2018 FLYING HORSE OUTDOOR EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 SEPTEMBER 1 – NOVEMBER 4, 2018 | a 2018 DOWNLOAD a free SmartPhone app to guide you through FLYING HORSE the Flying Horse Outdoor Sculpture Exhibit! OUTDOOR SCULPTURE EXHIBIT SEPTEMBER 1 – NOVEMBER 4, 2018

WELCOME FROM THE

Find us in the app stores under Pingree Sculpture Show HEAD OF PINGREE SCHOOL What the app provides: A map of the Pingree School campus with Welcome to our ninth annual Flying Horse Outdoor Sculpture Exhibit! After almost a decade, markers showing the location of we have grown to be one of the largest displays of outdoor art in New England. Information about the individual sculptures This year, we are proud to exhibit more than 50 pieces by artists from as far away as and artists when you click on markers California, Mexico, and New Mexico and as close by as Hamilton, Gloucester, and Beverly. Their work is fabricated with materials as diverse as crocheted nylon thread, cast glass, and bronze. Whether two or ten feet in scale, all of the pieces promise to provoke thought, 1 2 3 4 5 6 7 8 9 10 encourage discussion, spark the imagination, and remind us of the creativity that unites us as humans. Each year, we look forward to seeing how these works change the landscape on our A FLYINGcampus to afford us the opportunity HORSE to see these beautiful surroundings in fresh ways. OUTDOOR SCULPTURE EXHIBIT B Now it’s your turn! Walk around. Open your eyes. Consider2016 a new perspective. As always, many thanks to Judith Klein who first conceived of the Flying Horse Outdoor PARTICIPATINGSculpture Exhibit and coordinatesSCULPTORS our show each year. C 1. A10, B10, C10 Taylor Apostol taylor.apostol.com 2. Robert Bliss blissceramicstudios.com 3. Whitmore Boogaerts wb-sculpture.com D 4. Warmly, Jeffrey Briggs briggssculpture.com 5. Tim Lindley Briggs briggssculpture.com 6. J. David Broudo MAIN BUILDING 7. Joe Carpineto jcarpinetosculpture.com E 8. Josie Campbell Dellenbaugh beechgate.com FIELD HOUSE 9. Larry Elardo mstreetpotters.com 10. Kevin Duffy duffysculpture.com F 11. Shawn Farrell 12. Geoff Feder geofffeder.com 13. Joseph Ferguson josephferguson.com 14.Dr. Tim JohnsonYetti Frenkel mosaicsculpture.com G 15.Head of SchoolGints Grinbergs gintsgrinbergs.com 16.Pingree SchoolHilary Harrison hilaryharrisonanddesign.com EXIT 17. Waldo Evan Jespersen waldojespersen.com H 18. Thomas Linville

ICE RINK 19. Madeleine Lord mlordsculpts.com 20. Mitchel Lunin 21. Colin Moore colinmooresculpture.com I b | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL 22. Kerry Mullen kerrymullenfineart.com SEPTEMBER 1 – NOVEMBER 4, 2018 | 1 23. Brian Murphy 24. Morris Norvin morrisnorvin.com J 25. Irina Okula clayshards.com 26. Jenny Rangan 27. Ramani Rangan K 28. Dale Rogers dalerogersstudio.com

29. Janice Corkin Rudolf janicecorkinrudolf.com HIGHLAND AVE. HIGHLAND

ENTRANCE 30. Nancy Sander 31. Jesse Shaw JShawFurniture.com L 32. Gene Sheehan 33. Karin Stanley karinstanley.com 34. Gianna Stewart www.gianna.works M 35. Bart Stuyf bartswork.com 36. Michael Updike michaelupdike.net 37. Lisa Victoria N 38. Mark Wholey markwholeyart.com 39. Isaac Witt wittbrosworks.com MESSAGE FROM PETER BARRETT HONORARY GEORGE FIFIELD Peter Barrett came to welding and then to sculpture and to art in his early 30s almost by accident. Repair welding was a part of everyday life at the sawmill that he and his brother What is public art? It’s an interesting question. I first began to were operating. Peter stepped in as the welder when one was grapple with it years ago when I noticed a sign embedded in the needed. Surrounded by the endless steel shapes of the sawmill, sidewalk beside the nine-foot tall bronze teddy bear outside of and having the equipment to work with them, he started to use F.A.O. Schwartz on Boylston Street proclaiming that it was a private them in a different direction—to create sculpture. sculpture. Obviously, it was written by some lawyer in an attempt to stave off litigation should some climbing child fall and hurt Twenty years later, he is still experimenting. He uses found themselves. But it set off waves of confusion for me as I tried to objects, simply welded together, but also creates elaborate understand how this massive work by artist Robert Shure, sitting fabrications. He has combined forgings with fabrication with outdoors between a Back Bay toy store and the street, the most found objects. And he has done several series of sculptures, public site imaginable, could possibly be “private.” some of which he continues to work and elaborate on. “My goal is to create works that convey multiple qualities: In the 40-odd years since I noticed this sign, public sculpture has undergone many changes. expression, message, craftsmanship, form, functionality. I want Around the world, giant LED screens are being built for many purposes, mostly advertising. to impact the viewer at each or at many of those levels. Working But artists and arts organizations make inroads into these screens with programs in Times ENTRADA AL INFRAMUNDO in steel, I feel an obligation to honor the material, both in how I Square, Korea’s Seoul Digital Media City and throughout Boston like Boston Cyberarts’ own Mild steel with stainless steel use it—presentation—and in what I do to it—craftsmanship.” $6,500 Art on the Marquee project on the LED sculpture in front of the South Boston Convention Center. Public art now shares space on privately owned screens with advertising and weather CONTACT: [email protected] | 413.528.4507 | PeterBarrettSculpture.com reports. The screens themselves become the sculpture. In the future, architecture will be clothed in LED skins—a source for information and art. Interior design and even fashion will change as well. A big morning decision might be what video to download onto your t-shirt. Public art will reflect this. ASHLEY VICTORIA BLALOCK And today there is an entire category of public art that can’t be seen without the correct Ashley V. Blalock, a California resident, earned an MFA in technologies. In this year, I’ve curated or produced three public exhibitions of sculpture from the San Francisco Art Institute, an MA in augmented reality artworks that only exists when seen through instrumentation, usually just art history from the University of California Riverside, and a a smartphone or tablet and a free app. And here the public/private frisson also exists. I can BA in painting from San Diego State University. She was a tell the world of my augmented reality sculpture projects as broadly as possible, making it resident at the Skowhegan School of Painting and Sculpture public art, or I can share the secret within an insular group, keeping it private. I know of one and Vermont Studio Center. Her solo installation venues augmented reality artwork commissioned by a couple that is in the middle of Central Park in include the Nevada Museum of Art, the Lion Brand Yarn New York City that only they and the artist have experienced. Studio in New York, and the Last Bookstore in Los Angeles, and her work has been exhibited in group exhibitions at the Who knows what the future will bring to the Flying Horse Outdoor Sculpture Exhibit? After KEEPING UP APPEARANCES Craft in America Center, Mingei International Museum, and all, all sculpture, whether cast in bronze, welded, even woven out of rattan, represents a Nylon technology along with sculpture seen on our smart phone screens. Arthouse at the Jones Center. She fuses fine art and craft NFS to create objects and site-specific installations inspired by everyday artifacts from the domestic sphere. George Fifield “This site-specific installation series consists of vibrant red forms that are actually giant Director, Boston Cyberarts, Inc. crochet doilies. Although non-threatening in a domestic setting, they are out of place outdoors and at this scale overtake the viewer. The doilies represent a certain desire to keep the appearance of gentility to the outside world expressed through the arrangement of objects in the domestic setting, including gardens. Inherent is a compulsion to arrange and decorate in order to control or influence a perceived outward appearance. The red color gives away the futility of such an act and hints at the unease that lurks below the surface of an obsessive need to control and arrange.” CONTACT: AshleyVBlalock.com | [email protected] 2 | SEPTEMBER 1 – NOVEMBER 4, 2018 | 3 WILLIAM BRAYTON LINDLEY BRIGGS

William Brayton is an artist and a Professor of Art at Lindley Briggs received her B. A. Hampshire College in Amherst, Massachusetts. He has from Connecticut College in 1967. exhibited his sculpture and drawings nationally for more She continued studying sculpture at than 30 years. William Brayton has received grants to the Boston Museum School of Fine support his art and teaching career from the Pollock Krasner Arts and The Skowhegan School of Foundation, The John D. and Catherine T. MacArthur Painting and Sculpture. Foundation, and the Mellon Foundation. Throughout her career, Lindley has “The relationships between arcs, circles, and discs that arise had numerous shows featuring her by chance and design coalesce into abstract sculpture with sculpture, drawings, collages and emotive connotations. References to wind and the motion prints. Her work has been featured DAYDREAMS of celestial bodies grow out of my interest in sailing and in national publications such as Yankee Magazine, Fine Apoxie clay, granite navigation. The title, Coquina, is borrowed from a small Woodworking, and The New York Times. Her sculpture is $2,400 yawl designed by Nathanael Herreshoff in 1889. Nautical currently represented in ten galleries throughout the country. literature, the architecture of plants, and Polynesian stick COQUINA Lindley’s bronze medallions have been juried into five international museum exhibitions in charts are parallel areas of research.” Aluminum, bronze, acrylic recent years—at the Hunterian Museum in Glasgow Scotland, The Museum of Fine Arts in $5,700 CONTACT: [email protected] Tampere, Finland, and The Archaeological Museum in Sofia, Bulgaria, to name a few. 413.320.7037 CONTACT: [email protected] | 978.465.5593 | lindleybriggssculpture.com Williambrayton.com

JEFFREY BRIGGS AARON T. BROWN

Jeff Briggs received his B.A. from Tufts and his Diploma Aaron T. Brown is known for his enlivening outdoor from the Boston Museum School of Fine Arts in 1969. His sculptures that transform the landscapes they inhabit. work has been featured in numerous national publications Working out of his workshop in New Hampshire, he uses including Yankee Magazine, Woodworking­—The New WAVE, a variety of processes to create his sculpture pieces and Fine Woodworking Books 11 and 111, and Interior Design. Jeff prints. Aaron comes from a family of artists and scientists. worked as sculptor and principal designer at The Fabricon His great grandfather held the William James Chair at Carousel Company for over 30 years, creating numerous Harvard University and his British grandmother ran away Grand Carousels currently operating in Singapore, Finland, with her expensive silverware from an affluent marriage to Saudi Arabia, Bolivia and throughout the USA. Partnering become one of the early members of the Taos Modernist Art with a carousel frame company and a fine art painter, Jeff Movement. One of her grandsons, Aaron’s cousin, in turn, designed and sculpted an entire, new, custom carousel for became a well-known silversmith. SEA MONSTER The Rose Kennedy Greenway in Boston, MA. Instead of the Fiberglass resin “I have been drawing abstract shapes since I was a child. traditional horses, this carousel features ride-able lobsters, $8,000 When I was 11, my father gave me the book, The Art of Jean cod fish, harbor seal and a host of other creatures from the Arp by Herbert Read, a book that I treasure to this day. I land, sea and air that can be seen on or around the Boston Greenway. think that my father recognized that I had a kindred spirit The Boston Greenway Carousel opened to the public on August 31, 2013. in the German born artist. I poured through this book over When not making carousels, Jeff creates sculpted wall reliefs. Thematically, the reliefs explore and over again. I consider Arp my mentor, and feel that he his thoughts about man’s complex and paradoxical relationship to animals. His complete set of continues to have a profound influence on my art.” sculpted wall reliefs can be viewed at: www.briggssculpture.com under “Jeffrey’s Bas Reliefs.” CONTACT: [email protected] SERAPH CONTACT: [email protected] | 978.465.5593 | Briggssculpture.com 603.930.8304 Stainless steel Aarontbrown.com $12,000

4 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 5 LARRY C. BROWN JOE CARPINETO

Larry Brown is a retired architect who creates In all of his work, Joe Carpineto attempts to bring in the large scale private and public sculptures and influences of his experiences in various countries—Mexico, forward-thinking fine art furniture. His recent Guatemala, England, and India. In London, he attended the Boats as Art series of contemporary furniture Camberwell College of Art and had several shows at the and outdoor sculptures are made from school in various galleries. In San Miguel de Allende, Joe had repurposed fiberglass sailboats. Examples have a residency at the Instituto de Allende and exhibited there as been published in Epoxyworks. well as in Oaxaca where he was affiliated with the Instituto As an architect, Larry founded Developmental Tamayo. In the piece exhibited this year at Flying Horse, Designers, Inc. in Beverly, MA, producing music is Joe’s muse. the architecture for museums, corporate “Jazz is never far from my thoughts when I’m working on showrooms, and multilevel trade shows. His a sculpture. This one is no exception. It reminds me of 15 years of work won Best of Show awards for John Coltrane’s powerful solos and melodic phrases. I’m GIANT STEPS FROLIC clients such as Borg Warner Chemicals, General attempting to show the soaring heights he reached and the Steel, paint Aluminum $3,500 Electric Medical Systems, GE Lighting and GE Jet $3,000 beautiful sounds he made.” Engine groups, Times, American Iron and Steel Institute, and Medtronic. CONTACT: [email protected] 617.283.0590 CONTACT: [email protected] | 617.281.6850 | Larrycbrownstudio.com Joecarpinetosculpture.com

JAMES N. BURNES CHRISTOPHER COX

Jamie Burnes is a metal sculpture artist based in Santa Chris Cox is a Rhode Island-based maker of Fe County, New Mexico. Born in Boston, Burnes is a maquettes that he plans to create on a large graduate of Skidmore College. His works are in many scale. As a self-trained artist who comes public and private collections and he exhibits nationwide. from a boat building and custom fabrication “The oldest known paintings made by humans are background, he uses his skills to construct large representations of animals on the walls of deep caverns sculptures out of composites. He also makes in Europe. The artists chose safe and remote places to monoprint acrylic paintings using stamps etch wonderful earth toned wildlife images deep into the and stencils and based on silhouettes of his belly of rock. These ancient creations pay homage forever sculptural designs. Chris made his debut into the to the creatures they revered and depended upon. Like public art scene in May 2016 with the installation those primitive artists, we too are forever allied with the of his sculpture in Providence, RI. It stands 7 feet tall and 12 feet in diameter and can still be animals and wilds of our planet even as we grow further WINDY NINE PIECE PORTAL seen in the park along the Providence River on and further from them in life as we live it today. Wood, pxc foam, Pink high density Corten steel, cedar, and stainless South Water Street. Another, standing at 5'6" tall, insulation foam, Fiberglass, Epoxy, In my work I focus on archetypal creatures, and forms steel 6 feet long, and 3 feet wide, is entitled Reindeer Concrete, Epoxy primer, two-part such as spirals and animals, to express the deep spirit $13,750 and was installed for the holiday season at The polyurethane, steel of life on earth and our interdependence on it. I am Arcade on Westminster and Weybosset Streets, $20,000 drawn to the tension between what is natural and organic, between man and nature, and also in Providence. between time and decay. I combine the natural elements of earth with the ingenuity of man made steel, and through this juxtaposition explore how one informs the other, and together CONTACT: [email protected] they create new understanding, reminding us of our earthbound roots.” 401.595.2835 wild-canary.myshopify.com CONTACT: [email protected] | 505.670.6638 | Jamieburnes.com Instagram: wild_canary

6 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 7 ERIKA CROFUT JOSEPH DeROBERTIS

Erika Crofut is an artist who lives in the Joseph DeRobertis is a metal artist and Berkshires and works out of her new studio jewelry maker who creates unique original in Great Barrington, MA. A painter, sculptor, sculpture and functional metal art. His illustrator, ceramist, printer, designer, and sculptures are produced from a mix of teacher, her work is whimsical and happy. found metal and new material and many are “I strive to make life, my home, my family, and derived from forms in nature. my artwork connect. Imagination and creativity CONTACT: [email protected] are my constant companions—my narrative 603.545.4124 voice. My subjects usually evolve from my MOUSE MOBILE observations of connections across times and Recycled metal, bittersweet, wood, generations. My art helps me to express my bottles and cans amazement and gratitude for how beautiful an $5,500 BIKE BULL average day can be, to question how and why Found Steel and Motorcycle Frames some things inspire me, and to celebrate my own place in this . $4,800 I have had the great fortune to have ‘making’ be a part of almost every day of my life: as a family member, an educator, a storyteller, and an artist.”

CONTACT: [email protected] | 860.307.1293 | erikacrofut.com

JOSIE CAMPBELL DELLENBAUGH JAMES DURRETT

Dellenbaugh’s work has been part of many solo and juried James Durrett is an associate professor of exhibitions mostly in New England and the mid-Atlantic sculpture at Montserrat College of Art where region. She has participated in sculpture walks in Meredith he teaches 3D design, wood fabrication, NH, Newburyport MA, Mankato MN, Eau Claire WI, Sioux metal fabrication, warm glass methods, Falls SD, and Castlegar BC, Canada. One piece, a bust glass jewelry methods, innovations in of a newborn baby, was part of an exchange exhibition to stone and wood, and kinetic and interactive Moscow, Russia. Dellenbaugh has won numerous awards sculpture. His work is in many private over the past 40 years, including the Phillip Mill Patrons’ collections, and he has exhibited at Endicott Award in PA, the Liskin Award, the Isenberg Award, the College (MA), Peters Valley (NJ), Sculpture DeBellis, & Richman Awards at the Salmagundi Club in NYC, Fest (VT), and the Carving Studio (VT). and the Montana Memorial Award at the Hudson Valley Art “There is meaning in virtually everything Association in NY. In 2017, she was awarded a regional prize, encountered in life. I am intrigued by shape, the Gifford Award for Excellence in Sculpture by the New form, mass, and volume. As a sculptor, England Sculptors Association. Her work is in many private PEACEABLE FRANCIS Casted Glass, steel I try to use this basic vocabulary to form $800 –$3,000 each, depending on size collections as well as at Goodwin College in East Hartford Bronze $14,000 a dialogue with the viewer to invoke a CT, Planned Parenthood of Pennsylvania, St. Paul’s Church, meaningful reaction. A successful sculpture needs no Chatham NJ, and Christ Church, Raleigh NC. clarification. The image has immediate impact on the viewer, “Francis is in a state of deep meditation. The peace that flows from his prayer surrounds him and their life experiences will develop their own personal and draws the animals to him so all can exist in a state of harmony. To reinterpret a phrase from conversation. As a sculptor, this conversation that I started the prophet Isaiah ‘…the fox shall lie down with the rabbit and the thrush sit by the owl…’” is purely selfishly rewarding.”

CONTACT: [email protected] | 908.256.6945 | Beechgate.com CONTACT: [email protected]

8 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 9 VENTURA FABIAN SHAWN FARRELL NORBERTO FABIAN XUANA Shawn Farrell, an artist and educator living in Hamilton, MA, received a BFA from Hartwick College where he Ventura Fabian and his son, Norberto Fabian Xuana, are woodcarvers from San Martín specialized in glassblowing and bronze foundry. He honed Tilcajete, Oaxaca, Mexico. Ventura is one of Oaxaca’s most respected and accomplished his techniques on the West Coast working for artists from master carvers. His work, which presents an unusual mix of everyday life and phantasmagoric Alaska to Mexico. He has displayed his work in various creatures, is renowned for its originality, humor and charm. Norberto’s comes from galleries and does many private commissions. Farrell prefers his father and the love of his children which “unite my mind, my heart and my hands.” Much of not to limit himself to one medium, but finds himself the work by the father and son is decorated by Blanca, Norberto’s wife, a skilled and meticulous continually drawn to working with glass and metal. artist, who derives inspiration for her designs from the family’s Zapotec ancestry. The goal of “When you are accustomed to seeing something in the the family is to create work that “dissolves borders” between the people of the world. same way day after day, you tend to forget the beauty that CONTACT: [email protected] is held within it. Within my work, I like to take the observers 617.435.6871 to a place that they may have been before but have not Thedancingchickens.com seen in such a way. This allows viewers to experience new perspectives on their world and their place in it. It allows them to find the inherent beauty in all things.”

CONTACT: [email protected] GREVILLEA ABSTRACTION 401.529.9052 Steel,paint Shawnfarrell.com $1,500

JOSEPH FERGUSON

Joseph Ferguson, born in 1930, grew up on a dairy farm in Unadilla, NY. He worked as a junior draftsman for the New York Central Railroad in New York City and attended Cooper Union night school, though that was interrupted by the Korean War. After the war, he attended Edinburgh College of Art in Scotland and received an Andrew Carnegie Scholarship to study at the art centers of Europe. He settled in Boston in 1952 and worked at J.GH. Reynolds Stained Glass before founding Ferguson Stained Glass in Weston, MA in 1970 where he still creates SAMURION works of art. Aluminum $75,000 “I was schooled in the traditions of Modernism, influenced by British and American sculptors EL CABALLO VOLADOR of the late ’50s, and chose stained glass as my medium. I like the intensity of its changing (by Norberto) color with the interaction of light. Its challenge was to make it sculptural, free it from its Zompantle tree (coral tree or colorines) architectural, cathedral settings. I wanted to realize landscape sculpture, like those of Henry TORRE DE ESQUELETO $1,250 Moore and Alexander Calder.” (by Ventura) Copal wood CONTACT: [email protected] | 781.893.4273 | josephferguson.com $1,250

10 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 11 LIZ SIBLEY FLETCHER GINTS GRINBERGS

Making art and protecting the environment are “My creative process has two distinct halves—collecting two strong currents in Liz Sibley Fletcher’s life. and design. As a lifelong packrat, I have always enjoyed Over 40 years, she has worked as a clay sculptor, the collecting process, be it exploring barn sales and junk potter, and teacher. A juried member of NH Art shops throughout New England or sneaking into scrap yards Association and League of NH Craftsmen, she around Boston. Lately, I have been buying industrial discards has exhibited her work around New England and from fabrication shops and trying to find an alternative life beyond, winning prizes in regional exhibitions. for these laser cut castoffs. Concern about human impacts on nature led My relationship with my design process is bit more complex. her to pursue environmental studies and a It can be instantaneous—I’ll see the perfect parts for a Master of Science degree. With the Nashua River sculpture scattered at my feet—or it can get laborious. I find Watershed Association, she has helped protect nothing more agonizing than the equivalent of writer’s block! rivers with greenways. HOPE Currently, my interest range from micro to macroscopic­— “As a figurative sculptor, I’m inspired by life Glazed stoneware clay from bacteria, viruses, and diatoms, flowers and their SOLAR CYCLE in all its forms. I love looking skyward; the $2,500 structure, to the giants of outer space—the moons of Jupiter Welded steel, bluestone sky’s immensity uplifts me. Experiencing the to comets, planets and galaxies. I attempt to transform, up- $3,200 connection between sky and Earth gives hope that the great circle of life will continue into cycle, manmade materials into the infinitely more complex infinity. Rising from the earth, the wings of Hope bear witness to life’s perseverance.” forms designed by nature. I work intuitively—with no CONTACT: [email protected] | 603.878.2539 | Liz-fletcher-sculpture.com drawing or sketching beforehand. I enjoy working directly with materials—seeing which parts work best together. In the disposable world we live in, I strive to make things useful. Maybe these all come from my training as an architect.”

YETTI FRENKEL CONTACT: [email protected] 617.335.6899 Yetti Frenkel is drawn to the small moments of drama in Gintsgrinbergs.com daily life: “the lonely child, the weary commuter, the hopeful gambler.” After graduating with a BFA from the School of the Museum of Fine Arts in Boston, she created a series of drawings and paintings of urban life, then studied mural painting. To date, she has painted murals for nine public libraries in Massachusetts and Rhode Island. Additionally, GIRL WITH THE DIPPITY DOO she is a teaching artist, and has illustrated several children’s Welded steel, bluestone books, including Andre the Famous Harbor Seal for $3,200 DownEast Books. “Cycles is from a series of whimsical and surrealistic depictions of women and cats. The series is a departure Left to right: from much of my previous work, and was inspired by grief at CYCLES my mother’s diagnosis of pancreatic cancer. Creating images ENDLESS EGG CUPS Bronze (TRIBUTE TO BRANCUSI) of cats as guardians and soulmates made me feel better. In $23,000 the original drawing for Cycles, the cat and woman dance on Aluminum a washing line in an infinite space, surrounded by stars. $4,800 for the pair From her extended hand, the woman releases a fertilized ovum into the universe.” LIGHT SHIP Stainless steel, bluestone CONTACT: [email protected] | 781.592.9866 | Mosaicsculpture.com $7,000

12 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 13 BRUCE HATHAWAY DAVID X.KLEIN

Bruce Hathaway grew up in Ohio and graduated from 1908–1990 Bowling Green University. With a background in metal work David X. Klein was born and raised in the Midwest, going back 44 years, Bruce Hathaway became an active graduating from the University of Chicago Phi Beta sculptor in 1999. A member of the New England Sculptors Kappa with a Bachelor of Science degree in Chemistry. Association, he has exhibited throughout the Northeast During his long career, he worked for such companies as well as in Ohio and Michigan. He is represented by as Dupont and Tenneco, first as a bench chemist L’Attitude gallery in Boston as well as by galleries in Vermont and then as an executive, but he always found time and Michigan. to take art classes in his free time. Sculpture was his “In general, I would characterize my work as being organic favorite medium, but he was also an accomplished and minimalistic. Meditation on the curved line and photographer. After business took him to Mexico, expressing motion in a static sculpture constitute the major he was inspired by folk art he saw there to create themes of my work. The potential of the single line or the complicated wire armatures for papier mâché undulating mixture of multiple curves to express emotions sculptures of animals. and relate to the natural world seems limitless. My work Mr. Klein created the sculpture in this exhibit in plaster WELL DRESSED GAWKER is intuitive and springs from my observation of the natural FIVE TIMELESS LEAVES many years ago. The plaster was starting to crumble so his Bronze world which my sculptures reflect and amplify.” Solid aluminum round stock daughter, Judith Klein, curator of the Flying Horse Outdoor NFS $7,000 CONTACT: [email protected] Sculpture Exhibit, recently had the piece cast in bronze. 802.434.2454 Now it can be preserved for Mr. Klein’s grandsons, one of Sculpturedmetals.com whom, Matthew Soursourian, graduated from Pingree in 2004. CONTACT: [email protected] | 978.697.0753

STEVE HELLER MADELEINE LORD

Steve Heller, a self-taught artist who is fluent in wood, metal, Madeleine Lord began making art as a child in her and car parts, has been building furniture, sculptures, and grandmother’s Evanston, Illinois art academy. She went on cars for over 45 years. He was the subject of an award- to major in art at Smith College and learned to work with winning documentary, Dinosaurs and Rocketships, won the steel in an adult education class at Shawsheen Vocational People’s Choice and Wow Awards at The Norman Rockwell High School. During the week she uses her MBA in her work Museum robot show, has been featured on HGTV, and is in as an IT professional. the book, Weird NY. “This piece started with the long steel scraps that form the Collectors of his woodwork include Robert De Niro, Alan spiny legs. The turquoise pants were added at the end, when Arkin, Steve Buscemi, Mary Stuart Masterson, and Colin color became important. The crushed red can that suggests Farrell. His sculpture has been exhibited worldwide, and his a hoodie was added, along with the swinging arms. The open Stargate is part of the permanent collection at the American crescent head “fit” and completed the profile of a Dreamer Visionary Art Museum in Baltimore. His cars have won with conviction. The paint colors are found or enhanced. The awards at The Grand National Roadster Show, and he was title was in my head throughout the assembly, which took the winner of the NY Times Collectible Car of the Year award. almost a year as the pieces showed up over time.

CONTACT: [email protected] I dedicate this piece to the Parkland Florida High School WALK THE WALK 845.750.3035 student survivors who are heroic and effective change Welded scrap metal, paint, Fabulousfurnitureon28.com FLYING V WOODSTOCK agents, walking the walk, and talking the talk to remove the lacquer coating GUITAR threat of gun crimes in our schools and our country.” $2,500 Found metal and truck lights $8,950 CONTACT: [email protected] | 617.480.7230 | Mlordsculpts.com

14 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 15 MITCHEL LUNIN PHILIP MARSHALL

Mitchel Lunin has always been fascinated by Phil Marshall grew up in rural East Kent, England where he developed his two-dimensional human form and function. His first piece of art abilities working primarily in oil and pen and ink. After graduating from the University art was a female torso done his senior year of of Liverpool, he worked in industry and soon moved to Massachusetts. Recently, he has college while practicing for the carving portion been able to give up his career in industry, which ranged widely from design to international of the Dental Boards. The next 35 years were business, in order to return his focus full time to developing a new portfolio in three- spent successfully practicing dentistry in Greater dimensional forms of expression. He is drawn to public art for its freedom of scale and Boston. After retiring in 2002, Lunin studied because he views it as “gateway art” for those who rarely visit a gallery or museum. He is at the DeCordova Museum, West Concord particularly interested in exploring the relationships between humans and nature, and those Arts Cooperative, The Carving Studio, and the between the individual and society. Beaumont Sculpture Center. A second prize “My mind is full of images that I want to share. I think in pictures, images, and spatial award at the 2009 Jame Kin Bonnar Show of a concepts. Much of my art is an attempt at turning the three-dimensional virtual imagery reclining nude form encouraged him to continue of my mind into reality for others to see. I strive for elegance but often whimsy intervenes. creating sculpture. Most of his work is created Among other topics, I am fascinated by the sheer exuberance and variety of nature. Having in clay and cast in bronze. His work has been spent time in the tropical rainforests of Borneo, and having visited some of the exceptional shown in galleries, shows, and homes in New botanical gardens of Southeast Asia and Japan, I have seen flora that seem too bizarre to England and New York. “I feel that sculpture occur naturally. So why not create some myself?” gives me an opportunity to be express myself and celebrate the human form.” SALLY CONTACT: [email protected] | 508.410.0070 | Philmarshallstudio.com Cement CONTACT: [email protected] | 617.964.1959 $2,250

MARTINA ANGELA MÜLLER

German born artist Martina Angela Müller creates her paintings, sculptures and installation pieces by bringing the living forces of nature together with meditative processes. Her work has been seen in numerous galleries in NY and MA and is in private collections across four continents. “My recent work with stainless steel sculpture was about connection to the movement of POD wind as nature’s own sculptor as well as about Steel and aluminum mesh, music and meditation. The sculptural force REFLECTIVE CHANGE found rubber balls, paint of the wind becomes visible in snow banks, Stainless steel $5,000 $7,900 sand dunes, the drifting airborne ice particles blown from the roof or the musical movement of a dangling vine in the forest. I have studied these movements, drawn them and even tied brushes and sharpies to branches and let the wind write on canvases that I held under FRUIT OF FANCY these to record the movement of the wind. By learning the language of the wind I could Steel, steel and aluminum mesh, create sculptures that would move in the wind and make the wind visible at the same time. found rubber balls, paint Reflective Change was also inspired by a Brahms I heard performed at Tanglewood. This $5,000 sculpture is wind and music made visible.”

CONTACT: [email protected] | 518.672.0164 | Martinaangelamuller.com

16 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 17 MORRIS NORVIN ROE OSBORN

Morris Norvin studied at the Mass College After graduating from college, Roe Osborn was committed of Art, the School of the Museum of Fine to making his living creatively. And that he has done. First Arts in Boston, and at the Museum of Fine he worked in construction and then parlayed that experience Art Scholarship Program. He has taught at into a position as an editor at Fine Homebuilding Magazine, Stoneybrook Fine Arts in Boston, the Museum an experience he describes as a “dream job” where he got of Fine Arts, and various other art venues to both write and do photography. Now he makes his home through the region. His work appears regularly on Cape Cod where he plays and composes music, takes in exhibition and installs in New England, photographs, and builds indoor and outdoor sculptures. and is in collection at institutions such as “Working in the building industry, I have always been Wellesley College and the Children’s Museum fascinated by the intrinsic mathematical formulas in the in Boston. Norvin has created set designs and structures that I’ve worked on. As a result, each of my constructions for the Boston Opera House and sculptures has a mathematical order a formula that guides FLOTSAM AND JETSAM the American Repertory Theater. and often dictates the construction. Often that formula is a Welded steel, enamel paint “My interest lies in recycling objects and $3,500 very specific reduction of dimension from part to part within CATERPILLAR ARCH VII materials, things that had a previous life and the sculpture. Most recently I have become intrigued with Corrugated HDPE pipe, purpose and then found themselves discarded. It is my hope that the viewer will recognize bits cylindrical geometry and have begun creating pieces from steel bolts and pieces of tools, machines and vehicles and see them differently, considering their lines and PVC and corrugated HDPE pipe. The mathematical formulas $3,800 shapes rather than their previous function. I work figuratively tapping into the organic nature of applied to these materials have yielded surprising and often the scrap, and provide a connection between the living world and the industrial one.” unpredictable results. These materials have allowed me to create large outdoor pieces that have a much more immediate and intimate interaction with the viewer’s personal space.” CONTACT: [email protected] | 617.504.0107 | morrisnorvin.com CONTACT: [email protected] | 203.232.9575 | Capecreative.com

ERIC OLSON NICOLE PESKIN

Eric Olson is a teacher at Pingree School and Originally from NYC, Nicole Peskin received chair of the Mathematics Department. Olson her B.A. in studio art from Wellesley College, was a sculpture and mathematics major at St. focusing on photography, before studying Olaf College in Minnesota. He has exhibited his architecture at MIT and participating in outdoor work in Minnesota and New York state as well art “interventions” with MIT’s Reclamation as locally at the Maudslay Outdoor Sculpture Artists during Boston’s Big Dig. She then Exhibitions in Newburyport, in Exeter, NH, and spent a year teaching on a Navajo Reservation in Salem, MA. Olson is also a game designer. and moved to Tucson where she pursued an Check out PEMdice, his new math game MFA in technical theater. It was then that she produced by Didax. discovered welding. She sought further training at Wentworth Institute for Technology and CONTACT: [email protected] studied blacksmithing at the Penland School SOUND EXPERIMENT 857.753.6557 of Crafts. She has an MFA from Johnson State Video projection with sound NFS College and has received two Pittsfield Cultural Council awards. Her work is in private collections in the U.S. and abroad. Peskin has shown outdoor work in MA and RI. A theme that runs through much of her work is the dance: of making the work POLYHEDRAL and the dance of the work in space. This is her first outdoor video/sound Marine plywood, epoxy, stainless steel fasteners, fir, paint installation. She works and teaches from her Stephentown, New York studio. Price upon request CONTACT: [email protected] | 518.788.0204 | Nearherestudio.com

18 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 19 PICKUP MUSIC PROJECT GARY RATHMELL

The Pickup Music Project takes its name from its Gary Rathmell has displayed his work at Maudslay Park, the Newburyport Art Association, initial aim—to make public spaces that allow for Sanctuary Arts, and other regional exhibitions. He lives and works in New Hampshire. “My impromptu pick-up music making, just as public work is a mixture of industrial flotsam repurposed and combined with forms of my own basketball courts allow for pick-up basketball. construction to create a new object—one that bears little resemblance to its origins and “We believe in the importance of active music creates a new dynamic.” making—the magic of making music in the CONTACT: [email protected] | 603.553.5567 same place and at the same time. We create the conditions for such social soundmaking by way of our second favorite activity: building things. We build large-scale interactive sound sculptures. Because of their design, size, and novelty, our works invite and encourage musical participation MUSICAL FENCE: REPRISE from all levels. Experienced musicians enjoy Wood, aluminum composing for them, just as “non-musicians” Price upon request enjoy playing them.” The collective skills of the Pickup Music Project team span the fields of programming, acoustics research, metalworking, woodworking, music production, composition, and plumbing. They utilize materials from each of these fields in their work.

CONTACT: [email protected] | 774.278.1347 | pickupmusicproject.com

TIMEPIECE Welded steel JANICE CORKIN RUDOLF $1,800 Janice Corkin Rudolf is a figurative and portrait sculptor, art teacher, and volunteer for the Boston Living Center teaching clay class. She teaches art in sculpting, painting and drawing. Many of her public works can be seen around Boston at such places as Children’s Hospital, Emmanuel College, and Franklin Park Zoo. Her six-foot bronze sculptures at the zoo of Kiki and Kimani, mother and baby gorillas, have made her world renowned. STEPPING OUT CONTACT: [email protected] Painted forged fabricated steel 978.460.3274 $6,000 Janicecorkinrudolf.com

VENUS Cold bronze $17,000

20 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 21 CHLOE SACHS GENE SHEEHAN

Chloe Sachs’ past work incorporated rigid Gene Sheehan wanted to try something different armatures of wire, clay and welded steel covered with his welding skills and wound up producing with a ‘skin’ of pliable material such as handmade an eight-foot-long working Cod fish weathervane paper, fiber and handmade felt. After she read in steel for his front lawn. Since then he has about Margaret Wertheim’s Coral Reef Project created countless Origami-like sculptures, also in which was inspired by the technique of hyperbolic steel, for homes and gardens around the North crochet, she began to experiment with crochet. Shore. Much of the inspiration for his work “Through trial and error I discovered that by comes from the natural beauty and wildlife that increasing and decreasing the number of stitches surround the home he shares with his wife and in a tubular format, I could mimic the logarithmic dogs on Rings Island. curves found in Nature. Over the years I have CONTACT: [email protected] been experimenting with stiffening these soft HUGGING 978.462.5710 PILEATED WOODPECKER textiles with molding paste and resin as I shape Crocheted cotton armature, molding Steel them into sculptural forms. paste, resin $250 I want the pieces to be considered from the $1,800 inside out, externally expressing an identity with a mysterious inner space.”

CONTACT: [email protected] | 617.924.1575 BERT SNOW DALE SAVIT Bert Snow is a sculptor interested in movement, materials, color, and humor. He is one of the Dale Savit, B.F.A. School of the Museum of Fine Arts, Boston founders of the Outdoor Sculpture at Maudslay ’81 and M.F.A. Maryland Institute, College of Art ’86, has annual show, has exhibited work in galleries been making steel sculpture as well as drawings for over 40 in Boston and New England, and worked as a years. He teaches welding and jewelry making at Stonybrook visiting artist at Harvard University and Williams Fine Arts in Jamaica Plain, MA. His work has always crossed College. Snow is also a designer and education the line from abstract to imagistic, with an emphasis on technology consultant who focuses on games and the experiential as opposed to the referential. He takes the simulations that are used in learning and schools. essence of drawing in space with the lines of steel sculpture “I have long been interested in creating and the planes and forms of other materials. sculptures that move and that leave room for “My work aspires to the viewer with a vocabulary people to interact with them. In my recent work, of shapes and lines and the relationships between them to I’ve been thinking about human movement and create a clear but undefined statement that is felt as a whole dance, but not necessarily human forms, and I’ve THE SUN’S ATTRACTION as opposed to being read as a definable narrative. The gestural been interested in working with natural wood Steel aspects of my work imply energy and movement and the desire NFS forms, often in the form of blown-down tree HOLD ON to be in the same space as the viewer. Engagement with the branches. Hold On also was inspired by a dear Wood, paint, varnish, nylon fabric, line work becomes a meeting where the viewer can dialogue with an object or image that has not been and much missed friend, Pat Barnett-Mulligan. $1,000 seen before, that has no precedent for story making, and creates a space for experiencing the new You can set this piece in motion with the yellow and unknown. I see this as a way to confront viewers with their ability to accept and be at peace handle (you can pull both down and up). Firm but non-violent pulls with their own inner dialogue, and of questioning the biases they bring to any unknown entity. I seem to work best. Please do not pull or push the sculpture itself.” hope the work accomplishes this with my use of shapes and line qualities that intrigue the viewer, simultaneously drawing their attention to the piece and their own relationship to it.” CONTACT: [email protected] | 978.697.7496 | bertsnow.com CONTACT: [email protected] | 617.513.1381 | dastsa.wixsite.com/mysite-1

22 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 23 ALLEN M. SPIVACK KARIN STANLEY

After working for 45 years in many professions, Allen Spivack now devotes his full energies to Karin Stanley, a graduate of Radcliffe College (Harvard University) in Design and History, is a sculpture. Allen is self-trained and been mentored by renowned sculptor, David Stromeyer. native Irish sculptor and garden designer living in New England. Stanley’s work is inspired by His work reflects a range of themes—social justice, personal events, functionality or simply the interplay of sun and shadow with the essential elements of stone, metal, water, fire, and flights of the imagination. Spivack has displayed at the UForge Gallery, Salem State University, wood. She is fascinated by the power and simplicity of Megalithic art and the archaeological the 2017 Pingree Flying Horse Exhibit, and Jamaica Plain Open Studios since 2013. elements one finds in Ireland and Scotland. In both her sculpture and garden design, Stanley 13 Attributes refers to a prayer recited during the Jewish Day of Attonement (Yom Kippur) that tries to express the energy and spirit generated by ancient landmarks, particularly the details the breadth of God’s mercy. It is repeated three times during the day of prayer and symbolic hieroglyphs that evoke nostalgia and resonate with the organic elements that have includes, among other attributes, those of compassion, kindness, forgiveness, and grace. existed for millennia. The series, Guardian of Memories, offers this challenge: “Tell me a story that you have never Stanley’s sculptures are in private collections in the US, Australia, and Europe. revealed to anyone. It is uncertain if these ‘memories’ are fact or fiction. Each of us has CONTACT: [email protected] | 508.655.6616 | Karinstanley.com these stories in our possession and they can impact us in unconscious ways.” Visit Spivack’s website for the specific stories connected to these sculptures.

CONTACT: [email protected] | 617.620.1443

CELTIC STELA IX TRISKELIONA THE CLATTERING Aluminum Limestone Bowling ballinis 13 ATTRIBUTES $5,700 $3,000 $1,400 (or $490 each) Plate steel, round and square steel rods $8,000

GUARDIAN OF MEMORIES I Plate steel, steel bar, and rod stock $1,800

24 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 25 BART STUYF ROBIN TOST

Bart Stuyf lives by the sea in Gloucester, MA. He Robin Tost grew up in White Bear Lake, MN. After started his career as a dancer and choreographer graduating from Sarah Lawrence College, she in the Netherlands. His groundbreaking avant moved to New York City where she worked for Bil dance company was called MultiMedia. He and Cora Baird’s Marionette Company, raised two continues to work in many media: copper, children and showed her wire sculptures and life- soapstone, wood, and even recycled Styrofoam. sized fabric mache people. In 1985, she moved All of his work reflects both his interest in to the Berkshires where she has a barn in which movement and his whimsical sense of humor. to work and store all the “inventory” she collects from roadsides, the transfer station, and a variety CONTACT: [email protected] of local scrap yards. 978.281.8089 Bartswork.com Using shapes of automotive scrap, shed trim, gutters, advertising signs, and other found material, cut by hand, punches with a drill press, and sewn with assorted wires in various quilting BLUE DIAMOND QUILT MAMA SWAN PROTECTS HER YOUNG stitches, Tost recycles her collected waste Mixed metals and wire Copper materials into quilts. $7,000 $2,400 “Although some of the patterns are free-form, I mainly use traditional quilting patterns or base the designs on historic tiled floors. The colors used in each quilt depend on what I’ve found, so most quilts, as they progress, take on their own character.”

CONTACT: [email protected] | 413.229.7707 | Robintost.com MICHAEL THOMAS

Michael Thomas has been fabricating large and small scale welded steel sculptures since the early eighties. He’s exhibited and sold works throughout the northeastern MICHAEL UPDIKE United States and Canada. Thomas’ other creative energies are utilized in commercial, documentary, and feature film Michael Updike grew up on the North Shore and production. His extensive film career history can be viewed graduated from Pingree School in 1977. After on the website of his company, September Films. attending Lawrence University he received his “My design and sculpture work revolves around the concept BFA from Mass College of Art and his MFA from of recycling salvaged materials from the industrial age. Vermont College. Since 1991, Michael has been When taken out of context of their original intent, these a designer for Mariposa, where he has created objects become iconic, mysterious, and incongruous in thousands of serveware pieces. their new surroundings. The viewer is often challenged, His art pieces, using reclaimed slate and marble, and sometimes befuddled, by what they are seeing, thus often have themes of the sea and reflect scars opening to them a new way of viscerally experiencing these of their history while also teasing the viewer with reinvented forms.” illusion, pun, and irony. FISH CONTACT: [email protected] CONTACT: [email protected] Marble 917.306.9710 CIRCUS 978.417.9481 $1,400 Septemberfilms.org Welded steel, paint michaelupdike.net $3,800

26 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL SEPTEMBER 1 – NOVEMBER 4, 2018 | 27 MARK WHOLEY RAW ART WORKS

Mark Wholey studied art and design at Butera School of Art “If they don’t give you a seat at the table, bring a folding chair.” in Boston before moving to California where he earned a –Shirley Chisholm (1924–2005), first African American U.S. congresswoman BFA in sculpture from the San Francisco Art Institute. After and first woman to run for President of the U.S. apprenticing with a sculptor in Padova, Italy, he moved to High school artists from RAW Art Works in Lynn, Massachusetts collaborated with mentor Umbria in 1994 where he continued making art as well as Jason Cruz, M.A., A.T.R., to create Seat at the Table, an art installation specifically for the carving marble and restoring old stone farmhouses. For ten Flying Horse Outdoor Sculpture Exhibit and inspired by the belief that all people should be years, he exhibited work in Florence, Padova, and Corona seen, heard, and respected. The piece combines discarded and reclaimed wood, paint, and before relocating to Warren, Rhode Island where he now stenciled, carved word, to create a large table and chairs that artistically represent personal works in painting and sculpture full time. stories of those who have strived so that everyone can have a place to sit and belong. In “I wanted to make a piece that would incorporate man and creating the piece, RAW artists reflected and responded to Shirley Chisholm’s quote, using nature. Red Spirit evokes the presence of a figure being there their own words and imagery to connect viewers to their truth. “The sculpture pays respect to and not there simultaneously, like a ghost, spirit or memory. those who have suffered and died as they struggled to create opportunities for today’s youth The real and the ethereal. to have a seat at the table in an America which does not always seem welcoming. Through The figure is made up of whatever is behind it, literally the work and words of our artists, our hope is that you will start to realize your ability to create and make space for others to belong.” putting the figure into the landscape or garden being part of RED SPIRIT or framing a detail. The void can be read as looking upward Painted epoxy-covered foam CONTACT: Jason Cruz | [email protected] | rawartworks.org | 781.593.5515 for inspiration or down in contemplation. The connection $3,500 with surrealism is intended.”

CONTACT: [email protected] | 401.245.0470 | markwholeyart.com

SETSUKO WINCHESTER

Setsuko Winchester, born in New York City of Japanese immigrant parents, worked as a journalist, editor and producer, first at WNYC in NY and then at NPR in Washington, DC for Morning Edition and Talk of the Nation, before moving to Western Massachusetts in 2006. Her latest project, a work of conceptual art that incorporates photography, ceramics and history, is called the Freedom from Fear/Yellow Bowl Project. It has been featured at the FDR Library and Museum, at The Mount in Lenox, MA and will be part of YELLOW BOWL PROJECT the Norman Rockwell Museum’s national and Ceramic international traveling exhibition called “Enduring NFS : Rockwell, Roosevelt and the Four Freedoms.” “I created 120 yellow tea bowls—one for every 1,000 individuals incarcerated—and took them to all ten U.S. concentration camps where 120,000 people of Japanese ethnicity were imprisoned during WWII. My project seeks both to remind, and to warn, what may happen to freedom when EVERYONE DESERVES A SEAT AT THE TABLE fear rules the day.” The photos can be viewed in Pingree’s Bertolon Gallery. Wood, paint NFS CONTACT: [email protected] | 413.258.4564 | Yellowbowlproject.com

28 | FLYING HORSE OUTDOOR SCULPTURE EXHIBIT AT PINGREE SCHOOL ART MATTERS AT PINGREE. Pingree is an independent coeducational day school for grades 9–12. For more information, go to pingree.org.