Opera, Dance, Classical Music Arts Holidays
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Soprano NICOLETA ARDELEAN Universitary Associate Professor At
Soprano NICOLETA ARDELEAN Universitary Associate Professor at the Faculty of Arts from the Ovidius University of Constanța, professor doctor in music Nicoleta Ardelean graduated, with bachelor’s degree, the specializations Musical Pedagogy-Religious music and Canto-Canto professor, masteral and doctoral studies , all of these at the Music Academy G.Dima from Cluj-Napoca. She has been awarded the Great Prize at the National Vocal Interpretation Contest Sabin Drăgoi at Timişoara in 1999 and the Third Prize at the International Canto Contest Hariclea Darclee at Brăila in 1999. In 2000 she was awarded the N. Bretan Prize at the International Vocal Interpretation Contest Nicolae Bretan at Cluj Napoca and at the International Contest of Canto from Bilbao, Spain, Second Prize and the Music Critics Prize . In 2001, after her international debut on the stage of the Strasbourg Opera, she was awarded the Prize of recognition of artistic talent, by the European Culture Foundation from the European Parliament. After her international debut at Strasbourg in 2001, with Micaela from Bizet’s “Carmen”, she was hired to sing the part of Antonia from “Hoffmann’s Stories” by Jacques Offenbach and that of Ines from „L’Africaine” by Giacomo Meyerbeer. The Opera from Marseille, France, invited her for Mimi in “La Boheme” and for Liu in “Turandot”, and the Theatre from Toulouse for Nedda in „Pagliacci” by Leoncavallo. In 2001, Nicoleta Ardelean performs for the first time in Germany, in the New Year’s Concert with the Berlin Symphonic Orchestra, followed by the roles of Micaela and Antonia at the Opera in Leipzig. -
DIE LIEBE DER DANAE July 29 – August 7, 2011
DIE LIEBE DER DANAE July 29 – August 7, 2011 the richard b. fisher center for the performing arts at bard college About The Richard B. Fisher Center for the Performing Arts at Bard College The Richard B. Fisher Center for the Performing Arts, an environment for world-class artistic presentation in the Hudson Valley, was designed by Frank Gehry and opened in 2003. Risk-taking performances and provocative programs take place in the 800-seat Sosnoff Theater, a proscenium-arch space; and in the 220-seat Theater Two, which features a flexible seating configuration. The Center is home to Bard College’s Theater and Dance Programs, and host to two annual summer festivals: SummerScape, which offers opera, dance, theater, operetta, film, and cabaret; and the Bard Music Festival, which celebrates its 22nd year in August, with “Sibelius and His World.” The Center bears the name of the late Richard B. Fisher, the former chair of Bard College’s Board of Trustees. This magnificent building is a tribute to his vision and leadership. The outstanding arts events that take place here would not be possible without the contributions made by the Friends of the Fisher Center. We are grateful for their support and welcome all donations. ©2011 Bard College. All rights reserved. Cover Danae and the Shower of Gold (krater detail), ca. 430 bce. Réunion des Musées Nationaux/Art Resource, NY. Inside Back Cover ©Peter Aaron ’68/Esto The Richard B. Fisher Center for the Performing Arts at Bard College Chair Jeanne Donovan Fisher President Leon Botstein Honorary Patron Martti Ahtisaari, Nobel Peace Prize laureate and former president of Finland Die Liebe der Danae (The Love of Danae) Music by Richard Strauss Libretto by Joseph Gregor, after a scenario by Hugo von Hofmannsthal Directed by Kevin Newbury American Symphony Orchestra Conducted by Leon Botstein, Music Director Set Design by Rafael Viñoly and Mimi Lien Choreography by Ken Roht Costume Design by Jessica Jahn Lighting Design by D. -
State Opera and Ballet 4 International
PRESS RELEASE JUNE 13, 2013 STATE OPERA AND BALLET 4TH INTERNATIONAL ISTANBUL OPERA FESTIVAL STARTS ON JUNE 25TH International Istanbul Opera Festival where selective Turkish and world class operas meet art lovers every year, is preparing to embrace opera lovers with a rich program and unforgettable performances in its fourth year. The festival organized by Directorate General of State Opera and Ballet with contributions of DenizBank will be held between June 25th and July 8th this year. In scope of the festival, besides the Gala Concert “Viva Verdi” to be held at Hagia Irene, it will be possible to watch five different works of art in five different venues ranging from works of famous composers such as W.A. Mozart to Antonio Vivaldi. 4th International Istanbul Opera Festival organized by Directorate General of State Opera and Ballet that continues activities with the mission of providing opera and arts to all ranges of society under the main sponsorship of DenizBank that wishes to support culture and arts in Turkey will meet opera lovers between June 25th and July 8th 2013. The festival to last two weeks will meet art lovers with a total of nine performances including five opera productions and a gala concert in July under the art directorship of chief stage director Yekta Kara. In scope of the festival, guests will be able to watch “Viva Verdi” Gala Concert in the magical atmosphere of Hagia Irene besides performances of Ankara, İstanbul, Antalya and Samsun State Opera and Ballet. In the concert led by Roberto Abbado, famous soloists of opera such as baritone Marco Vratogna, tenor Stefano Secco, tenor Marco Berti and soprano Aleksandra Kurzak will take to the stage. -
Ourhousetoyourhouse Royal Opera House Announces New Friday Premiere Stream: the Royal Ballet’S the Dream (2017)
17 March 2021 #OurHouseToYourHouse Royal Opera House announces new Friday Premiere stream: The Royal Ballet’s The Dream (2017) The Royal Opera House is delighted to continue its #OurHouseToYourHouse programme, featuring online broadcasts that can be accessed by audiences around the world for just £3. Join us on Friday 19 March at 7pm GMT as we stream The Dream (2017). Frederick Ashton’s delightful interpretation of Shakespeare’s A Midsummer Night’s Dream is a classic of The Royal Ballet’s repertory, and this production, recorded in 2017, features music from Felix Mendelssohn performed by the Orchestra of the Royal Opera House and designs from David Walker. Showcasing the extraordinary talents of dancers of The Royal Ballet, this recording stars Principal dancers Akane Takada as Titania and Steven McRae as Oberon. Also featured are First Soloist Valentino Zucchetti as Puck and Principal Character Artist Bennet Gartside as Bottom. Titles currently available to view via stream.roh.org.uk include La Fille mal gardée (The Royal Ballet, 2015), Il trittico (The Royal Opera, 2011), Raymonda Act III (The Royal Ballet, 2019), Tony and the Young Artists (The Royal Opera, 2021) and The Sleeping Beauty (The Royal Ballet, 2020). As part of our ongoing partnership with the BBC, Royal Opera House content continues to be available via BBC Sounds and BBC iPlayer. The Royal Opera’s 2018 performance of Wagner’s Ring Cycle in Keith Warner’s acclaimed production is available to listen to again in full. Presented by Tom Service, these performances feature Antonio Pappano conducting the Orchestra of the Royal Opera House and a stellar cast including soprano Nina Stemme as Brünnhilde; baritone John Lundgren as Wotan; mezzo- soprano Sarah Connolly as Fricka; and tenor Stefan Vinke as Siegfried, among others. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Carmen Di Georges Bizet
COMUNICATO STAMPA Venezia, 30 marzo 2012 Carmen di Georges Bizet Giovedì 21 giugno 2012 alle ore 19.00 (turno A) tornerà alla Fenice un capolavoro del repertorio francese assente dal 1997: Carmen di Georges Bizet, opéra-comique in quattro atti su libretto di Henri Meilhac e Ludovic Halévy tratto dalla novella omonima di Prosper Mérimée. L’opera, proposta in un nuovo allestimento coprodotto dalla Fondazione Teatro La Fenice con il Gran Teatre de Liceu di Barcellona, la Fondazione Teatro Massimo di Palermo e la Fondazione Teatro Regio di Torino (già presentato a Barcellona nel settembre 2010 e a Palermo nel novembre 2011), permetterà di apprezzare per la prima volta a Venezia il lavoro del regista spagnolo Calixto Bieito, con le scene di Alfons Flores e i costumi di Mercè Paloma. L’Orchestra e il Coro del Teatro La Fenice (maestro del coro Claudio Marino Moretti) e il coro di voci bianche dei Piccoli Cantori Veneziani (maestro del coro Diana D’Alessio) saranno diretti dal trentenne maestro israeliano Omer Meir Wellber. Interpreti principali saranno Béatrice Uria-Monzon in alternanza con Katarina Giotas nel ruolo di Carmen; Stefano Secco in alternanza con Luca Lombardo in quello di Don José; Alexander Vinogradov e Károly Szemerédy in quello di Escamillo; Ekaterina Bakanova e Virginia Wagner in quello di Micaëla; Chiara Fracasso nel ruolo di Mercédès e Sonia Ciani in quello di Frasquita. La prima del 21 giugno 2012, trasmessa in diretta su Radio3, sarà seguita da dodici repliche, venerdì 22 e sabato 23 alle 19.00 (fuori abbonamento), domenica 24 alle 17.00 (turno B), martedì 26 (fuori abbonamento), mercoledì 27 (fuori abbonamento), giovedì 28 (turno E), e venerdì 29 (fuori abbonamento) alle 19.00, sabato 30 giugno alle 17.00 (turno C), domenica 1 (fuori abbonamento), sabato 7 (fuori abbonamento), martedì 10 (turno D) e giovedì 12 luglio (fuori abbonamento) alle 19.00. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Liederabend Klaus Florian Vogt Mittwoch, 11.12.2013 · 20.00 Uhr
So klingt nur Dortmund. Liederabend Klaus Florian Vogt Mittwoch, 11.12.2013 · 20.00 Uhr MusikKONZERTHAUS bereichert. DORTMUND PHILHARMONIE FÜR WESTFALEN KLAUS FLORIAN VOGT TENOR HELMUT DEUTSCH KLAVIER Abo: Große Stimmen I – Lied In unserem Haus hören Sie auf allen Plätzen gleich gut – leider auch Husten, Niesen und Handy- klingeln. Ebenfalls aus Rücksicht auf die Künstler bitten wir Sie, von Bild- und Tonaufnahmen während der Vorstellung abzusehen. Wir danken für Ihr Verständnis! 2,50 E 4I5 Franz Schubert FRANZ SCHUBERt (1797 – 1828) »Die schöne Müllerin« D 795 (1823) ›Das Wandern‹ ›Wohin?‹ ›Halt!‹ ›Danksagung an den Bach‹ ›Am Feierabend‹ ›Der Neugierige‹ ›Ungeduld‹ ›Morgengruß‹ ›Des Müllers Blumen‹ ›Tränenregen‹ ›Mein!‹ ›Pause‹ ›Mit dem grünen Lautenbande‹ ›Der Jäger‹ ›Eifersucht und Stolz‹ ›Die liebe Farbe‹ ›Die böse Farbe‹ ›Trockne Blumen‹ ›Der Müller und der Bach‹ ›Des Baches Wiegenlied‹ – Ende ca. 21.15 Uhr – 6I7 PROGRAMM 8I9 DER VOGT UND DIE MÜLLERIN von Rang, die sich auf beiden Gebieten profilieren. Neben Vogt reüssierte auch Jonas Kaufmann FRANZ SCHUBERT »DIE SCHÖNE MÜLLERIN« D 795 unlängst in der »Müllerin« und Sänger wie Christian Gerhaher, Matthias Goerne, Ian Bostridge und viele andere können sich heute sehr wohl verschiedensten Anforderungen anpassen. Wenn einer der berühmten romantischen Liederzyklen zur Aufführung kommen soll, Schuberts »Schöne Müllerin« etwa, die »Winterreise« oder auch Schumanns »Dichterliebe«, stellt sich nicht Lohnend sind an dieser Stelle Vergleiche, die legendäre Interpretationen gegenüberstellen, -
OPERA BROADCASTS from the ROYAL OPERA HOUSE - in PARTNERSHIP with the EUROPEAN BROADCASTING UNION and the BBC Broadcast Schedule —Spring/Summer 2019
OPERA BROADCASTS FROM THE ROYAL OPERA HOUSE - IN PARTNERSHIP WITH THE EUROPEAN BROADCASTING UNION AND THE BBC Broadcast Schedule —Spring/Summer 2019 Please Note: due to production considerations, cast members for each production are subject to change. Please consult associated cue sheet for more details. Please also be aware that all timings listed below are approximate, as several of these operas will be performed at the Royal Opera House weeks before their syndication release. For exact times, please consult the associated cue sheet. PROGRAM #: BBC 19-01 RELEASE DATE: May 18, 2019 OPERA: Falstaff (in Italian) COMPOSER: Giuseppe Verdi LIBRETTIST: Arrigo Boito CAST: Sir John Falstaff, a fat knight Sir Bryn Terfel, baritone Alice Ford, wife of Ford Ana Maria Martínez, soprano Ford, a wealthy man Simon Keenlyside, baritone Nanetta, the Fords' daughter Anna Prohaska, soprano Fenton, one of Nannetta's suitors Frédéric Antoun, tenor Mistress Quickly Marie-Nicole Lemieux, contralto Meg Page Marie McLaughlin, mezzo-soprano Dr. Caius Peter Hoare, tenor Bardolph Michael Colvin, tenor Pistol Craig Colclough, bass ENSEMBLE: Royal Opera House Orchestra and Chorus CONDUCTOR: Nicola Luisotti CHORUS DIRECTOR: William Spaulding DIRECTOR: Robert Carsen REVIVAL DIRECTOR: Daniel Dooner SET DESIGNER: Paul Steinberg COSTUME DESIGNER: Brigitte Reiffenstuel LIGHTING DESIGNERS: Robert Carsen & Peter van Praet Approx. Length: 2 hours, 30 minutes PROGRAM #: BBC 19-02 RELEASE DATE: May 25, 2019 OPERA: Das Rheingold, Part I of ‘The Ring of the Nibelung’ (in German) -
Radio 3 Listings for 13 – 19 February 2021
Radio 3 Listings for 13 – 19 February 2021 Page 1 of 13 SATURDAY 13 FEBRUARY 2021 Featuring pioneering female artists London Symphony Orchestra New York Philharmonic SAT 01:00 Through the Night (m000s3zy) Jorja Smith presents an hour of healing, emotional music. Leonard Bernstein (conductor) An Ode to Life Immerse yourself in a world of soothing orchestral music, Dutton CDLX7383 SACD Hybrid piano, strings and soundtracks to bring you comfort and escape. https://www.duttonvocalion.co.uk/proddetail.php?prod=CDLX The first symphony concert by the Shanghai Symphony 7383 Orchestra, conducted by its music director Long Yu, after the This episode features captivating pieces from pioneering female outbreak of Covid-19. They perform Richard Strauss's Four artists including Lana Del Rey, Solange and Sia, as well as a 10.40am Laura Tunbridge on Chamber Music Last Songs and Beethoven's 'Pastoral' Symphony. With stunning piece from the Blue Planet soundtrack and "strings Jonathan Swain. reminiscent of a sunrise". Laura Tunbridge talks to Andrew about a revealing selection of string quartet recordings, including late Haydn and early 01:01 AM Beethoven. Edvard Grieg (1843-1907) SAT 06:00 Downtime Symphony (m000s8dd) Solveig's Song from 'Peer Gynt Suite' Slow down with Celeste’s classically infused sounds Schubert: String Quartets D46 and “Rosamunde” D804 Shanghai Symphony Orchestra, Long Yu (conductor) The Festetics Quartet An hour of wind-down music to help you press pause and reset Arcana A907 01:07 AM your mind. With chilled sounds of orchestral, jazz, ambient and https://outhere-music.com/en/albums/Schubert-String-Quartets- Richard Strauss (1864-1949) lo-fi beats to power your downtime. -
Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996
Literature consulted (selection) Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996. No 1379 Ertug, A., Forsyth, M, and Sachsse, R., Palaces of Music: Opera Houses of Europe, AE Limited Edition, USA, 2010. Technical Evaluation Mission An ICOMOS technical evaluation mission visited the Official name as proposed by the State Party property from 13 to 14 September 2011. Margravial Opera House Bayreuth Additional information requested and received Location from the State Party Free State of Bavaria ICOMOS sent a letter to the State Party on 22 Administrative District of Upper Franconia September 2011 and the State Party provided Germany information on 24 October 2011 on the property´s current conservation status, works to be undertaken Brief description between 2010 and 2014, transformation or additions to The 18th century Margravial Opera House in Bayreuth is the building, impacts of adjustments to contemporary a masterwork of Baroque theatre architecture, uses, regulations of visitors, participation of local commissioned by Margravine Wilhelmine, wife of authorities and other stakeholders. The information has Frederick, Margrave of Brandenburg-Beyreuth, as a been incorporated below. A further letter was sent on 5 venue for opera seria. The bell-shaped auditorium of December 2011 asking the State Party to consider tiered loges built of wood lined with decoratively painted shortening the name of the nominated property to canvas was designed by the then leading European ‘Margravial Opera House Bayreuth’. A response was theatre architect Giuseppe Galli Bibiena. It survives as received from the State Party on 18 January 2012 the only entirely preserved example of court opera house agreeing to this proposal.