The Collected Poetry, Stories and Erotic Sass of Derrick C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Yoga Cult
The Yo g a How a Korean guru has created a fanatical following on Cultcollege campuses that is part Moonies, part New Age boot camp and pure profit By Sabrina Rubin Erdely f you looked at it from a certain per- See? Totally normal. spective, the exercises Amy Shipley did in Dahn Amy loved tests. She’d always been Type-A like that, an Yoga were perfectly normal. Take what she was overachiever, first in line for any challenge. And Dahn Yoga doing right now. It was near midnight. Amy and gave her endless tests to pass, especially here at its isolat- seven other devotees of Dahn Yoga – nearly all ed Arizona retreat where, round the clock, members per- in their 20s, clad in blue tracksuits and barely formed all kinds of mysterious rituals. Certain exercis- functioning on three hours of sleep – were stand- es had taken some getting used to, of course. Like the one ing in a waist-deep fountain in the desert of where they’d turn off the lights and everyone would dance Sedona, Arizona. On command from their and scream for hours, until they collapsed in a sobbing Korean trainer, all eight would plunge their heads underwa- heap. Or just earlier today, when Amy had been ordered to Iter and hold their breath until their lungs strained, finally mash her face in the dirt as a lesson in humility. A 24-year- rocketing to the surface gasping and shouting a devotional old blond Midwesterner who had been a homecoming prin- song to their Grand Master – a middle-aged Korean man cess of her Indiana high school, Amy was now a pro at such called Ilchi Lee – and weeping to prove their sincerity. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Media Website Contact List
MEDIA WEBSITE CONTACT LIST version: 8/2016 Outlet Name First Name Last Name Title Email Address Website Address Bleeding Cool Richard Johnston Editor-in-Chief [email protected] http://www.bleedingcool.com/ Comics Alliance Andrew Wheeler Editor in Chief [email protected] http://comicsalliance.com/ Comics Alliance Kevin Gaussoin Editor in Chief [email protected] http://comicsalliance.com/ Comic Book Resources Albert Ching Managing Editor [email protected] http://www.comicbookresources.com/ Comic Vine Tony Guerrero Editor-in-Chief [email protected] http://www.comicbookresources.com/ ComicBook.com James Viscardi Editor in Chief [email protected] http://comicbook.com/ Forces of Geek Erin Maxwell Reporter [email protected] http://www.forcesofgeek.com/ IGN Entertainment Joshua Yehl Comics Editor [email protected] http://www.ign.com/ ICV2 Milton Griepp Editor in Chief [email protected] http://icv2.com/ Newsarama Chris Arrant Editor-in-Chief [email protected] http://www.newsarama.com/ The Beat Heidi MacDonald Editor in Chief [email protected] http://www.comicsbeat.com/ Comicosity Matt Santori-Griffith Senior Editor [email protected] http://www.comicosity.com/ The Mary Sue Maddy Myers Editor [email protected] http://www.themarysue.com/ The Mary Sue Dan Van Winkle Editor [email protected] http://www.themarysue.com/ Multiversity Comics Brian Salvatore Editor-in-Chief [email protected] http://multiversitycomics.com/ Comic Crusaders [email protected] www.comiccrusaders.com/ Graphic Policy Brett Schenker Founder / Blogger in Chief [email protected] https://graphicpolicy.com/ THIS LIST OF CONTACTS IS DESIGNED TO BE A RESOURCE FOR PUBLISHERS TO HELP PROMOTE THEIR PROJECTS TO THE PUBLIC. -
Media Industry Approaches to Comic-To-Live-Action Adaptations and Race
From Serials to Blockbusters: Media Industry Approaches to Comic-to-Live-Action Adaptations and Race by Kathryn M. Frank A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in the University of Michigan 2015 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Lisa A. Nakamura Associate Professor Aswin Punathambekar © Kathryn M. Frank 2015 “I don't remember when exactly I read my first comic book, but I do remember exactly how liberated and subversive I felt as a result.” ― Edward W. Said, Palestine For Mom and Dad, who taught me to be my own hero ii Acknowledgements There are so many people without whom this project would never have been possible. First and foremost, my parents, Paul and MaryAnn Frank, who never blinked when I told them I wanted to move half way across the country to read comic books for a living. Their unending support has taken many forms, from late-night pep talks and airport pick-ups to rides to Comic-Con at 3 am and listening to a comics nerd blather on for hours about why Man of Steel was so terrible. I could never hope to repay the patience, love, and trust they have given me throughout the years, but hopefully fewer midnight conversations about my dissertation will be a good start. Amanda Lotz has shown unwavering interest and support for me and for my work since before we were formally advisor and advisee, and her insight, feedback, and attention to detail kept me invested in my own work, even in times when my resolve to continue writing was flagging. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
The Birth of Brain Wave Vibration
BWV_part1_3rdedition_ND.indd 1 10/22/09 11:02:49 AM BWV_part1_3rdedition_ND.indd 2 10/22/09 11:02:50 AM BWV_part1_3rdedition_ND.indd 3 10/22/09 11:02:51 AM BEST Life Media 6560 Highway 179, Ste. 114 Sedona, AZ 86351 www.bestlifemedia.com 1-877-504-1106 Copyright © 2009 by Ilchi Lee All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without permis- sion in writing from the publisher. This book should be regarded as a reference source and is not intended to re- place professional medical advice. Seek the advice of your physician before beginning this or any other fitness program. The author and the publisher dis- claim any liability arising directly or indirectly from the use of this book. Second paperback edition: November 2009 Library of Congress Control Number: 2009939001 ISBN-13: 978-1-935127-36-9 ISBN-10: 1-935127-36-5 If you are unable to order this book from your local bookseller, you may order through www.bestlifemedia.com or www.amazon.com. Printed on 30% post-consumer recycled paper. BWV_part1_3rdedition_ND.indd 4 10/22/09 11:02:51 AM For the many people working to create health, happiness, and peace in the world. BWV_part1_3rdedition_ND.indd 5 10/22/09 11:02:51 AM A human being is a part of the whole, called by us universe, a part limited in time and space. He experiences himself, his thoughts, and feelings as something separated from the rest—a kind of optical delusion of his consciousness. -
Scb Fall 2020
SCB FALL 2020 SCB: TRULY INDEPENDENT To our publishers, sales representatives, authors, customers, staff, friends and everyone in our distribution network: We want you to know we look forward to this Fall 2020 season, the next and the next and beyond, as we rise to the challenges of how Covid-19 will affect the future of bookselling. As we experience this new landscape together, we also want you to know: YOU make us strong. With your support, SCB has successfully surfed every dramatic change in the publishing business over the last 30 years. We also credit our loyal, long-tenured staff (with 150+ combined years), as well as the diligence and sincerity each one of us brings to our beloved profession. We’re one of a kind because you’re one of a kind. Thank you, and stay well, Aaron Silverman and Molly Maguire SCB: TRULY INDEPENDENT The cover image for this catalog is from the book The Works of Hayao Miyazaki: The Master of Japanese Animation, by Gael Berton, published by Third Editions, and found on page 15 of this catalog. Catalog layout by Dan Nolte, based on an original idea by Rama Crouch-Wong. I’ll Fly Away By Rudy Francisco In this stunning, intimate follow-up to Helium, Francisco’s poems savor the day-to-day. Treating the ordinary as worthy of worship, he turns each moment into an opportunity to plant new seeds of growth. He even creates his own words for the things our language cannot give name to, for example: “Felenter (Noun) Definition: Someone who finds joy in things that people believe to be mundane.” There aren’t enough songs about minding your own business or staying home on a Saturday because you think most people are exhausting, but I do believe that we deserve an anthem. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
SAL Interview Transcript - Matt Gano & Aaron Counts | 1
Seattle Arts & Lectures Interview Transcript: Matt Gano & Aaron Counts, Co-Founders of Seattle Youth Poet Laureate Program Interviewer: Gabriela Denise Frank Date: Thursday, July 30, 2020 Note: this transcript has been edited for clarity and flow. Gabriela Denise Frank I’m Gabriela Denise Frank, and I’m here on behalf of Seattle Arts & Lectures with Matt Gano and Aaron Counts, Seattle poets and co-founders of the Seattle Youth Poet Laureate (YPL) program. Thank you for being here with me this afternoon. Aaron Counts Hey, thanks for having us. GDF Yeah, I’m really excited to talk to with you. I just met Bitaniya Giday who is the current Youth Poet Laureate for 2020 and 2021. We had a wonderful conversation a few weeks ago. Matt Gano Fantastic. GDF So, to set the stage, tell me how this program began. What is it, and how did you come to start it? MG So, here’s what happened. We were at a poetry reading for Roberto Ascalon at the Massive Monkees Studio. Roberto had a feature of a series of poems that he was working on, and he had a feature set up there, and a mutual friend of ours, Christa Bell—who’s also a phenomenal poet and playwright and all-around incredible artist—approached me and mentioned that Michael Cirelli, who was one of the founders of Urban Word—which is the New York Youth Speaks chapter—was starting a Youth Poet Laureate program across the country and looking for pilot cities to start this program to partner with Urban Word. -
The World Needs You Be a Leader for Peace
the world needs you Be a leader for Peace join us to gear uP and get ready world Peace leadershiP II winter term (january 8–14, 2018) www.ibreafoundation.org/wpl What is the program about? The purpose of taking this program is to take the time to focus on yourself, recover your character and integrity, and identify your role to contribute to IBREA FOUNDATION’s vision of healing the world one person at a time. The program takes place in a beautiful natural setting in the North of New Zealand. Groups are international and multicultural, thus mak- ing the experience more rich and insightful. The organizations founded by Ilchi Lee, including but not limited to IBREA FOUNDATION, are geared solely towards that purpose, so we invite you to consider taking a part of these or- ganizations after the program and engage in activities such as: • Volunteer in the Earth Village in New Zealand • Take more training programs through IBREA FOUNDATION a journey towards recovering • Volunteer in IBREA FOUNDATION’s projects in New York, Central America, or Africa our human nature to solve • Work at IBREA FOUNDATION as a staff member our world’s problems Who is it for? This program is for people who: • Resonate with IBREA FOUNDATION’s vision • Want to understand and experience deeply the educational and training methods applied for such vision • Want to be a part of and take action for such vision Some of you may feel like you really lost touch with your- selves, some may feel more connected. Some of you may feel like you don’t really want to “change the world,” but rather focus on smaller scale goals. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Slam Poets @ Alley Theatre Partners with 5 Annual Bayou City Slam Competition Students Work Directly with Nationally Recognized
FOR RELEASE October 14, 2015 MEDIA CONTACT: Lauren Pelletier, Public Relations Associate, ([email protected]) Katie Jackman, Director of Marketing and Communications ([email protected]) 713.228.9341 Slam Poets @ Alley Theatre Partners with 5th Annual Bayou City Slam Competition Students work directly with nationally recognized Slam Poets. HOUSTON – On Saturday, November 21, 2015 Slam Poets @ Alley Theatre will partner with Savannah Blue Arts & Outreach to provide a full day event filled with workshops and performances culminating with the 5th Annual Bayou City Slam Competition in the Neuhaus Theatre. Each semester select students from participating partner schools have the opportunity to compete and showcase their work. Slam Poets @ Alley Theatre creates poised, proud, quick-thinking and creative young adults. Students draw from their personal wealth of knowledge and experience to write and share their unique stories and emotions through performance in a welcoming community atmosphere. For the first time ever, students from the Alley’s partner schools will experience a private workshop taught by nationally recognized poet Brother Said. The top two winners of the Alley Fall Teen Slam will be invited to perform as “Sacrificial Poets” at the Bayou City Slam Competition, where poets from across the nation compete for cash prizes and the title of Bayou City Poetry Slam Champion. The 5th Annual Bayou City Slam Competition will be help on November 21 from 7 – 10 p.m. Tickets are $10 in advance and $15 at the door. Prior to the Alley Teen Fall Slam, the Alley Theatre will host two free Slam workshops. In these workshops, participants write with the stage in mind and also discuss performing with the page in mind.