Nobiltà Romana Del 1653

Total Page:16

File Type:pdf, Size:1020Kb

Nobiltà Romana Del 1653 BERTUZZI Aristide, La nobiltà romana nel 1653, in “Rivista del Collegio Araldico”, a. 3 (1905), pp. 200-205. Indice onomastico a cura di Claudio De Dominicis Si tratta del censimento ufficiale dei nobili romani divisi per rione di appartenenza e con indicata anche la loro età ed eventualmente il titolo nobiliare. Senza dubbio si tratta di uno degli elementi su cui, in quel secolo, si volevano basare gli ultimi e vani tentativi di rilancio dell’importanza delle famiglie che costituivano ed avevano costituito la classe dirigente dell’amministrazione cittadina, schiacciata e svilita dal forte potere pontificio. Come sappiamo, il conflitto finì con la supremazia definitiva del papa, che interverrà sempre più pesantemente nelle questioni civili. È dunque una sorta di Libro d’oro della nobiltà di Roma, ma senza gli stemmi. …Giovanni Antonio, barone, Pigna Acciajoli Ottaviano, 69, Ponte Accoramboni Mario, 27, Borgo Alaleona Flavio, 79, Trevi Alberici, Giovanni Francesco, 43, Parione Alberici Pietro, 22, Parione Alberini Francesco, 31, Monti Alberini Giacomo, 49, S. Eustachio Alberini Orazio, 74, Monti Albero Gaspare, 26, Trevi Alborghetti Giovanni Battista, 36, Pigna Alli Lelio, 52, Trevi Alli Stefano, cavaliere, 59, Trevi Altieri Antonio Maria, 49, Pigna Altieri Mario, 54, Pigna Altoviti Antonio, 21, Ponte Altoviti Giovanni Francesco, 24, Ponte Amodei Felice, 34, Pigna Angelelli Francesco, 22, Borgo Angelini Ludovico, 24, Campitelli de Anibali Gentile, 62, Ponte de Anibali Giuseppe, 49, Monti Anibali Riccardo, 23, Monti Arca Ottavio, 33, Parione Armentieri Carlo, 64, S. Eustachio Armentieri Gerolamo, 62, S. Eustachio Astalli Tiberio, marchese, 34, Campitelli d’Aste Francesco, 46, Pigna d’Aste Maurizio, 31, Trevi Attavanti Francesco, 49, Campo Marzio Attavanti Giovanni, 49, Campo Marzio dell’Atti Andrea, 44, S. Eustachio Avila Giacomo, 34, Ponte Avila Pietro Paolo, 32 Ponte Bacelli Vincenzo, 34, S. Eustachio Benigni Venanzio, 65, Ripa Bensone Giacomo, 54, Pigna Bensone Giovanni Battista, 37, Pigna Betti Giacomo, 54, Regola Betti Leone, 22, Regola Biscia Urbano, 34, Pigna de Blanchis Baldassarre, 34, Trastevere Boccamazzi – vedi Capogalli Boccamazzi Boccapaduli Curzio, 29, S. Angelo Boccapaduli Desiderio, 34, S. Angelo Boccapaduli Prospero, 24, S. Angelo Boccapduli Teodoro, 59, S. Angelo Boccapduli Tiberio, 26, S. Angelo Bolis Roberto, 54, Trastevere Bolognetti Francesco, 31, S. Eustachio Bolognetti Pietro, 42, Colonna Bolognetti Ulisse, 64, Colonna Bonadies Baldassarre, 29, Trastevere Bonadies Bartolomeo, 48, Trastevere Bonani Giulio, 58, Parione Bonaventura Camillo, 66, Ponte Bonaventura Marco, 48, Trastevere Bonaventura Marco, 26, Ponte Bonaventura Mario, 26, Parione Boncoro Mario, 14, Monti (il più giovane) Bonelli Paolo, 28, Regola Bongiovanni Muzio, 49, Colonna Bongiovanni Orazio, 32, Colonna Branconi Antonio, 29, Trevi Brandano Ferdinando, 44, Parione Brianzi Melchiorre, 36, Trevi del Bufalo Giacinto, 49, Colonna del Bufalo Ottavio, 43, Trevi Buratto Giulio, 79, Trevi Buti Lorenzo, 20, S. Eustachio Caetani Alessandro, …, Trevi Caetani Alessandro, 84, Pigna (il più anziano) Caetani Carlo, di Alessandro, …, Pigna Caetani Carlo Benedetto, 34, Monti Caetani Ippolito, 39, Regola Caetani Muzio, 44, Monti Caetani Pietro, di Alessandro, 32, Pigna Caffarelli Baldassarre, marchese, 49, Campitelli Caffarelli Pietro, 42, S. Eustachio Callemaco Giovanni Francesco, 29, Campitelli Canobio Francesco, 44, Borgo Capizucchi Francesco, 45, Campitelli Capogalli Boccamazzi Francesco, 63, Monti Caponi Berardo, di Francesco, …, Colonna Caponi Francesco, 64, Colonna Cappone Bernardino, 24, Pigna Capponi Americo, di Gino, 24, Trevi Capponi Gino Angelo, 52, Trevi Capranica Bartolomeo, 46, Pigna Capranica Carlo, 22, Monti Capranica Giacinto, 52, Campo Marzio Capranica Lorenzo, di Camillo, 22, Pigna Capranica Luigi, di Camillo, 24, Pigna de Carandini Camillo, 29, Monti Cardelli Carlo, 26, Campo Marzio Carducci Bertoldo, 24, S. Eustachio Carducci Gerolamo, 64, S. Eustachio Carducci Giacinto, 29, S. Eustachio Carducci Isidoro, 21, S. Eustachio Carpegna Giuseppe, 32, Colonna Carpegna Mario, conte, 59, Trevi Carpegna Muzio, 29, Colonna De Castro Francesco, 54, Regola del Cavaliere Emilio, 28, S. Eustachio Cavallerino Guarniero, 59, S. Eustachio Cavalletti Agostino, 64, S. Eustachio Cavalletti Giacomo, 39, S. Eustachio Cecchini – vedi Peretti Cecchini Ceccolini Alessandro, …, Monti Cecolini, Teodoro, 39, Trevi Celsi Fabio, 44, Pigna Cenci Bernardo, 33, Regola Cenci Cristoforo, 34, Regola Cenci Francesco, 34, Regola Cenci serafino, 54, Regola Cenci Virgilio, 49, Regola Cenni Urbano, …, Ponte Ceoli – vedi Ceuli Cerro Francesco, 49, Ponte Cesi Giordano, marchese, 54, Trevi Ceuli Annibale, 29, Borgo Ceuli Tiberio, 53, Trevi Cianti Giovanni, 27, S. Eustachio Cianti Lorenzo, 54, S. Eustachio Cianti Mario, 30, S. Eustachio Cibo Francesco, 24, Borgo Cibo Tommaso, 68, Borgo de Cinque Lorenzo, 23, Trastevere de Cinque Paolo, 51, Trastevere Ciogni Antonio, …, Trevi Ciogni Giovanni Battista, 34, Trevi Citerelli Marco Antonio, 49, Pigna Clavari Cesare, 36, Pigna Clavari Giuseppe, 29, Ripa Clementino Geronimo, 54, Colonna Coccini – vedi Cuccini Collicola Costantino, 52, Campitelli Colonna Cesare, 38, Monti Confalonieri Agostino, 64, Borgo Confalonieri Giovanni Battista, …, Borgo Confalonieri Giuseppe, … Borgo della Corbara Carlo, 29 Parione Costaguti Giovanni Battista, 20, S. Angelo Costaguti Giuseppe, 29, S. Angelo Costaguti Luigi, 34, S. Angelo Crescenzi Marcello, marchese, 54, Colonna Cuccini Ottavio, 64, Campo Marzio Cuccini Vincenzo, 66, Regola de Cuppis Giovanni Domenico, 34, Regola de Cuppis Giuseppe, 44, Ripa del Drago Giovanni Pietro, marchese, 38, Monti Eustacchio Carlo, 52, Campo Marzio Evangelista Bernardo, 38, Campitelli de Fabbi Francesco, 66, S. Angelo de Fabbi Pietro Paolo, di Francesco, 17, S. Angelo de Fabbi de Forbicini Pietro, 54, Monti Fani Carlo Antonio, 26, Colonna Fani Francesco, 42, Colonna Fassina – vedi de Passine de Filippis Giovanni Battista, 33, Ripa Fioravanti Benedetto, 49, Campo Marzio Florenti Giulio, 28, Parione Fonseca Baldassarre, 29, Parione Fonseca Simone, 53, Pigna Forbicini – vedi de Fabbi de Forbicini Foschi Orazio, 27, Pigna Franchini Pietro, 44, S. Eustachio Frangipane Mario, 79, Trevi Gabrielli Mario, 42, Colonna Gailardi Carlo, 44, Pigna Gallo Francesco, 31, Trastevere Gallo Francesco, di Leone, 43, Trevi Garzoni Giovanni Battista, 63, Monti de Gasparis Antonio, 20, Campitelli de Gasparis Giuseppe, 24, S. Angelo Gherardi Marcello, 34, Colonna Gigli Costantino, 44, Campitelli Gigli Giacinto, 54, Campitelli Gilio – vedi Gigli Giustini Pompeo, 81, Monti Gonfalonieri – vedi Confalonieri Gottifredi Francesco, 53, Pigna de Grassi Antonio, 34, Monti Griffi Carlo, 39, Parione Grifone Antonio, 54, Trevi Guarnelli Agolante, 38, Borgo Guarnelli Michelangelo, 44, Borgo Guelfi Giovanni Carlo, 34, Ponte Guidaschi Alfonso, 63, Trevi Iacobelli Angelo, 54, Trastevere Iacovacci Domenico, 53, Campitelli Incoronati – vedi Planca Incoronati Lante Ludovico, 32, Campo Marzio Lanza Carlo Mario, 39, Colonna Leccarola Giovanni, 58, Trevi Leonini Angelo, 28, Colonna Leonini Carlo, 29, Colonna Leonini Vincenzo, 27, Colonna Maccarani Onofrio, 49, Monti Maccarani Paolo, 74, Trevi Maffei Achille, di Agostino, 34, Campo Marzio Maffei Agostino, 74, Campo Marzio Maffei Ottavio, 29, Campo Marzio Maffei Pietro, 35, Campo Marzio de Magistri de Pierleoni Ottavio, 67, Ponte Malvezzi Pietro, marchese, …, Monti Mandosi Giulio, 69, Regola Mandosi Valeriano, …, Campo Marzio Manfrone Giovanni Battista, 30, Colonna Mannini Pietro, 64, Ponte Maraldi Simone Pietro, 54, Campitelli Marciano Marco Antonio, 53, Monti Marescotti Alessandro, 20, Campo Marzio Marescotti Alfonso, 25, Campo Marzio Marescotti Galeazzo, 24, Campo Marzio Marescotti Ludovico, 23, Campo Marzio Marescotti Marco Antonio, 29, Campo Marzio Marescotti Orazio, 22, Campo Marzio Marescotti Sforza, conte, 64, Campo Marzio Margani Onofrio, 52, Regola Marini Vincenzo, marchese, 64, Pigna Massai Celso, 42, Ponte Massaini Luigi, 28, Ponte Massimi Angelo, di Massimo, 30, Campitelli de Massimi Angelo, 44, Parione Massimi Antonio, 34, S. Eustachio de Massimi Domenico, 52, Trastevere Massimi Domenico, di Massimo, 29, Campitelli Massimi Domenico, 26, Ponte de Massimi Fabio, 34, Colonna de Massimi Fabio, di Pietro, 31, Trevi de Massimi Fabrizio, di Pietro, 46, Parione de Massimi Filippo di Pietro, 49, Parione de Massimi Luigi, 30, Trevi de Massimi Mario, di Valerio, 44, Campitelli de Massimi Mario, di Massimo, 21, Campitelli de Massimi Muzio, di Stefano, 28, Campitelli de Massimi Muzio, di Stefano, 21, Monti de Massimi Pietro, 79, Parione de Massimi Stefano, 64, Monti de Massimi de Salamoni Bernardo, 44, Monti Mattei Gerolamo, di Ludovico, 32, S. Angelo Mazzarini Pietro, 73, Monti Melchiorri Francesco, marchese, 31 S. Eustachio Melchiorri Geronimo, 33, S. Eustachio Melchiorri Tommaso, 39, Trevi Mellini Mario, 48, Trevi Mellini Urbano, 54, S. Angelo Mignanelli Alessandro, 59, Trevi Mignanelli Curzio, 52, Parione Mignanelli Geronimo, 24, Colonna Mignanelli Giacomo, 42, Parione Mignanelli Pietro Paolo, 29, Trevi Molara – vedi Valentini de Molara della Molara Annibale, di Tiberio, 30, Monti della Molara Gaspare, di Tebaldo, …, Monti della Molara Gaspare, di Tiberio, …, Trevi della Molara Tiberio, 77, Monti Moroni Antonio, 44, Trastevere Moroni Giulio, …, Trastevere Moroni Valeriano, 69, S. Angelo Musini Arcangelo, 64, Trevi Muti Andrea, 50, Campitelli Muti Curzio, di Geronimo, 26, Trevi Muti Girolamo, 62, Trevi (il conservatore
Recommended publications
  • Planning Versus Fortification: Sangallo's Project for the Defence of Rome Simon Pepper
    Fort Vol. 2 1976 Planning versus fortification: Sangallo's project for the defence of Rome Simon Pepper Since 1527, when Rome had been captured and sacked by the mutinous soldiers of Charles V, it had been clear that the defences of the Papal capital were hopelessly outdated. The walls of the Borgo (the Vatican precinct) were constructed during the pontificate of Leo IV (847-855): those of Trastevere and the left bank, enclosing by far the largest part of the city, dated from the reign of the Emperor Aurelian (AD270-75) [1]. Impressive both for their length and antiquity, these walls were poorly maintained and fundamentally unsuitable for defence against gunpowder artillery. In 1534 the Romans were once again forcefully reminded of their vulnerability when a large Turkish fleet moored off the Tiber estuary. Fortunately the hostile intentions of the Turks were directed elsewhere: after taking on fresh water they sailed north to raid the Tuscan coastline. But in the immediate aftermath of the Turkish scare the newly elected Paul III committed himself to an ambitious scheme of re-fortification. Antonio da Sangallo the Younger, advised by many of the leading architects and soldiers employed by the Pope, was commissioned to submit design proposals [2]. Father Alberto Guglielmotti, the nineteenth-century historian of the Papal armed forces, tells us that Sangallo and his consultants decided to replace the Aurelian wall with a new line of works defending the developed areas on both banks of the river. The 18000 metre Aurelian circumfer- ence was to be reduced by half, a decision which is not difficult to understand when one glances at a contemporary map of the city.
    [Show full text]
  • Falda's Map As a Work Of
    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
    [Show full text]
  • Roman Literature from Its Earliest Period to the Augustan Age
    The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME.
    [Show full text]
  • The Soundscape of the Trevi Fountain in Covid-19 Silence Received Jul 15, 2020; Accepted Sep 28, 2020 1 Introduction
    Noise Mapp. 2020; 7:212–222 Research Article Enza De Lauro*, Mariarosaria Falanga, and Laura Tedeschini Lalli The soundscape of the Trevi fountain in Covid-19 silence https://doi.org/10.1515/noise-2020-0018 Received Jul 15, 2020; accepted Sep 28, 2020 1 Introduction Abstract: This paper is devoted to the analyses of sound- This paper is about the soundscape of the famous Piazza scape at fontana di Trevi in Rome (Italy) with the aim to Fontana di Trevi in Rome. The piazza itself is a culturally compare its characteristics during the Italian lockdown important place, so that a study of the "sound signature" due to the (Sars-COV2) Covid-19 sanitary emergency and its of the fountain is important for heritage studies. In this pa- characteristics before and after such time. The lockdown per we address the differences that can be objectively mea- has represented an exceptional environment due to the sured in very different situations regarding background silence everywhere, never occurred in centuries, offering noise. the opportunity to recognize the "signature" of the sound At the end of December 2019, in a market of Wuhan in the emitted by the famous Fontana di Trevi and recognize Hubei Province (China), there was a first documented case how it interacts with other features. The signature is im- of anomalous pneumonia, thereafter denominated Covid- portant for preservation issues and cultural heritage. The 19 disease. On January 9, 2020, the Chinese CDC reported soundscape was documented in a field survey by means of that this anomalous pneumonia was due to a new coro- hand held microphones, which acquired simultaneously navirus that was responsible of a Severe Acute Respira- the acoustic wavefield all around the fountain.
    [Show full text]
  • ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
    ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I.
    [Show full text]
  • Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
    Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today.
    [Show full text]
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
    [Show full text]
  • Extraordinary Jubilee of Mercy 2015-2016
    EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary.
    [Show full text]
  • Trastevere Guide
    e-mail [email protected] web www.rome-accommodation.net Via Uffici del Vicario 33 – 00186 Roma – Italy - Tel (+39) 06 87450447 opening hours: 09.00 – 13.00 / 15.00- 18.00 TRASTEVERE AREA GUIDE Things to do in Rome | Visit our blog : blog.rome-accommodation.net/it/ Trastevere è il quartiere storico di Roma, dove è possibile ancora trovare l’autentico spirito romano. Di mattina fate una passeggiata nelle vecchie botteghe e nei suoi stretti e tortuosi vicoletti, potrete davvero vivere come un romano. Di sera il quartiere cambia completamente aspetto. E’ qui che si trovano le migliori trattorie di cucina romana, dove poter assaggiare i nostri piatti tipici come la pasta alla Carbonara o all’Amatriciana. Dopo cena potete continuare la serata in uno dei numerosi bar che affollano il quartiere. E’ la zona ideale per chi vuole vivere la città di giorno e di notte! Ecco i nostri appartamenti situati nel quartiere di Trastevere: GIANICOLO – Grande casa vacanze con 3 camere su viale Trastevere. TRASTEVERE – Appartamento per 4 persone, per famiglie o gruppi di amici. Practical information ADDRESS TEL COMMENTS Bus station Viale Trastevere: Line 3-8-H-780 Taxi station Piazza Mastai Piazza Belli 06 5815667 Taxi by phone Samarcanda 06 5551 Autoradiotaxi Roma 06 3570 Radiotaxi La Capitale 06 4994 MyTaxy www.mytaxy.com App to download Taxi to the airports Driver4You 06 87450447 Open Mon-Fri 9-13/15-18 Post Office Via Giacomo Venezian, 18G 06 589 7964 Open Mon-Fri 8.20-13.25 Sat 8.20-12-35 Largo San Giovanni de Matha 4 06 5899079 Open Mon-Fri
    [Show full text]
  • Print Contact Sheet
    Italy - Rome Group 3 (S to Z) Sant'Andrea della Valle #2187 1650 Sant'Andrea della Valle #2189 1650 Sant'Andrea della Valle #2195 1650 Santo Spirito #3486 12th-13th c Spanish Steps #3514 1725 Spanish Steps #3517 1725 Spanish Steps #4303 1725 St Ignatius Church #2230 1626-1650 Italy - Rome Group 3 (S to Z) St Ignatius Church #2233 1626-1650 St Ignatius Church #2234 1626-1650 St Louis of the French #6550 1510-1589 St Louis of the French #6607 1510-1589 St Louis of the French #6613 1510-1589 St Louis of the French #6622 1510-1589 St Pantaleo and St Joseph Church #4801 St Pantaleo and St Joseph Church #4803 Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #4991 1506 St Peter's Easter Sunday #5002 Obelisk 37 BC Egypt St Peter's Easter Sunday #5003 St Peter's Easter Sunday #5007 March 31, 2013 St Peter's Easter Sunday #5013 March 31, 2013 St Peter's Easter Sunday #5018 St Peter's Easter Sunday #5019 St Peter's Easter Sunday #5020 March 31, 2013 Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #5024 March 31, 2013 St Peter's Easter Sunday #5027 March 31, 2013 St Peter's Easter Sunday #5032 March 31, 2013 St Peter's Easter Sunday #5034 March 31, 2013 St Peter's Easter Sunday #5037 March 31, 2013 St Peter's Easter Sunday #5056 March 31, 2013 St Peter's Easter Sunday #5079 Pope Francis St Peter's Easter Sunday #5079a 2013 March Pope Francis Italy - Rome Group 3 (S to Z) St Peter's Easter Sunday #5093 March 31, 2013 St Peter's Easter Sunday #5106 March 31, 2013 St Peter's Easter Sunday #5111 March 31, 2013 Sts Claudio and Andrea of Borgognoni
    [Show full text]
  • Sacred Image, Civic Spectacle, and Ritual Space: Tivoli’S Inchinata Procession and Icons in Urban Liturgical Theater in Late Medieval Italy
    SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY by Rebekah Perry BA, Brigham Young University, 1996 MA, University of Massachusetts Amherst, 2006 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts & Sciences This dissertation was presented by Rebekah Perry It was defended on October 28, 2011 and approved by Franklin Toker, Professor, History of Art and Architecture Anne Weis, Professor, History of Art and Architecture Bruce Venarde, Professor, History Alison Stones, Professor, History of Art and Architecture ii Copyright © by Rebekah Perry 2011 iii SACRED IMAGE, CIVIC SPECTACLE, AND RITUAL SPACE: TIVOLI’S INCHINATA PROCESSION AND ICONS IN URBAN LITURGICAL THEATER IN LATE MEDIEVAL ITALY Rebekah Perry, PhD University of Pittsburgh, 2011 This dissertation examines the socio-politics of urban performance and ceremonial imagery in the nascent independent communes of late medieval Lazio. It explores the complex manner in which these central Italian cities both emulated and rejected the political and cultural hegemony of Rome through the ideological and performative reinvention of its cult icons. In the twelfth century the powerful urban center of Tivoli adopted Rome’s grandest annual public event, the nocturnal Assumption procession of August 14-15, and transformed it into a potent civic expression that incorporated all sectors of the social fabric. Tivoli’s cult of the Trittico del Salvatore and the Inchinata procession in which the icon of the enthroned Christ was carried at the feast of the Assumption and made to perform in symbolic liturgical ceremonies were both modeled on Roman, papal exemplars.
    [Show full text]
  • Stra D E V Ic Oli Piazze Chie Se O Ra Torj Pub B Lici 1 Sant'andrea E
    Type/element Original name English translation Number Rione Strade Vicoli Piazze Chiese Oratorj Pubblici 1 Sant'Andrea e Bernardino dei Rigattieri Junk dealers 70 1 Monti 1 S. Lorenzo in Miranda degli Speziali Pharmacist 81 1 Monti 1 Piazza delle Carrette Carts (produce market) 87 1 Monti 1 Sant'Agata dei Tessitori Fabric weavers 92 1 Monti 1 S. M. del Riscatto degli Acquavitari e Tabaccari Spirit- and Tobacco-sellers 95 1 Monti 1 SS. Martina e Luca de’ Pittori Painters 97 1 Monti 1 Vicolo de’ Carbonari Charcoal-sellers 104 1 Monti 1 Piazza di Macel di Corvi Slaughter house (Butcher) 112 1 Monti 1 Strada delle Carrette Carts (produce market) 142 1 Monti 1 S. M. di Loreto de’ Fornari Italiani Bakers 274 2 Trevi 1 Piazza de' due Macelli Two slaughter houses 369 3 Colonna 1 Strada de’ Sediari Chair makers 414 4 Campomarzo 1 Strada delle Carrozze Coach renters 417 4 Campomarzo 1 SS. Biagio e Cecilia de' Materassari Mattress-makers 450 4 Campomarzo 1 Strada del Macello Slaughter house (Butcher) 458 4 Campomarzo 1 Piazza delle Carrette Carts (produce market) 464 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 495 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 496 4 Campomarzo 1 Vicolo de’ Cimatori Fabric-croppers 554 5 Ponte 1 Strada de’ Coronari Crown/rosary-makers 585 5 Ponte 1 S. Biagio degli Osti Hosts 592 5 Ponte 1 Santa Elisabetta Un. Garzoni Ted. Fornari Baker’s boys 631 6 Parione 1 Strada de’ Chiavari Key-makers 632 6 Parione 1 Santa Barbara de’ Librari Booksellers 634 6 Parione 1 Piazza Pollaroli Poultry-sellers 639 6 Parione 1 Strada de’ Baullari Trunk -makers 640 6 Parione 1 Vicolo de’ Leutari Lute-makers 644 6 Parione 1 Piazza de' Cimatori Fabric croppers 648 6 Parione 1 Vicolo de’ Cartari Paper-makers 658 6 Parione 1 Vicolo de’ Cappellari Hat-makers 685 7 Regola 1 Sant’Eligio degli Orefici Goldsmiths 690 7 Regola 1 S.
    [Show full text]