I boarded an El-AL flight to begin my journey. I remember landing at Ben Gurion Airport in Tel-Aviv with a deep fear that for some reason my friend was not going to be there to pick me up. -
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THURSDAY 6 April Tel Aviv & Herzliya, Israel Today's Guide
THURSDAY 6 april Tel Aviv & Herzliya, Israel Today's guide: Diana Dallal First stop: Einat Leader We meet Einat Leader at her home, she has a studio on the top floor. Briefly we meet her teenage daughter as well. Leader is a (jewelry) artist and teacher and was head of jewelry and fashion department at Bezalel Academy of Arts and Design. She studied industrial design as well and is a writer and curator of student exhibitions. She made a book with David Goss. The book, Borrowed Syndrome, departs from two texts about South Africa and Israel, since Goss is from South Africa too. There are twelve texts from artists in it. Einat Leader started her practice with drawings, after graduating mid-1990’s. Now she's focusing on bodies, walls and discrimination. She also worked on a project around former Palestinian villages which are now the Tel Aviv area, which she shows with small tin sculptures. Her practice and teaching are about making statements, also through jewelry. This might be unconventional, she feels. But she finds it important to reflect on the socio-political situation, also through this. Her works evoke the regional tensions. For example small objects made from olive pits covered with graphite, serve as a metaphor for the doves - a symbol for peace and freedom - not being 'white' anymore. Also she makes wooden objects representing camels, an important animal in Jerusalem's culture. She feels its time for making statements. Second: Guy Avital Guy Avital has a spacious studio in a building that's partly a parking lot.