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Dr. Ron Shroyer: an Historical Study of His Career and Contributions to Central Methodist University
DR. RON SHROYER: AN HISTORICAL STUDY OF HIS CAREER AND CONTRIBUTIONS TO CENTRAL METHODIST UNIVERSITY __________________________________________________ A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri __________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by Ryan McLouth Dr. Brian Silvey, Dissertation Supervisor DECEMBER 2017 Copyright by Ryan McLouth 2017 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled DR. RON SHROYER: AN HISTORICAL STUDY OF HIS CAREER AND CONTRIBUTIONS TO CENTRAL METHODIST UNIVERSITY presented by Ryan McLouth, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. __________________________________________________ Professor Brian A. Silvey __________________________________________________ Professor Wendy L. Sims __________________________________________________ Professor Antonio J. Castro __________________________________________________ Professor Anthony Glise __________________________________________________ Professor Brandon A. Boyd ACKNOWLEDGEMENTS I would like to thank Dr. Shroyer for his interest in participating in this study. I greatly appreciate his support in many ways: offering me my first job in higher education, encouraging me to take all opportunities to further my education, and serving as a wonderful teacher and mentor to me since my first days as a college student. I would also like to thank my friends and colleagues at Central Methodist for their support and willingness to be a part of my research. Finally, thanks to my dissertation committee members Dr. Antonio Castro, Dr. Brandon Boyd, and Professor Anthony Glise for their guidance in the project, as well as my advisors Dr. Brian Silvey and Dr. Wendy Sims for their encouragement and patience through the entire process. -
1-September 2, 2003
Communitas MVCC Faculty/Staff Newsletter September 2nd, 2003 Program Name A complete list of the Changes Fall 2003 Chemical Dependency Practitioner AAS (from Chem Dependency Counseling) Cultural Series Computer Aided Drafting AOS Events (from Drafting) can be found Culinary Arts Management AOS beginning on page 2 (from Food Service) Recreation & Leisure Services AAS (Recreation Leadership) President Michael Schafer’s Convocation Remarks Good Morning: Thanks to Jim Suriano and the Sodexho staff for putting on this wonderful breakfast. I am happy to welcome a few special guests who took the time out of their schedules to join us this morning: John Stetson- Chair, MVCC Board of Trustees David Mathis - Trustee Dana Higgins - Former member of the Board of Trustees Edward Stephenson –Oneida County Legislator MVCC Receives Mike Parsons- President of First Source and a member of our Foundation Board It is truly special to have the entire college community together today as we Donated Electric begin a new academic year. It’s really pretty quiet here throughout the summer. The cam- Vehicles pus finally comes alive when all of you return. There are a couple of unusual To the newest members of the College Community, let me extend a very warm new vehicles traveling around the Utica welcome and convey to you how pleased we are that you have chosen to become a part Campus this fall.They are two-passenger of MVCC. We hope that you will very quickly feel at home here, and please let us know open electric vehicles donated by the if there are any ways we can help. -
Årsberetning 2015 Årsberetning Criminal Justice Across Borders
Eurojust - Årsberetning 2015 Årsberetning 2015 Criminal justice across borders investigationsEurojust andsupports prosecutions national of authorities serious and in organisedthe effi cient cross- coordinationborder crime of Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg Malta Netherlands Poland Portugal Romania Slovakia Slovenia Spain Sweden United Kingdom Austria Belgium Bulgaria Croatia Cyprus Czech Republic Denmark Estonia France Finland Germany Greece Hungary Ireland Italy Latvia Lithuania Luxembourg -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
CHECK US ONLINE HERE: Times Are Changing and the Smiles Are Rare Nowdays
CHECK US ONLINE HERE: Times are changing and the smiles are rare nowdays. Oi you! Everybody seems to forget about their passions from different reasons. We all work, we all have different visions now and different jobs, but the passion should be the same. Is hard to stay in touch now with some bands, is even harder to check the internet for new albums and new bands, but when i have some free time i come back to my first love: this music. 11 years and i am still playing with this fanzine, and i am doing it for me in the first place and for those 5 people close to me, but always with a smile on my face when i am doing it. People have changed along time, i did change as well, but i will never forget the memories, i will ALBUM OF THE MOMENT never forget my city, the long roads to concerts and the old gang. We all grew up and forget the feeling inside. That feeling is love. Is love for this music and for the people, is love for the simple things...always. With passion in my heart still going stronger, still here with a big smile and a lot of love for this music. Until next time, always stay yourself and don’t forget your roots!, don’t forget the struggle and don’t forget the streets! CTHC-one love! MirceONE - January 2017, Miami THANK YOU: CTHC,KOB RECORDS, MAD BUTCHER RECORDS, 3 CEASURI RELE, PARCHEZ CA UN BOU, VERDE URBAN, OLD JUNKS CONSTANTA, SCANDAL, FAT WRECK CHORDS, IORISKA, HELLCAT RECORDS. -
Rob’S Album of the Week: the Slackers
Rob’s Album Of The Week: The Slackers Ska is a genre that has been in a bit of a crossroads over the past few years. It’s kind of in the same position punk rock was in the late 2000s, out of the limelight but still around somewhat, and there’s a dedicated fan base still packing venues to dance to the rhythms. For 25 years The Slackers from New York City have been keeping two tone alive and they’re not going away. Furthering the latter is their brand new self-titled album coming out on February 19. Bringing that trademark jazzy spin on the genre, Vic Ruggiero and crew haven’t slowed down at all since coming up from Manhattan in 1991. The groovy sextet from The Big Apple incorporates a bit of psychedelia and garage rock in their latest release. Each track brings something different; a few are heavy with the horns while others have the keys as the base of the entire song. It definitely makes the experience a stimulating one. It’ll be difficult to grow bored while diving to this one. Ruggiero also brings that laid back soul he’s known for to keep everything timeless. Is Ska due for the 4th Wave? Only time will tell. It’ll take a bunch of kids rejuvenating the rude boy ideal and that’s only a small part of what it’ll take. A big part of this weekly review are my top tracks off of the Album Of The Week. Open wide, take a bite, repeat and get your fill. -
June 2019 New Releases
June 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 79 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video DVD & Blu-ray 44 YEASAYER - TOMMY JAMES - STIV - EROTIC RERUNS ALIVE NO COMPROMISE Non-Music Video NO REGRETS DVD & Blu-ray 49 Order Form 90 Deletions and Price Changes 85 800.888.0486 THE NEW YORK RIPPER - THE ANDROMEDA 24 HOUR PARTY PEOPLE 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED STRAIN YEASAYER - DUKE ROBILLARD BAND - SLACKERS - www.MVDb2b.com EDITION) EROTIC RERUNS EAR WORMS PECULIAR MVD SUMMER: for the TIME of your LIFE! Let the Sunshine In! MVD adds to its Hall of Fame label roster of labels and welcomes TIME LIFE audio products to the fold! Check out their spread in this issue. The stellar packaging and presentation of our Lifetime’s Greatest Hits will have you Dancin’ in the Streets! Legendary artists past and present spotlight June releases, beginning with YEASAYER. Their sixth CD and LP EROTIC RERUNS, is a ‘danceable record that encourages the audience to think.’ Free your mind and your a** will follow! YEASAYER has toured extensively, appeared at the largest festivals and wowed those audiences with their blend of experimental, progressive and Worldbeat. WOODY GUTHRIE: ALL STAR TRIBUTE CONCERT 1970 is a DVD presentation of the rarely seen Hollywood Bowl benefit show honoring the folk legend. Joan Baez, Pete Seeger, Odetta, son Arlo and more sing Woody home. Rock Royalty joins the hit-making machine that is TOMMY JAMES on ALIVE!, his first new CD release in a decade. -
Dansk Varemærke- Tidende
DanskDansk PatentPatent TidendeTidende Dansk Varemærke- tidende Nr. 12. 131. årgang. 2012-03-21 Dansk Varemærketidende, DK Dansk Varemærketidende Indholdsfortegnelse Offentliggørelse af registreringer .......................................................................................... 513 Offentliggørelse af udskilte registreringer ............................................................................. 530 Afslåede eller tilbagetagne ansøgninger .............................................................................. 531 Ændringer af indehaver- og/eller fuldmagtsforhold............................................................... 532 Klasse- og varefortegnelse efter begrænsning..................................................................... 536 Fornyede registreringer ........................................................................................................ 537 Udslettede registreringer ...................................................................................................... 539 Ansøgningsregister .............................................................................................................. 542 Navneregister ....................................................................................................................... 548 Mærkeregister ...................................................................................................................... 554 Klasseregister ..................................................................................................................... -
By: Lydia Ascacíbar, 4ºA ROOTS
JAMAICAN MUSIC By: Lydia Ascacíbar, 4ºA ROOTS: The music of Jamaica includes Jamaican folk music and many popular genres of music such as ska, reggae, dub, mento, rocksteady, dancehall, reaggea fusion and related styles. The Jamaican musical culture is the result of the merger of U.S. elements (rhythm and blues, rock and roll, soul) African and nearby Caribbean islands such as Trinidad and Tobago (Calypso and soca). EL REGGAE: It is especially popular thanks to the internationally renowned artists such as Bob Marley. Jamaican music has had a major influence on other styles of different countries. In particular, the practice of ``toasting'' for Jamaican immigrants in NY which evolved into the origin of ``rap''. Are also influenced other genres: punk, jungle and rock lovers. SOME FACTS: It is a kind of spiritual music, whose lyrics predominates praise of God or Jah (often exclaims Rastafari meaning "Prince Tafari" (ras is prince in amaharico), which refers to the birth name, Ras Tafari Makonnen, Haile King Selassie I of Ethiopia (1892-1975), revered as a prophet by the Rastafarians. letters in Other recurring themes include poverty, resistance to government oppression and the praises of ganja or marijuana. Some consider that the roots reggae had its peak in the late 1970s.'s roots reggae is an important part of the Jamaican culture. Though other forms of reggae, dancehall and have replaced it in terms of popularity in Jamaica, Roots Reggae found a small but growing in the world. Instruments Why reggae? -Guitar -Mbiras Currently is generally called raggamuffin or ragga reggae substyles some. -
Programm: Transmitter SOUND Freitag, 18. Juni Ab 19 Uhr: KING
Programm: Transmitter SOUND Freitag, 18. Juni ab 19 Uhr: KING KURT Oldschool Psychobilly aus London, England MALIGNANT TUMOUR Thrash Metal aus Tschechien THE BLOODSUCKING ZOMBIES FROM OUTER SPACE Horrorpunk/ Psychobilly aus Wien, Österreich THE OCEAN Experimental Metal aus Berlin, Deutschland B-SOZIAL Deutschpunk aus Feldkirch, Vorarlberg Samstag, 19. Juni ab 14 Uhr: REDSKA SKA- Punk aus Romagna, Italien BLACK COBRA Stoner Metal aus Kalifornien, USA NORMAHL Deutschpunk aus Winnenden, Deutschland KLASSE KRIMINALE Street Punk aus Savona, Italien WEEDEATER Weed Metal aus Kalifornien, USA MR. IRISH BASTARD Celtic Punk aus Münster, Deutschland VIRUS HUMAN Hardcore- Punk aus Vorarlberg STATOR Stoner Post Rock aus Vorarlberg IONU Hardcore Punk aus Vorarlberg CRACKPOT KINGS & THE MONKEYS SKA aus Koblach, Vorarlberg THE EQUAL RIGHTS Kunstacts an beiden Tagen: STÖRBILD BEINHAUPÖBEL BARACKS WURSTFISCH HETEROTOPISCHE_INSTALLATIONEN_? SOUND Freitag, 18. Juni ab 19 Uhr: KING KURT Oldschool Psychobilly aus London, England Gegründet 1981, pressten sie schon 1982 ihre ersten Aufnahmen auf Vinyl. Und 1984 stürmten sie mit "Destination Zululand" gar die U.K. Charts. Legendär sind ihre Bühnenshows rund um die "Rampensau" Smeg. Da bleibt die erste Reihe meist nicht trocken! Unterbrochen durch eine 3 jährige "Schaffenspause" von ca. 87 bis 90 waren KING KURT mehr oder weniger regelmässig "on the road". http://www.myspace.com/alcoholicrat MALIGNANT TUMOUR Thrash Metal aus Tschechien Zwischen GrindCore und Crust'n'Roll entwickelten die Jungs ihren eigenen Stil über viele Jahre. Die Jungs machen Musik die dir in den Arsch tritt, was sie auf ihrem letzten Album "In Full Swing" deutlich beweisen. Die Band besteht heute aus Bilos an der Gitarre und am Gesang, Simek am Bass und am Gesang, David an den Drums und Koral an der Gitarre und am Gesang. -
The Bands of Detroit
IT’S FREE! TAKE ONE! DETROIT PUNK ROCK SCENE REPORT It seems that the arsenal of democracy has been raided, pillaged, and ultimately, neglected. A city once teeming with nearly two million residents has seemingly emptied to 720,000 in half a century’s time (the actual number is likely around 770,000 residing citizens, including those who aren’t registered), leaving numerous plots of land vacant and unused. Unfortunately, those areas are seldom filled with proactive squatters or off-the-grid residents; most are not even occupied at all. The majority of the east and northwest sides of the city are examples of this urban blight. Detroit has lost its base of income in its taxpaying residents, simultaneously retaining an anchor of burdensome (whether it’s voluntary or not) poverty-stricken, government-dependent citizens. Just across the Detroit city borders are the gated communities of xenophobic suburban families, who turn their collective noses at all that does not beckon to their will and their wallet. Somewhere, in the narrow cracks between these two aforementioned sets of undesirables, is the single best punk rock scene you’ve heard nary a tale of, the one that everyone in the U.S. and abroad tends to overlook. Despite receiving regular touring acts (Subhumans, Terror, Common Enemy, Star Fucking Hipsters, Entombed, GBH, the Adicts, Millions of Dead Cops, Mouth Sewn Shut, DRI, DOA, etc), Detroit doesn’t seem to get any recognition for homegrown punk rock, even though we were the ones who got the ball rolling in the late 60s. Some of the city’s naysayers are little more than punk rock Glenn Becks or Charlie Sheens, while others have had genuinely bad experiences; however, if the world is willing to listen to what we as Detroiters have to say with an unbiased ear, we are willing to speak, candidly and coherently.