FREE DISTANT VIEW OF A MINARET: AND OTHER STORIES PDF

Denys Johnson-Davies,Alifa Rifaat | 128 pages | 20 Jul 1987 | Pearson Education Limited | 9780435909123 | English | Harlow, United Kingdom Distant View of a Minaret and Other Stories - Alīfah Rif{u}at, Alifa Rifat - Google книги

Distant View of a Minaret is a collection of fifteen short stories that give readers a glimpse of what it means Distant View of a Minaret: And Other Stories be a woman in an Orthodox Muslim society in Egypt. A woman and her husband are having sex. The wife thinks about her lack of sexual fulfillment—her husband always stops as soon as he climaxes. The wife hears the call for the daily afternoon prayer. She gets up to wash herself after having sex, in accordance with Islamic practice. Her husband stays in bed to nap. After prayer, the wife gazes out the window of their apartment, thinking that she once had a view of the entire city of Cairo. The city has built up over the years, and now the view is limited to that of a single minaret tower of a mosque. Distant View of a Minaret: And Other Stories wife prepares the afternoon coffee and brings it into the bedroom for her husband, only to find that he has suffered an attack about which the reader receives no other information except that these attacks have happened before and died. She tells her son to fetch the doctor, then pours a cup of coffee for herself. She thinks to herself that she is surprisingly calm. Bahiyya, an elderly woman, tells a story to her visiting daughter. Bahiyya recently took herself to the hospital because she was losing her sight. The doctor indicates that it is too late to help her—Bahiyya will soon be blind. She tells her daughter that her blindness is a result of the tears she has cried for being born a girl rather than a boy. She learned about sex from watching animals. When some of the village women found that she had made mud dolls with genitalia, they castrated her. Bahiyya liked a boy in the village, but her family arranged a marriage for her with another man. Her husband died soon after they married. Bahiyya describes the loneliness of being a woman without a man and says that she feels her life and youth have been a waste. In the middle of the night, the narrator hears a phone ringing in another apartment. Her husband has recently died, and as she sits alone she hopes for some sort of sign from beyond the grave. Since his death, she sleeps during the day and stays up at night. Suddenly her own phone rings. She picks it up, but there is only silence. The narrator believes that this is her sign. Morning comes, and during her morning prayer she is grateful and content. The phone rings again. This time it is the phone operator, who tells the narrator that a call was accidentally directed to the wrong house last night. She returns to her prayers to ask forgiveness from Allah for having asked for so much. The narrator has recently turned fifty. She thinks of how old she looks, after having borne three children, Distant View of a Minaret: And Other Stories also reflects that in old age one has fewer close friends to rely on. She has no one to whom she can talk about the poor relations between herself and her husband. She angrily sends the servant out on an errand and immediately feels very alone and starts to cry. She must pull herself together since she is meeting her mother for their weekly Thursday lunch. She is not close to her mother and has always been afraid to be open with her. They have a very large meal, and as her mother is complaining about young people, the narrator wishes she and her mother were close and that she could speak about her marriage problems. Suddenly, her mother reveals that today is the anniversary of the death of her own husband and that she still thinks of him every day. The narrator, unsure what to do or say, Distant View of a Minaret: And Other Stories her mother crying. Then Zeinet wraps some clothing under her own clothes to make it look like she is pregnant. She will tell Ghobashi, when he returns, that the baby is their son, rather than their illegitimate grandson. Badriyya sees her husband, Omar, walking down the street with a group of men. Omar comes home late, and he is drunk. Badriyya remembers their romance. Omar followed her into a movie theater and sat beside her. He asked her out for the next week. Badriyya felt that Omar, like a hero in the movies, would rescue her from a life that seemed like a long, dark tunnel. A month later, Omar was arrested. Badriyya refused. Badriyya thinks that she has never seen her mother in such a good mood, and her mother says that Omar has turned out to be a nice fellow. From then on, Omar stays out Distant View of a Minaret: And Other Stories and comes home tired from drinking and drugs. Badriyya is upset and thinks she is unattractive to Omar or that he is having an affair. She goes to the store to buy Omar a pack of cigarettes on her own credit account. Badriyya finally understands and hopes she will have the strength to turn him away when he tries to come home that night. The narrator is a little girl. Dalal is often mean to the narrator, sometimes hitting her and causing their father to believe that she has been bad. Instead, Dalal meets a boy named Mahmoud. Mahmoud buys perfume for Dalal and chocolates for the narrator, then drives them to a kiosk where he buys some hashish. Mahmoud and Dalal get into the backseat together. They repeat the secret meetings many times, and eventually Dalal tells Mahmoud that though her father has arranged for her to marry someone else, she loves Mahmoud and wants to marry him. Mahmoud tells her he does not want to marry her. The next time they meet, Dalal tells the narrator to go on without her and tell Mahmoud that she will meet them in Distant View of a Minaret: And Other Stories hour. Mahmoud takes the narrator to the kiosk, has her sit on his lap, and touches her chest and shoulders. The narrator kisses his face, and then he tells her they should go to meet Dalal. Dalal Distant View of a Minaret: And Other Stories Mahmoud fight in the car, and he loses control and crashes them into a hedge. Dalal has blood on Distant View of a Minaret: And Other Stories face and passes out, and Mahmoud drives the girls home. Their mother and sisters help them in, asking them what happened and concerned about the fact that they were with a strange boy. The narrator keeps quiet, and as she falls asleep, Dalal smiles at her. Sheikh Zeidan leads a crew of men who lay pipe. At the campsite, he tells a newcomer the story of Mansoura. She was a beautiful woman with great powers, whom every man loved. She married a strong, good man named Sayyid, and they were initially very happy. Then Sayyid took a job guarding the bean crop of a man named Hindawi. Hindawi would go to Mansoura at night when Sayyid was away. It is not certain whether he would rape her or whether she submitted to his advances out of loneliness. Hindawi obsesses about Mansoura Distant View of a Minaret: And Other Stories meets her at the canal to convince her to leave Sayyid for him. She refuses, and while arguing, she slips into the canal and drowns. Hindawi flees the area and works with the men laying pipe. One day, Hindawi looks up at the bulldozer as it is lowering pipe, and he grows terrified. The pipe falls from the arm of the bulldozer and crushes him. Zennouba awakes to find that her husband is not in bed. She starts to think back on her life, especially her loss of freedom since puberty. In order to keep Distant View of a Minaret: And Other Stories land in the family, she was married to her cousin Hagg. Sex with Hagg was unpleasant, but eventually he began sleeping with the Distant View of a Minaret: And Other Stories girls. She wonders if all women are doomed to the same fate. She wakes the servant girl and asks her to fetch hot water for a bath. Zennouba thinks that she, like the servant girl, was once beautiful. She has the girl scrub her back so hard with a loofah that it is actually painful. She journeys there to find a suitable house. A house on the canal resembles Distant View of a Minaret: And Other Stories image from her dreams, and she wishes to occupy it. A young woman named Aneesa has been squatting there with her child, and Aneesa tries to prevent the narrator from entering. A short time later, the narrator returns to begin moving in. Once again, Aneesa confronts the narrator, telling her to leave. One day, the narrator sees a huge, beautiful snake. She feels intoxicated and elated at the sight, but when she tells her husband, he boards up the crack where the snake has disappeared. A sheikh from the town is summoned. He tells the narrator that the snake is a female spirit, one of the monarchs of the earth, and should be considered a blessing. The narrator is skeptical, but later she begins to fantasize about seeing the snake again. Though she fulfills her duties as the woman of the house, she becomes more isolated and sits around lazily. Distant View of a Minaret and Other Stories by Alifa Rifaat

Waveland Press, Inc. Purchase Copies. Submit Manuscript. Publisher Note. Request Faculty Examination Copy. Quantity: Add to Cart. Amadi - The Concubine. Andreas - The Purple Violet of Oshaantu. Ba - So Long a Letter. Beti - The Poor Christ of Bomba. Brodber - Myal. Emecheta - Kehinde. Head - Maru. Head - A Question of Power. Nwapa - Efuru. Plaatje - Mhudi. Warner-Vieyra - Juletane. Distant View of a Minaret and Other Stories. Alifa Rifaat translated by Denys Johnson-Davies. Rifaat — did not go to university, spoke only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment. Translated from the Arabic Distant View of a Minaret: And Other Stories Denys Johnson-Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Although this is a highly crafted text, it also offers an invaluable gift to a Western audience—reminding us of our global shared fate and shared humanity despite hegemonic discourse. To see Rifaat in print again is a joy. Her work should always be available. Distant View of a Minaret 2. Telephone Call 4. Thursday Lunch 5. An Incident in Distant View of a Minaret: And Other Stories Ghobashi Household 6. Badriyya and Her Husband 7. Me and My Sister 8. Mansoura 9. The Long Night of Winter My World of the Unknown At the Time of the Jasmine The Flat in Nakshabandi Street Degrees of Death The Kite Just Another Day. All rights reserved. Distant View of a Minaret: And Other Stories - Alifa Rifaat - Google книги

Unusual very short stories. The author and I are at logger heads with regard to the treatment of women in North Africa and the Middle East. She wants no major changes to how their religion is followed A number of reviews take care to point out that these short stories are not feminist, which is true enough; they are closely-observed pictures of mostly women's lives in Egypt. Some of the settings Distant View of a Minaret and Other Stories. More convincingly than any other woman writing in Arabic today, Alifa Rifaat lifts the veil on what it means to be a woman living within a traditional Muslim society. Rifaat did not go to university, Distant View of a Minaret: And Other Stories only Arabic, and seldom traveled abroad. This virtual immunity from Western influence lends a special authenticity to her direct yet sincere accounts of death, sexual fulfillment, the lives of women in purdah, and the frustrations of everyday life in a male-dominated Islamic environment. Translated from the Arabic by Denys Johnson- Davies, the collection admits the reader into a hidden private world, regulated by the call of the mosque, but often full of profound anguish and personal isolation. Badriyya's despairing anger at her deceitful husband, Distant View of a Minaret: And Other Stories example, or the haunting melancholy of "At the Time of the Jasmine," are treated with a sensitivity to the discipline and order of Islam. Telephone Call. Distant View of a Minaret. Bahiyyas Eyes.