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Jennifer Ricchiazzi, Csa
JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring: -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from Its Origins to the New Wave
THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA THE TECHNIQUES OF REALISM AND FANTASY FOR THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA FROM ITS ORIGINS TO THE NEW WAVE By FRANCES OKSANEN, B. A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University October 1990 MASTER OF ARTS (1990) McMASTER UNIVERSITY (French) Hamilton~ Ontario TITLE: The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from its Origins to the New Wave AUTHOR: Frances Oksanen, B. A. (McMaster University) SUPERVISOR: Professor John Stout NUMBER OF PAGES: v, 167. ii .... '. ABSTRACT This study examines the relationship between film techniques and politics in French cinema. The first filmmakers established the basic techniques of cinema, using realism to record events, and fantasy to create amusements. Narrative film developed as a combination of these techniques. Cinema of the twenties was closely associated with the European art movements of Dadaism, Surrealism and Expressionism. By the thirties, the political polarisation and the threat of a second World War caused filmmakers to project political opinions and to portray societal problems. Narrative film became an important means of influencing public opinion, although not always in the directions intended. With the New Wave, autobiographical content and a return to early film techniques made narrative film both personal and traditional. The directors solidified the reputation of French cinema as topical, socially relevant, and politically involved. iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Professor John C. Stout for his advice through the course of my research, and Professor Charles E. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
WARHOL: Bardot
G A G O S I A N G A L L E R Y 28 September 2011 PRESS RELEASE GAGOSIAN GALLERY 17-19 DAVIES STREET T. 020.7493.3020 LONDON W1K 3DE F. 020.7493.3025 GALLERY HOURS: Mon - Sat 10:00am – 6:00pm WARHOL: Bardot Monday, 10 October – Saturday, 12 November 2011 Brigitte Bardot was one of the first women to be really modern and treat men like love objects, buying them and discarding them. I like that. --Andy Warhol Gagosian Gallery London is pleased to announce an exhibition of Andy Warhol's portraits of Brigitte Bardot. Bardot was the original sex kitten, a superstar of French New Wave cinema, and an icon of feminine sensuality. Aged eighteen, she gained sudden and worldwide notoriety for her steamy role in Roger Vadim's directorial debut, And God Created Woman (1956), which broke box-office records and censorship taboos with its titillating display of sex and eroticism in St Tropez. Despite mixed critical reviews, the film launched her career and presaged her international stardom. Bardot also caught the attention of French intellectuals: she was the subject of Simone de Beauvoir's 1959 essay "Brigitte Bardot and the Lolita Syndrome," which described her as a "locomotive of women's history", building upon existentialist themes to declare her the most liberated woman of post-war France. Her crowning achievement occurred in 1963 as Camille in Jean-Luc Godard's New Wave masterpiece Contempt, based on Alberto Moravia's emotionally raw account of a marital break-up, set against the intrigues of the international film industry. -
HJR 23.1 Sadoff
38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52. -
Véronique Labrid 67, Rue Buffon - 75005 Paris Tél: 06 09 16 57 86 E-Mail : [email protected]
Véronique Labrid 67, rue Buffon - 75005 Paris Tél: 06 09 16 57 86 e-mail : [email protected] 1ère ASSISTANTE RÉALISATEUR 2017 : Jonas (ex Game Boy) – Réalisateur : Christophe Charrier Production : En Compagnie des Lamas (avec Nicolas Bauwens, Félix Maritaud, Tommy Lee Baik, Aure Attica) 2016-2017 : Stars 80, la suite – Réalisateur : Thomas Langmann Production : La Petite Reine (avec Richard Anconina, Patrick Timsit, Bruno Lochet) 2015 : Ma Famille t’adore déjà – Réalisateurs : Jérôme Commandeur/Alan Corno Production : HBB26 (avec Thierry Lhermitte, Marie-Anne Chazel, Sabine Azéma, Arthur Dupont) 2014 : Le Grand Partage - Réalisatrice : Alexandra Leclère Production : Pan Européenne (avec Didier Bourdon – Karine Viard – Valérie Bonneton, Michel Vuillermoz Patrick Chesnay – Josiane Balasko) 2012 : La Grande Boucle – Réalisateur : Laurent Tuel Production : Fidélité Films (avec Clovis Cornillac – Bouli Lanners – Bruno Lochet – Elodie Bouchez) 2011 : Stars 80 – Réalisateur : Frédéric Forestier Production : La Petite Reine (avec Richard Anconina, Patrick Timsit, Bruno Lochet) 2010 : Philibert – Réalisateur : Sylvain Fusée Production : Mandarin Cinéma - (Tournage : République Tchèque) (avec Jérémie Rénier, Alexandre Astier, Manu Payet, Elodie Navarre) 2009 : Camping 2 – Réalisateur : Fabien Onteniente Production : Pulsar Production (avec Franck Dubosc, Mathilde Seigner, Richard Anconina, Claude Brasseur, Mylène Demongeot, Antoine Duléry) 2009 : Divorces – Réalisatrice : Valérie Guignabodet Production : Pan Européenne (avec François-Xavier -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Indonesiennes D'aujourd'hui P.4-6
N°143 : avril 2017 Le média francophone d’Indonésie | www.lagazettedebali.info Firliana Purwanti Feathered Sun Easter Festival Ancient Futures: New Earth Festival Bali Creative Week 2017 Malaika Secret Moksha Made Bayak Laura Gemser Hari Kartini Nuage & Co Tattoo Bali Movie Indah Venusia Bali Circus Interfood Bali Ma-Kao INDONESIENNES d’aujourd’hui P.4-6 © Aimery Joessel index EMANCIPATION FIRLIANA PUrwanti : LE CONSERVATISME EST AVANT TOUT UNE ATTEINTE A NOS DROITS SEXUELS TROIS JEUNES INDONESIENNES SE CONFIENT SUR LEUR CONDITION DE FEMME 4-6 HISTOIRE KUNCHING, UNE CAPITALE BATIE SUR D’ANCIENS VILLAGES MALAIS 10 FAUNE Y A-T-IL ENCORE DE LA PLACE POUR LES ZOOS DANS NOS VIES ? 12 NATIONAL LA FRANCE REPLACE L’INDONESIE SUR LA CARTE 25 MEDIA HOMMAGE A LAURA GEMSER, ICONE INDONESIENNE DU CINEMA EROTIQUE 26-27 BUSINESS BALI INTERFOOD EXPO 2017, UN PETIT SALON ALIMENTAIRE AUX STANDARDS INTERNATIONAUX édito 28 A l’occasion de la fête de Kartini du 21 avril, nous avons déroulé un fil rouge dans cette nouvelle édition CUISINE sur les droits des femmes et leur émancipation. Vous lirez avec délectation l’interview de Firliana • MALAIKA SECRET MOKSHA, Purwanti qui mène un combat avec son livre « The O Project » pour le droit à l’orgasme des femmes SURPRISES CULINAIRES ET indonésiennnes. Nous avons aussi interviewé de jeunes femmes indonésiennes entre 26 et 36 ans PLEIN DE VITAMINES qui nous racontent pourquoi elles ont choisi de vivre à Bali, loin de la pression de leurs familles, elles • MA-KAO, UN RESTAU A L’ANCIENNE abordent sans tabou des sujets aussi divers que la contraception, la sexualité ou la religion, une liberté COMME ON LES AIME de ton que vous n’avez encore jamais vue dans la Gazette de Bali. -
'Emanuelle' Films
Issue 9 May 2017 www.intensitiescultmedia.com Mondo Realism, the Sensual Body, and Genre Hybridity in Joe D’Amato’s ‘Emanuelle’ Films Mario DeGiglio-Bellemare John Abbott College Abstract This paper examines the place of Joe D’Amato’s series of Emanuelle films within the context of Italian cine- ma, exploitation cinema, and genre studies—especially the pornography and horror genres. I will focus on what I have labelled D’Amato’s Mondo Realist films that were made in a very short period between 1975-1978. I argue that D’Amato’s films offer an expansive sense of genre hybridity, especially as his films from this brief period are rooted in the Sadean tradition, the cinema of attractions, the Mondo film, neorealism, and the horror genre. I also examine D’Amato’s films in the terms set out by Linda Williams (2004a); namely, as an auteur of ‘body genres’ whose films must be considered in terms that move us beyond dominant scopocentric tendencies in film theory. D’Amato’s films offer a way to open up these categories through the sensual and corporeal experience of his hybrid films. Introduction The opening credit sequence is constructed through is not new to the landscape of Italian cinema: it is the a series of shots that showcase the sights of New main theme of Mondo Cane (Dirs. Paolo Cavara, Gual- York City from the air. The film opens with the name tiero Jacopetti, Franco E. Prosperi, 1962), the film that of Laura Gemser superimposed on the imposing set in motion another important Italian subgenre skyline of the Twin Towers. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-