Moroccan Trilogy. 1950-2020
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Para Além Do Pão Nu. Do Conto “A Sandália Do Profeta Maomé”, De Mohamed Choukri
PARA ALÉM DO PÃO NU. DO CONTO “A SANDÁLIA DO PROFETA MAOMÉ”, DE MOHAMED CHOUKRI Felipe Benjamin Francisco RESUMO: Este artigo propõe uma tradução à língua portuguesa do conto Na‘l annabiyy, “A sandália do Profeta Maomé”, de Mohamed Choukri. Trata-se da primeira tradução ao português de um trabalho do escritor marroquino feita diretamente do árabe. Pretende-se, assim, reaproximar o leitor brasileiro a um ilustre nome do panorama literário do Marrocos, revelando-lhe seu lado contista. O texto estrutura-se em três partes: i) apresentação do perfil de Choukri e seu estilo; ii) discussão geral sobre as decisões tradutórias adotadas; e iii) tradução do conto acompanhada de seu original árabe. PALAVRAS-CHAVE: Marrocos; Mohamed Choukri; Literatura árabe; Tradução literária. ABSTRACT: This article proposes a translation into the Portuguese language of the short story Na‘l annabiyy (The Prophet’s Sandal), by Mohamed Choukri. This is the first direct translation from Arabic into Portuguese of one of his works. Thus, it intends to reconnect the Brazilian reader to an illustrious name of the Moroccan literary panorama, bringing to light his short story writer side. The text is divided into three parts: i) a presentation of Choukri's profile and literary style; ii) a general discussion about the translation decisions adopted; and iii) the translation of the work accompanied by its original Arabic edition. KEYWORDS: Morocco, Mohamed Choukri, Arabic Literature, Literary translation. Mohamed Choukri (1935-2003) é um escritor marroquino berbere, nascido no povoado de Bni Chiker no Rife. Destaca-se como um dos mais importantes autores modernos do Marrocos, representando seu país no rol de escritores de língua árabe. -
L'écriture De L'enfance Dans Le Texte Autobiographique Marocain
L’ÉCRITURE DE L’ENFANCE DANS LE TEXTE AUTOBIOGRAPHIQUE MAROCAIN. ÉLÉMENTS D’ANALYSE A TRAVERS L’ÉTUDE DE CINQ RÉCITS. LE CAS DE CHRAIBI, KHATIBI, CHOUKRI, MERNISSI ET RACHID O. By MUSTAPHA SAMI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Sami Mustapha 2 To my family 3 ACKNOWLEDGEMENTS I gratefully acknowledge my obligation to all the people who supported me during my work on this study. Especially I would first like to extend my sincere thanks to Dr. Alioune Sow, my Dissertation Director, for his strong support, continuous and invaluable input, and his patience and advice throughout the dissertation writing. My sincere gratitude and admiration to the other professors, members of my dissertation committee: Dr. William Calin, Dr. Brigitte Weltman and Dr. Fiona McLaughlin for their helpful comments and ongoing support. I would also like to thank all my professors at the University of Florida. 4 TABLE OF CONTENTS page ACKNOWLEDGEMENTS ............................................................................................... 4 LIST OF ABBREVIATIONS ............................................................................................. 7 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION GÉNÉRALE ................................................................................ 10 1.1 -
Unwanted Literature. a Case of the Moroccan Writer Muhammad
Studia Litteraria Universitatis Iagellonicae Cracoviensis 11 (2016), z. 1, s. 15–26 doi:10.4467/20843933ST.16.003.4897 www.ejournals.eu/Studia-Litteraria IGNACY NASALSKI Uniwersytet Jagielloński w Krakowie Unwanted Literature. A Case of the Moroccan Writer Muhammad. Šukrī Abstract The history of books that were rejected, condemned, banned or censored in various parts of the world for political, social, religious or sexual reasons is very long. Whereas, however, people in the West have learned to value controversial literature despite its contentious or provocative na- ture, the societies in the Middle East still have problems with accepting certain sorts of literary works. There are many publications in the Arab World that sum up to a category I call unwanted literature because the conservative society in which they were produced doesn’t want to accept them as their own heritage. One of the most recent and striking examples of such divergence of opinion between the Western and Eastern readers are the works of the Moroccan author Mo- hamed Choukri and especially his autobiography al-Ëubz al-ÍÁfÐ published in 1973 in English translation by Paul Bowles as For Bread Alone long before the Arabic version could appear. Keywords: Mohamed Choukri, Paul Bowles, For Bread Alone, Arabian Nights, unwanted lite- rature, censorship, banned books, Morocco, Tangier, autobiography. As we know literature is, apart from all its functions, a means for creating and maintaining social identity, be it religious, ethnic or national. Books that are con- sidered to be founding for a culture and important for a society are chosen on the basis of different criteria such as their content, their message, their literary and linguistic values. -
Tingis Spring2005.Pdf
tingis_spring2005.qxp 4/4/2005 5:52 PM Page 1 Spring 2005 www.tingismagazine.com TITA Moroccan-AmericanI N MagazineGISG of Ideas andI CultureS USA: $4.95 Morocco: 25 DH tingis_spring2005.qxp 4/4/2005 5:52 PM Page 2 Discover the Magic of M Discover the O MAGIC that Awaits You in R the Kingdom of Enchantment O We Invite You to Join Our Special C Moroccan Arts Tour Nov 04th-17th C Learn more about our Cultural and Outdoor Adventure Tours at http://www.gateway2morocco.com or Call us Toll Free O 1.866.410.1300 gateway2morocco.com Gateway2Morocco.com is a destination site owned and managed by Gateway2Discovery.com. ©2004-2008 All Rights Reserved At Gateway2Morocco, our commitment and unrelenting pursuit of excellent service will 317 Monte Carlo Drive, ensure an authentic, captivating and truly Newport Beach, CA 92660 enriching travel experience. Tel: 949.719.7724 • Fax: 949.719.7734 tingis_spring2005.qxp 4/4/2005 5:52 PM Page 3 T I N G I S tingismagazine.com TINGIS A Moroccan-American Magazine of Ideas and Culture Spring 2005 - Volume 2, Number 2 Editor-in-Chief Anouar Majid Art Director Aydin Baltaci Webmaster Roshan D’Souza Tingis is a quarterly magazine that highlights the cultur- al concerns, ideas, and issues of Moroccans, friends of Morocco, and all those who have some interest in Morocco or in the larger Arab, Muslim, and Mediterranean worlds. The focus could be on religion, culture, gender, Africa, the Berber heritage, the Jewish legacy, Moroccan art and literature, film, music, but also on the United States and the rest of the Americas, Western and Asian cultures, and, more gener- ally, on all issues of interest to the Moroccan and world communities. -
Rencontre Hanai
COMPTE RENDU R E N C O N T R E A V E C M . H A N A Ï E T L E S C O M E D I E N S W A L I D M E Z O U A R E T S A Ï D A B O U K H A L I D Mercredi 7 février, de 11h à 13h, M. Brahim Hanaï ainsi que les comédiens Walid Mezouar et Saïd AbouKhalid ont rencontré les élèves de 2de et 1er de l’option théâtre de notre lycée. Vous trouverez ci-dessous le compte rendu que je vous propose BRAHIM HANAÏ Brahim Hanaï commence en se présentant rapidement. Il est d’abord metteur en scène et scénariste, ceci l’ayant amené par la suite à écrire quelques romans : Le balayeur en 1988, Antar en 1998. Son âme théâtrale le pousse à l’écriture de nombreuses pièces de théâtre, dont Agar des cimetières, qui fut retenu pour représenter le Maroc à la manifestation "Du monde entier" organisée par le Théâtre Gérard Philippe de Seine Saint-Denis. Après une scolarité au lycée Ibn Abbad de Marrakech, il obtient son doctorat de cinéma-théâtre à l’université de Paris VII. L’enseignant de français et dramaturge a été artiste en résidence au Mali, en France et enfin au Maroc, où il continuera d’enseigner dans de nombreuses écoles du Royaume. Enfin il est bon de rappeler qu’il fut pendant longtemps directeur artistique de la troupe régionale de Marrakech, lorsque celle-ci fut reconnue comme l’une des meilleures troupes du pays. -
Contemporary Dārija Writings in Morocco: Ideology and Practices Catherine Miller
Contemporary dārija writings in Morocco: ideology and practices Catherine Miller To cite this version: Catherine Miller. Contemporary dārija writings in Morocco: ideology and practices. Jacob Høigilt and Gunvor Mejdell The Politics of written language in the Arab world Written Changes, Brill, 2017, Studies in Semitic Languages and Linguistics, 9789004346161. halshs-01544593 HAL Id: halshs-01544593 https://halshs.archives-ouvertes.fr/halshs-01544593 Submitted on 21 Jun 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Contemporary dārija writings in Morocco: ideology and practices Catherine Miller Final draft 27 01 2017 To appear in Jacob Høigilt and Gunvor Mejdell (ed) The Politics of written languages in the Arab world, Written Changes, Leiden, Brill Introduction Starting from the mid 1990s a new political, social and economical context has favored the coming out of a public discourse praising cultural and linguistic plurality as intangible parts of Moroccan identity and Moroccan heritage. The first signs of change occurred at the end of King Hassan II’s reign, setting the first steps towards political and economic liberalization. But the arrival of King Mohamed VI in 1999 definitely accelerated the trend toward economic liberalism, development of private media, emergence of a strong civil society, call for democratization and modernization, and the emergence of new urban artistic movements. -
Dynamics of Political Modernity in Lyautey's Colonial Matrix of Power
International Journal of Multidisciplinary Research and Analysis Volume 01 Issue 02 December 2018 Page No.- 90-97 Dynamics of Political Modernity in Lyautey’s Colonial Matrix of Power: the Rise of a Post-colonial Interweaving Performance Culture of Denial Mariem Khmiri 46, Rue Tarek Ibn Zied . 1er Etage. 3100. Kairouan. Tunisia Abstract: Things do move either because of globalization or colonialism. And as they move, they tend to acquire news identities. I would like to maintain that the movement of things, images, objects and collections accelerates the process of interweaving cultures that has started to impose itself as a principal determining factor of our cultures and identities today. In my presentation,1 I will examine the movement of French things and institutions to Morocco during colonial times as well as the impact of this movement on the Moroccan theatrical institution. For colonizers, things and institutions and objects are needful for colonization. They are also needful for implementing their civilizing missions.2I invite you to ponder with me on the following questions: why would a thing like a play be so important for colonizers? Why would colonizers need a thing like a theatrical building or a school in their colonial agenda? I argue that the movement of people alone from one place to another in order to conquer another people is always useless unless the colonizers move their things with them. It is thanks to these things that colonialism can vanquish and subjugate and achieve coloniality. Yet strikingly the colonizers’ things soon lose their colonial significance when they fall in the hands of the colonized. -
The Translation of Qur'anic Ambiguity: a Linguistic Contrastive Study
ﺍﶈﺘﻮﻳﺎﺕ ﺃﲰﺎﺀ ﺍﻟﺒﺎﺣﺜﲔ ﺃﺭﻗﺎﻡ ﺍﻟﺼﻔﺤﺎﺕ ١. ﺇﺑﺘﺴﺎﻡ ﺍﻟﺮﺍﺟﺤﻲ ٠٠١ - ٠٣٢ ٢. ﺇﳝﺎﻥ ﺍﻟﺰﻳﲏ ٠٣٣ - ٠٥٧ ٣. ﺛﻨﺎﺀ ﺍﻟﻐﺒﺎﺷﻲ ٠٥٨ - ٠٧٦ ٤. ﻋﺒﺪ ﺍﳊﻤﻴﺪ ﻋﻠﻴﻮﺓ ٠٧٧ - ١٢٦ ٥. ﺩﻻﻝ ﺍﳉﻤﻴﻌﻲ ١٢٧ - ١٦٤ ٦. ﳒﻮﻯ ﺍﻟﺰﻳﲏ ١٦٥ - ٢٦٥ ٧. ﻫﺎﱎ ﺍﻟﻔﺮﺣﺎﰐ ٢٦٦ - ٣٠٦ ٨. ﳏﻤﺪ ﳛﲕ ﲨﺎﻝ ٣٠٧ - ٣٣٣ ٩. ﻋﻨﺘﺮ ﺻﻠﺤﻲ ٣٣٤ - ٣٥٧ ١٠. ﺃﲪﺪ ﺍﳌﻌﻴﲏ ٣٥٨ - ٣٦٩ ١١. ﻫﺪﻳﺮ ﺃﺑﻮ ﺍﻟﻨﺠﺎﺡ ٣٧٠ - ٣٨٧ ١٢. ﻋﻔﺖ ﺧﻮﻗﲑ ٣٨٨-٤٠٤ ١٣. ﺳﻮﺳﻦ ﺍﳉﺤﺪﱄ ٤٠٥-٤٤١ ١٤. ﻠﺔ ﻗﻬﻮﺟﻲ ٤٤٢-٤٧٣ ١٥. ﻫﺸﺎﻡ ﺟﻮﺍﺩ ٤٧٤ - ٤٩٧ ١٦. ﺯﻳﺪﺍﻥ ﺟﺎﺳﻢ ٤٩٨ - ٥١٥ Thematic Progression in the Translation of Narrative Text From Arabic into English By Ebtisam N. Al-Rajhi Assistant Professor of linguistics Department of English Language and Literature 1. Introduction The present study focuses on Thematic Progression in narrative texts translated from Arabic into English. The goal is to analyze and compare thematic progression in Arabic narrative texts and their translation into English. The patterning of theme through a text is one means of structuring the text as a message, so that the addressee is aware of what the addressor is trying to communicate. The most influential thematic patterning is associated with (Danes 1974) who belongs to the Prague tradition. Thematic progression (TP) is defined as “the choice and ordering of utterance themes, their mutual concatenation and hierarchy, as well as their relationships to the hypertheme of the superior text units (such as paragraph, chapter…) to the whole of the text, and to the situation.” (P.114) The definition of a sentence theme is presented in Halliday’s 1967-68 article “Notes on Transitivity and theme in English.” Later Fries (1981) explained that the individual sentence themes collectively may form noticeable patterns that play a text- structuring role, and Fries (!981) is often cited by Halliday (1985) as a model of explaining the function of theme. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of the Liberal Arts CONNECTING NORTH AND SUB-SAHARAN AFRICA THROUGH LITERATURE, FILM, AND MUSIC A Dissertation in Comparative Literature by Ziad Bentahar © 2009 Ziad Bentahar Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2009 ii The dissertation of Ziad Bentahar was reviewed and approved* by the following: Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Dissertation Advisor Chair of Committee Thomas O. Beebee Distinguished Professor of Comparative Literature and German Reiko Tachibana Associate Professor of Comparative Literature, Japanese, and Asian Studies Gabeba Baderoon Assistant Professor of Women‘s Studies and African and African American Studies, and affiliate faculty member of Comparative Literature Jonathan E. Brockopp Associate Professor of History and Religious Studies Mildred Mortimer Professor of French, University of Colorado at Boulder Special Member Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii ABSTRACT An unresolved issue in African literary studies is whether North and sub-Saharan Africa are disconnected from one another, or whether they share elements that can further our understanding of the cultures from which they emerge. Since the mid-twentieth century, due to growing interest in Islam and the Arab world on the global scene, the Arab side of North African identity has been given paramount recognition. More often than not, North Africa is considered part of the Middle East rather than an integral member of an African community, although in spite of shifting political winds in recent years, the literatures that have emerged from North Africa have been firmly embedded in African literary traditions since antiquity, and share strong links with their sub-Saharan counterparts. -
La Darija Langue « Naturelle » Du Théâtre Marocain ?
LA DARIJA LANGUE « NATURELLE » DU THÉÂTRE MAROCAIN ? Omar FERTAT* Université Bordeaux-Montaigne BIBLID [1133-8571] 26 (2019) 12.1-27. Resumen: À ses débuts le théâtre marocain, animé essentiellement par de jeunes issus des mouvements nationaliste et réformiste, adopta comme langue l’arabe classique ou littéraire. Mais très rapidement la Darija ou langue arabe marocaine, sera de plus en plus adoptée par les dramaturges marocains, jusqu’à devenir, à partir des années 1950, la langue principale du quatrième art marocain. Cet article essaiera de brosser un tableau panoramique de l’utilisation de la darija dans le théâtre marocain en s’arrêtant sur les moments les plus importants de ce processus et en mettant en lumière les expériences les plus marquantes de quelques dramaturges comme Bouchïb el Bodaoui, Abdellah Chakroun, Tayeb Al-Alj, Tayeb Saddiki, Mohamed Kaouti, qui ont non pas seulement utilisé cette langue comme moyen de communication ordinaire mais en la consacrant définitivement comme moyen d’expression artistique et littéraire. Palabras clave: Théâtre, Art, Darija, Maroc. Abstract: «Darija the ‘natural’ language of Moroccan theater?». In its beginnings the Moroccan theater, animated mainly by young people coming from the nationalist and reformist movements, adopted classical or literary Arabic as its main language. But very quickly the Darija or Moroccan Arabic, will be more and more adopted by Moroccan playwrights, until becoming, starting from the years 1950, the main language of the fourth Moroccan art. This article will draw a panoramic picture of the use of darija in Moroccan theater by considering the most important periods of this process and by highlighting the most striking experiences of some playwrights like Bouchïb el Bodaoui, Abdellah Chakroun, Tayeb Al-Alj, Tayeb Saddiki, and Mohamed Kaouti, who have not only used this linguistic variety as the language of communication but also have considered it as a means of artistic and literary expression. -
Tanger, Rif Und Mittlerer Atlas, 1 Mittelmeerküste 18 3 Fès Und Meknès 140
Astrid Därr Erika Därr Handbuch für individuelles Entdecken TIPPS Ein Freilichtmuseum voller Leben und Schätze: die Altstadt von Fès steht unter dem Schutz der UNESCO | 174 Skurrile Felsformationen und bemalte Berge: Rundfahrten in der Umgebung von Tafraoute | 401 Imposant und reich an Geschichte(n): die „Straße der Kasbahs“ | 621 Der höchste Gipfel Nordafrikas: Bergsteigen im Massiv des Djabal Toubkal | 558 Zwei Städte mit ganz eigenem Flair: das andalusisch anmutende Asilah und die Künstler- und Surferstadt Essaouira | 230, 351 Ein Platz, wie er faszinierender nicht sein kann: der Djamâa el-Fna in Marrakesch | 475, 476 Die zweitgrößte Moschee der Welt: Moschee Hassan II. in Casablanca | 279 Verlag Peter Rump Bielefeld Peter Verlag OW Ein Weltkulturerbe aus Lehm: Ksar Aït Benhaddou | 573 -H NOW Zu den höchsten Sanddünen: K Fahrt zum Erg Chebbi | 704 EISE R Marokkanische und römische Geschichte: Die Stadt Mulay Idris und die Ruinen von Volubilis | 157, 159 Seit 35 Jahren der komplette und praktische Reiseführer für individuelles Reisen, Entdecken und Erleben in allen Regionen Marokkos Astrid Därr, Erika Därr Marokko ma16_108 ad „Die Erde ist ein Pfau, sein Schweif ist Marokko.“ Arabisches Sprichwort Impressum ad ma16_145 Astrid Därr, Erika Därr REISE KNOW-HOW Marokko erschienen im REISE KNOW-HOW Verlag Peter Rump GmbH Osnabrücker Str. 79, 33649 Bielefeld © REISE KNOW-HOW Verlag Därr GmbH, Hohenthann, 1981, 1984, 1986, 1989, 1991, 1994, 1996, 1999 © REISE KNOW-HOW Verlag Peter Rump GmbH, 2001, 2004, 2007, 2011 13., neu bearbeitete und komplett aktualisierte Auflage 2016 Alle Rechte vorbehalten. Gestaltung Umschlag: G. Pawlak, P. Rump (Layout); M. Luck (Realisierung) Inhalt: G. Pawlak (Layout); M. -
Tayeb Saddiki (1939-2016), Un Pont Entre Les Dramaturgies Arabes Et L’Occident
Horizons/Théâtre Revue d'études théâtrales 12 | 2018 Les dramaturgies arabes et l’Occident Tayeb Saddiki (1939-2016), un pont entre les dramaturgies arabes et l’Occident. Témoignage d’un entretien Angela Daiana Langone Édition électronique URL : http://journals.openedition.org/ht/454 DOI : 10.4000/ht.454 ISSN : 2678-5420 Éditeur Presses universitaires de Bordeaux Édition imprimée Date de publication : 1 janvier 2018 Pagination : 170-183 ISSN : 2261-4591 Référence électronique Angela Daiana Langone, « Tayeb Saddiki (1939-2016), un pont entre les dramaturgies arabes et l’Occident. Témoignage d’un entretien », Horizons/Théâtre [En ligne], 12 | 2018, mis en ligne le 01 janvier 2019, consulté le 19 juillet 2019. URL : http://journals.openedition.org/ht/454 ; DOI : 10.4000/ ht.454 La revue Horizons/Théâtre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Angela Daiana Langone Angela Daiana Langone est chercheuse à l’Université de Cagliari (Italie), où elle enseigne la langue et la littérature arabes, ainsi que chercheuse associée à l’IREMAM de l’Université d’Aix Marseille. Elle a obtenu le Prix d’Encouragement à la Recherche 2016 décerné par l’Académie des Sciences d’Outre-mer de Paris et a publié plusieurs ouvrages concernant la littérature populaire arabe et la production écrite en arabe dialectal. Parmi ses publications, on rappellera en particulier son livre Molière et le théâtre arabe. Réception moliéresque et identités nationales arabes (Berlin, De Gruyter 2016). Mail : [email protected] RÉSUMÉ : Tayeb Saddiki (1939-2016) est et arabe littéraire) et français.