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The Yoga Cult
The Yo g a How a Korean guru has created a fanatical following on Cultcollege campuses that is part Moonies, part New Age boot camp and pure profit By Sabrina Rubin Erdely f you looked at it from a certain per- See? Totally normal. spective, the exercises Amy Shipley did in Dahn Amy loved tests. She’d always been Type-A like that, an Yoga were perfectly normal. Take what she was overachiever, first in line for any challenge. And Dahn Yoga doing right now. It was near midnight. Amy and gave her endless tests to pass, especially here at its isolat- seven other devotees of Dahn Yoga – nearly all ed Arizona retreat where, round the clock, members per- in their 20s, clad in blue tracksuits and barely formed all kinds of mysterious rituals. Certain exercis- functioning on three hours of sleep – were stand- es had taken some getting used to, of course. Like the one ing in a waist-deep fountain in the desert of where they’d turn off the lights and everyone would dance Sedona, Arizona. On command from their and scream for hours, until they collapsed in a sobbing Korean trainer, all eight would plunge their heads underwa- heap. Or just earlier today, when Amy had been ordered to Iter and hold their breath until their lungs strained, finally mash her face in the dirt as a lesson in humility. A 24-year- rocketing to the surface gasping and shouting a devotional old blond Midwesterner who had been a homecoming prin- song to their Grand Master – a middle-aged Korean man cess of her Indiana high school, Amy was now a pro at such called Ilchi Lee – and weeping to prove their sincerity. -
Manga Book Club Handbook
MANGA BOOK CLUB HANDBOOK Starting and making the most of book clubs for manga! STAFF COMIC Director’sBOOK LEGAL Note Charles Brownstein, Executive Director DEFENSE FUND Alex Cox, Deputy Director Everything is changing in 2016, yet the familiar challenges of the past continueBetsy to Gomez, Editorial Director reverberate with great force. This isn’t just true in the broader world, but in comics,Maren Williams, Contributing Editor Comic Book Legal Defense Fund is a non-profit organization Caitlin McCabe, Contributing Editor too. While the boundaries defining representation and content in free expression are protectingexpanding, wethe continue freedom to see to biasedread comics!or outmoded Our viewpoints work protects stifling those advances.Robert Corn-Revere, Legal Counsel readers, creators, librarians, retailers, publishers, and educa- STAFF As you’ll see in this issue of CBLDF Defender, we are working on both ends of the Charles Brownstein, Executive Director torsspectrum who byface providing the threat vital educationof censorship. about the We people monitor whose worklegislation expanded free exBOARD- Alex OF Cox, DIRECTORS Deputy Director pression while simultaneously fighting all attempts to censor creative work in comics.Larry Marder,Betsy Gomez, President Editorial Director and challenge laws that would limit the First Amendment. Maren Williams, Contributing Editor In this issue, we work the former end of the spectrum with a pair of articles spotlightMilton- Griepp, Vice President We create resources that promote understanding of com- Jeff Abraham,Caitlin McCabe,Treasurer Contributing Editor ing the pioneers who advanced diverse content. On page 10, “Profiles in Black Cartoon- Dale Cendali,Robert SecretaryCorn-Revere, Legal Counsel icsing” and introduces the rights you toour some community of the cartoonists is guaranteed. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
The Birth of Brain Wave Vibration
BWV_part1_3rdedition_ND.indd 1 10/22/09 11:02:49 AM BWV_part1_3rdedition_ND.indd 2 10/22/09 11:02:50 AM BWV_part1_3rdedition_ND.indd 3 10/22/09 11:02:51 AM BEST Life Media 6560 Highway 179, Ste. 114 Sedona, AZ 86351 www.bestlifemedia.com 1-877-504-1106 Copyright © 2009 by Ilchi Lee All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without permis- sion in writing from the publisher. This book should be regarded as a reference source and is not intended to re- place professional medical advice. Seek the advice of your physician before beginning this or any other fitness program. The author and the publisher dis- claim any liability arising directly or indirectly from the use of this book. Second paperback edition: November 2009 Library of Congress Control Number: 2009939001 ISBN-13: 978-1-935127-36-9 ISBN-10: 1-935127-36-5 If you are unable to order this book from your local bookseller, you may order through www.bestlifemedia.com or www.amazon.com. Printed on 30% post-consumer recycled paper. BWV_part1_3rdedition_ND.indd 4 10/22/09 11:02:51 AM For the many people working to create health, happiness, and peace in the world. BWV_part1_3rdedition_ND.indd 5 10/22/09 11:02:51 AM A human being is a part of the whole, called by us universe, a part limited in time and space. He experiences himself, his thoughts, and feelings as something separated from the rest—a kind of optical delusion of his consciousness. -
The World Needs You Be a Leader for Peace
the world needs you Be a leader for Peace join us to gear uP and get ready world Peace leadershiP II winter term (january 8–14, 2018) www.ibreafoundation.org/wpl What is the program about? The purpose of taking this program is to take the time to focus on yourself, recover your character and integrity, and identify your role to contribute to IBREA FOUNDATION’s vision of healing the world one person at a time. The program takes place in a beautiful natural setting in the North of New Zealand. Groups are international and multicultural, thus mak- ing the experience more rich and insightful. The organizations founded by Ilchi Lee, including but not limited to IBREA FOUNDATION, are geared solely towards that purpose, so we invite you to consider taking a part of these or- ganizations after the program and engage in activities such as: • Volunteer in the Earth Village in New Zealand • Take more training programs through IBREA FOUNDATION a journey towards recovering • Volunteer in IBREA FOUNDATION’s projects in New York, Central America, or Africa our human nature to solve • Work at IBREA FOUNDATION as a staff member our world’s problems Who is it for? This program is for people who: • Resonate with IBREA FOUNDATION’s vision • Want to understand and experience deeply the educational and training methods applied for such vision • Want to be a part of and take action for such vision Some of you may feel like you really lost touch with your- selves, some may feel more connected. Some of you may feel like you don’t really want to “change the world,” but rather focus on smaller scale goals. -
The Era of Mental Health: a New Health Paradigm in Europe
IBREA REPORT The Era of Mental Health: A New Health Paradigm in Europe Volume 10 | May 2018 IBREA, International Brain Education Association IBREA understands that the science and technology of today came from the human brain and believes that the key to solving the crisis we face today also lies in the human brain. Based on this understanding, IBREA was established with the purpose of creating a better future for the humankind by sharing the philosophy, principles of Brain Education. IBREA is a Non-governmental Organization associated with the United Nations Department of Public Information, and has participated to the UN Global Compact since 2009. Contents The Era of Mental Health: A New Health Paradigm in Europe 01 The International Brain Education Conference was held in London, attended by over 300 people from 12 countries in Europe. 04 [Interview] Jung Hee Jun, the Director of the Integrated Headquarters of the Body & Brain, Europe 06 [Interview with a participating country I] Katrien Boucique in Belgium A side-effect of universal medical care is the excessive dependence on the medical system 08 [Interview with a participating country II] Aleksandra and Peter Mason in Poland Belly Button Healing, a brain health method addressing intestinal health, receives positive reviews on a TV show in Poland 11 [Interview with a participating country III] Sang-woo Park in Russia Brain Education is an educational system designed to develop the potential of the brain. 13 [Interview with a participating country IV] Jan Sladek in Slovakia Discovering my own value is the most important life skill to create a happy and fulling life. -
Company A, 276Th Infantry in World War Ii
COMPANY A, 276TH INFANTRY IN WORLD WAR II FRANK H. LOWRY Library of Congress Catalogue Card Number 94-072226 Copyright © 1991, 1994,1995 by Frank H Lowry Modesto, California All rights reserved ACKNOWLEDGMENTS This writing was started in 1945 in Europe following the cessation of hostilities that brought about an end to World War II. Many of the contributors were still together and their wartime experiences were fresh in their memories. It is the first hand account of the men of Company A, 276th Infantry Regiment, 70th Infantry Division which made history by living and participating in the bitter combat of the Ardennes-Alsace, Rhineland and Central Europe Campaigns. I humbly acknowledge my gratitude to the many veterans of those campaigns who provided valuable contributions to this book. A special note of appreciation goes to the following former soldiers of Company A who contributed significantly to this work. Without their input and guidance, this book could not have been written. Richard Armstrong, Hoyt Lakes, Minnesota Russell Causey, Sanford, North Carolina Burton K. Drury, Festus, Missouri John L. Haller, Columbia, South Carolina Daniel W. Jury, Millersburg, Pennsylvania Lloyd A. Patterson, Molalla, Oregon William J. Piper, Veguita, New Mexico Arthur E. Slover, Salem, Oregon Robert I. Wood, Dallas, Texas The assistance of Edmund C. Arnold, author and Chester F. Garstki, photographer of “The Trailblazers,” was very helpful in making it possible to illustrate and fit the military action of Company A into the overall action of the 70th Infantry Division. A word of thanks goes to Wolf T. Zoepf of Pinneberg, Germany for providing significant combat information from the point of view of those soldiers who fought on the other side. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
February 10, 2009 (XVIII:5) Jack Clayton the INNOCENTS (1961, 100 Min)
February 10, 2009 (XVIII:5) Jack Clayton THE INNOCENTS (1961, 100 min) Directed and produced by Jack Clayton Based on the novella “The Turn of the Screw” by Henry James Screenplay by William Archibald and Truman Capote Additional scenes and dialogue by John Mortimer Original Music by Georges Auric Cinematography by Freddie Francis Film Editing by Jim Clark Art Direction by Wilfred Shingleton Deborah Kerr...Miss Giddens Peter Wyngarde...Peter Quint Megs Jenkins...Mrs. Grose Michael Redgrave...The Uncle Martin Stephens...Miles Pamela Franklin...Flora Clytie Jessop...Miss Jessel Isla Cameron...Anna JACK CLAYTON (March 1, 1921, Brighton, East Sussex, England, UK—February 26, 1995, Slough, Berkshire, England, UK) had 10 writing credits, some of which are In Cold Blood (1996), Other directing credits: Memento Mori (1992), The Lonely Passion of Voices, Other Rooms (1995), The Grass Harp (1995), One Judith Hearne (1987), Something Wicked This Way Comes Christmas (1994), The Glass House (1972), Laura (1968), In Cold (1983), The Great Gatsby (1974), Our Mother's House (1967), Blood (1967), The Innocents (1961), Breakfast at Tiffany's (1961), The Pumpkin Eater (1964), The Innocents (1961), Room at the Beat the Devil (1953), and Stazione Termini/Indiscretion of an Top (1959), The Bespoke Overcoat (1956), Naples Is a Battlefield American Wife (1953). (1944). DEBORAH KERR (September 30, 1921, Helensburgh, Scotland, JOHN MORTIMER (April 21, 1923, Hampstead, London, England, UK—October 16, 2007, Suffolk, England, UK) has 53 Acting UK—January 16, 2009, Oxfordshire, England, UK) has 59 Credits. She won an Honorary Oscar in 1994. Before that she had writing credits, some of which are In Love and War (2001), Don six best actress nominations: The Sundowners 1959, Separate Quixote (2000), Tea with Mussolini (1999), Cider with Rosie Tables (1958), Heaven Knows, Mr. -
Portrayals of Police and Crime in Japanese Anime and Manga
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository ALL THE EVIL OF GOOD: PORTRAYALS OF POLICE AND CRIME IN JAPANESE ANIME AND MANGA By Katelyn Mitchell Honors Thesis Department of Asian Studies University of North Carolina at Chapel Hill April 23, 2015 Approved: INGER BRODEY (Student’s Advisor) 1 “All the Evil of Good”: Portrayals of Police and Crime in Japanese Anime and Manga By Katelyn Mitchell “Probity, sincerity, candor, conviction, the idea of duty, are things that, when in error, can turn hideous, but – even though hideous, remain great; their majesty, peculiar to the human conscience, persists in horror…Nothing could be more poignant and terrible than [Javert’s] face, which revealed what might be called all the evil of good” -Victor Hugo, Les Misérables Volume I, Book VIII, Chapter III: “Javert Satisfied” Abstract This thesis examines and categorizes the distinct, primarily negative, portrayals of law enforcement in Japanese literature and media, beginning with its roots in kabuki drama, courtroom narratives and samurai codes and tracing it through modern anime and manga. Portrayals of police characters are divided into three distinct categories: incompetents used as a source of comedy; bland and consistently unsuccessful nemeses to charismatic criminals, used to encourage the audience to support and favor these criminals; or cold antagonists fanatically devoted to their personal definition of ‘justice’, who cause audiences to question the system that created them. This paper also examines Western influences, such as Arthur Conan Doyle’s Sherlock Holmes and Victor Hugo’s Inspector Javert, on these modern media portrayals. -
Bibliographie Mangas (480 Ex)
CDI Lycée Mounier – Novembre 2017 Bibliographie Mangas (480 ex) AKAMATSU, Ken. Love Hina T1 à T14 (série en 14 tomes à lire dans l'ordre/12 ans) Pas facile pour un jeune homme timide et pas du tout sûr de lui de se retrouver gérant d'une pension pour jeunes filles ! Surtout quand les pensionnaires ont tendance à jouer les chipies avec lui... C'est ce qui arrive au malheureux Keitaro, héros bien malgré lui de cette histoire. Il est vraiment attachant, ce Keitaro. Dommage qu'il soit si mal à l'aise avec les filles et qu'il échoue systématiquement dans ses examens d'entrée à l'université de Tokyo d'autant plus qu'il avait promis à une amie d'enfance d'y entrer avec elle... Un manga sympa et plein de fantaisie, version édulcorée de la comédie américaine Friends. Sens de lecture japonais. ARAKAWA, Hiromu. Fullmetal Alchemist T1 à T27 (série en 27 tomes/12 ans) À une époque lointaine, deux adolescents s’adonnent à l’alchimie. La loi centrale de cette magie reprend le vieux principe de « rien ne se perd, rien ne se crée : tout se transforme ». En voulant ramener à la vie leur mère, morte de chagrin, ils perdent chacun plusieurs de leurs membres. Leur quête sera désormais simple : trouver la pierre philosophale afin de retrouver leurs corps originaux. Ce manga culte au Japon depuis 2002 est servi par un scénario à rebondissements et des dessins dans le plus pur style shonen (manga pour garçons). Une série d’héroïc Fantasy diablement efficace. Sens de lecture japonais. -
FANIME CON 2015 Extremely Hard Take Home Anime Quiz
FANIME CON 2015 Extremely Hard Take Home Anime Quiz December 27, 2014 NAME ____________________________ BADGE NUMBER __________________ RULES 1. You may begin as soon as you receive the quiz. 2. You must turn this quiz in to Ronald Mar before or between 07:00 p.m. and 08:00 p.m. on Saturday, May 23, 2015 in Hyatt (Salon 1 & 2) 3. You must print your real name and badge number on your entry. 4. Mailed entries do not require a badge number. 5. Mailed entries must be received by Monday, May 18. 2015 at: Extremely Hard Anime Quiz P.O. Box 78690 Seattle, WA 981780690 6. This quiz consists of fifty multiplechoice questions. 7. All questions have only one correct answer. 8. Some questions may have no answers that are precisely correct in which case you are to circle the best (most correct) answer. 9. This quiz is open book and open notes. Participants may use any resources to answer the questions, including each other. 10. Unless otherwise noted in the question, if there is a difference between the English dubbed version and the subtitled version, the subtitled version shall prevail. 11. Selected answers must be circled. Xs, obliterations and overstrikes will be considered answers that the participant has rejected. 12. You are encouraged to show your thought process, such as by crossing out wrong answers and writing why you think your answer is correct. This can help you convince the panelist that you are correct should we find some unclear element in the question. 13. Answers must be in black.