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ANIOŁ ZAGŁADY THOMAS ADÈS Dyrektor Naczelny Tomasz Bęben Dyrektor Artystyczny Paweł Przytocki Chórmistrz, Szef Chóru Dawid Ber

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ANIOŁ ZAGŁADY THOMAS ADÈS Dyrektor Naczelny Tomasz Bęben Dyrektor Artystyczny Paweł Przytocki Chórmistrz, Szef Chóru Dawid Ber ANIOŁ ZAGŁADY THOMAS ADÈS dyrektor naczelny Tomasz Bęben dyrektor artystyczny Paweł Przytocki chórmistrz, szef chóru Dawid Ber dyrektor generalny Peter Gelb honorowy dyrektor muzyczny James Levine dyrektor muzyczny Yannick Nézet-Séguin główny dyrygent Fabio Luisi 2. ANIOŁ ZAGŁADY (THE EXTERMINATING ANGEL) OPERA W TRZECH AKTACH LIBRETTO: TOM CAIRNS WE WSPÓŁPRACY Z KOMPOZYTOREM NA PODSTAWIE FILMU LUISA BUÑUELA POD TYM SAMYM TYTUŁEM OSOBY Lucía, markiza de Nobile, gospodyni sopran Leticia Maynar, śpiewaczka operowa sopran koloraturowy Leonora Palma mezzosopran Silvia, hrabina Ávila, młoda owdowiała matka sopran Blanca Delgado, pianistka, żona Roca mezzosopran Beatriz, narzeczona Eduarda sopran Edmundo, markiz de Nobile, gospodarz tenor hrabia Raúl Yebenes, odkrywca tenor pułkownik Álvaro Gómez baryton Francisco de Ávila, brat Silvii kontratenor Eduardo, narzeczony Beatriz tenor Señor Russell bas-baryton Alberto Roc, dyrygent bas-baryton Doktor Carlos Conde bas Julio, kamerdyner baryton Lucas, lokaj tenor Enrique, kelner tenor Pablo, kucharz baryton Meni, pokojówka sopran Camila, pokojówka mezzosopran Padre Sansón baryton Yoli, synek Silvii dyszkant chłopięcy Chór (SABT) grający służących, policjantów, wojskowych, tłum Prapremiera podczas Salzburger Festspiele – 28 lipca 2016 roku Premiera inscenizacji w The Metropolitan Opera w Nowym Jorku – 26 października 2017 roku Współpraca i koprodukcja Metropolitan Opera, Royal Opera House Covent Garden, Royal Danish Theatre i Salzburg Festival Transmisja z The Metropolitan Opera w Nowym Jorku – 18 listopada 2017 roku Przedstawienie w języku angielskim z napisami w języku polskim Thomas Adès Anioł zagłady 3. REALIZATORZY reżyseria Tom Cairns scenografia i kostiumy Hildegard Bechtler światło John Clark projekcje wideo Finn Ross OBSADA Leticia Maynar Audrey Luna Lucia de Nobile Amanda Echalaz Silvia de Ávila Sally Matthews Beatriz Sophie Bevan Leonora Palma Alice Coote Blanca Delgado Christine Rice Francisco de Ávila Iestyn Davies Edmundo de Nobile Joseph Kaiser Raúl Yebens Frédéric Antoun Eduardo David Portillo Álvaro Gómez David Adam Moore Alberto Roc Rod Gilfry Russell Kevin Burdette Julio Christian Van Horn Carlos Conde John Tomlinson soliści, chór i orkiestra The Metropolitan Opera dyrygent Thomas Adès AKCJA ROZGRYWA SIĘ W HISZPANII W LATACH SZEŚĆDZIESIĄTYCH XX WIEKU. 4. THOMAS ADÈS DYRYGENT Urodzony w Londynie w 1971 r. Autor oper BBC Symphony oraz City of Birmingham (Powder Her Face, The Tempest, która miała Symphony Orchestra. Dyrygował Żywotem swoją premierę w 2004 r. w londyńskim rozpustnika w londyńskim Royal Opera House Covent Garden, oraz Anioła zagłady), kom- i operze w Zurichu, a zeszłej jesieni zadebiuto- pozycji symfonicznych (między innymi Asyla, wał w Metropolitan Opera The Tempest. Kon- Tevot, Polaris, In Seven Days czy Totentantz) certuje także jako pianista (występował między i kameralnych (na przykład kwartetów smycz- innymi w Carnegie Hall). Jest laureatem takich kowych, które zyskały uznanie na konkursach nagród, jak Grawemeyer Award (za swoją kompozytorskich). W latach 1999–2008 był kompozycję Asyla z 1999 r.), nagrody kom- dyrektorem artystycznym Aldeburgh Festival. pozytorskiej Ernsta con Siemensa za utwór Współpracuje z zespołami takimi, jak Los An- Arcadiana, British Composer Award geles Philharmonic, Boston Symphony, London za The Four Quarters czy Best Opera Symphony Orchestra, Royal Concertgebouw, Grammy i paryskiej Diapason d’or de l’année Melbourne Symphony, Sydney Symphony, za operę The Tempest. AUDREY LUNA LETICIA MAYNAR (SOPRAN) Studiowała w Portland State University, Operze Rzymskiej oraz podczas festiwali Cincinnati Conservatory of Music (ukończy- (Tanglewood Festival, Spoleto Festival, Salzburg ła w 2003 r.) i doskonaliła swe umiejętności Festival). Występowała także z orkiestrami w Santa Fe Opera oraz w latach 2006–2008 symfonicznymi, takimi jak Colorado Symphony, Pittsburgh Opera, gdzie wystąpiła jako Królo- San Francisco Symphony, Orchestra dell’Ac- wa Nocy w Czarodziejskim flecie W.A. Mozarta. cademia Nazionale di Santa Cecilia, American Na deskach Metropolitan Opera interpretowa- Symphony Orchestra czy New York Philhar- ła następujące partie: Ariela w The Tempest monic, śpiewając partie w Mesjaszu Haendla, T. Adèsa, Olympii w Opowieściach Hoffmanna Mszy c-moll W.A. Mozarta, Carminie Buranie J. Offenbacha, Naiady w Ariadnie na Naxos C. Orffa, Le Martyre de Saint Sébastien C. De- R. Straussa oraz Fiakermilli w Arabelli R. Straus- bussy’ego czy Star-Child G. Crumba. Wystąpiła sa. Poza tym śpiewała między innymi w Virginia także w zarejestrowanym na płycie wykonaniu Opera (Zerbinetta w Ariadnie na Naxos), Fort The Tempest T. Adèsa jako Ariel, które zostało Worth Opera, La Fenice, Lyric Opera of Chicago, uhonorowane nagrodą Grammy. AMANDA ECHALAZ LUCIA DE NOBILE (SOPRAN) Przepustkę do kariery śpiewaczka uzyskała G. Verdiego na deskach Berliner Staatsoper, reprezentując Afrykę Południową podczas Maddalena w Andrei Chénier U. Giordano konkursu Cardiff Singer of the World. Zade- podczas Bregenz Festival, Manon Lescaut biutowała w 2008 r. w Royal Opera House w operze G. Pucciniego w warszawskim w partii Ker w światowej premierze opery Teatrze Wielkim – Operze Narodowej oraz Minotaur H. Birtwistle’a pod batutą Sir An- w La Monnaie, Tatiana w Eugeniuszu Onieginie tonia Pappano. Po ciepłym przyjęciu przez P. Czajkowskiego, Tosca w operze G. Pucci- krytykę jej interpretacji roli tytułowej w Tosce niego w Sydney Opera House oraz Dresden w Opera Holland Park została zaproszona Semperoper. Za oceanem debiutowała jako do wykonania tej partii w Covent Garden, Tosca w 2012 r. w Santa Fe Opera, a rok Salzburg Landestheater, Berliner Staatsoper później powierzono jej tytułową rolę w Ma- oraz l’Opera National du Rhin. Występowa- dama Butterfly w chicagowskiej Lyric Opera. ła także jako Salome w operze R. Straussa Interpretując tę samą partię, wystąpiła po raz w La Monnaie, Elisabetta w Don Carlosie pierwszy w Metropolitan Opera w 2014 r. Thomas Adès Anioł zagłady 5. IESTYN DAVIES FRANCISCO DE ÁVILA (KONTRATENOR) Brytyjski śpiewak pochodzi z rodziny o mu- zaowocował zaproszeniem na West End zycznych tradycjach – jego ojciec, wioloncze- oraz nominacjami do Olivier Awards. Inter- lista, był założycielem Fitzwilliam String pretował takie partie, jak Ottone w Koronacji Quartet. Iestyn Davies swoją muzyczną ka- Poppei Monteverdiego w operze w Zurychu rierę rozpoczął w chłopięcym chórze kierowa- i podczas Glyndebourne Festival Opera, nym przez George’a Guesta (później zastąpił Arsace w Partenope Haendla w New York go Christopher Robinson) w St John’s College City Opera, Oberon w Śnie nocy letniej w Cambridge. Studia muzyczne w londyńskiej Brittena w Houston Grand Opera, English Royal Academy of Music (aktualnie jest jego National Opera i The Metropolitan Opera członkiem) podjął po otrzymaniu dyplomu czy Apollo w Śmierci w Wenecji Brittena z archeologii i antropologii w St John College. w English National Opera i mediolańskiej W 2015 r. śpiewak zdobył uznanie krytyki La Scali. Jest także laureatem licznych za rolę Farinellego w przedstawieniu Farinelli nagród, między innymi 2013 Critics’ Circle and the King w Globe Theatre. Ten sukces Awards for Exceptional Young Talent. JOSEPH KAISER EDMUNDO DE NOBILE (TENOR) Debiutował w Juliette B. Martinů. Następie M. Wajnberga, w Dallas Opera w The Aspern występował w roli Leńskiego w Eugeniuszu Papers, w Santa Fe Opera w Adrianie Mater, Onieginie P. Czajkowskiego i Flamanda a w Canadian Opera Company w Ifigenii w Capriccio R. Straussa w Opéra national w Taurydzie. Ma w swoim repertuarze rów- de Paris, Narrabotha w Salome R. Straussa nież dzieła oratoryjne, na przykład Requiem i Tamina w Czarodziejskim flecie W.A. Mozarta W.A. Mozarta, które wykonał wraz z Dallas w Covent Garden oraz w Jenůfie L. Janáčka Symphony Orchestra pod batutą Jaapa Van i roli Don Ottavia w Don Giovannim W.A. Mo- Zwedena, Te Deum i Mszę nr 3 f-moll A. Bruck- zarta w Bayerische Staatsoper. W Metropoli- nera czy Requiem H. Berlioza, zaprezentowane tan Opera występował między innymi w partii wraz z Tonhalle-Orchester Zürich i Orchestre Romea w Romeo i Julii Ch. Gounoda i Lysan- de la Suisse Romande pod kierownictwem dra w Śnie nocy letniej F. Mendelssohna. Z ko- M. Janowskiego oraz Atlanta Symphony Or- lei na deskach Houston Grand Opera i Lincoln chestra i Berliner Philharmoniker z Donaldem Center Festivalu wystąpił w The Passenger Runnilesem. TOM CAIRNS REŻYSER Urodził się 1 listopada 1952 r. w Dromara T. Adèsa w Covent Garden (pokazywaną w Irlandii Północnej. Studiował na londyńskim następnie w Royal Danish Opera i Opéra uniwersytecie Goldsmiths. W roli reżyse- national du Rhin), Cyganerię G. Pucciniego ra zadebiutował spektaklem A. Czechowa dla opery w Stuttgarcie czy Don Giovanniego Wujaszek Wania w Crucible w Sheffield. W.A. Mozarta dla Scottish Opera. Jest nie Od tamtego czasu zajmuje się reżyserowa- tylko reżyserem, ale również twórcą libretta niem oper, sztuk teatralnych i filmów. Wśród Anioła zagłady (napisanego na podstawie jego operowych realizacji wymienić moż- filmu Luisa Buñuela pod tym samym tytułem), na Traviatę G. Verdiego dla Glyndebourne nad którym pracował wraz z kompozytorem, Festival, światową premierę The Tempest Thomasem Adèsem. 6. CZY GROZI NAM ZAGŁADA? Wszystko wskazuje na to, że w muzyce londyńska opera Covent Garden angielskiej po latach pewnej posuchy daje premierę jego Burzy według pojawił się wreszcie twórca na miarę Szekspira. To dzieło, diametralnie Benjamina Brittena. Urodzony odmienne od jego pierwszej i wykształcony w Londynie,
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