August 2015 Newsletter
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AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator. -
Radio 3 Listings for 2 – 8 June 2012 Page 1 of 10
Radio 3 Listings for 2 – 8 June 2012 Page 1 of 10 SATURDAY 02 JUNE 2012 4:49 AM plays works by two of the most influential composers for the Durante, Francesco (1684-1755) piano, Liszt and Debussy. Two sides of Liszt are on display in SAT 01:00 Through the Night (b01j29g1) Concerto per quartetto for strings No.3 in E flat major the solemn Invocation (from the Harmonies Poetiques et Susan Sharpe presents a recital of early organ music Lübeck, Concerto Köln Religieuses) and his brilliantly virtuosic Grosses Konzertsolo, Frescobaldi and Pasquini. Performed by Andrea Marcon and while Debussy's Images show his genius for evocative piano recorded at the 2009 Ansbach Bach Week. 5:01 AM textures. Presented by Sean Rafferty. Rimsky-Korsakov, Nikolai (1844-1908) 1:01 AM May Night: overture FULL PROGRAMME Lübeck, Vincent (1654-1740) Calgary Philharmonic Orchestra, Mario Bernardi (conductor) Liszt: Invocation from Harmonies Poétiques et Religieuses Prelude in D minor (first version) Andrea Marcon (organ) 5:09 AM Debussy: Images oubliées Chopin, Frédéric (1810-1849) Debussy: Images Book I 1:10 AM Scherzo for piano No.4 (Op.54) in E major Debussy: L'isle joyeuse Frescobaldi, Girolamo (1583-1643) Simon Trpceski (piano) Liszt: Grosses Konzertsolo Canzon III; Toccata IV 'per l'Elevazione' Andrea Marcon (organ) 5:21 AM Jean-Efflam Bavouzet (piano). Schuyt, Cornelis (1557-1616) 1:21 AM Voi bramate, ben mio Bernardo Storace (fl.1664) Netherlands Chamber Choir, Paul van Nevel (conductor) SAT 15:00 Saturday Classics (b01jg7z8) Ballo della battaglia for keyboard; -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Integrales Discográficas De Las Sinfonías De Gustav Mahler
MAHLER INTEGRALES DISCOGRÁFICAS DE LAS SINFONÍAS DE GUSTAV MAHLER Índice de contenidos Página Policarbonato y maheriana — Integrales: 03 Integrales de un director y una orquesta: 06 Integrales de un director y más de una orquesta: 54 Integrales de más de un director y una orquesta: 72 Integrales de más de un director y más de una 78 orquesta: Policarbonato y mahleriana su música no sonó en Alemania ni en prácticamente todos los territorios que había anexionado el nazismo. Pocos eran los directores, de la generación que dominó Iniciada la década de los años 60 del siglo XX, había la primera mitad del siglo XX, que verdaderamente creían transcurrido medio siglo desde el fallecimiento de Gustav en su obra. Destacan los casos del Willem Mengelberg, Mahler; cincuenta años en los que el mundo de la Bruno Walter y Otto Klemperer. El primero de ellos logró fonografía, y paralelamente a esta las salas de concierto, en Amsterdam, como director titular de dedicaban aún una exigua —relativa— o nula presencia la Concertgebouworkest, que la ciudad desarrollase una de la obra de Mahler. A lo largo de esa década ese singular y profunda tradición mahleriana. Los otros dos parcial oscurantismo iba a llegar a su fin; el nombrado directores, judíos alemanes ambos, siempre fueron fieles a “boom Mahler" incrementó la presencia, en todos los la obra de su mentor; tanto en Europa, durante los años ámbitos, de la obra del compositor bohemio, que llevaron que pudieron interpretarla, como en su forzado exilio en desde aquellas fechas hasta nuestros días, pocos años los Estados Unidos, principalmente. -
Wagner Quarterly 130 September 2013
WAGNER SOCIETY nsw ISSUE NO 3 CELEBRATING THE MUSIC OF RICHARD WAGNER WAGNER QUARTERLY 130 SEPTEMBER 2013 IN MEMORIAM Joseph Ferfoglia (c. 1923-2012) – long-time honorary auditor for the Society – see Swan Lines. PRESIDENT’S REPORT Welcome to the third Wagner Quarterly for 2013. I have to confess that I have missed some of our Society’s more recent events, as I have taken my Wagner enthusiasm overseas. I am really sorry not to have attended these events, as on all accounts they have been outstandingly successful. Some fifty people, including her Excellency the Governor, attended the Dutchman seminar. This is described later in this Quarterly, as are the Lisa Gasteen meeting, the “Swords and Winterstorms” concert, and the more recent Neil Armfield talk, which I believe was fascinating. In June this year, I was fortunate enough to attend Ring Cycles in Riga, Milan and Longborough. And in August I went to the third and last cycle of the new Ring production Multiple multi-coloured Masters by Ottmar Hörl capering over in Bayreuth. Unfortunately, because of the decisions relating Bayreuth: Is he welcoming visitors or shooing us away? 300€ at to ticket allocations, there were many fewer Sydneysiders www.Bayreuth-shop.de in Bayreuth than in previous years. But a small ray of hope on this issue remains. In November the matter will again be The Riga Opera House is a jewel of a 19th century opera discussed at a meeting house at one end of a park which divides the mediaeval of the Administrative section of the city from the modern city. -
Götterdämmerung
The Pescadero Opera Society presents Der Ring des Nibelungen Götterdämmerung Libretto and Music by Richard Wagner Opera in Three Acts Setting: Germany Time: Ancient German & Norse Mythology Characters Siegfried, son of Siegmund and Sieglinde (heldentenor) ......................................... Jay Hunter Morris Brünnhilde, daughter of Wotan (dramatic soprano) ..................................................... Deborah Voight Hagen, son of Alberich (bass) .................................................................................... Hans-Peter König Gunther, Gibichen brother (baritone) ................................................................................Iain Paterson Gutrune, Gibichen sister (soprano) ....................................................................... Wendy Bryn Harmer Alberich, Nibelungen dwarf (bass-baritone)........................................................................ Eric Owens Waltraute, Valkyrie sister (mezzo soprano).................................................................. Waltraud Meier Norns, daughters of Erda: First Norn (contralto) ............................................................................................. Maria Radner Second Norn (mezzo-soprano) .......................................................................... Elizabeth Bishop Third Norn (soprano) .............................................................................................. Heidi Melton Rhinemaidens: Woglinde (soprano) .................................................................................................. -
Opera, Dance, Classical Music Arts Holidays
OPERA, DANCE, TRAVELFOR THE ARTS CLASSICAL MUSIC SPRING & SUMMER FESTIVALS 2016 ARTS HOLIDAYS www.travelforthearts.com +44 20 8799 8350 [email protected] welcome to the world of OPERA, DANCE, CLASSICAL MUSIC ARTS HOLIDAYS Welcome to Travel for the Arts, the UK’s leading opera, All details including hotels, meals, excursions and tour leaders classical music and dance holiday specialist, established in are hand-picked, and we endeavour to provide the best tickets 1988 for The Friends of Covent Garden. We specialise in available for every performance. Our group tours are exclusive creating bespoke tours for private groups and arranging and rarely exceed 25 in number. We have no upper age limit ‘à la Carte’ itineraries for individuals. for participation and we are fully ABTA, IATA and ATOL bonded to assure quality and complete financial security. We are constantly searching for the finest Opera, Ballet and Classical Music performances worldwide. This brochure We pride ourselves on the personal care we give to our includes the highlights of the 2016 Spring and Summer patrons; many of our travellers are regulars with up to 100 TFA festivals, and we are delighted to be offering you the chance tours under their belts. We hope to welcome you on our of our to visit several new destinations once again. We hope that tours soon! you will find our selection of highlights tempting. www.travelforthearts.com Travel for the Arts for Travel MEET OUR TEAM Travel for the Arts is staffed by a team of specialists with a wealth of experience in travel, music and the arts, who are involved in the planning of every tour from conception to fruition. -
Wagner News No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS
wagner news No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS 3 An eightieth birthday letter to the President John Crowther 4 Johan Botha 1965-2016 Karen West 6 A message from the Chairman Richard Miles 7 Editorial Ray Godson Bayreuth 2016 8 Review Parsifal Alan Ridgewell 11 Review Tristan und Isolde Andrew Brannon 13 Wagner’s bells John Crowther 16 Interview with Catherine Foster Michael Bousfield 19 Bayreuth 2016 – two diaries Anthony Spooner Neil King 27 Review Die Walküre Saffron Walden Paul Dawson-Bowling 29 Review Die Meistersinger Munich Jeremy Rowe 32 From the Archives 34 Katie Stevenson at the Proms 34 Gwyneth Jones Masterclass at Royal College of Music Paul Dawson-Bowling 35 Wagner at the Proms 2016 Katie Barnes 36 Paul Dawson-Bowling talk on “Wagner the Man” Ray Godson 38 Book Review “The Ring of Truth” by Roger Scruton Richard Miles 40 Correspondence 41 Wagner Society Contacts 42 Forthcoming Events Cover image:Christian Steiner, New York The views expressed in articles in this journal are the views of the authors of the article which do not necessarily represent the views of the editor or his colleagues on the committee of the Wagner Society Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 DAME GWYNETH: SERENELY IN COMMAND An open birthday card to our President for her eightieth birthday on 7 November 2016 John Crowther Dear Dame Gwyneth, Please allow an ordinary member of the Wagner Society to pay tribute to you on this your special birthday. I greatly admire the way in which you have supported the Society for many years, but especially in the three years since Wagner’s bicentenary. -
Wagner Quarterly 160 March 2021
CELEBRATING 40 YEARS 1980 - 2020 WAGNER SOCIETY nsw ISSUE NO 33 CELEBRATING THE MUSIC OF RICHARD WAGNER WAGNER QUARTERLY 160 MARCH 2021 PRESIDENT’S REPORT Dear members and friends, Whilst we are well into the first quarter of the year, nonetheless, I extend a hearty WELCOME to you for a music filled 2021. The Society has begun the year with two early zoom events featuring two wonderful Brünnhildes, Susan Bullock and Lise Lindstrom, interviewed by our own Robert Mitchell. And as I write this we are about to have our first live event since February 2020 – a recital to properly kick off our 40th anniversary celebrations which were unfortunately curtailed last year. Hopefully we will be able to bring more live events in the second half of the year. April sees our return to the Goethe Institut after quite a while for a lecture by Professor Thea Brejzek on the visionary scenographer Adolphe Appia - the first in what I hope will be a series on important designers and directors with a strong connection to Wagner. Please see details of what is coming up in the next pages and in our regular enews. Late last year your Committee made a conscious decision to support two causes which go to the heart of what the Society is all about – helping young artists and supporting the production of Wagner’s music dramas in Australia. We felt that at a time when the survival of The Arts and artists is at risk, that a generous gesture was both a necessity and a moral/political requirement. -
Die Frau Ohne Schatten W
20.02.2020 Die Frau ohne Schatten w So klingt nur Dortmund Saison 2 019 / 20 Stephan Gould Der Kaiser Elza van den Heever Die Kaiserin Michaela Schuster Die Amme Michael Volle Barak, der Färber Lise Lindstrom Die Färberin Katrien Baerts Hüter der Schwelle, Stimme des Falken Thomas Oliemans Der Geisterbote Bror Magnus Tødenes Stimme des Jünglings Andreas Conrad Der Bucklige Michael Wilmering Der Einäugige Nathan Berg Der Einarmige WDR Kinderchor Dortmund Željo Davutović Einstudierung Rotterdam Symphony Chorus Rotterdam Philharmonic Orchestra Yannick Nézet-Séguin Dirigent Abo: Konzertante Oper In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handyklingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E Richard Strauss (1864 – 1949) »Die Frau ohne Schatten« Oper in drei Aufzügen op. 65 (1915) (konzertante Aufführung in deutscher Sprache mit Übertiteln) Erster Aufzug – Pause ca. 20.05 Uhr – Zweiter Aufzug – Pause ca. 21.30 Uhr – Dritter Aufzug – Ende ca. 23.00 Uhr – Expresseinführung um 18.40 Uhr im Komponistenfoyer 4 Programm 6 Gipfeltreffen des Jahres zurückzuholen und den Kaiser versteinern zu lassen, wenn nicht die Große Dramatik mit ausgewiesenen Strauss-Experten Tochter »einen Schatten wirft«, also fruchtbar und damit Mensch wird. »Die Frau ohne Schatten« mit ihrer überbordenden Musiksprache und ihrer Die Handlung spielt sich in und zwischen drei Welten ab: dem unsichtbaren märchenhaften, dichtverwobenen Handlung ist Richard Strauss’ komplexeste Geisterreich Keikobads, dem glitzernden, übermenschlichen Reich des Kaisers und zugleich persönlichste Oper. Mitten im Ersten Weltkrieg hat der Kompo- und der lauten, prosaischen Menschenwelt.