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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
Various Punk O Rama 10 Mp3, Flac, Wma
Various Punk O Rama 10 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Punk O Rama 10 Country: US Released: 2005 Style: Hardcore, Punk, Hip Hop MP3 version RAR size: 1649 mb FLAC version RAR size: 1109 mb WMA version RAR size: 1690 mb Rating: 4.3 Votes: 546 Other Formats: DTS AIFF AUD APE AAC ADX XM Tracklist Hide Credits CD-01 –Motion City Soundtrack When "You're" Around 2:50 CD-02 –Matchbook Romance Lovers & Liars 3:19 Shoot Me In The Smile CD-03 –The Matches 3:30 Recorded By, Producer – Matt Radosevich CD-04 –From First To Last Failure By Designer Jeans 3:03 CD-05 –Sage Francis Sun Vs. Moon 3:18 News From The Front Engineer [Mixing Assistant] – Milton ChanEngineer CD-06 –Bad Religion 2:22 [Tracking Assistant] – Dick KaneshiroMixed By – Andy WallaceProducer – Andy Wallace, Bad Religion CD-07 –This Is Me Smiling Mixin' Up Adjectives 3:03 CD-08 –Youth Group Shadowland 3:36 From The Tops Of The Trees Mixed By [Assistant], Mastered By [Assistant] – Andy CD-09 –Scatter The Ashes HuntProducer, Recorded By, Mixed By, Mastered By 3:42 – Jacquire KingRecorded By [Assistant], Mixed By [Assistant] – Sang Park I Need Drugs CD-10 –Some Girls 1:02 Producer, Written-By – Some Girls Mince Meat CD-11 –Dangerdoom* Musician – Danger MouseVocals – MF DoomWritten- 2:35 By – B. Burton*, D. Dumile* Mission From God CD-12 –The Offspring 2:55 Mixed By – Joe BarresiRecorded By – Thom Wilson CD-13 –Converge Black Cloud 2:21 CD-14 –Hot Water Music Last Goodbyes 3:00 Anchors Aweigh (Live) CD-15 –The Bouncing Souls 2:09 Mixed By – Bob Stakele*, -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Love Is Like Drugs Album Download Zip Download Leak : Doja Cat – Planet Her Album Mp3 Zip File
love is like drugs album download zip Download Leak : Doja Cat – Planet Her Album Mp3 Zip File. Doja Cat – Planet Her Album Zip File Mp3 , Rar Download ! Doja Cat comes through with a new album studio project titled “Planet Her” and all Tracks are available here on FreshMediaRecord for your free and fast download. Doja Cat has shown that music just got better. He has won numerous awards from his previous songs and with the cooperation of his fans he hopes he can win more with this new song theme “Planet Her Album“. Year Released: 2021 Artist: Doja Cat Album Title: Planet Her Author: Jordi Wilson. DOWNLOAD FULL ALBUM ZIP HERE. DOWNLOAD FULL ALBUM ZIP HERE. Doja Cat – Planet Her Album Tracklist :- 1.Woman 2.Naked 3.Payday 4.Get Into It (Yuh) 5.Need To Know 6.I Don’t Do Drugs ft. Ariana Grande 7.Love to Dream 8.You Right ft. The Weeknd 9.Been Like This 10.Options ft. JID 11.Niggas Ain’t Shit 12.Imagine 13.Alone 14.Kiss Me More ft. SZA. Doja Cat has gotten his fans on the edge of their seats with this party thriller. His song “Planet Her Album“is already causing stirs in the streets leaving people in awe of his wordsmith powers. This trending banger ‘Planet Her Album‘ is here on FreshMediaRecord for your free streaming and download. Love is like drugs album download zip. Buy Mp3 Music Online / Mary J. Blige / Love & Life. Blige — Love & Life. Discount: -20%; Release. Albums: 682602 Tracks: 7697361 Storage: 59274 GB Do stuff. -
20-0405-0612 PD E (Pdf)
CANADIAN BROADCAST STANDARDS COUNCIL PRAIRIE REGIONAL PANEL CJKR-FM re the song “Kill All the White Man” by NOFX (CBSC Decision 04/05-0612) Decided June 2, 2005 V. Cownden, D. Dobbie, V. Dubois, J. Fong, K. Johnston THE FACTS The song entitled “Kill All the White Man” by the punk band NOFX was broadcast on CJKR-FM (Power 97, Winnipeg) during its Punk-O-Rama program at approximately 11:15 pm on November 19, 2004. The first part of the song has a reggae beat, while the latter part has a more hard-rock/punk style. The lyrics to the song are as follows: Oh yeah, oh yeah Kill all the white man Oh yeah, oh yeah Kill all the white man The white man call himself civilized ’Cause he know how to take over The white man come to pillage my village Now he tell me I have to bend over Oh yeah, oh yeah Kill all the white man Oh, oh, oh, oh yeah, oh yeah Kill all the white man No I do not l like the white man up in me He rape all my people as he rape my country Everything I love and cherish, he try to take away We will be rid of him, soon come the day Oh yeah, oh yeah Kill all the white man 1 2 Oh, oh, oh, oh, oh yeah, oh yeah Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man Kill all the white man On November 20, a listener complained to the Canadian Radio-television and Telecommunications Commission (CRTC), which forwarded the complaint to the CBSC in due course. -
NOFX: Popular Punks Sellout
MAnCH 7,2001 • THE ORION C!& ((Well you're all a bunch o/posers because this is OU1'fitst time playing in Chico. JJ - FAT MIKE, NOFX ;., NOFX: Popular punks sellout sho ~The BrickWorks hosts hugely It was that kind of sarcasm that remained "Straight Edgc" and their reggac tunc "Eat the drummer Cecil Lossy. constant throughout the night us the band interacted Meek," He also blew his trumpet on a few songs. The band preceding NOFX showed that getting popular NOFX, which sold out with the crowd after each and every song. Guitarist Eric Melvin sported his usual nappy plastcred seemed to be the theme of the night. "I think I'm having a good ·time here in Chico," dreadlocks and cven traded his guitar for an ·~Hi. We're thc Mad Caddies, and we're drunk," the show a month in advance said Fat Mike. "I'm having a lot more fun tonight accordion on their closing song. Melvin continued s:tid singer Chuck (the b:tnd members don't go by because I'm drunk." to stand on the stngc and squeeze the accordion their last namcs). MATT BROWN NOFX's show had something to offer for all after thc rest of the band hnd exited. Thc Mad Caddies can be described as :tn S~',O'l' WI<ll'lll< typcs of fnns, as they plnyed songs Eric Ghent's galloping dnnnbeals bat insane circus gone punk. A seven-piece frolll th·at ranged from their oldest ulbum to tered The Brick Works' sOllnd system. Sanla Barbara, the ska band forccd The Briek . -
The Irish Diaspora Lived Ethics of the Dropkick Murphys Punk Band
Catholicism and Alcoholism: The Irish Diaspora lived ethics of the Dropkick Murphys punk band Kieran James & Bligh Grant University of Southern Queensland, Toowoomba, 4350, Australia. Corresponding author: Kieran James ([email protected]) Abstract A POSTMODERN IRISH NATIONALISM This paper discusses the contemporary Irish- American punk band, the Dropkick Murphys, and in particular the band‘s most recent studio album The Dropkick Murphys (hereafter DMs) have 2007s The Meanest of Times. We find that the unabashedly adopted an image and worldview band‘s resurgent Irish nationalism is both uniquely of a resurgent and triumphalist Irish a product of the Irish Diaspora, and, although the nationalism grounded in singing of Irish band might be unwilling to admit it, American traditions, festivities, towns and places, and culture and its self-confident jingoistic patriotism. use traditional Irish instrumentation in some of The band‘s attitude to Roman Catholicism is, in their music. Fictitious characters in songs Sartre‘s (2003) words, a unique synthesis of invariably are given Irish names, such as facticity and transcendence in that they ‗Flannigan‘s Ball‘ and ‗Fairmount Hill‘. acknowledge its reality as a shadow overhanging both their pasts and their presents. However, the However, what emerges is as obviously a band seems to go beyond simply acknowledging its product of the USA as it is of Ireland. spectre by adopting, expressing, and/or reflecting Although Dublin is referenced in songs (e.g. some degree of religious faith themselves without the cover of ‗Rocky Road to Dublin‘), Boston, going so far as to be clearly a ‗Catholic band‘ like, America‘s ‗Irish city‘, is referenced more for example, the Priests. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
March 17 -23 , 20 16
MARCH 17-23 , 2016 | VOLUME 19 | NUMBER 21 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 19 | NO. 21 | MARCH 17-23, 2016 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Jess Swanson FELLOW Jerry Iannelli MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Melissa Guzman PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Cristina Jerome, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, Jesse Richman, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman | CONTENTS | | CONTENTS ART ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Y | MARKETING DIRECTOR Jennifer G. Nealon Evans Karli by Photo DA EVENT DIRECTOR CarlaChristina Thompson MARKETING COORDINATOR Kristin Ramos ▼ SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Featured Stories Peter Heumann, Kristi Kinard-Dunstan, Andrea Stern ACCOUNT EXECUTIVES Paige Bresky, Melanie Cruz, Alyson Puccetti Open and Shut Bruce Matheson’s one-man CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES legal war has likely doomed the A T Patrick Butters, Ladyane Lopez, Joel Valez-Stokes Miami Open in Key Biscayne. S CIRCULATION BY JERRY IANELLI | PAGE 6 CIRCULATION DIRECTOR Richard Lynch CIRCULATION ASSISTANT MANAGER Rene Garcia BUSINESS Steamy Stories GENERAL MANAGER Russell A. -
Årsberetning 2015 Årsberetning Criminal Justice Across Borders
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Part of the Plan Lyrics
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