Answer Key for the Short, Longer, and Continuous Readings of Learn to Read Latin (Second Edition)
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Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION -
SWART, RENSKA L." 12/06/2016 Matches 149
Collection Contains text "SWART, RENSKA L." 12/06/2016 Matches 149 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0001.008 PLAIN TALK TICKET 1892 OK MCHS Building Ticket Ticket to a Y.M.C.A. program entitled "Plain Talk, No. 5" with Dr. William M. Welch on the subject of "The Prevention of Contagion." The program was held Thursday, October 27, 1892 at the Central Branch of the YMCA at 15th and Chestnut Street in what appears to be Philadelphia O 0063.001.0002.012 1931 OK MCHS Building Guard, Lingerie Safety pin with chain and snap. On Original marketing card with printed description and instructions. Used to hold up lingerie shoulder straps. Maker: Kantslip Manufacturing Co., Pittsburgh, PA copyright date 1931 O 0063.001.0002.013 OK MCHS Building Case, Eyeglass Brown leather case for eyeglasses. Stamped or pressed trim design. Material has imitation "cracked-leather" pattern. Snap closure, sewn construction. Name inside flap: L. F. Cronmiller 1760 S. Winter St. Salem, OR O 0063.001.0002.018 OK MCHS Building Massager, Scalp Red Rubber disc with knob-shaped handle in center of one side and numerous "teeth" on other side. Label molded into knob side. "Fitch shampoo dissolves dandruff, Fitch brush stimulates circulation 50 cents Massage Brush." 2 1/8" H x 3 1/2" dia. Maker Fitch's. place and date unmarked Page 1 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0002.034 OK MCHS Building Purse, Change Folding leather coin purse with push-tab latch. Brown leather with raised pattern. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Council of the District of Columbia Committee of The
C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
The Evolution of Fashion
^ jmnJinnjiTLrifiriniin/uuinjirirLnnnjmA^^ iJTJinjinnjiruxnjiJTJTJifij^^ LIBRARY THE UNIVERSITY OF CALIFORNIA SANTA BARBARA FROM THE LIBRARY OF F. VON BOSCHAN X-K^IC^I Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/evolutionoffashiOOgardiala I Hhe Sbolution of ifashion BY FLORENCE MARY GARDINER Author of ^'Furnishings and Fittings for Every Home" ^^ About Gipsies," SIR ROBERT BRUCE COTTON. THE COTTON PRESS, Granvii^le House, Arundel Street, VV-C- TO FRANCES EVELYN, Countess of Warwick, whose enthusiastic and kindly interest in all movements calculated to benefit women is unsurpassed, This Volume, by special permission, is respectfully dedicated, BY THE AUTHOR. in the year of Her Majesty Queen Victoria's Diamond Jubilee, 1897. I I I PREFACE. T N compiling this volume on Costume (portions of which originally appeared in the Lndgate Ilhistrated Magazine, under the editorship of Mr. A. J. Bowden), I desire to acknowledge the valuable assistance I have received from sources not usually available to the public ; also my indebtedness to the following authors, from whose works I have quoted : —Mr. Beck, Mr. R. Davey, Mr. E. Rimmel, Mr. Knight, and the late Mr. J. R. Planchd. I also take this opportunity of thanking Messrs, Liberty and Co., Messrs. Jay, Messrs. E. R, Garrould, Messrs. Walery, Mr. Box, and others, who have offered me special facilities for consulting drawings, engravings, &c., in their possession, many of which they have courteously allowed me to reproduce, by the aid of Miss Juh'et Hensman, and other artists. The book lays no claim to being a technical treatise on a subject which is practically inexhaustible, but has been written with the intention of bringing before the general public in a popular manner circumstances which have influenced in a marked degree the wearing apparel of the British Nation. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Th€ Living Mosaic
$1.2$ pw C0Py Autumn, ig6g TH€ LIVING MOSAIC Articles BY PHYLLIS GROSSKURTH, JOHN OWER, MAX DORSINVILLE, SUSAN JACKELj MARGARET MORRISS Special Feature COMPILED BY JOHN REEVES, WITH POEMS BY YAR SLAVUTYCH, HENRIKAS NAGYS, WALTER BAUER, Y. Y. SEGAL, ZOFJA BOHDANOWICZ, ROBERT ZEND, ARVED VDRLAID, INGRIDE VIKSNA, LUIGI ROMEO, PADRAIG BROIN Reviews BY RALPH G USTAFSON , WARREN TALLMAN, JACK WARWICK, GEORGE BOWERING, DOUGLAS BARBOUR, VI C T O R HOAR, K E AT H F R ASE R , CLARA THOMAS, G AR Y GEDDES, ANN SADDLEMYER, G E O R G E WO O D C O C K , YAR SLAVUTYCH, W. F. HALL A QUARTERLY OF CRITICISM AND R6VI6W AN ABSENCE OF UTOPIAS LIITERATURES are defined as much by their lacks as by their abundances, and it is obviously significant that in the whole of Canadian writing there has appeared only one Utopian novel of any real interest; it is significant in terms of our society as much as of our literature. The book in question is A Strange Manuscript Found in a Copper Cylinder. It was written in the 1870's and published in 1888, eight years after the death of its author, James de Mille, a professor of English at Dalhousie, who combined teach- ing with the compulsive production of popular novels ; by the time of his death at the age of 46 he had already thirty volumes to his credit, but only A Strange Manuscript has any lasting interest. It has been revived as one of the reprints in the New Canadian Library (McClelland & Stewart, $2.75), with an introduction by R. -
DB 2013 Katalog Prev
Sponsor Generalny Sponsor Ofi cjalny Hotel Festiwalu Ofi cjalny Samochód Festiwalu 2 Przyjaciele Festiwalu Partnerzy Organizatorzy Patronat Medialny Dofi nansowano ze środków Ministra Kultury i Dziedzictwa Narodowego Projekt dofi nansowano ze środków Programu Operacyjnego Fundusz Inicjatyw Obywatelskich PGE 3 reklama Spis treści Sztuki wizualne Kto jest kto 6 Reżyser rysuje Podziękowania 9 wystawa rysunków Andrzeja Wajdy Słowo wstępne 11 z kolekcji Domu Aukcyjnego Abbey House S.A. 135 Kanał sztuki IV 136 Film „Hereditatis Paternae” wystawa malarstwa Jana Michalaka 137 Uroczystość Otwarcia 15 „Promień Światłospadu” Uroczystość Zamknięcia 17 Jerzy Krzysztoporski 138 Świat pod namiotem 18 „Lato w Kazimierzu i poezja” - Stanisław Ożóg 139 Pokazy specjalne 34 „Oblicza jazzu” wystawa fotografi i Katarzyny Rainka 140 Nagroda Filmowa Parlamentu Europejskiego LUX 34 „40 zdjęć na 40-lecie pracy w PWSFTviT” Lekcje kina 37 wystawa fotografi i prof. Aleksandra Błońskiego 141 Michael Haneke. Zawód: reżyser - pokaz fi lmu 37 „Fotoobrazy” - pokaz fi lmu artystycznego Waldemar Pokromski 39 prof. Mariusza Dąbrowskiego 142 Carlo di Carlo 40 „Kadry Rozpikselowane” Andrzej Jakimowski 42 Agata Dębicka 143 Wojciech Smarzowski 43 „Kultowe kino według Johansona” - Alex Johanson 144 Miasto 44 na DWÓCH BRZEGACH 45 „Classic Cinema” Robert Romanowicz (ilustracje), Na krótką metę 49 Paweł Bajew (fotografi a) 145 Janusz Morgenstern - Retrospektywa 51 „Wystawa setna pożegnalna” Thomas Vinterberg - Retrospektywa 59 Kolegium Sztuki UMCS Muzyka moja -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.