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OCT 2005NEW.Qxd
AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator. -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Integrales Discográficas De Las Sinfonías De Gustav Mahler
MAHLER INTEGRALES DISCOGRÁFICAS DE LAS SINFONÍAS DE GUSTAV MAHLER Índice de contenidos Página Policarbonato y maheriana — Integrales: 03 Integrales de un director y una orquesta: 06 Integrales de un director y más de una orquesta: 54 Integrales de más de un director y una orquesta: 72 Integrales de más de un director y más de una 78 orquesta: Policarbonato y mahleriana su música no sonó en Alemania ni en prácticamente todos los territorios que había anexionado el nazismo. Pocos eran los directores, de la generación que dominó Iniciada la década de los años 60 del siglo XX, había la primera mitad del siglo XX, que verdaderamente creían transcurrido medio siglo desde el fallecimiento de Gustav en su obra. Destacan los casos del Willem Mengelberg, Mahler; cincuenta años en los que el mundo de la Bruno Walter y Otto Klemperer. El primero de ellos logró fonografía, y paralelamente a esta las salas de concierto, en Amsterdam, como director titular de dedicaban aún una exigua —relativa— o nula presencia la Concertgebouworkest, que la ciudad desarrollase una de la obra de Mahler. A lo largo de esa década ese singular y profunda tradición mahleriana. Los otros dos parcial oscurantismo iba a llegar a su fin; el nombrado directores, judíos alemanes ambos, siempre fueron fieles a “boom Mahler" incrementó la presencia, en todos los la obra de su mentor; tanto en Europa, durante los años ámbitos, de la obra del compositor bohemio, que llevaron que pudieron interpretarla, como en su forzado exilio en desde aquellas fechas hasta nuestros días, pocos años los Estados Unidos, principalmente. -
Götterdämmerung
The Pescadero Opera Society presents Der Ring des Nibelungen Götterdämmerung Libretto and Music by Richard Wagner Opera in Three Acts Setting: Germany Time: Ancient German & Norse Mythology Characters Siegfried, son of Siegmund and Sieglinde (heldentenor) ......................................... Jay Hunter Morris Brünnhilde, daughter of Wotan (dramatic soprano) ..................................................... Deborah Voight Hagen, son of Alberich (bass) .................................................................................... Hans-Peter König Gunther, Gibichen brother (baritone) ................................................................................Iain Paterson Gutrune, Gibichen sister (soprano) ....................................................................... Wendy Bryn Harmer Alberich, Nibelungen dwarf (bass-baritone)........................................................................ Eric Owens Waltraute, Valkyrie sister (mezzo soprano).................................................................. Waltraud Meier Norns, daughters of Erda: First Norn (contralto) ............................................................................................. Maria Radner Second Norn (mezzo-soprano) .......................................................................... Elizabeth Bishop Third Norn (soprano) .............................................................................................. Heidi Melton Rhinemaidens: Woglinde (soprano) .................................................................................................. -
Digital Concert Hall Programme 2018/2019 3
2 DIGITAL CONCERT HALL PROGRAMME 2018/2019 3 WELCOME TO THE DIGITAL CONCERT HALL The 2018/2019 season marks a very special Zubin Mehta. Another highlight is the return phase in the history of the Berliner Philhar- on two occasions of Sir Simon Rattle, and moniker. Following on from the end of the with several debuts, new artistic connections Simon Rattle era, it is characterised by look- will also be made. Among the top-class guest ing forward to a new beginning when Kirill soloists is the pianist Daniil Trifonov to name Petrenko takes up office as chief conductor. but one, the Berliner Philharmoniker’s current Although this is not due until the summer of Artist in Residence. 2019, exciting joint concerts are on the hori- zon, beginning with the season opening con- Another special feature of this season: cert which is dedicated to the core repertoire the 10th anniversary of the Digital Concert of the Berliner Philharmoniker: a Beethoven Hall. On 17 December 2008, this unprece- symphony and two symphonic poems by dented project went online, followed by a first Richard Strauss. In the Digital Concert Hall live broadcast on 6 January 2009. Since then, we are also showing a tour concert from Lu- around 50 live concerts have been shown cerne, a programme with works by Schoen- per season. The video archive now holds more berg and Tchaikovsky in the spring of 2019, than 500 concert recordings, from the and Kirill Petrenko appears at the helm of the present day back to the Karajan era. There National Youth Orchestra of Germany as well. -
03 Sab Ore 21 Mahler Corr
Torino Concerto inaugurale Auditorium Giovanni Agnelli Lingotto Gustav Mahler Sabato 03.IX.2011 Ottava Sinfonia ore 21 in mi bemolle maggiore Presenting Partner MITO SettembreMusica Quinta edizione Un progetto di Realizzato da Con il sostegno di I Partner del Festival Partner Istituzionale Partner Istituzionale Sponsor Media partner Sponsor tecnici Il Festival MITO SettembreMusica compensa le emissioni di CO2 tramite il rimboschimento di aree con la creazione e tutela verdi cittadine a Torino e attraverso di foreste in Costa Rica progetti di riduzione dei gas serra e la piantumazione lungo il Naviglio Grande realizzati in paesi in via di sviluppo. nel Comune di Milano. Gustav Mahler (1860-1911) Ottava Sinfonia in mi bemolle maggiore in due parti per otto soli, due cori misti, coro di fanciulli e grande orchestra Parte I Inno Veni, creator spiritus Parte II Scena finale dal Faust II di Johann Wolfgang von Goethe Magna Peccatrix Erika Sunnega°rdh, soprano Una poenitentium Elena Pankratova, soprano Mater gloriosa Julia Kleiter, soprano Mulier Samaritana Yvonne Naef, contralto Maria Aegyptiaca Maria Radner, contralto Doctor Marianus Stephen Gould, tenore Pater ecstaticus Detlef Roth, baritono Pater profundus Christof Fischesser, basso Gianandrea Noseda, direttore Orchestra Sinfonica Nazionale della Rai Orchestra del Teatro Regio Coro del Teatro Regio Coro di voci bianche del Teatro Regio e del Conservatorio “Giuseppe Verdi” di Torino Claudio Fenoglio, maestro dei cori Coro del Maggio Musicale Fiorentino Piero Monti, maestro del coro In collaborazione con Orchestra Sinfonica Nazionale della Rai Teatro Regio Maggio Musicale Fiorentino Si ringrazia per l’accoglienza degli artisti Guido Gobino Cioccolato Veni, creator spiritus Veni, creator spiritus, mentes tuorum visita, imple superna gratia quae tu creasti pectora. -
Scherzo 241 Mayo 2009
REVISTA DE MÚSICA Año XXIV - Nº 241 - Mayo 2009 - 7 € DOSIER Festivales Año XXIV - Nº 241 Mayo 2009 de verano ENCUENTROS Pablo González ACTUALIDAD Gustav Leonhardt Alexei Volodin y el Cuarteto Casals REFERENCIAS Sinfonía Linz de Mozart Interior de portada film.indd 1 23/4/09 17:26:16 241-Pliego 1 film:Pliego 1 23/4/09 16:40 Página 1 AÑO XXIV - Nº 241 - Mayo 2009 - 7 € 2 OPINIÓN SCHERZO DISCOS 65 Sumario CON NOMBRE PROPIO DOSIER 6 Gustav Leonhardt Festivales de verano 113 Enrique Martínez Miura ENCUENTROS 8 Cuarteto Casals y Pablo González Alexei Volodin Juan Antonio Llorente 142 Javier Pérez Senz EDUCACIÓN 10 AGENDA Pedro Sarmiento 148 JAZZ 18 ACTUALIDAD Pablo Sanz 150 NACIONAL 46 ACTUALIDAD LIBROS 152 INTERNACIONAL LA GUÍA 154 60 ENTREVISTA CONTRAPUNTO Danielle de Niese Norman Lebrecht 160 Franco Soda 64 Discos del mes Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Rafael Banús Irusta, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Jacobo Cortines, Patrick Dillon, James Edwards, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Joaquín García, José Antonio García y García, Juan García-Rico, Carmen Dolores García González, Mario Gerteis, José Guerrero Martín, Federico Hernández, Ricardo Hernández, Fernando Herrero, Bernd Hoppe, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Juan Carlos Moreno, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Xavier Pujol, Francisco Ramos, Arturo Reverter, Luis Fernando Rivero Pérez, Barbara Röder, Andrés Ruiz Tarazona, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
13895 Wagner News
No: 218 July 2015 Wagner news Number 218 July 2015 CONTENTS 4 Report of the 2015 Wagner Society AGM Andrea Buchanan 5 From the Treasurer Neil King 6 RWVI Dessau Kongress Andrea Buchanan 7 Mythos und Utopie : The 2015 RWVI Kongress in Dessau Tom Empson 10 News of Young Artists Andrea Buchanan 12 Secret Opera: Die Walküre Katie Barnes 14 Die Walküre Act III in Cardiff Roger Lee 15 Die Walküre in Cardiff: A Wealth of Emotions Ann Massey 18 Parsifal in Berlin Peter Simpson 20 David Edwards / Mastersingers Event: Bayreuth or Bust Katie Barnes 22 Masterclasses with Dame Gwyneth Jones Katie Barnes 27 Parsifal in Birmingham Paul Dawson-Bowling 28 A Soprano’s Memories of Dame Gwyneth Jones Richard Hyland 30 A New Opera Guide to Die Meistersinger David Edwards 32 Longborough: Staging the Invisible Carmen Jakobi 34 Neal Cooper: Climbing Mount Tristan Roger Lee 37 Memories Dame Gwyneth Jones 40 Forthcoming Event: Time Becomes Space 41 Forthcoming Event: Wagner’s Shakespeare 42 Maria Radner and Oleg Bryjak Jeremy Rowe 44 Wagner Society Forthcoming Events Gillian Wyn-Thomas Cover picture: Dame Gwyneth Jones’ masterclass with Andrew Dickinson. Photo: Richard Carter Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 EDITOR’S NOTE Our cover story tells of Dame Gwyneth Jones’ masterclasses with Andrew Dickinson and Mae Heydorn, winners of The President’s Award at the 2014 Wagner Society Singing Competition. Following these coaching sessions Dame Gwyneth was prompted to recall some of her own experiences as a young singer on pages 37 to 39. News on page 10 of five of the young artists who have received support from the Wagner Society / Mastersingers collaboration includes that of the arrival of a contract from Deutsche Opera for the 2014 Competition Winner Andrew Dickinson. -
Trivial Pursuits Mark Berry Feels Shortchanged by the Newly Completed ’Ring’ at Aix
Live Performances Trivial Pursuits Mark Berry feels shortchanged by the newly completed ’Ring’ at Aix Götterdämmerung. Ben Heppner (Siegfried), Gerd Grochowski (Gunther), Mikhail Petrenko (Hagen), Dale Duesing (Alberich), Katarina Dalayman (Brünnhilde), Emma Vetter (Gutrune), Anne Sofie von Otter (Waltraute), Maria Radner (First Norn), Lilli Paasikivi (Second Norn), Miranda Keys (Third Norn), Anna Siminska (Woglinde), Eva Vogel (Wellgunde), Maria Radner (Floßhilde); Berlin Radio Chorus (chorus master: Simon Halsey), Berlin Philharmonic Orchestra/Simon Rattle; Stéphane Braunschweig (director, designs, video), Thibault Vancraenenbroeck (costumes, video), Marion Hewlett (lighting). Festival d’Aix en Provence: Grand Théâtre de Provence, 6 July 2009 And so, this Ring, a co-production between the Aix Festival and the Salzburg Easter Festival, has reached its conclusion. I have not yet seen the Rheingold but have seen Die Walküre on DVD and Siegfried in the theatre.1 As with those previous dramas, the great- est achievement proved to be that of the Berlin Philharmonic Orchestra. Luxury casting seems an understatement for so virtuosic a force in the pit. There were very occasional slips. Almost inevitable from the horn players, even theirs were limited to a handful, really only serving to remind one that these were human beings: perhaps no bad thing in recounting the twilight of the gods. Moreover, there remains a degree of loss in terms of ‘old German’ orchestral sound: Karajan’s work is now more than complete. Taking the internationalisation of the orchestra as a given, however, aspects of this perform- ance bade fair to set new standards for technical excellence. I have never heard low brass play with such dramatic force in those passages, later in the first act and during the second, in which Wagner conjures dramatically necessary sounds of instrumental and harmonic ugliness quite unprecedented. -
Discography Markus Stenz
Discography Markus Stenz Stavanger Symphony Orchestra Bruckner Stavanger Symphony Orchestra Anton Bruckner: Symphony No. 7 in E major WAB 107 Royal Concertgebouw Orchestra Glanert Royal Concertgebouw Orchestra Netherlands Radio Choir Leo van Doeselaar organ David Wilson-Johnson voice Aga Mikolaj soprano Ursula Hesse von den Steinen mezzo-soprano Gerhard Siegel tenor Christof Fischesser bass Detlev Glanert: Requiem for Hieronymus Bosch (world premiere recording) RCO 17005 | June 2017 Radio Filharmonisch Orkest Gilse Radio Filharmonisch Orkest Groot Omroepkoor Nationaal vrouwen Jeugdkoor Heidi Melton soprano Gerhild Romberger alto Roman Sadnik tenor Vladimir Baykov bass Jan van Gilse: Eine Lebensmesse.Oratorio Cpo 77 924-2 | June 2016 Gürzenich Orchestra Cologne Mahler Gürzenich Orchestra Cologne Gustav Mahler: Symphonies No. 1-9 Gustav Mahler: Symphony No. 10 Adagio OehmsClassics OC 029 | January 2016 Gürzenich Orchestra Cologne Henze Gürzenich Orchestra Cologne Hans Werner Henze: Symphony No. 7 Hans Werner Henze: Sieben Boleros Hans Werner Henze: Ouvertüre zu einem Theater Hans Werner Henze: L’heure bleue. Sérénade OehmsClassics OC446 | April 2016 Gürzenich Orchestra Cologne Schönberg Gürzenich Orchestra Cologne Arnold Schönberg: "Gurre Lieder" Hyperion CDA6808 1/2 | June 2015 Gürzenich Orchestra Cologne Schönberg Gürzenich Orchestra Cologne Kolja Blacher violin Arnold Schönberg: „Pelléas und Mélisande“ op. 5 Arnold Schönberg: Concerto for Violin and Orchestra op. 36 Oehms Classics OC 445 | June 2015 Radio Filharmonisch Orkest Macmillan