FABER MUSIC Opera Posters

CLIENT: FABER MUSIC Opera Posters

‘…arguably the most spectacular orchestral writing heard in any opera of the past JULIAN ANDERSON ‘Written on Skin… half a century. For mastery of as immaculate as anything texture, color and invention, composed since the heyday Mr. Anderson sets standards… THEBANS of Ravel… the opera distinctively impressive.’ An Opera in 3 Acts smolders with darker, wilder THE NEW YORK TIMES Libretto by Frank McGuinness energies… feels like the work (MICHAEL WHITE), 5 MAY 2014 GEORGE after Sophocles of a genius unleashed.’ BENJAMIN GEORGE BENJAMIN JULIAN ANDERSON thE NEw yORkER (ALEx ROss) Synopsis 25 MARCh 2013 A rich lord welcomes into his house the artist he has commissioned to complete a book of illuminations. This work, he hopes, will immortalise the ruthless practice of his political power and the calm contentment brought to him by domestic order, embodied in the humility and childish obedience of his wife Agnes. THEBANS This compelling re-telling of Sophocles’ timeless Theban tragedies focuses on the fate of Oedipus and his daughter Antigone. Anderson and Opera inWritten three parts (2012) on Skin However the creation of the book becomes a catalyst for his wife’s rebellion. After a first successful attempt Written on Skin An Opera in 3 Acts his librettist, Frank McGuinness, have distilled them into a taut drama where Opera in three parts (2012) at seduction, Agnes uses her new intimacy with the illuminator to change the very content of the book murder and incest, political ambition, love and loyalty, hatred and revenge Text by Martin Crimp and so forces her husband to see her as she really is. This opens the path for an extraordinary and final drive everyone on a collision course which can only lead to catastrophe. act of provocation. (Martin Crimp) Based on the legend of the troubadour, Libretto by Frank McGuinness after With a dramatic thrust that pins you to your seat, choral writing of power Text by Martin Crimp Guillem de Cabastany rarely heard in the opera house, orchestration that speaks of mastery at Sophocles’ Theban Plays every stroke, and character portrayals so vivid that you leave the opera house Based on the legend of the troubadour, haunted by their ghosts, this is an opera of great importance. The themes of Worldwide acclaim - Press Quotes the original – blood, murder, incest, political ambition, love and loyalty – are, if Guillem de Cabastany anything, intensified in this bold adaptation. ‘The drama is vivid and strong,’ DURATION c99 minutes writes Anderson, ‘I don’t want people to know what’s hit them until they’ve Act I 48 minutes DuRAtION: 95 minutes AIx-EN-PROvENCE vIENNA left the opera house.’ The relationship between onstage action and Act II 21 minutes Anderson’s music is a rich and complex one and his mastery of the ‘We leave the opera house so in love ‘Benjamin’s music is phenomenal: CAst: Act III 30 minutes orchestra is confirmed repeatedly – be it individual details like the that we cannot repress a vague feeling Delicate, shimmering, sensual, coarse black, oily contrabass clarinet which shadows the blind prophet The Protector Bass-baritone of having witnessed the birth of a and brutal, tonal and atonal, passionate Agnès Soprano ROLES CAST AT FIRST Tiresias or the many alluring, intricate string textures which masterpiece… Benjamin composes music and sober – but always, always brilliant. First Angel/Boy Countertenor PERFORMANCE recur throughout. At the heart of the work is the chorus Second Angel/Marie Mezzo-soprano at once haunting and sensual, perfectly Yes, you could also hear Berg, Debussy, – first the Citizens of Thebes and then, offstage in Third Angel/John Tenor built over time and greatly varied Messiaen or Boulez. But Benjamin is Antigone Soprano Julia Sporsén the third act, the voices of Gods and the sounds of throughout the scenes... A great moment Benjamin and as such is gigantic… Jocasta Mezzo-soprano Susan Bickley nature – all expressed in sensitive choral writing INstRuMENtAtION of contemporary opera. A great moment Opera – it lives! And today!’ Oedipus Heroic Baritone Roland Wood of the upmost power. (orchestra of 60): of opera itself.’ Creon Tenor Peter Hoare KURIER (PETER JAROLIN), 15 JUNE 2013 Polynices Baritone Jonathan McGovern 3(II=picc, III=picc&afl).2.2.bcl(=cl).cbcl.2(II=cbsn) - LE FIGARO (CHRISTIAN MERLIN), 10 JULy 2012 Tiresias Bass Matthew Best 4.4(I=ptpt).3.1 - perc(4): glsp/crot/steel drum/3 t.bells/5 RECORDINGs: ‘George Benjamin, one of the most King Theseus and Messenger Countertenor Christopher Ainslie tuned c.bells/vib/gong/2 small timp/6 mini-tablas/3 2 CD Set: Written on Skin [Aix en Provence] ‘Written on Skin is a true opera, with distinguished English composer of his Haemon and Stranger High Light Tenor Anthony Gregory bongos/2 SD/2 TD/tumba/BD/small claves/3 mokubios/4 Nimbus Records B009VECK8Q all its ingredients (love-triangle between generation, cultivates in his first full- Shepherd Baritone Paul Sheehan ACCLAIM FOR THEBANS tpl.bl/sleigh bells/mcas/pebbles/guiro/whip/sandpaper DVD/Blu-ray: Written on Skin [Royal Opera House] wife-husband-lover, love and murder, length opera a polystilistic open musical blocks/computer keyboard or typewriter/small tgl/ Citizens of Thebes Chorus Opus Arte OA1125D / OABD7136D play within a play, songs, sets, etc.). language, which is characterized by highly untunedc.bell/clash.cyms (2 pairs)/5 susp.cyms/tam-t - The music is incredibly beautiful: ribbed sophisticated instrumentation, whose ‘[Anderson and McGuinness] have ‘…an extraordinary finale in which harp - glass harmonica – bass viola da gamba - strings PERFORMANCEs OF INSTRUMENTATION brilliantly compressed Sophocles’s Oedipus’s death occurs like a Wagnerian (8.6.6.6.4 players) 2 first violins doubling mandolins; all textures, subtle colours, flowing harmony beguiling palatable and sensual sound wRIttEN ON skIN 1 1 trilogy into a compelling and dramatic transfiguration, haloed in the warm, rich double basses must have extensions to low B natural. of the simplest kind… Written on Skin is carries the red-hot vocals.’ 3(II=picc & fl tuned /4-tone flat, III=picc & afl).3(III=ca).3(II=cl tuned /4-tone flat, (as at December 2013) the pinnacle of contemporary output.’ III=bcl).bcl(=cl).cbcl.3(III=cbsn) - 4.3(I=optional flhn, III=optional tpt in D).3.1 - narrative that feels fresh and thrilling… glow of arguably the most spectacular Grand Theatre de Provence, Aix en Provence, KLEINE zEITUNG (ERNST NAREDI-RAINER), perc(5) - harp - pno/synth/cel - strings MAtERIAL AvAILABLE: This raw dramatic quality is partly due orchestral writing heard in any opera of July 2012 LE MONDE (RENAUD MACHART), 10 JULy 2012 15 JUNE 2013 to McGuinness’s libretto, which keeps its the past half a century. For mastery of Signed, cased full score on sale 0-571-53759-6 Het Muziek Theatre, Amsterdam, October 2012 language direct and the pace relentlessly texture, color and invention, Mr. Anderson Full score on sale 0-571-53758-8 Théâtre du Capitole de Toulouse, November 2012 ‘Written on Skin is almost certainly MuNICh FIRST PERFORMANCES Vocal score on sale 0-571-52672-1 Royal Opera House, London, March 2013 headed straight for any list of the best 3.5.2014 Coliseum, London, UK: English National Opera/cond. Edward Gardner/ high… But the real magic comes from sets standards… it is a triumph of sustained Text on sale 0-571-53760-X Theatre an de Wien, Vienna, June 2013, operas of the 21st century so far.’ ‘Benjamin’s music moves so dir. Pierre Audi/designs Tom Pye/Hetzer/lighting Jean Kalman Anderson’s score, in which the directness intensity that has dramatic impact on its Parts on hire Bayerischer Staatsoper, Munich, July 2013, sophisticatedly between never-thick of the libretto is simultaneously enhanced own terms. And its individuality is striking… FRANCE TODAy (JUDy FAyARD), 8 JULy 2012 3.5.2015 Stadttheater, Bonn, Germany: Theater Der Stadt Bonn/cond. Tanglewood Festival of Contemporary Music, Lennox, MA, orchestral textures and an immediate ‘…we cannot repress a vague feeling of Johannes Pell/dir. Pierre Audi and fractured. Indeed, the clash between this is an opera like no other — which COMMIssIONERs: August 2013 (concert performance) expressiveness. The sound atmosphere the score’s elemental rhythmic profile and makes Mr. Anderson a maverick or a genius; Stadttheater Bonn, October 2013 (new production) AMstERDAM Commissioned by English National Opera with support from The Boltini Commissioned by the Festival d’Aix-en-Provence, De shimmers between Eros and danger the shimmering quality of its expanded perhaps both. Either way, his Thebans is having witnessed the birth of a masterpiece… Festival d’Automne, Opéra, Comique, Paris, November 2013 Trust, PRS for Music Foundation and ENO’s Contemporary Opera Group Nederlandse Opera (Amsterdam), Théâtre du Capitole ‘The piece is of wondrous beauty, so that the one and a half hours are harmonic language seems at once to slow distinctively impressive.’ (Toulouse), Royal Opera House (London). a miracle of timbral inventiveness, Further performances include: dramatically perfect…’ and speed the action so that each event THE NEW YORK TIMES Benjamin composes music at once haunting harmonic and melodic beauty and ‘…a compelling and dramaticMATERIAL AVAILABLE State Theatre, Detmold, 2014 SüDDEUTSCHE zEITUNG (MICHAEL STALLKNECHT), appears both inexorable and ambiguous. (MICHAEL WHITE), 5 MAY 2014 FIRst PERFORMANCE: Calouste Gulbenkian Concert Hall, Lisbon, 2014, expressiveness...’ 25 JULy 2013 Libretto on sale 0-571-53710-3 Anderson’s opera thus gives access to the and sensual, perfectly built over time and Vocal score, full score and parts on hire 7 July 2012, Festival d’Aix en Provence, Grand Theatre de Großes Haus des Theaters St. Gallen, 2015 PAROOL (ERIK VOERMANS), 8 OCTOBER 2012 narrative that feels fresh psychology of the action in a way in which ‘Lyrical, direct and brilliantly performed… Provence, France in a production by Katie Mitchell Royal Opera House, London, 2017 ‘The vocal lines are cantabile… few versions have managed, or Julian Anderson’s compelling opera [is]… greatly varied throughout theCast: scenes...Barbara Hannigan/Bejun Mehta/Christopher ‘Benjamin’s score is a feast for the bel canto for the 21st Century.’ Purves/Rebecca Jo Loeb/Allan Clayton attempted… The superb solo writing is A work of skilful compression... [the] AwARDs ears… it carves traces in the soul NEUE MUSIKzEITUNG (JUAN MARTIN KOCH), Conductor: George Benjamin and thrilling’ even eclipsed by that for the chorus… music is luminous and vivid, encompassing British Composer Award 2013 and you cannot say that of any other Julian Anderson was born in London A great moment of contemporaryOrchestra: opera.Mahler Chamber Orchestra 24 JULy 2013 [an] extraordinary retelling of the myth.’ the broadly tonal and the wildly dissonant. Premiere of the year – Opernwelt 2013 modern opera.’ in 1967. His teachers have included John THE GUARDIAN (GUY DAMMANN), 5 MAYLambert, 2014 Alexander Goehr and Tristan THE GUARDIAN (GUY DAMMANN), It doesn’t sound like anyone else’s… Grand Prix – Académie Charles Cros 2013 NEWSPAPER THEATRE (OSWIN SCHNEEWEISz), tANGLEwOOD (concert version) A great moment of operaFIRst itself.’uk BROADCAst: Murail. Since his 1990 score Diptych won 5 MAY 2014 He has always expanded aural horizons Grand Prix du Syndicat de la Critique 2013 8 OCTOBER 2012 22 June 2013, BBC Radio 3 Diapason d’Or 2013 ‘In the past year, it has been staged an RPS Prize, he has continued to attract using electronics and microtones – the LE FIGARO (ChRIst28IAN June 2013,M ERLINTV: BBC 4 ) Le Diamant d’Opera - Opéra Magazine 2013 in London, Amsterdam, Toulouse, the attention of the musical community as ‘…the result is magnificent… It is not hard latter ever present in Thebans… At each International Opera Award (UK) 2013 LONDON composer, enabler and academic. He has 10 JuLy 2012 Munich and Vienna, each time bringing to see the present magnum opus, and the dramatic moment, he shifts the sound with ‘George Benjamin seems to have come audiences to their feet and leaving critics been composer in residence to Sinfonia 21, operatic genre itself, as a culmination of subtle imagination… Anderson’s choral to opera with his genius fully formed. to pull out superlatives they hadn’t the CBSO, Cleveland Orchestra, the London his intellectual and creative pursuits alike. writing is perhaps the strongest element Written on Skin… is nothing short of thought they’d ever use in the context of Philharmonic Orchestra, and currently the It is his first opera, yet his music all along in the opera, majestic, fluent a triumph. As soon as it had finished, new opera… It really is that good… Wigmore Hall. Between 2002-2010 he directed has had a powerful dramatic essence… and affecting…’ Biography the Philharmonia’s Music of Today series. As I wanted to hear it again… a musical Mr. Benjamin is a master of color and Everything was mentally in place, then, Thebans.indd 1 an academic he26/11/2014 was Professor 13:47 of Composition THE OBSERVER (FIONA MADDOCKS), masterpiece.’ detail and in this subject, with its themes for his bursting into opera, and he had the 11 MAY 2014 WrittenOnSkin.indd 1 10/12/2013 10:32 at the Royal College of Music, London (1996- Born in 1960, George Benjamin started to play the piano at the age of seven, and began composing almost immediately. THE GUARDIAN (ERICA JEAL), 10 MARCH 2013 of illumination and enlightenment, 2004) at Harvard University (2004-7), and luck to find the right librettist… [Frank In 1976, he entered the Paris Conservatoire to study composition with Olivier Messiaen and piano with yvonne Loriod. his music has found its home… In currently the Guildhall School in London. McGuiness] has supplied what seems an ‘One of Anderson’s most notable Studies with Alexander Goehr at King’s College, Cambridge followed. ‘Written on Skin… as immaculate as concert version, the visual power of eminently settable, elegant condensation achievements is his ability to allow anything composed since the heyday of Mr. Benjamin’s writing comes through But it is as composer that he has made the of the drama… The superb assurance each line to cut through the orchestral His first orchestral work, Ringed by the Flat Horizon, was performed at the BBC Proms when he was only 20; since then his music Ravel… the opera smolders with darker, especially sharply.’ most impact; with commissions from such of the writing, metallically intent but texture. His score is well paced, and the has been played by major orchestras and ensembles across the world both under his own baton and by leading conductors. His wilder energies… feels like the work of a bodies as the BBC, Nash Ensemble, Cheltenham THE NEW yORK TIMES (CORINNA DA underpinned by a novel harmonic richness, composer’s diverse musical language career has been marked by many international retrospectives: Paris, Tokyo, Brussels, Berlin, Strasbourg and Madrid, San Francisco, genius unleashed.’ Festival, London Sinfonietta, and Asko Ensemble. FONSECA-WOLLHEIM), 13 AUGUST 2013 makes it, I think, one of the best things proves an asset in shading in the variety Lucerne Festival, and the ‘By George’ Festival at London’s Barbican in 2003. He collaborated with playwright Martin Crimp in 2006 He wrote the opening work, Alleluia for London’s for his first operatic work Into the Little Hill, (commissioned by Festival d’automne, Paris, and Ensemble Modern). The association THE NEW yORKER (ALEX ROSS), 25 MARCH 2013 Anderson has done…’ of characters and situations required refurbished Southbank Centre and the NMC recording of continued with Written on Skin (2012) commissioned by the Aix-en-Provence Festival with an international consortium. Both operas ‘...the score is indeed a marvel, A Book of Hours won the 2007 Gramophone Award. The Discovery THE SUNDAY TIMES (PAUL DRIVER), over the course of three very different have been played to world-wide acclaim, and are recorded on CDs from Nimbus. A third opera (again with Crimp) for 2018 is astonishing in its timbral precision and 11 MAY 2014 dramas. The complex, ambiguous music commissioned by the Royal Opera House Covent Garden with partners. in its balance of flexibility and sweep, of Heaven was premiered by the LPO in 2012 and won a South Bank Award nevertheless makes an immediate impact.’ with moments of local drama set off the same year. In 2013 his work Harmony opened the BBC Proms. George Benjamin is a CBE, Chevalier dans l’ordre des Arts et Lettres, a member of the Bavarian Academy of Fine Arts, and has been against a meticulously integrated whole.’ Thebans is his first opera. THE STAGE (GEORGE HALL), awarded honorary positions by the Guildhall School, the Royal Academy, the Royal College of Music and the Royal Philharmonic Society. 6 MAY 2014 THE BOSTON GLOBE (JEREMy EICHLER), 14 AUGUST 2013

Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DA Tel: +44 (0)20 7908 5319 | [email protected] | www.fabermusic.com Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DA PHOTO CREDITS: FRONT MAIN: ENO ‘THEBANS’ ACT II – THE CHORUS OF ENGLISH NATIONAL OPERA © TRISTRAM KENTON. FRONT INSET: ENO ‘THEBANS’ – JULIA SPORSEN, Promotion tel: +44(0)207 908 5311 | [email protected] | www.fabermusic.com ROLAND WOOD © TRISTRAM KENTON. BACK MAIN: ENO ‘THEBANS’ – ROLAND WOOD © TRISTRAM KENTON. BACK INSET: JULIAN ANDERSON © MAURICE FOXALL

Photo credits: Matthew Lloyd, Pascal Victor, Clive Barda, Maurice Foxall

Thebans.indd 2 26/11/2014 13:47

WrittenOnSkin.indd 2 10/12/2013 10:33

DW CRE8TIVE - PORTFOLIO CLIENT: FABER MUSIC Opera Posters

‘A turning point for Adès and, it felt, for opera itself. THE OBSERVER (FIONA MADDOCKS), Thomas Adès 31 JULY 2016 THE EXTERMINATING ANGEL Thomas Adès Opera in 3 Acts THE Libretto by Tom Cairns in collaboration with the composer EXTERMINATING Based on the screenplay by Luis Buñuel ANGEL and Luis Alcoriza Opera in 3 Acts

Libretto by Tom Cairns in collaboration with the composer Based on the screenplay by Luis Buñuel and Luis Alcoriza

DURATION c.115 minutes

Commissioned by the 2016 Salzburg Music Festival, the Royal Opera Covent Garden, the Metropolitan Opera SYNOPSIS New York, and the Royal Danish Opera Based on Luis Buñuel’s surrealist classic El ángel exterminador, Thomas Adè’s third opera sees a collection of society’s grandees inexplicably trapped in a ROLES CAST AT PREMIERE room. The libretto, adapted from the original Buñuel-Alcoriza screenplay by Lucía - soprano Amanda Echalaz the composer together with the director Tom Cairns, brilliantly captures their Leticia – high coloratura soprano Audrey Luna descent into anarchy. Leonora – mezzo-soprano Anne Sofie von Otter Silvia – soprano Sally Matthews Featuring a cast who all remain on stage for the majority of the piece, Blanca – mezzo-soprano Christine Rice this is a true ensemble opera, and the skill with which Adès delineates the Beatriz – soprano Sophie Bevan many intricacies and undercurrents present over its densely-packed span Nobile – tenor Charles Workman is breathtaking. A large and masterfully deployed orchestra is coloured by Raúl – tenor Frédéric Antoun guitar, piano and ondes martenot – the latter soaring above proceedings as an Colonel – high baritone David Adam Moore eerie manifestation of the nameless force that ensnares the guests. Like the Francisco – countertenor Iestyn Davies shipwrecked characters of The Tempest, the cast of this new opera are held in a Eduardo – lyric tenor Ed Lyon state of entrapment and dramatic stasis. Like the glittering high-society world of Russell – bass baritone Eric Halfvarson Powder Her Face, the dinner party guests are denizens of a nightmarish world Roc – bass baritone Thomas Allen of aristocratic pretension. ‘In a sense, this is a child of those two operas,’ Adès Doctor – bass John Tomlinson observes, ‘but that comparison has receded, and this opera is a very different Julio – baritone Morgan Moody animal. Probably a scarier animal.’ LUCAS(T)/ENRIQUE(T)/PABLO(Bar)/MENI(S)/CAMILLA(M)/PADRE(Bar)/ YOLI(Boytr)/CHORUS

INSTRUMENTATION ‘Stunningly inventive…3(II=picc+bfl.III=picc+afl).3(III=ca).3(III=bcl).3(III=contraforte or cbsn with low REVIEWS A) – 4(optionally doubling Wagner tubas).3.3.1 – timp (and roto toms) – perc(4), ‘Adès is as compelling as any ‘Packed full of provocation and In this audacious opera theoffstage music church digs bells or bass handbells and offstage massed drums – pno (6’ contemporary practitioner of his ideas… Amidst the brutal descent grand) – harp – gtr – ondes martenot – strings (12.10.8.6.6) 8 vln (front 2 desks deep. Mr. Adès’s wild, searingof both sections) score also play 1/32 size violins art because he is, first and foremost, into anarchy, Adès’s skill at being a virtuoso of extremes. He is a ironic shines through time and explores the emotional undercurrentsFIRST PERFORMANCES refined technician, with a skilled again. It’s not every day that the of the story and fleshes out28.7.2016 the Salzburghorror Festival, Haus für Mozart, Salzburg, Austria: Salzburger performer’s reverence for tradition, premiere of an experimental opera Bachchor/ORF Radio-Symphonieorchester Wien/Thomas Adès/dir. yet he has no fear of unleashing receives a standing ovation.’ of the characters’ situation. OverTom all,Cairns brutal sounds on the edge of chaos. DER SPIEGEL (WERNER THEURICH), 29 JULY 2016 24.4.2017 Royal Opera House, London, UK: The Orchestra and Choir of the Although he makes liberal use of this riveting, breathless, score — fullRoyal Operaof House/Thomas Adès/dir. Tom Cairns tonal harmony he subjects that material to shattering pressure. He ‘The moments of rupture are quick-cutting shifts, pointillist26.10.2017 bursts, Metropolitan Opera House, Lincoln Center, New York City, NY, USA: The Orchestra and Choir of the Metropolitan Opera/Thomas Adès/ conjures both the vanished past and articulated with precision and and episodes of ballistic intensitydir. Tom — Cairns the ephemeral present… Like Berg, an unwavering awareness of the 23.3.2018 The Royal Danish Opera, Copenhagen, Denmark: the 20th-century master whom possibilities of the genre… [This may be his best work. If you goOrchestra to a and Chorus of the Royal Danish he most resembles, he pushes is] the opera Adès needed to write Opera/Robert Houssart/dir. Tom Cairns ambiguity to the point of explosive in order to be himself. Like its single Met production this season, crisis… Never have Adès’s extremes predecessors, the music remains makeMATERIAL it this one.’ AVAILABLE collided more spectacularly… in his astonishing in its confidence and Libretto 0-571-53969-6 on sale, full score, vocal hands Buñuel’s cool, eerie scenario dramatic versatility; but here, THE NEWscore YORK and parts TIMES for hire takes on a tragic volatility… when Adès’s elusive aesthetic itself Throughout, Adès pulls off the becomes integrated into the drama’s (ANTHONYDVD TOMMASINI), in production by the Metropolitan Opera Stravinskyan feat of making prior vertiginous psychological landscape, 28 OCTOBER 2017 styles sound like premonitions of the music acquires another edge A prodigious composer, conductor and pianist, his own… Liberation is achieved entirely. The effect is intoxicating Thomas Adès (b. 1971) has been described by the not only by a ritual of repetition and at times quite brutal; for all its New York Times as one of today’s ‘most accomplished but also through a visionary aria scorching passion, the opera leaves overall musicians.’ for Leticia… When the spell of one chilled to the bone.’ His chamber opera Powder Her Face (1995) has been immobility resumes, seraphic THE TIMES LITERARY SUPPLEMENT performed worldwide whilst The Tempest (2004) harmonies give way to a colossal, (GUY DAMMANN), 19 AUGUST 2016 was commissioned by London’s Royal Opera House demonic setting of fragments of and has since been taken up by international houses the Libera Me, with bells ringing ‘The most important opera of the including New York’s Metropolitan Opera, where it anarchic changes. On this note of year, proves it’s here to stay… was recorded for a Deutsche Grammophon DVD which mystical dread the opera closes, no Remarkable… An opera of subsequently won a Grammy Award. exit in sight.’ decadence quickly decaying… Adès has won numerous awards, including the 2015 Léonie THE NEW YORKER (ALEX ROSS), Whole musical forms, such as the Sonning Music Prize and the prestigious Grawemeyer Award 22 AUGUST 2016 waltz or the chaconne, fall apart just (for Asyla in 2000), of which he is the youngest ever recipient. as the dinner party does…’ Adès was Artistic Director of the Aldeburgh Festival from 1999 THE LA TIMES (MARK SWED), to 2008 and coaches piano and chamber music annually at the 9 AUGUST 2016 International Musicians Seminar, Prussia Cove.

Promotion Department, Faber Music Ltd, Bloomsbury House, 74–77 Great Russell St, London WC1B 3DA Tel: +44 (0)20 7908 5319 | [email protected] | www.fabermusic.com

PHOTO CREDITS: ‘THE EXTERMINATING ANGEL’ 2016 © SALZBURGER FESTSPIELE MONIKA RITTERSHAUS; THOMAS ADÈS © BRIAN VOCE; EXCERPT FROM SCORE OF ‘THE EXTERMINATING ANGEL’ © FABER MUSIC

DW CRE8TIVE - PORTFOLIO CLIENT: FABER MUSIC Faber Media CD Pack PACKAGING DESIGN: DAVE WARDEN. ORIGINAL BISCUIT RECORD CONCEPT: PROJECT DARK. CATS IMAGE © 1998 Really Useful Films Ltd. Films Useful Really 1998 © IMAGE CATS DARK. PROJECT CONCEPT: RECORD BISCUIT ORIGINAL WARDEN. DAVE DESIGN: PACKAGING 14. Newk’s Fluke INTRODUCTION CD CLASSICAL Stan Tracey 2 15. Genesis This CD presents a selection of outstanding tracks, varying in style from classical to swing, rock to TO JAZZ Stan Tracey* hip hop, that we consider suitable for use in film, TV and commercial advertising. PERCUSSION COMEDY/QUIRKY For further information, or to obtain a licence to use any of these tracks, please contact: 1. Shadow Behind the Iron Sun 16. Powder Her Face Evelyn Glennie Thomas Adès Chantal Santhiapillai 2. Last Contact 17. Keystone Kops Tel: 020 7833 7924 Evelyn Glennie Carl Davis 3. A Little Prayer email: [email protected] Evelyn Glennie CLASSICAL/ORCHESTRAL 18. Hollywood VOCAL/CHORAL Carl Davis 4. O Let Me Weep 19. Four Cornish Dances Purcell arr. Benjamin Britten & Imogen Holst Malcolm Arnold 2CD 2CD ATMOSPHERIC BED 5. O Magnum Mysterium 20. Suite on English Folksongs CD RETRO 6. Friends of the Garden, Pt. 1 Morten Lauridsen 1 Noonday Underground* Benjamin Britten CD CD CD CD TO ROCK 6. Après un rêve 21. Hidden Variables 7. The Sound Run Faure arr. L’Estrange Simon Lacey* Colin Matthews RETRO1 TO CLASSICAL2 RETRO1 TO CLASSICAL2 7. Agnus Dei ROCK TO JAZZ ROCK TO JAZZ CONTEMPORARY/ROCK 8. I Would Die for You 22. The Light of the Sun T . h g T . i n h g s i n t i Simon Lacey* Howard Goodall i 1. Weightlifing s C s t Dan Jones C D a s c D a i d c s a i d Trashcan Sinatras* 8. Adoro Te a o s a 23. Max ‘Selling Hitler’ r a o DANCE/HIP-HOP d b r e d b m r e r Anthony Pitts* o Images For Your Ears o m o 2. Freetime n ce o Images For Your Ears e Dan Jones s n Images For Your Ears n c 9. Battle Cry tr a st n at TRACKS AVAILABLE FOR LICENSING m ra TRACKS AVAILABLE FOR LICENSING a 9. Canon io or t rm Trashcan Sinatras* n rf io fo Evelyn Glennie 24. Cirrus re pe n er co ic rec p Pachelbel arr. L’Estrange rdi ubl or lic 3. Shipwrecked ng e, p din pub David Motion* only sal g on le, 10. Vice . It is not intended for ly. It for sa 10. Macavity 25. Napoleon is not intended Simon Lacey* Steiger* Andrew Lloyd Webber/T.S.Eliot* Carl Davis RETRO 11. Fight Song Permission to use any of the tracks on this CD in 4. Hello David Motion & Mark Moore* JAZZ/SWING 26. Arcadiana any audio-visual production must be obtained 11. Enter Achilles Thomas Adès from the owner of the recording right as specified Noonday Underground* 12. Noise Adrian Johnston* 27. Five Bagatelles No.5 within as well as from Faber Music. Faber Music 5. Hitch Your Wagon to the Stars John Rea & Matt Vinyl* 12. Britten’s Blues Carl Vine will assist by providing contact details for Noonday Underground* 13. Do That Shit recording clearances wherever possible. Faber Music Limited t: +44 (0)20 7833 7924 Matt Vinyl* Benjamin Britten 3 Queen Square f: +44 (0)20 7833 7939 13. Summer Hobo London [email protected] 14. Bright Lights, Big City Stan Tracey & John Surman WC1N 3AU www.fabermusicmedia.com John Rea & Matt Vinyl*

*RECORDING RIGHTS CLEARABLE VIA FABER MUSIC

Five Bagatelles No. 5 (Tall Poppies TPO80). Poppies (Tall 5 No. Bagatelles Five 27. 4) 2 72271 5 7243 Classics friend from AIDS. from friend

ac htm n ehiusme n rs-etls.His cross-fertilise. and meet techniques and rhythms dance

Arcadiana (EMI Arcadiana 26. Orchestra) Philharmonic (Royal Napoleon 25. Music) Faber c/o Motion, (David Cirrus 24. (Pathe) Max 23. Ltd) Vampire the of euiu sl pao rc cmeoae te et o a of death the commemorates track piano solo beautiful

ra hr taiinl rhsrl ui ad contemporary and music orchestral traditional where area

Duchess of Argyle, caused a sensation when first performed in 1995. in performed first when sensation a caused Argyle, of Duchess

The Light of the Sun (Shadow Sun the of Light The 22. D101) (NMC Variables Hidden 21. 2) 54270 7 CDS Classics (EMI Folksongs English on Suite 20. 8867) CHAN al s n o Asrlas etkon opsr.This composers. best-known Australia’s of one is Carl

John is a trained classical composer who likes to work in the in work to likes who composer classical trained a is John

, based on the scandal-filled life of the of life scandal-filled the on based , Chamber opera opera Chamber

Powder Her Face Her Powder

Four Cornish Dances (Chandos Dances Cornish Four 19. Orchestra) Philharmonic (Royal Hollywood 18. 326) FILMXCD Screen (Silva Kops Keystone 17. 5) 2 56649 Lights, Big City (John Rea/Matt Vinyl, c/o Faber Music Faber c/o Vinyl, Rea/Matt (John City Big Lights,

(track 27) (track Vine Carl

from which this extract is taken. is extract this which from choral works, including the the including works, choral Mass

(tracks 12–14) (tracks Vinyl Rea/Matt John n o Bians ot usadn cascl opsr i scr.The secure. is composers classical outstanding most Britain’s of one

Powder Her Face (EMI Classics 7243 5 7243 Classics (EMI Face Her Powder 16. Music) Faber c/o Tracey, (Stan Genesis 15. 1) 2 80696 7 0777 Note (Blue Fluke Newk’s 14. 4) 2 Bright 14. Music). Faber c/o Vinyl, (Matt Shit That Do 13. Music). Faber c/o Vinyl, Rea/Matt (John Noise 12. Music) Faber c/o Moore, Motion/Mark

e s lo mc amrd opsr of composer admired much a also is He . Vicar of Dibley of Vicar

operas and several orchestral and other works under his belt, his place as place his Brightbelt, Lightshis Bigunder Cityworks andother Noiseand , for chamberorchestral several orchestra, and operas Anthony Pitts (track 8) Carl Davis (tracks 17, 18 & 25) Summer Hobo (Blue Note 0777 7 89450 7 0777 Note (Blue Hobo Summer 13. DKP(CD)9138) (Unicorn-Kanchana Blues Britten’s 12. Music) Faber c/o Johnston, (Adrian Achilles ih Sn (David Song Fight 11. Music) Faber c/o Rogers, (Simon Vice 10. 09026-63406-2) Seal Red (RCA Cry Battle 9. Music) Faber c/o Lacey,

and and , with many credits including including credits many with The Blackadder Bean Mr He’s also an award-winning wine merchant. wine award-winning an also He’s

xlsv rcrig el y M.Tn er ltr ih two with later, years Ten EMI. by deal recording exclusive

CD1 BIOGRAPHIES soprano, rappers and turntables have been recorded for Aloud… Girls of reminiscent perhaps is track Enter 11. Music) (Faber Macavity 10. SIGCD050) Classics (Signum Canon 9. Music) Faber c/o Pitts, (Anthony Te Adoro 8. 1028) DCA CD (ASV I Would Die For You (Simon You For Die Would I 8. Music) Faber c/o Lacey, (Simon Run Sound The 7.

Anthony has a growing reputation as a composer of deeply- Carl Davis’s list of film and TV credits is as large as it is Music) Faber c/o Underground, (Noonday 1. Part Garden the

Howard is one of Britain’s best-known film and TV composers, TV and film best-known Britain’s of one is Howard nebe n i claoain ih J ak or (D - rc 11). track - 1 (CD Moore Mark DJ with collaboration in and ensemble

aet hl sil n i ery 0,ee big ind o an to signed being even 20s, early his in still while talent

television. John collaborated on these and many other This Moore. Mark DJ with tracks dance creating in extensively

Agnus Dei Agnus 7. SIGCD050) Classics (Signum rêve un Après 6. 19705) (RCM Mysterium Magnum O 5. Music) (Universal Weep Me Let O 4. 60242) Friends of Friends 6. Music) Faber c/o Underground, (Noonday Stars the to Wagon Your Hitch 5. Music) Faber c/o Underground, (Noonday Hello 4.

felt and extraordinarily beautiful choral music. Two discs impressive. He has composed many scores for films Music)

,fr classical for ), commercials, for film (Sally Potter’s acclaimed acclaimed Potter’s (Sally film for commercials,

Orlando

(track 7) (track Trashcan Sinatras (tracks 1 & 2) Goodall Howard ds trce hg ntc a a opsr f prodigious of composer a as notice huge attracted Adès

projects with top Cardiff-based DJ Matt Vinyl. collaborated has 2) Disc on represented (also David

A Little Prayer (RCA RD (RCA Prayer Little A 3. 09026-63406-2) Seal Red (RCA Contact Last 2. 09026-63406-2) Seal Red (RCA Sun Iron the Behind Shadow 1. Shipwrecked (Simon Lacey, c/o Faber c/o Lacey, (Simon Shipwrecked 3. Music) Faber c/o Sinatras, (Trashcan Freetime 2. Music) Faber c/o Sinatras, (Trashcan Weightlifting

by the choir he directs, Tonus Peregrinus, have been including The French Lieutenant’s Woman, Scandal and 1.

f opsto.H hs opsd o cutes TV By countless the for mid-‘90s, this composed Scottish has He band were on composition. theof verge of a

(tracks 16 & 26) & 16 (tracks Adès Thomas (track 11) (track

released on the Naxos label. Mike Leigh’s Topsy-Turvy; for classic TV dramas suchMotion as David Pride and

Switchblade and others), David is a musical chameleon chameleon musical a is David others), and Switchblade

CD2 CD1 here in a choral arrangement by Alex L’Estrange. Alex by arrangement choral a in here RECORDING CREDITS RECORDING

huge career, with three critically-acclaimed albums out on the Prejudice; and landmark documentaries including Hollywood and The CREDITS RECORDING

omry scesu rcr poue (Strawberry producer record successful a Formerly

Go! Discs label and a devoted following, notably in the USA. – composer French this by songs beautiful most the of One

included here are equally fine works. fine equally are here included

Johann Pachelbel (track 9) World at War.label. He has Bedrock also composedDigweed’s John scoreson for albums welltwo over 30released restoredhas Steiger

(track 24) (track

But just as Simon Mayo made their To Sir with Love recordMotion ofDavid the week on

(track 6) (track Fauré Gabriel bt h extracts the but – is the jazz suite suite jazz the is Under Milk Wood Wood Milk Under . series popular BBC’s the and , TV credits including Channel 4’s 4’s Channel including credits TV Hustle

CD2 BIOGRAPHIES classics from the ‘golden age’ of silent film. Track40 15 was composed for the

BBC Radio 1, their label went bust and financial disaster ensued for the Pachelbel’s famous Canon in a new, beautiful choral

a legend of British jazz. Perhaps his best-known composition best-known his Perhaps jazz. British of legend a

arrangement by Alex L’Estrange. comedy Show Recent Peoplecomposer. ,TV madeand in 1928.music dance underground of writer

. music for Sir David Attenborough’s Attenborough’s David Sir for music

band. Now they’re back, withMammals a of new,Life self-financedThe album Weightlifting, Evelyn Glennie (tracks 1-3 & CD 1 - track 9) Pianist, bandleader and composer, Stan Tracey OBE is is OBE Tracey Stan composer, and bandleader Pianist, in writing choral music. choral writing in former member of The Fall, producer for The Lightning Seeds, Lightning The for producer Fall, The of member former

comprising incidental their the of characteristically much and theme well-crafted, the lyricallycomposed also intelligent Dan Film’. andFeature a

popular contemporary American composer, who specialises who composer, American contemporary popular

Percussionist Evelyn Glennie is one of the best-known British Rogers, Simon of personas creative the of one is Steiger

(tracks 13-15) (tracks

Stan Tracey Stan Andrew Lloyd Webber/T.S. Eliot (track 10) Malcolm Arnold (track 19) melodicfor songs.Score ‘Best for Award Novello Ivor 2004 the won Taylor, Noah and Cusack

is one of the best-loved works of this of works best-loved the of one is musicians in the world, touring internationally with her huge Mysterium Magnum O

(track 10) (track

Of all works by this most popular of BritishSteiger classical

tr bsd n h ery ie f ilr n sarn John starring and Hitler of life early the on based story array of instruments and with 16 solo albums on the Taken from the infamous musical Cats, Macavity represents

(track 5) (track Lauridsen Morten

originally set up to publish his music in 1965. in music his publish to up set originally composers of the twentieth century, the Four Cornish

, a film telling a fictional a telling film a , growing rapidly. His score for for score His rapidly. growing

Simon Lacey (tracksMax 3, 7 & 8) BMG/RCA label. She has also composed extensively for film and television Lloyd Webber at his lightest, swingiest and best.

esn ae Msc ae no xsec - h cmay was company the - existence into came Music Faber reason

DancesWeller. are perhapsPaul the Modfather’ most ‘the loved.Arnoldand Martey wasDaisy also famousvocalist include

a’ rptto a a uey aetd im opsr is composer One time film songwriter talented for hugely Great a as Northern Electrics reputation Dan’s and former - including Lynda La Plante’s Trial & Retribution – and has co-written a

gat f 0h etr Biih ui,Bitn a as the also was Britten music, British century 20th of giant A Purcell is regarded by many as one of the greatest of all British composers. British all of greatest the of one as many by regarded is Purcell , and the two Noonday albums, Noonday two the

Surface Noise Surface for his film scores, including BridgeAssembly OverSelf the River Kwai.

(tracks 22–23) (tracks

keyboardist for Echobelly, Simon is now Jones a well-establishedDan number of tracks, including a hit single, with the singer Björk. Tracks 1 and Adrian Johnston (track 11)

). ( Almodóvar’s acclaimed film film acclaimed Almodóvar’s Talk To Her To Talk Ella Con Hable pop/dance sound created by Simon Dine. His collaborators on collaborators His Dine. Simon by created sound pop/dance

(tracks 4, 12 & 20) & 12 4, (tracks

composer for film and TV, with many drama credits as well as 2 come from her album of percussion improvisationsBritten Shadow Benjamin Behind the Adrian is another acclaimed film and TV composer, whose

copne te ac see hc oes Pedro opens which scene dance the accompanies Noonday Underground is not a band so much as a unique retro unique Colina as Matthewsmuch so band a (tracknot is 21) Underground Noonday

entertainment shows such as Channel 4’s Scrapheap ChallengeVariables’. and the‘Hidden in Iron Sun, produced by acclaimed rock producer Michael Brauer. credits include the BBC’s superb dramas Perfect Strangers

This beautiful aria from Purcell’s opera opera Purcell’s from aria beautiful This

The Fairy Queen Fairy The

(tracks 4-6) (tracks Underground Noonday one of his many scores for ballet. for scores many his of one Now in his 50s, Colin is one of Britain’s most revered

BBC quizthan show Comedisplayed Andbetter Have Anowhere Go…ifis Youwriting Think You’reorchestral Smartpowerful Enough. and Shooting the Past, as well as the films Jude,

(track 4) (track Purcell Henry

. This extract comes from comes extract This . and The House of Mirth of House The

Welcome to Sarajevo to Welcome contemporary composers. His dazzlingly virtuosic and

otmoay opsr.Hs azigy itoi and virtuosic dazzlingly His composers. contemporary Henry Purcell (track 4) Welcome to Sarajevo and The House of Mirth. This extract comes from

, films the as well as , and

Jude Past the Shooting . BBC quiz show show quiz BBC Come And Have A Go…if You Think You’re Smart Enough powerfulSmart orchestralYou’re Think writingYou isGo…if nowhereA Have betterAnd displayedCome than

o i hs 0,Cln s n o Bians ot revered Noonday most Britain’s Underground of one is (tracks Colin 50s, 4-6) his in Now This beautiful aria from Purcell’s opera The Fairy Queen one of his many scores for ballet.

credits include the BBC’s superb dramas dramas superb BBC’s the include credits Perfect Strangers Perfect , produced by acclaimed rock producer Michael Brauer. Michael producer rock acclaimed by produced , Iron Sun Iron and the and entertainment shows such as Channel 4’s 4’s Channel as such shows entertainment

in ‘Hidden Variables’. Challenge Scrapheap

(track 21) (track

Noonday Underground is not a band so muchMatthews as aColin unique retro accompanies the dance scene which opens Pedro din s nte acamd im n V opsr whose composer, TV and film acclaimed another is Adrian

2 come from her album of percussion improvisations improvisations percussion of album her from come 2 Shadow Behind the Behind Shadow

pop/dance sound created by Simon Dine. His collaborators on Almodóvar’s acclaimed film Hable Con Ella (Talk To Her). Benjamin Britten (tracks 4, 12 & 20) as well as credits drama many with TV, and film for composer

number of tracks, including a hit single, with the singer Björk. Tracks 1 and 1 Tracks Björk. singer the with single, hit a including tracks, of number ebads fr coel,Smn s o a well-established a now is Simon Echobelly, for keyboardist

(track 11) (track

Adrian Johnston Adrian Dan Jones (tracks 22–23)

. for his film scores, including including scores, film his for

the two NoondayKwai River albums,the SelfOver AssemblyBridge and Surface Noise, Purcell is regarded by many as one of the greatest of all British composers. A giant of 20th century British music, Britten was also the

– and has co-written a co-written has and – - including Lynda La Plante’s La Lynda including - Trial & Retribution & Trial

One time songwriter for Great Northern Electrics and former and Dan’s reputationElectrics Northern as aGreat hugelyfor talentedsongwriter filmtime One composer is

are perhaps the most loved.Arnold was also famous also was loved.Arnold most the perhaps are

include vocalist Daisy Martey and ‘the Modfather’ Paul Weller. Dances reason Faber Music came into existence - the company was

BMG/RCA label. She has also composed extensively for film and television and film for extensively composed also has She label. BMG/RCA

(tracks 3, 7 & 8) & 7 3, (tracks Lacey Simon

Lloyd Webber at his lightest, swingiest and best. and swingiest lightest, his at Webber Lloyd growing rapidly. His score for Max, a film telling a fictional

composers of the twentieth century, the the century, twentieth the of composers

Four Cornish Four Morten Lauridsen (track 5) originally set up to publish his music in 1965. ra o isrmns n wt 1 sl abm o the on albums solo 16 with and instruments of array

, Macavity represents Macavity , musical infamous the from Taken

Cats story based on the early life of Hitler and starring John

f l wrs y hs ot oua o Biih classical Steiger British of (track popular 10) most this by works all Of

O Magnum Mysterium is one of the best-loved works of this huge her with internationally touring world, the in musicians

Cusack and Noah Taylor, won the 2004 Ivor Novello Award for ‘Best Scoresongs. for melodic

(track 10) (track Eliot Webber/T.S. Lloyd Andrew

(track 19) (track Malcolm Arnold Malcolm Stan Tracey (tracks 13-15) Steiger is one of the creative personas of Simon Rogers, popular contemporary American composer, who specialises British best-known the of one is Glennie Evelyn Percussionist a Feature and Film’. Dan intelligent also composed lyrically the well-crafted, theme and much characteristically of the their incidental comprising

former member of The Fall, producer for The Lightning Seeds, in writing choral music. Pianist, bandleader and composer, Stan Tracey OBE is (tracks 1-3 & CD 1 - track 9) track - 1 CD & 1-3 (tracks Glennie Evelyn , band. Now they’re back, with a new, self-financed album album self-financed new, a with back, they’re Now band.

music for Sir DavidWeightlifting Attenborough’s The Life of Mammals.

arrangement by Alex L’Estrange. Alex by arrangement

, made in 1928. in made , comedy comedy

writer of underground dance music and TV composer.People RecentShow a legend of British jazz. Perhaps his best-known composition

BBC Radio 1, their label went bust and financial disaster ensued for the for ensued disaster financial and bust went label their 1, Radio BBC

n nw euiu choral beautiful new, a in famous Pachelbel’s Canon

CD2

classics from the ‘golden age’ of silent film. Track 15 was composed for the for composed was 15 Track film. silent of age’ ‘golden the from classics

TV credits including Channel 4’s 40, and the BBC’s popular series Hustle. Gabriel Fauré (track 6) is the jazz suite Under Milk Wood – but the BIOGRAPHIES extracts

record of the week on week the of record But just as Simon Mayo made their their made Mayo Simon as just But

David MotionLove (trackwith Sir 24)To

(track 9) (track Pachelbel Johann

e a as cmoe soe fr el vr 0 restored 30 over well for scores composed also has He . Steiger has released two albums on John Digweed’s Bedrock label.War at World included here are equally fine works.

One of the most beautiful songs by this French composer – USA. the in Formerly notably a successfulfollowing, devoted a recordand producerlabel Discs Go! (Strawberry

and and including documentaries landmark and ; The Hollywood Prejudice

CD1 RECORDING CREDITS here in a choral arrangement by Alex L’Estrange. the on out Switchbladealbums and others),critically-acclaimed Davidthree is with a musicalcareer, huge chameleon CD2 RECORDING CREDITS

; for classic TV dramas such as as such dramas TV classic for ; Mike Leigh’s Leigh’s Mike label. Naxos the on released Pride and Pride

David Motion (track 11) Topsy-Turvy Thomas Adès (tracks 16 & 26)

By the mid-‘90s, this Scottish band were on the verge of a of verge ofthe composition.on were band He hasScottish composed this mid-‘90s, forthe countlessBy TV

and , been have , including including directs, he choir the by Scandal Woman Lieutenant’s French The

1. Weightlifting (Trashcan Sinatras, c/o Faber Music) 2. Freetime (Trashcan Sinatras, c/o Faber Music) 3. Shipwrecked (Simon Lacey, c/o Faber Peregrinus Tonus 1. Shadow Behind the Iron Sun (RCA Red Seal 09026-63406-2) 2. Last Contact (RCA Red Seal 09026-63406-2) 3. A Little Prayer (RCA RD

David (also represented on Disc 2) has collaborated Adès attractedVinyl. Matt hugeDJ notice asCardiff-based atop composerwith ofprojects prodigious

(tracks 1 & 2) & 1 (tracks Howard Goodall (track 7) commercials, for film (Sally Potter’s acclaimed Sinatras Orlando ),Trashcan for classical

mrsie e a cmoe mn soe fr films for scores many composed has He impressive.

Music) 4. Hello (Noonday Underground, c/o Faber Music) 5. Hitch Your Wagon to the Stars (Noonday Underground, c/o Faber Music) 6. Friends of discs Two music. choral beautiful extraordinarily and felt 60242) 4. O Let Me Weep (Universal Music) 5. O Magnum Mysterium (RCM 19705) 6. Après un rêve (Signum Classics SIGCD050) 7. Agnus Dei

extensively in creating dance tracks with DJ Mark Moore. This Howard is one of Britain’s best-known film and TV composers, other many talent and while these still on in his early 20s, collaborated even John being signedtelevision. to an ensemble and in collaboration with DJ Mark Moore (CD 1 - track 11).

al ai’ ls o fl adT ceis s s ag a i is it as large as is credits TV and film of list Davis’s Carl the Garden Part 1. (Noonday Underground, c/o Faber Music) 7. The Sound Run (Simon Lacey, c/o Faber Music) 8. I Would Die For You (Simon deeply- of composer a as reputation growing a has Anthony (ASV CD DCA 1028) 8. Adoro Te (Anthony Pitts, c/o Faber Music) 9. Canon (Signum Classics SIGCD050) 10. Macavity (Faber Music) 11. Enter CD1 orn,rpes n trtbe hv be rcre for recorded been have turntables and rappers soprano, track is perhaps reminiscent of Girls Aloud… exclusive recording deal by EMI. Ten years later, with two BIOGRAPHIES

Lacey, c/o Faber Music) 9. Battle Cry (RCA Red Seal 09026-63406-2) 10. Vice (Simon Rogers, c/o Faber Music) 11. Fight Song (David with many credits including Mr Bean, Blackadder and The He’s also an award-winning wine merchant. Achilles (Adrian Johnston, c/o Faber Music) 12. Britten’s Blues (Unicorn-Kanchana DKP(CD)9138) 13. Summer Hobo (Blue Note 0777 7 89450 (tracks 17, 18 & 25) & 18 17, (tracks Davis Carl 8) (track Pitts Anthony

o cabr orchestra, chamber for , and Noise Vicar of Dibley. He is also a much admired composer of operas and several orchestral and other worksCity underBig hisLights belt,Bright his place as Motion/Mark Moore, c/o Faber Music) 12. Noise (John Rea/Matt Vinyl, c/o Faber Music). 13. Do That Shit (Matt Vinyl, c/o Faber Music). 14. Bright John Rea/Matt Vinyl (tracks 12–14) one of Britain’s most outstanding classical composers is secure. The 2 4) 14. Newk’s Fluke (Blue Note 0777 7 80696 2 1) 15. Genesis (Stan Tracey, c/o Faber Music) 16. Powder Her Face (EMI Classics 7243 5 Lights, Big City (John Rea/Matt Vinyl, c/o Faber Music choral works, including the Mass from which this extract is taken. Carl Vine (track 27) 56649 2 5) 17. Keystone Kops (Silva Screen FILMXCD 326) 18. Hollywood (Royal Philharmonic Orchestra) 19. Four Cornish Dances (Chandos John is a trained classical composer who likes to work in the Chamber opera Powder Her Face, based on the scandal-filled life of the Duchess of Argyle, caused a sensation when first performed in 1995. Carl is one of Australia’s best-known composers. This CHAN 8867) 20. Suite on English Folksongs (EMI Classics CDS 7 54270 2) 21. Hidden Variables (NMC D101) 22. The Light of the Sun (Shadow area where traditional orchestral music and contemporary beautiful solo piano track commemorates the death of a of the Vampire Ltd) 23. Max (Pathe) 24. Cirrus (David Motion, c/o Faber Music) 25. Napoleon (Royal Philharmonic Orchestra) 26. Arcadiana (EMI

dance rhythms and techniques meet and cross-fertilise. His friend from AIDS. Classics 7243 5 72271 2 4) 27. Five Bagatelles No. 5 (Tall Poppies TPO80).

*RECORDING RIGHTS CLEARABLE VIA FABER MUSIC FABER VIA CLEARABLE RIGHTS *RECORDING

WC1N 3AU WC1N www.fabermusicmedia.com Stan Tracey & John Surman John & Tracey Stan John Rea & Matt Vinyl* Matt & Rea John

London London [email protected] 13. Summer Hobo Summer 13. 14. Bright Lights, Big City Big Lights, Bright 14.

3 Queen Square Queen 3 f: +44 (0)20 7833 7939 7833 (0)20 +44 f:

Benjamin Britten Benjamin Matt Vinyl* Matt

Faber Music Limited Music Faber t: +44 (0)20 7833 7924 7833 (0)20 +44 t:

recording clearances wherever possible. wherever clearances recording

12. Britten’s Blues Britten’s 12. Carl Vine Carl 13. Do That Shit That Do 13. Noonday Underground* Noonday

il sit y rvdn cnat eal for details contact providing by assist will

27. Five Bagatelles No.5 Bagatelles Five 27. Adrian Johnston* Adrian 5. Hitch Your Wagon to the Stars the to Wagon Your Hitch 5. John Rea & Matt Vinyl* Matt & Rea John within as well as from Faber Music. Faber Music Faber Music. Faber from as well as within

from the owner of the recording right as specified as right recording the of owner the from

11. Enter Achilles Enter 11. Thomas Adès Thomas 2 Noise 12. Noonday Underground* Noonday

n adovsa pouto ms b obtained be must production audio-visual any

JAZZ/SWING 6 Arcadiana 26. .Hello 4. David Motion & Mark Moore* Mark & Motion David

Permission to use any of the tracks on this CD in CD this on tracks the of any use to Permission

RETRO Carl Davis Carl 11. Fight Song Fight 11.

Andrew Lloyd Webber/T.S.Eliot* Lloyd Andrew

5 Napoleon 25.

Steiger*

0 Macavity 10.

Simon Lacey* Simon

e t

d n

d i

i t

e t t

n o

I o d n

r .

d i

s l I o

r . n

o s l

David Motion* David ,

0 Vice 10.

g i

n d

.Shipwrecked 3. Pachelbel arr. L’Estrange arr. Pachelbel

p e

r e

p e

4 Cirrus 24.

f Evelyn Glennie Evelyn

.Canon 9.

Trashcan Sinatras* Trashcan

m r

TRACKS AVAILABLE FOR LICENSING FOR AVAILABLE TRACKS

a a

TRACKS AVAILABLE FOR LICENSING FOR AVAILABLE TRACKS

a n

n c

n Dan Jones Dan

9. Battle Cry Battle 9. Ears Images For Your

e c

Images For Your Ears Your For Images

o .Freetime 2. o Anthony Pitts* Anthony

b e

r d

DANCE/HIP-HOP

23. Max ‘Selling Hitler’ ‘Selling Max 23.

a r

8. Adoro Te Adoro 8.

s Trashcan Sinatras* Trashcan

i d

c D

s Dan Jones Dan

s C t

s Howard Goodall Howard

.Weightlifing 1. i

Simon Lacey* Simon t

i n

h g

g . T

. Sun the of Light The 22. T

CONTEMPORARY/ROCK 7. Agnus Dei Agnus 7.

8. I Would Die for You for Die Would I 8. TO JAZZ TO ROCK

TO JAZZ TO ROCK

2 CLASSICAL TO RETRO 1 2 Matthews Colin

CLASSICAL TO RETRO

Faure arr. L’Estrange arr. Faure Simon Lacey* Simon

21. Hidden Variables Hidden 21.

6. Après un rêve un Après 6. 7. The Sound Run Sound The 7.

CD CD

TO ROCK TO CD

Benjamin Britten Benjamin

Morten Lauridsen Morten

Noonday Underground* Noonday 1

20. Suite on English Folksongs English on Suite 20.

RETRO CD 5. O Magnum Mysterium Magnum O 5. .Finso h adn t 1 Pt. Garden, the of Friends 6.

Malcolm Arnold Malcolm

2CD ATMOSPHERIC BED ATMOSPHERIC Purcell arr. Benjamin Britten & Imogen Holst Imogen & Britten Benjamin arr. Purcell 2CD

19. Four Cornish Dances Cornish Four 19.

4. O Let Me Weep Me Let O 4.

Carl Davis Carl VOCAL/CHORAL

8 Hollywood 18.

Evelyn Glennie Evelyn

CLASSICAL/ORCHESTRAL

3. A Little Prayer Little A 3.

[email protected] email:

Carl Davis Carl

Evelyn Glennie Evelyn

020 7833 7924 7833 020 Tel:

17. Keystone Kops Keystone 17. 2. Last Contact Last 2.

Chantal Santhiapillai Chantal Thomas Adès Thomas

Evelyn Glennie Evelyn

16. Powder Her Face Her Powder 16.

1. Shadow Behind the Iron Sun Iron the Behind Shadow 1.

For further information, or to obtain a licence to use any of these tracks, please contact: please tracks, these of any use to licence a obtain to or information, further For

COMEDY/QUIRKY

PERCUSSION

Stan Tracey* Stan hip hop, that we consider suitable for use in film, TV and commercial advertising. commercial and TV film, in use for suitable consider we that hop, hip

TO JAZZ TO

5 Genesis 15. 2

This CD presents a selection of outstanding tracks, varying in style from classical to swing, rock to rock swing, to classical from style in varying tracks, outstanding of selection a presents CD This

CD CLASSICAL

Stan Tracey Stan

INTRODUCTION 14. Newk’s Fluke Newk’s 14. DW CRE8TIVE - PORTFOLIO PACKAGING DESIGN: DAVE WARDEN. ORIGINAL BISCUIT RECORD CONCEPT: PROJECT DARK. CATS IMAGE © 1998 Really Useful Films Ltd. CLIENT: FABER MUSIC Dance CD

For any information on the MATTHEW HINDSON GEORGE BENJAMIN composers represented on this 1. Speed (opening) 2:51 21. At First Light 1:33 Rhyth Movement 2. Plastic Jubilation (opening of No 2) 4:01 disc, further recordings of their 3. ‘Lament’ from In Memoriam 2:36 OLIVER KNUSSEN music and enquiries relating to 22. ‘Notre Dame des Jouets’ fees, please contact: EVELYN GLENNIE from Two Organa 1:34 4. Battle Cry 1:09 Tim Brooke 5. Shadow Behind the Iron Sun 2:48 MATT VINYL Promotion Dept 23. Vissi d’Arte 2:37 MICHAEL DAUGHERTY Faber Music Ltd 2

6. Elvis Everywhere 2:37 MALCOLM ARNOLD 3 Queen Square DANCECONTEMPORARY,FOR CLASSICAL, MUSIC : EDGE CUTTING 7. ‘Lex’ from Metropolis Symphony 2:50 24. ‘Finale’ from Concerto for Two Pianos London WC1N 3AU (Three Hands) 3:13 Tel: +44 20 7833 7910/1/2 DAN JONES 8. Death Train 2:55 JOHN WOOLRICH Fax: +44 20 7833 7939 25. Ulysses Awakes 2:21 E-mail: [email protected] DAVID MOTION Online: www.fabermusic.com 9. Idle Green 2:21 JONATHAN HARVEY 10. Chamber Music IV 2:00 26. Come Holy Ghost 2:08 USA/Canada: CARL VINE ADRIAN JOHNSTON Boosey & Hawkes Inc 11. String Quartet No 3 3:09 27. ‘Support Dance’ from Enter Achilles 1:56 35 East 21st Street 12. Inner World 2:06 New York JULIAN ANDERSON NY 10010-6212 JOHN REA 28. Poetry Nearing Silence 1:34 13. Breakbeat 2:47 Tel: (212) 358 5300 RhythMovement 2 NICHOLAS MAW Fax: (212) 358 5306 CARL DAVIS 29. Ghost Dances 1:43 E-mail: [email protected] MUSIC FOR DANCE: CLASSICAL, CONTEMPORARY, CUTTING EDGE 14. ‘Street Scene’ from A Simple Man 2:17 15. ‘The Preview’ from Show People 2:26 COLIN MATTHEWS 30. Broken Symmetry 2:11 PETER SCULTHORPE 16. ‘A Church Gathering’ from SIMON LACEY My Country Childhood 2:41 31. I Would Die for You 2:07 17. Kakadu 2:50 DAVID MATTHEWS The owners of the recordings used on this CD are THOMAS ADÈS 32. Chaconne 1:09 specified after the title of each track. For details of 18. ‘O Albion’ from Arcadiana 2:23 how to obtain permission to perform to this music BENJAMIN BRITTEN see “Further Listening” inside the booklet. This CD is STAN TRACEY 33. ‘Nocturne’ from Sonatina Romantica 4:10 a demonstration recording only. It is not intended for 19. Newk’s Fluke 2:12 sale, public performance or broadcasting. Cover image from Ballett Schindowski's "Veitstanz", PURCELL/BRITTEN music by Matthew Hindson, choreography by Bernd Schindowski (credit: Majer-Finkes). 20. ‘O Let Me Weep’ from The Fairy Queen 2:08 Design by Dave Warden. FM313-Dance-16ppBooklet 10/6/04 2:39 pm Page 4

David Motion Carl Vine John Rea Carl Davis (b.1959, Hamburg, Germany) (b.1954, Perth, Australia) (b.1964, Cardiff, Wales) (b.1936, New York City, USA)

Performed and recorded as a member of the techno One of Australia’s most gifted composers with some He is a multi-instrumentalist and highly-skilled A consummate all-round musician, Davis has been pop band Home Service. Later established successful twenty compositions for dance, six symphonies and orchestrator, with a deep interest in contemporary immensely successful composing music for dance career as a recording engineer and producer. numerous other works for orchestra and chamber dance and electronic music. He runs his own digital (including A Simple Man, A Christmas Carol, Lippizaner, Alice in Wonderland, Savoy Suite and Aladdin), film Between 1984 and 1991 he produced singles and and instrumental groups. He has also written scores 16-track recording studio in Cardiff. Enjoys working (including The French Lieutenant’s Woman) and TV albums for such artists as Strawberry Switchblade, for film, theatre and electronics. His music is widely in the grey area where classical, jazz and pop styles (including the BBC’s Pride and Prejudice). His Red Box, Carmel, Black, Win and Tom Robinson, recorded on such labels as ABC Classics, Tall Poppies and techniques meet and cross-fertilise, and can DAVID contribution to Gance’s epic silent film Napoléon JOHN MOTION together with Japanese artists Chara, Toshihiko and BMG. His choral ballet Mythologia was premiered turn his hand to anything from traditionally-scored REA triggered a huge revival in silent movies. Davis has Takamizawa and Mimori Yusa. He has composed at the Sydney Olympics Arts Festival immediately prior orchestral music to hardcore Jungle. This is mirrored now written over forty scores for the medium, including music for picture, including the score for Sally Potter’s to the 2000 Sydney Games. Artistic Director of Musica in a recent work, Bright Lights Big City for string Ben-Hur, The Phantom of the Opera, The General and acclaimed Orlando. He is also one of Britain’s most Viva Australia since 2000. Pipe Dreams for flute and orchestra, piano, rap artist, operatic soprano, the celebrated Chaplin ‘Mutuals’. He has also written successful composers for commercial advertising, strings was premiered by Emmanuel Pahud and the turntables and samplers, featured on an S4C many concert works including suites, chamber, choral creating music for many worldwide campaigns by Australian Chamber Orchestra in 2003 and toured to programme dedicated to John. His eclectic interests and instrumental music and opera. He collaborated major corporations. In 2000 he collaborated with Europe. His much-lauded composition for cello and inform his film and TV work, and as a result he has with Sir Paul McCartney on the immensely popular percussion virtuoso Evelyn Glennie (see above) on electronics, Inner World, was recorded by Steven become much sought-after for high quality Liverpool Oratorio. At the helm of Leeds Castle pops her BMG album, Shadow Behind the Iron Sun. Isserlis on the BMG disc ‘Cello World’. In June 2004, documentary work, including a variety of natural concerts since 1983 and Artistic Director of RLPO’s Produced by rock producer Michael Brauer, this Isserlis will premiere Vine’s new Cello Concerto, with history programmes. Recent drama credits include Pops series from 1993. Diversified into radio with comprises an astonishing series of percussion the Sydney SO. Scottish TV’s feature-length The Last Musketeer, own show on BBC Radio 2 in 1997, and a number of improvisations by Evelyn, for which David provided starring Robson Green, and Life & Debt for HTV. further series followed. textural accompaniments and contexts. Recently Dance credits: Poppy (1978 - Sydney Dance His score for BBC Wales’s David was nominated for co-composed with Glennie on the soundtrack for Co/ch.Graeme Murphy); Scene Shift (1979 - London a Welsh BAFTA Award for ‘Best Music’. Dance credits include: David & Goliath (1975 - “Freedom Machines” for PBS in the USA. Has an Contemporary Dance Theatre/ch.Micha Bergese); London Contemporary Dance Theatre/ch.Wayne Sleep ongoing Dance Music collaboration in “New Electro” Legend (1988 - West Australian Ballet Co/ch. Jacqui Dance credits: Cyrff Ystwyth (1994 – Cyrff Ystwyth, & Robert North); Madly, Badly, Sadly, Gladly (1976 – style as Ultraviva with DJ Mark Moore (formerly of Carroll); Beauty and the Beast (1993 – Sydney BAFTA winner); Furious Asylum (1998 – Carlson LCDT/ch.Robert North & Lynn Seymour); Dances of S-Express), whilst his Twin Towers for strings was Dance Co/ch.Graeme Murphy); The Tempest (1993 - Dance Co/ch.Emma Carlson); Iddo Ef (1995 – Mark Love & Death (1981 – LCDT/ch.Robert Cohan); The premiered on Classic FM radio in 2003, on the Queensland Ballet Co/ch.Jacqui Carroll); Mythologia Rhys/ch.Mark Rhys); Too Old to Dream (2000 – Picture of Dorian Gray (1987 - Sadlers Wells Royal anniversary of 9/11. (2000 – Sydney Dance Co/ch.Graeme Murphy); Earthfall Dance Co/ch.Jim Ennis) Ballet/ch.Derek Deane); A Simple Man - Northern Inner World (2002 - The Royal Ballet (Cathy Marston) Ballet Theatre/ch.Gillian Lynne; A Christmas Carol – CARL CARL VINE NBT/ch.Massimo Moricone; Liaisons Amoureuses DAVIS (1989 – NBT/ch.Ronald Hynd); Lippizaner (1989 – NBT/ch.Gillian Lynne); Savoy Suite (1993 - English National Ballet/ch.Wayne Sleep); Alice in Wonderland (1995 – ENB/ch.Derek Deane); Aladdin (2001 – Scottish Ballet/ch.Robert Cohan); Pride & Prejudice (2002 - Ballet Central/ch.Cathy Marston)

04 RhythMovement2 MUSIC FOR DANCE: CLASSICAL, CONTEMPORARY, CUTTING EDGE 05

DW CRE8TIVE - PORTFOLIO CLIENT: FABER MUSIC PROFILES

DW CRE8TIVE - PORTFOLIO CLIENT: FABER MUSIC Music for everyone catalogues ROCK & INDIE ROCK & INDIE NIRVANA The Complete Chord Songbook RUSH Authentic Playalong 0-571-52989-5 | £16.99 0-571-53241-1 | Guitar | £15.99 The only Chord Songbook collection of the all-time iconic heroes’ songs you’ll ever 0-571-53242-X | Bass | £15.99 need! This ultimate chord songbook is complete and comprehensive, containing 0-571-53243-8 | Drums | £15.99 every song written and recorded by the Kings of Grunge. All the songs are arranged Containing six great songs from the early years of Rush, this book includes a for guitar and voice with full lyrics, chords and strumming patterns. specially recorded sound-alike CD with full performance demonstrations by Tom About A Girl; Aero Zeppelin; Ain’t It A Shame; Aneurysm; Anorexorcist; All Apologies Fleming, and backing tracks to play and sing along to. Transcribed from the original Beans; Been A Son; Beeswax; Big Cheese; Big Long Now; Blandest; Blew; Breed; recordings for guitar in standard notation and tabulature, with melody lines and Clean Up Before She Comes; Come As You Are; Curmudgeon; D7; Dive; Do-Re-Mi; chord symbols. Don’t Want It All; Downer; Drain You; Dumb; Endless, Nameless; Even In His Youth; Anthem; Closer To The Heart; The Spirit Of Radio; The Temples Of Syrinx; Tom Floyd The Barber; Frances Farmer Will Have Her Revenge On Seattle; Gallons Of Sawyer; YYZ. Rubbing Alcohol Flow Through The Strip; Grey Goose; Hairspray Queen; Heart- shaped Box; Heartbreaker; Help Me I’m Hungry; Here She Comes Now; I Hate Myself And Want To Die; If You Must; In Bloom; Intro; Jesus Doesn’t Want Me For A Sunbeam; Lake Of Fire; Lithium;Lounge Act; Love Buzz; The Man Who Sold The THE GUITAR RIFFTIONARY ACOUSTIC World; Marigold; Mexican Seafood; Milk It; Moist Vagina; Molly’s Lips; Mr. Moustache; 0-571-53375-2 | Chord Songbook | £12.99 FREE Mrs. Butterworth; Negative Creep; (New Wave) Polly; Oh, Me; Oh The Guilt; Old Age; The Acoustic Rifftionary is quite simply the most essential book ever published for On A Plain; Opinion; The Other Improv; Paper Cuts; Pay To Play; Pen Cap Chew; acoustic guitarists. Each riff is notated in either guitar TAB or chord box format, ISSUE 64 Pennyroyal tea; Plateau; Polly; Radio Friendly Unit Shifter; Rape Me; Raunchola/Moby so there’s no need to read music. Tuning and capo information is also included Dick; Return Of The Rat; Sappy; Scentless Apprentice; School; Scoff; Serve The SPRING 2010 where appropriate. Servants; Sifting; Sliver; Smells Like Teen Spirit;Something In The Way; Son Of A Gun; Spank Thru; Stain; Stay Away; Swap Meet; Territorial Pissings; They Hung Him On A All Along The Watchtower (Bob Dylan); Angie (Rolling Stones); Anji (Simon & Cross; Token Eastern Song; Tourette’s; Turnaround; Where Did You Sleep Last Night?; Garfunkel); Astral Weeks (Van Morrison); August Day Song (Bebel Gilberto); Behind ISSUE 59 White Lace And Strange; Verse Chorus Verse; Very Ape; You Know You’re Right. Blue Eyes (The Who); Bette Davis Eyes (acoustic) (Kim Carnes); Burnin’ Down The Mountain (Steve Vai); Cannonball (Damien Rice); Casimir Pulaski Day (Sufjan Stevens); Children Of The Sea (Black Sabbath); The Circle Game (Joni Mitchell); Cold Wind (Arcade Fire); Crazy (Ray Lamontagne); Crosses (Jose Gonzales); The QUEEN Absolute Greatest Daily Planet (Love); Dear God (XTC); Diamonds And Rust (Joan Baez); Down To Zero (Joan Armatrading); Dust In The Wind (Kansas); The Everthere (Elbow); Everybody 0-571-53162-8 | Piano/Vocal/Guitar | £16.99 Hurts (REM); Exit Music (For A Film) (Radiohead); A Farewell To Kings (Rush); Fast ARTIST-APPROVED DELUXE EDITION: Queen remain one of the most enduringly Car (Tracy Chapman); The First Time Ever I Saw Your Face (Bert Jansch); M4E popular rock bands of all time. The 2009 release Absolute Greatest contains 20 Fotheringay (Fairport Convention); Good Riddance (Time Of Your Life) (Green Day); songs all digitally remastered and includes such classics as We Will Rock You, Happy Meeting In Glory (Davey Graham); Harvest For The World (The Isley Brothers); MUSIC FOR EVERYONE Bohemian Rhapsody, Don’t Stop Me Now, Killer Queen and We Are The Champions. Helplessly Hoping (Crosby, Stills & Nash); Hey There Delilah (Plain White T’s); MUSIC FOR This artist-approved deluxe edition songbook has all twenty songs authentically Holding Back The Years (acoustic) (Simply Red); Hotel California (unplugged) SHEET MUSIC, MUSIC BOOKS AND MORE transcribed for piano, with melody lines and guitar chords. (Eagles); In The Land Of Grey And Pink (Caravan); Iris (Goo Goo Dolls); Itchycoo We Will Rock You; We Are The Champions; Radio Ga Ga; Another One Bites The Park (Small Faces); Jolene (Dolly Parton); Late Night Radio (David Gray); Layla Dust; I Want It All; Crazy Little Thing Called Love; A Kind Of Magic; Under Pressure; (unplugged) (Eric Clapton); Legend Of Xanadu (Dave Dee, Dozy, Beaky, Mick & One Vision; You’re My Best Friend; Don;t Stop Me Now; Killer Queen; These Are The Tich); Life By The Drop (Stevie Ray Vaughan & Double Trouble); and many more... EVERYONE Days Of Our Lives; Who Wants To Live Forever; The Seven Seas of Ryhe; Heaven For Everyone; Somebody To Love; I Want To Break Free; The Show Must Go On; Bohemian Rhapsody. Also Available: THE ULTIMATE GUITAR TUTOR Rock (+CD) 0-571-53369-8 | £9.99 SHEET MUSIC, MUSIC BOOKS, DVDS AND MORE 0-571-53169-5 Queen Greatest Hits Volume 1 GTAB £18.99 The latest in the successful Ultimate Guitar Tutor series, featuring classic songs by 0-571-52828-7 Queen Greatest Hits Volume 1 PVG £16.99 legendary artists Nirvana, Green Day, Blur, The Who, Black Sabbath and AC/DC, along with original pieces by author Tom Fleming. All songs and pieces are arranged progressively, in a thorough introduction to TAB and standard notation RADIOHEAD Piano Songbook formats. Includes hints and tips to aid learning, and an accompanying CD of high- quality backing tracks. 0-571-53448-1 | Piano/Vocal/Guitar | £15.99 Rock Star (Nickelback); Lithium (Nirvana); Song 2 (Blur); American Idiot (Green Day); 24 of Radiohead’s best known and piano songs, accurately transcribed from the Back In Black (AC/DC); I’ll Stand By You (The Pretenders); Paranoid (Black Sabbath); original recordings. Smoke On The Water (Deep Purple); Live And Let Die (McCartney); Sunshine Of Your All I Need; Everything In Its Right Place; Exit Music (For A Film); Fake PlasticTrees; Love (Cream); Rock Around The Clock (Bill Haley); Can’t Explain (The Who); Show Fog Again (live); High And Dry; How I Made My Millions; I Want None Of This; Karma Me The Cash; Criminality; Southern Style; The Sun Is Gone; Falling; Still The Best Police; Life In A Glasshouse; Like Spinning Plates; Lucky; Motion Picture Soundtrack; (Tom Fleming). My Iron Lung; No Surprises; A Punch Up At A Wedding; Pyramid Song; Sail To The Also Available: Moon; Sit Down. Stand Up; Subterranean Homesick Alien; Street Spirit (Fade Out); Videotape; We Suck Young Blood; A Wolf At The Door. 0-571-52765-5 The Ultimate Guitar Tutor Book/CD £9.99 0-571-53098-2 The Ultimate Guitar Tutor: Playlist Book/CD £9.99

4 5

All the latest releases: Personality albums - new releases MUSIC FOR sheet music, music books, song folios, DVDs, tutors and MADONNA Confessions on a dance floor EVERYONE ISBN: 0-571-52582-2 | Piano/Vocal/Guitar Album Songbook | £13.95/€19.95 music for schools. The queen of pop reclaims her crown and returns to her roots with this dance tour- de-force. Described by Madge as “all about having a good time straight through and non-stop” this energetic dancefest resurrects the glory days of disco and ranks alongside anything she made in her chart-conquering heyday. Includes the Abba- Personality albums - featured release sampling smash hit Hung up. This songbook features all the tracks arranged for piano, voice and guitar with additional colour artwork of this year’s Brit awarded “Best International Female”. ARCTIC MONKEYS Hung up; Get together; Sorry; Future lovers; I love New York; Let it will be; Forbidden Whatever people say I am, love; Jump; How high; Isaac; Push; Like it or not that’s what I’m not ★Brit Award Winner BEST INTERNATIONAL FEMALE ISBN: 0-571-52556-3 | Voice/Guitar Tab/Bass Tab Album Songbook £17.95/€26.95 The accompanying songbook to the most anticipated debut ENYA Amarantine album of 2006! Following their meteoric crash straight to No. ISBN: 0-571-52533-4 | Piano/Vocal/Guitar Album Songbook | £13.95/ €19.95 1 with their debut single I bet you look good on the dancefloor, Ireland’s best-selling vocalist has been enchanting listeners with her distinctive the album followed suit, surpassing even The Beatles as the blend of new age and Celtic sounds since her 1988 Watermark album. fastest-selling debut album ever! This eagerly anticipated album, her first in five years, still carries all the hallmarks of Perfectly soundtracking the times, the album is a melting pot her sound, with evocative Celtic overtones, richly layered vocals, symphonic of jerky and angular guitar riffs and frenetic beats, ala Franz arrangements and lush soundscapes. The result is Enya’s most accomplished work ★Brit Award Winner ★NME Award Winner Ferdinand, whilst remaining fresh and innovative with gnarled to date. Recreate her unique soundworld with this songbook, featuring all the songs poetics and insightful lyrical humour. But whatever we say in authentic arrangements for piano, voice and guitar. they are ... that’s what they’re not! BEST BRITISH BEST NEW BAND Less than a pearl; Amarantine; It’s in the rain; If I could be where you are; The river Recently picking up a Brit for “British Breakthrough Act” plus sings; Long long journey; Sumiregusa (Wild Violet); Someone said goodbye; A three NME awards, this is already destined to be the album of moment lost; Drifting; Amid the falling snow; Water shows the hidden heart 2006! This songbook features transcriptions of every track for BREAKTHROUGH ACT BEST GROUP voice, guitar tab and bass tab plus 8 pages of photographs including exclusive live pictures of the band. The view from the afternoon; I bet you look good on the GOLDFRAPP Supernature BEST TRACK dancefloor; Fake tales of San Francisco; Dancing shoes; You ISBN: 0-571-52488-5 | Piano/Vocal/Guitar Album Songbook | £14.95/€21.95 probably couldn’t see for the lights but you were staring straight ★Brit Award Winner BEST BRITISH BREAKTHROUGH ACT Sex, subversion, style, humour and of course, songs – pop music’s greatest at me; Still take you home; Riot van; Red light indicates doors components. Through pioneering electronics, crystalline vocals, visual theatrics and ★NME Award Wiknner are secured; Mardy bum; Perhaps vampires is a bit strong but; glam-sex and decadence, Goldfrapp have moved through the ambient shadows INSIDE BEST NEW BAND When the sun goes down; From the Ritz to the rubble; BEST GROUP into the technicolour thrill of British pop music. A certain romance BEST TRACK ROCK & INDIE...... PAGE 2 JAZZ & BLUES ...... PAGE 16 Ooh la la; Lovely 2 c u; Ride a white horse; More; You never know; Let it take you; POP ...... PAGE 7 SHOWS & FILM...... PAGE 20 Slide in; Koko; Satin chic; Time out from the world; Number 1 INSIDE: ARCTIC MONKEYS MADONNA KATE BUSH GOLDFRAPP If you like this, why not try ….. 6 OF THE BEST...... PAGE 14 UKULELE ...... PAGE 22 THE STROKES GREEN DAY KASABIAN THE MAGIC NUMBERS BABYSHAMBLES Down in Albion HARRY POTTER DVDS AND MORE... ISBN: 0-571-52507-5 | Guitar Tab Album Songbook | £16.95/€24.95 BARBRA STREISAND Guilty too THE LIBERTINES The Libertines ISBN: 0-571-52592-X | Piano/Vocal/Guitar Album Songbook | £13.95/€19.95 ISBN: 1-84328-786-2 | Guitar Tab Album Songbook | £16.95/€24.95 This matching songbook accompanies the 25th anniversary re-release of one of Streisand’s best pop albums, originally released in the 70s at the peak of her THE WHITE STRIPES Elephant popularity. Indulge in some absolute classics such as Woman in love as well as duets with the Bee Gee’s Barry Gibb, What kind of fool and Guilty. ISBN: 1-84328-388-3 | Guitar Tab Album Songbook | £16.95/€24.95 Guilty (duet with Barry Gibb); Woman in love; Run wild; Promises; The love inside; What kind of fool (duet with Barry Gibb); Life story; Never give up; Make it like a memory

2 3

DW CRE8TIVE - PORTFOLIO CLIENT: FABER MUSIC BIG GIG 2009

DUFFY Rockferry ARCTIC Rockferry; Warwick Avenue; Serious; Stepping MONKEYS Stone; Syrup & Honey; Hanging On Too Long; Whatever People Say I Am … Mercy; Delayed Devotion; I’m Scared; The View From The Afternoon; I Bet You Look Distant Dreamer. Good On The Dancefloor; Falke Tales Of 0-571-53188-1 | Piano/vocal/guitar | £14.99 San Francisco; Dancing Shoes; You 0-571-53246-2 | Easy piano | £10.99 Probably Couldn’t See For The Lights But You Were Staring Straight At Me; Still Take GIRLS ALOUD You Home; Riot Van; Red Light Indicates Doors Are Secured; Mardy Bum; Perhaps 6 Of The Best: Girls Aloud Vampires Is A Bit Strong But; When The Sun Call The Shots; The Promise; See The Day; Goes Down; From The Ritz To The Rubble; I’ll Stand By You; Sound Of The Underground; A Certain Romance. Love Machine. 0-571-52556-3 | Guitar tab/vocals | £16.99 0-571-53320-5 | Piano/vocal/guitar | £8.99 TOP OF THE CHARTS 2009 0-571-52556-3 Arctic Monkeys Whatever People Say I Am... Guitar/vocal songbook £16.99 My Favourite Worst Nightmare KATY PERRY One Of The Boys The Fear (Lily Allen); Better (Boyzone); Don’t NEW 0-571-53078-8 Arctic Monkeys Favourite Worst Nightmare Guitar/vocal songbook £16.99 Believe In Love (Dido); Gotta Be Somebody Brainstorm; Teddy Picker; D is for Dangerous; Balaclava; Fluoresecent One Of The Boys; I Kissed A Girl, Waking (Nickelback); Greatest Day (Take That); GREEN DAY Adolescent; Only Ones Who Know; Do Me A Favour; This House is a 0-571-53279-9 James Blunt 6 Of The Best Piano/vocal/guitar songbook £8.99 Up In Vegas, Thinking Of You; Mannequin; Hero (X Factor Finalists); I Hate This Part 21st Century Breakdown Circus; If You Were There, Beware; The Bad Thing; Old Yellow Bricks; 505. Ur So Gay; Hot N Cold; If You Can Afford (The Pussycat Dolls); I Kissed A Girl (Katy Song Of The Century; 21st Century Breakdown; Know Your Enemy; ¡Viva 0-571-53078-8 | Guitar tab/vocals | £16.99 0-571-53293-4 Eva Cassidy Somewhere Piano/vocal/guitar songbook £14.99 Me; Lost; Self Inflicted; I’m Still Breathing; Perry); If I Were A Boy (Beyoncé); James La Gloria!; Before The Lobotomy; Christian’s Inferno; Last Night On Earth; Fingerprints. Bond (Scouting for Girls); L.E.S. Artistes 0-571-53188-1 Duffy Rockferry Piano/vocal/guitar songbook £14.99 East Jesus Nowhere; Peacemaker; Last Of The American Girls; Murder Reading, Leeds (Santogold); Love Love Love (James Blunt); 0-7390-5684-0 | Piano/vocal/guitar | £14.99 City; ¿Viva La Gloria? (Little Girl); Restless Heart Syndrome; Horseshoes The Man Who Can’t Be Moved (The Script); 0-571-53246-2 Duffy Rockferry Easy piano songbook £10.99 And Handgrenades; The Static Age; 21 Guns; American Eulogy (A. Mass T In The Park, V, Oxegen. European Tour The Promise (Girls Aloud); Rain On Your Hysteria / B. Modern World); See The Light. ELBOW The Seldom Seen Kid 0-571-53265-9 Elbow The Seldom Seen Kid Guitar/vocal songbook £15.99 June & July 09 Parade (Duffy); Sanctuary (Gabriella Cilmi); Starlings; Bones Of You; Mirrorball; Grounds Shut Up And Let Me Go (Ting Tings); Sober (Pink); Stay With Me 0-571-53373-6 | Piano/vocal/guitar | £16.99 For Divorce; Audience With The Pope; 0-571-53320-5 Girls Aloud 6 Of The Best Piano/vocal/guitar songbook £8.99 (McFly); Superwoman (Alicia Keys); To Where You Are (Rhydian); 0-571-53372-8 | Guitar tab/vocals | £18.99 AMY WINEHOUSE Weather To Fly; Loneliness Of A Tower You Found Me (The Fray). 0-571-53372-8 Green Day 21st Century Breakdown Guitar/vocal songbook £18.99 Back To Black Crane Driver; Fix; Some Riot; One Day Like 0-571-53289-6 | Piano/vocal/guitar | £14.99 UK Tour October 09 0-571-53373-6 Green Day 21st Century Breakdown Piano/vocal/guitar songbook £16.99 Rehab; You Know I’m No Good; Me & Mr This; Friend Of Ours; We’re Away. Jones; Just Friends; Back To Black; Love Is 0-571-53265-9 | Guitar tab/vocals | £15.99 0-571-52736-1 Muse Black Holes And Revelations Guitar/vocal songbook £16.99 A Losing Game; Tears Dry On Their Own; NIRVANA Nirvana: The Wake Up Alone; Some Unholy War; He Can Complete Chord Songbook T In The Park, Bestival, V, UK Tour July, 0-571-52989-5 Nirvana The Complete Chord Songbook Chord Songbook £16.99 Only Hold Her; Addicted. August & September 09 About A Girl; Aero Zeppelin; Ain’t It A 0-571-53251-9 Paulo Nutini Sunny Side Up Piano/vocal/guitar songbook £14.99 0-571-52969-0 | Piano/vocal/guitar | £14.99 Shame; Aneurysm; Anorexorcist; All 0-571-53245-4 | Easy piano | £10.99 Apologies Beans; Been A Son; Beeswax; 0-7390-5684-0 Katy Perry One Of The Boys Piano/vocal/guitar songbook £14.99 Big Cheese; Big Long Now; Blandest; MUSE JAMES BLUNT Black Holes And Revelations 0-571-53116-4 Radiohead In Rainbows Guitar/vocal songbook £17.99 6 Of The Best: Amy Winehouse Blew; Breed; Clean Up Before She Comes; 6 Of The Best: James Blunt Come As You Are; Curmudgeon; D7; Dive; Take A Bow; Straight; Supermassive Black Back To Black; Rehab; Stronger Than Me; Do-Re-Mi; Don’t Want It All; Downer; Drain Hole; Map Of The Problematique; Soldier’s 0-571-53117-2 Radiohead In Rainbows Piano/vocal/guitar songbook £14.99 Tears Dry On Their Own; Valerie You Know 1973; Carry You Home; Goodbye My Lover; You; Dumb; Endless, Nameless; Even In His Poem; Invincible; Assassin; Exo-Politics; That I’m No Good. High; Same Mistake; You’re Beautiful. 0-7390-5948-3 Bruce Springsteen Working On A Dream Piano/vocal/guitar songbook £15.95 Youth; Floyd The Barber; Frances Farmer City Of Delusion; Hoodoo; Knights Of 0-571-53279-9 | Piano/vocal/guitar | £8.99 0-571-53280-2 | Piano/vocal/guitar | £8.99 Will Have Her Revenge On Seattle; Gallons Cydonia. 0-7390-5934-3 Bruce Springsteen Working On A Dream Guitar/vocal songbook £15.95 Of Rubbing Alcohol Flow Through The Strip; Grey Goose; Hairspray 0-571-52736-1 | Guitar tab/vocals | £16.99 0-571-53298-5 Take That The Circus Piano/vocal/guitar songbook £14.99 TAKE THAT The Circus EVA CASSIDY Somewhere Queen; Heart-shaped Box; Heartbreaker; Help Me I’m Hungry; Here She (Band-approved Deluxe Edition) Comes Now; I Hate Myself And Want To Die; If You Must; In Bloom; Intro; UK Tour November 09 0-571-53334-5 Take That The Circus Easy piano songbook £9.99 Coat Of Many Colors; My Love Is Like A Red Jesus Doesn’t Want Me For A Sunbeam; Lake Of Fire; Lithium; Lounge The Garden; Greatest Day; Hello; Said It All; Red Rose; Ain’t Doin’ Too Bad; Chain Of Act; Love Buzz; The Man Who Sold The World; Marigold; Mexican Julie; The Circus; How Did It Come To This?; Fools; Won’t Be Long; Walkin’ After Midnight; 0-571-53255-1 Take That 6 Of The Best Piano/vocal/guitar songbook £8.99 Seafood; Milk It; Moist Vagina; Molly’s Lips; Mr. Moustache; Mrs. RADIOHEAD In Rainbows Up All Night; What Is Love?; You Hold Up Early One Morning; A Bold Young Farmer; NEW Butterworth; Negative Creep; (New Wave) Polly; Oh, Me; Oh The Guilt; 0-571-53232-2 The Ting Tings We Started Nothing Piano/vocal/guitar songbook £13.99 A Light; Here. If I Give My Heart; Blue Eyes Crying In The Old Age; On A Plain; Opinion; The Other Improv; Paper Cuts; Pay To Play; 15 Step; Bodysnatchers; Nude; Weird 0-571-53298-5 | Piano/vocal/guitar | £14.99 Rain; Summertime; Somewhere. Pen Cap Chew; Pennyroyal tea; Plateau; Polly; Radio Friendly Unit Shifter; Fishes/Arpeggi; All I Need; Faust Arp; 0-571-53280-2 Amy Winehouse 6 of the Best Piano/vocal/guitar songbook £8.99 Reckoner; House of Cards; Jigsaw Falling Into Place; Videotape. 0-571-53334-5 | Easy piano | £9.99 0-571-53293-4 | Piano/vocal/guitar | £14.99 Rape Me; Raunchola/Moby Dick; Return Of The Rat; Sappy; Scentless 0-571-52969-0 Amy Winehouse Back to Black Piano/vocal/guitar songbook £14.99 Apprentice; School; Scoff; Serve The Servants; Sifting; Sliver; Smells Like 0-571-53117-2 | Piano/vocal/guitar | £14.99 6 Of The Best: Take That Teen Spirit; Something In The Way; Son Of A Gun; Spank Thru; Stain; Stay 0-571-53245-4 Amy Winehouse Back to Black Easy piano songbook £10.99 PAULO NUTINI Away; Swap Meet; Territorial Pissings; They Hung Him On A Cross; Token Part 1: 15 Step; Bodysnatchers; Nude; Back For Good; Never Forget; A Million Love Sunny Side Up Eastern Song; Tourette’s; Turnaround; Where Did You Sleep Last Night?; Weird Fishes/Arpeggi; All I Need; Faust Arp; 0-571-53289-6 Various Top of the Charts 2009 Piano/vocal/guitar songbook £14.99 Songs; Patience; Shine; Relight My Fire. White Lace And Strange; Verse Chorus Verse; Very Reckoner; House of Cards; Jigsaw Falling 10/10; Coming Up Easy; Growing Into Place; Videotape Part 2: Down Is The 0-571-53255-1 | Piano/vocal/guitar | £8.99 Ape; You Know You’re Right. All festival line-ups and product specifications are correct at time of going to press but may be subject to alteration Up Beside You; Candy; Tricks Of New Up; Go Slowly; Last Flowersw To The 0-571-52989-5 | Chord songbook | £16.99 The Trade; Pencil Full Of Lead; No Hospital; Up On The Ladder; Bangers and UK Tour June & July 09 Other Way; High Hopes; Chamber Mash; 4 Minute Warning. Music; Simple Things; Worried Man; BRUCE SPRINGSTEEN 0-571-53116-4 | Guitar tab | £17.99 TING TINGS We Started Nothing Keep Rolling; Smokey Joe’s Cafe; Working On A Dream Funky Cigarette. A Night With The Jersey Devil; Good Eye; Kingdom Reading, Leeds Great DJ; That’s Not My Name; Fruit Machine; 0-571-53251-9 | Piano/vocal/guitar | £14.99 Traffic Light; Shut Up And Let Me Go; Keep Of Days; Life Itself; My Lucky Day Outlaw Pete; Faber Music Publications are available from your local sheet Queen Of The Supermarket; Surprise, Surprise; Your Head; Be The One; We Walk; We Glastonbury, Isle of Wight, T In The The Last Carnival; The Wrestler (Bonus Track); music or instrument retailer. Started Nothing. Park, Oxegen, V. UK Tour September This Life; Tomorrow Never Knows; What Love Can Faber Music Ltd 0-571-53232-2 | Piano/vocal/guitar | £13.99 & October 09 NEW Do; Working On A Dream. Burnt Mill, Elizabeth Way, Glastonbury, T In The Park, Isle of Wight, 0-7390-5948-3 | Piano/vocal/guitar | £15.95 Harlow, CM20 2HX V, Oxegen NEW 0-7390-5934-3 | Guitar tab/vocals | £15.95 Tel: +44 (0)1279 828989 Glastonbury, European Tour June – August 09 Fax: +44 (0)1279 828990 [email protected] www.fabermusic.com

CAT CODE M/0609/02

DW CRE8TIVE - PORTFOLIO