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SAL Interview Transcript - Matt Gano & Aaron Counts | 1
Seattle Arts & Lectures Interview Transcript: Matt Gano & Aaron Counts, Co-Founders of Seattle Youth Poet Laureate Program Interviewer: Gabriela Denise Frank Date: Thursday, July 30, 2020 Note: this transcript has been edited for clarity and flow. Gabriela Denise Frank I’m Gabriela Denise Frank, and I’m here on behalf of Seattle Arts & Lectures with Matt Gano and Aaron Counts, Seattle poets and co-founders of the Seattle Youth Poet Laureate (YPL) program. Thank you for being here with me this afternoon. Aaron Counts Hey, thanks for having us. GDF Yeah, I’m really excited to talk to with you. I just met Bitaniya Giday who is the current Youth Poet Laureate for 2020 and 2021. We had a wonderful conversation a few weeks ago. Matt Gano Fantastic. GDF So, to set the stage, tell me how this program began. What is it, and how did you come to start it? MG So, here’s what happened. We were at a poetry reading for Roberto Ascalon at the Massive Monkees Studio. Roberto had a feature of a series of poems that he was working on, and he had a feature set up there, and a mutual friend of ours, Christa Bell—who’s also a phenomenal poet and playwright and all-around incredible artist—approached me and mentioned that Michael Cirelli, who was one of the founders of Urban Word—which is the New York Youth Speaks chapter—was starting a Youth Poet Laureate program across the country and looking for pilot cities to start this program to partner with Urban Word. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Indonesiennes D'aujourd'hui P.4-6
N°143 : avril 2017 Le média francophone d’Indonésie | www.lagazettedebali.info Firliana Purwanti Feathered Sun Easter Festival Ancient Futures: New Earth Festival Bali Creative Week 2017 Malaika Secret Moksha Made Bayak Laura Gemser Hari Kartini Nuage & Co Tattoo Bali Movie Indah Venusia Bali Circus Interfood Bali Ma-Kao INDONESIENNES d’aujourd’hui P.4-6 © Aimery Joessel index EMANCIPATION FIRLIANA PUrwanti : LE CONSERVATISME EST AVANT TOUT UNE ATTEINTE A NOS DROITS SEXUELS TROIS JEUNES INDONESIENNES SE CONFIENT SUR LEUR CONDITION DE FEMME 4-6 HISTOIRE KUNCHING, UNE CAPITALE BATIE SUR D’ANCIENS VILLAGES MALAIS 10 FAUNE Y A-T-IL ENCORE DE LA PLACE POUR LES ZOOS DANS NOS VIES ? 12 NATIONAL LA FRANCE REPLACE L’INDONESIE SUR LA CARTE 25 MEDIA HOMMAGE A LAURA GEMSER, ICONE INDONESIENNE DU CINEMA EROTIQUE 26-27 BUSINESS BALI INTERFOOD EXPO 2017, UN PETIT SALON ALIMENTAIRE AUX STANDARDS INTERNATIONAUX édito 28 A l’occasion de la fête de Kartini du 21 avril, nous avons déroulé un fil rouge dans cette nouvelle édition CUISINE sur les droits des femmes et leur émancipation. Vous lirez avec délectation l’interview de Firliana • MALAIKA SECRET MOKSHA, Purwanti qui mène un combat avec son livre « The O Project » pour le droit à l’orgasme des femmes SURPRISES CULINAIRES ET indonésiennnes. Nous avons aussi interviewé de jeunes femmes indonésiennes entre 26 et 36 ans PLEIN DE VITAMINES qui nous racontent pourquoi elles ont choisi de vivre à Bali, loin de la pression de leurs familles, elles • MA-KAO, UN RESTAU A L’ANCIENNE abordent sans tabou des sujets aussi divers que la contraception, la sexualité ou la religion, une liberté COMME ON LES AIME de ton que vous n’avez encore jamais vue dans la Gazette de Bali. -
'Emanuelle' Films
Issue 9 May 2017 www.intensitiescultmedia.com Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s ‘Emanuelle’ Films Mario DeGiglio-Bellemare John Abbott College Abstract This paper examines the place of Joe D’Amato’s series of Emanuelle films within the context of Italian cine- ma, exploitation cinema, and genre studies—especially the pornography and horror genres. I will focus on what I have labelled D’Amato’s Mondo Realist films that were made in a very short period between 1975-1978. I argue that D’Amato’s films offer an expansive sense of genre hybridity, especially as his films from this brief period are rooted in the Sadean tradition, the cinema of attractions, the Mondo film, neorealism, and the horror genre. I also examine D’Amato’s films in the terms set out by Linda Williams (2004a); namely, as an auteur of ‘body genres’ whose films must be considered in terms that move us beyond dominant scopocentric tendencies in film theory. D’Amato’s films offer a way to open up these categories through the sensual and corporeal experience of his hybrid films. Introduction The opening credit sequence is constructed through is not new to the landscape of Italian cinema: it is the a series of shots that showcase the sights of New main theme of Mondo Cane (Dirs. Paolo Cavara, Gual- York City from the air. The film opens with the name tiero Jacopetti, Franco E. Prosperi, 1962), the film that of Laura Gemser superimposed on the imposing set in motion another important Italian subgenre skyline of the Twin Towers. -
Slam Poets @ Alley Theatre Partners with 5 Annual Bayou City Slam Competition Students Work Directly with Nationally Recognized
FOR RELEASE October 14, 2015 MEDIA CONTACT: Lauren Pelletier, Public Relations Associate, ([email protected]) Katie Jackman, Director of Marketing and Communications ([email protected]) 713.228.9341 Slam Poets @ Alley Theatre Partners with 5th Annual Bayou City Slam Competition Students work directly with nationally recognized Slam Poets. HOUSTON – On Saturday, November 21, 2015 Slam Poets @ Alley Theatre will partner with Savannah Blue Arts & Outreach to provide a full day event filled with workshops and performances culminating with the 5th Annual Bayou City Slam Competition in the Neuhaus Theatre. Each semester select students from participating partner schools have the opportunity to compete and showcase their work. Slam Poets @ Alley Theatre creates poised, proud, quick-thinking and creative young adults. Students draw from their personal wealth of knowledge and experience to write and share their unique stories and emotions through performance in a welcoming community atmosphere. For the first time ever, students from the Alley’s partner schools will experience a private workshop taught by nationally recognized poet Brother Said. The top two winners of the Alley Fall Teen Slam will be invited to perform as “Sacrificial Poets” at the Bayou City Slam Competition, where poets from across the nation compete for cash prizes and the title of Bayou City Poetry Slam Champion. The 5th Annual Bayou City Slam Competition will be help on November 21 from 7 – 10 p.m. Tickets are $10 in advance and $15 at the door. Prior to the Alley Teen Fall Slam, the Alley Theatre will host two free Slam workshops. In these workshops, participants write with the stage in mind and also discuss performing with the page in mind. -
Poem for a Friend
the whole wide world (1980-2013) copyright © 2013 by big poppa e book design by big poppa e www.bigpoppae.com all rights reserved. except as permitted under the u.s. copyright act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of big poppa e or his official representatives. any work contained within this publication may be freely performed in front of live audiences without first obtaining permission from big poppa e. furthermore, video and audio recordings of these works by anyone other than big poppa e can be freely posted and distributed on the world wide web or by any other means as long as no profit is generated. video and audio recordings of big poppa e performing his own works, however, may not be reproduced or distributed without the prior written permission of big poppa e. in plain english, it’s totally okay for you to read anything in this book out loud any time you want without permission, and if you record yourself doing the work, no worries, share it with anyone you like. but you are not allowed to record big poppa e reading his work out loud, and you are not allowed to share or sell videos or mp3s of big poppa e doing his work. it’s not that big poppa e doesn’t… okay, you know what, this is me, big poppa e, and i am talking directly to you. -
Read This Book out Loud: a Review of Young Adult Works by Artists from the Poetry Slam Community
Adam Henze Read This Book Out Loud: A Review of Young Adult Works by Artists from the Poetry Slam Community henever I find myself standing in front slam community was influential in helping me de- of a cafeteria or gymnasium filled with velop a moral compass as a young person. Slam was W hundreds of secondary students, my arms my first introduction to multiculturalism and cultural spread wide like I’m suspended on a high dive, I competency. It was also one of my first experiences always think about how badly I needed a good poet with critical citizenship because poetry let me imag- in my life when I was 14. Instead, I learned to write ine the various ways I could change the world. Most by carving on my arm with twisted staples. I learned important, slam reinforced a notion in me that the to speak by shrieking obscenities at my teachers. The language I use has an impact on others and conse- first day I can remember not wanting to die came a quences for myself. couple years later when I was introduced to a book Since Aloud’s publication in 1994, numerous called Aloud: Voices from the Nuyorican Poet’s Café educators have recognized the immediate benefits (Algarín & Holman, 1994). For many spoken-word en- of introducing performance poetry in the classroom thusiasts around the world, the phonebook-sized tome (Holbrook & Salinger, 2006), particularly noting the of poems was the first glimpse at a radical new vehicle medium’s ability to engage reluctant readers (Low, for performance art called poetry slam. -
LE MONDE/PAGES<UNE>
www.lemonde.fr 57e ANNÉE – Nº 17605 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE -- DIMANCHE 2 - LUNDI 3 SEPTEMBRE 2001 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI A Durban, Yasser Arafat 2002 : la droite part en campagne b Tandis que la majorité de gauche gouverne, l’opposition s’organise pour l’élection présidentielle qualifie b A l’UDF, François Bayrou parie sur le premier tour et le refus du « duel des dinosaures éternels » de « raciste » b Au RPR, Alain Juppé et Nicolas Sarkozy pensent déjà aux législatives, une fois Jacques Chirac réélu LA DROITE se met en ordre de Quimper, samedi 1er et dimanche Chirac pour s’organiser. Nicolas François Bayrou, président de la politique d’Israël bataille pour l’élection présidentiel- 2 septembre, le RPR fait bloc derriè- Sarkozy affiche clairement son ambi- l’UDF, qui réunissait son université à le ; et certains de ses responsables re le président de la Républi- tion de devenir, après la présidentiel- Ramatuelle (Var) ce week-end, a EN OUVERTURE de la troisième en piste pour Matignon en cas de que. Alain Juppé affirme qu’il n’est le, chef de la droite afin de mener la jugé qu’« il faut sortir du duel des conférence de l’ONU contre le racis- réélection de Jacques Chirac en pas nécessaire d’attendre la déclara- campagne pour les élections législati- dinosaures éternels ». Lionel Jospin MARTIAL TREZZINI/AP/KEYSTONE me, vendredi 31 août à Durban, en 2002. Réuni en université d’été à tion de candidature de Jacques ves. ne peut, selon lui, incarner « l’es- Afrique du Sud, le secrétaire général, poir ». -
Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry
Claremont Colleges Scholarship @ Claremont CGU Theses & Dissertations CGU Student Scholarship Fall 2019 A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry Anthony Blacksher Follow this and additional works at: https://scholarship.claremont.edu/cgu_etd Part of the African American Studies Commons, Africana Studies Commons, American Literature Commons, American Popular Culture Commons, Critical and Cultural Studies Commons, Ethnic Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Inequality and Stratification Commons, Poetry Commons, Race and Ethnicity Commons, Social History Commons, Sociology of Culture Commons, Television Commons, and the United States History Commons Recommended Citation Blacksher, Anthony. (2019). A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry. CGU Theses & Dissertations, 148. https://scholarship.claremont.edu/cgu_etd/148. doi: 10.5642/cguetd/148 This Open Access Dissertation is brought to you for free and open access by the CGU Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in CGU Theses & Dissertations by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. A Matter of Life and Def: Poetic Knowledge and the Organic Intellectuals in Russell Simmons Presents Def Poetry By Anthony Blacksher Claremont Graduate University 2019 i Copyright Anthony Blacksher, 2019 All rights reserved ii Approval of the Dissertation Committee This dissertation has been duly read, reviewed, and critiqued by the Committee listed below, which hereby approves the manuscript of Anthony Blacksher as fulfilling the scope and quality requirements for meriting the degree of doctorate of philosophy in Cultural Studies with a certificate in Africana Studies. -
The Collected Poetry, Stories and Erotic Sass of Derrick C
SCB DISTRIBUTORS FALL 2016 SCB: TRULY INDEPENDENT SCB DISTRIBUTORS IS Braided Worlds Publishing PROUD TO INTRODUCE Street Smart Press Sugoi Books SCB: TRULY INDEPENDENT The cover image for this catalog is from the book Let Her Be Free, by Icy and Sot, published by Lebowski Publishers and found on page 35 of this catalog. Catalog layout by Dan Nolte, based on an original idea by Rama Crouch-Wong UH-OH The Collected Poetry, Stories and Erotic Sass of Derrick C. Brown By Derrick C. Brown “…one of the best independent poetry presses in the country.” – Forbes and Filter …a rekindling of faith in the weird, hilarious, shocking, beautiful power of words.” – The New York Times This collection contains all new work from All The Energies of Death, plus Brown’s best work from Born in the Year of the Butterfly Knife, Scandalabra, Strange Light, Our Poison Horse, and I Love You. EVERY COFFIN IS A SOAP BOX DERBY (excerpt) Tear apart every picture frame in the house and build that casket. Wallpaper the roof of it with the photos like your high school locker. Load it with the images of all the animals and friends you loved. Holler gratefulness to the animals you killed or that died around you, under your care, trying to make you see. You should’ve watched and learned that language doesn’t solve everything, to fight at the right time, to surrender well, to hold still and shake alone, clean your nasty out and eat it wild, race down the grass on ice blocks and howl away nude in the night. -
Means of Conveyance: Spoken Word Pedagogy, Hip Hop Literacies, And
MEANS OF CONVEYANCE: SPOKEN WORD PEDAGOGY, HIP HOP LITERACIES, AND THE CHALLENGES OF FOSTERING POETRY SPACES Adam D. Henze Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the School of Education, Indiana University June 2020 ProQuest Number:27999906 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 27999906 Published by ProQuest LLC (2020). Copyright of the Dissertation is held by the Author. All Rights Reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _____________________________________ James Damico, Ph.D., Co-Chair _____________________________________ Jessica Lester, Ph.D., Co-Chair _____________________________________ Carmen Medina, Ph.D. _____________________________________ Phil Carspecken, Ph.D. _____________________________________ Adrian Matejka, M.F.A. May 21, 2020 ii For Tavis, Tess, Will, Norris, and Rage iii Acknowledgements Allan Wolf, teaching artist and founder of the Southern Fried Poetry Slam, said: “If you’re not being fed—be the bread.” Near the completion of this dissertation, I asked Allan to elaborate on his mantra. -
Use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982) Wenceslao Gil Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 2011 The A( b)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982) Wenceslao Gil Florida International University, [email protected] DOI: 10.25148/etd.FI11120207 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Recommended Citation Gil, Wenceslao, "The A( b)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982)" (2011). FIU Electronic Theses and Dissertations. 477. https://digitalcommons.fiu.edu/etd/477 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida THE (AB)USE OF POLITICS AND EROTICISM IN THE CULTURE OF THE SPANISH TRANSITION TO DEMOCRACY (1975-1982) A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in SPANISH by Wenceslao Gil 2011 To: Dean Kenneth Furton choose the name of dean of your college/school College of Arts and Sciences choose the name of your college/school This dissertation, written by Wenceslao Gil, and entitled The (Ab)use of Politics and Eroticism in the Culture of the Spanish Transition to Democracy (1975-1982), having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved.