DOCSLIB.ORG

Trastevere Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Trastevere Guide e-mail [email protected] web www.rome-accommodation.net Via Uffici del Vicario 33 – 00186 Roma – Italy - Tel (+39) 06 87450447 opening hours: 09.00 – 13.00 / 15.00- 18.00 TRASTEVERE AREA GUIDE Things to do in Rome | Visit our blog : blog.rome-accommodation.net/it/ Trastevere è il quartiere storico di Roma, dove è possibile ancora trovare l’autentico spirito romano. Di mattina fate una passeggiata nelle vecchie botteghe e nei suoi stretti e tortuosi vicoletti, potrete davvero vivere come un romano. Di sera il quartiere cambia completamente aspetto. E’ qui che si trovano le migliori trattorie di cucina romana, dove poter assaggiare i nostri piatti tipici come la pasta alla Carbonara o all’Amatriciana. Dopo cena potete continuare la serata in uno dei numerosi bar che affollano il quartiere. E’ la zona ideale per chi vuole vivere la città di giorno e di notte! Ecco i nostri appartamenti situati nel quartiere di Trastevere: GIANICOLO – Grande casa vacanze con 3 camere su viale Trastevere. TRASTEVERE – Appartamento per 4 persone, per famiglie o gruppi di amici. Practical information ADDRESS TEL COMMENTS Bus station Viale Trastevere: Line 3-8-H-780 Taxi station Piazza Mastai Piazza Belli 06 5815667 Taxi by phone Samarcanda 06 5551 Autoradiotaxi Roma 06 3570 Radiotaxi La Capitale 06 4994 MyTaxy www.mytaxy.com App to download Taxi to the airports Driver4You 06 87450447 Open Mon-Fri 9-13/15-18 Post Office Via Giacomo Venezian, 18G 06 589 7964 Open Mon-Fri 8.20-13.25 Sat 8.20-12-35 Largo San Giovanni de Matha 4 06 5899079 Open Mon-Fri 8.20-13.25 Sat 8.20-12-35 Change / Bank Banca Intesa Piazza Sonnino 17 06 5839341 Banca di Credito Piazza Giuseppe Gioacchino Belli, 2 06 5286 5366 Cooperativo Unicredit Viale Trastevere 95 06 8782 0306 Newspaper kiosks Piazza Sonnino Piazza Mastai Piazza Santa Maria in trastevere Piazza San Cosimato Tobacconists Via del Moro, 39 Piazza San Cosimato 51 Bus tickets available Via Natale del Grande, 43 Luggage Deposit Ostiense Train station Piazzale dei Partigiani 06.47306275 Open 7/7 5.20-24.20 City Lockers Via della Lungaretta 22 3297762385 Open 7/7 8.00-24.00 Stow your bags Vicolo Santa Margherita 5 06.62270110 Open 7/7 8.00-20.00 Bagbnb https://bagbnb.com Find shops that offer storage service Internet point Global Service Piazza Sonnino 27 06 58333316 Open 7/7 8.00-24.00 Il Mastello Via San Francesco a Ripa 62 Open 7/7 7.30-20.00 Open World System Corso Vittorio Emanuele II, 274 06 68192051 Open 7/7 8.00-20.00 Internet point San Viale Trastevere 80E 06 6456 2071 Porta Portese area Giorgio Pharmacy Farmacia S.Agata Piazza Sonnino 47 06 5803715 Open Mon-Sat 8.30-20 Sun 12-20 Farmacia Trastevere Viale Trastevere 80 06 5810259 Open 7/7 24 hours Farmacia San Gallicano Via di S. Gallicano, 23 06 589 5764 Open 7/7 24 hours Farmacia S. Maria Piazza S. Maria Trastevere 7 06 5803776 Open Mon-Sat 8-21 Sun Trastevere 10-20 Car Parking GarageTrastevere Via delle Mura Portuensi 25 06 5803119 Open 7/7 24 hours Trastevere Parking Via dei Marescotti, 6 06 5803884 Open 7/7 24 hours Terminal Gianicolo Via Urbano VIII 16/C 06 6840331 Open 7/7 7.00-1.30 Laundry service Il Mastello Via San Francesco a Ripa 62 Open 7/7 7.00-22.30 Il Mastello Via della Pelliccia 35 Open 7/7 7.00-22.30 Scooter & Bike rental Rome for you Via di San Calisto 9 06 45433789 Open 7/7 9.30-20.00 Roma rent bike Via di S. Paolo alla Regola 33 06 88922365 Open 7/7 9.30-19.00 Bici e Baci Via Cavour 302 06 9453 9240 Open 7/7 8.00-19.00 Useful Numbers / Emergencies ADDRESS TEL COMMENTS Tourist Information The service is available in all 060608 You can buy tickets to CALL CENTER languages 7/7 9.30-22.30 many of the museums, exhibitions, theatres and events in Rome (www.060608.it) Tourist information Piazza Sonnino Open 7/7 9.30-19.30 points Police Emergency 113 Free access from any phone Trastevere station Via San Francesco a Ripa 64 06 5839141 Carabinieri Emergency 112 Free access from any phone Trastevere station Via Morosini 24 06 58520900 Fire Department 115 Free access from any phone Emergencies - First 118 Free access from any Aid phone English speaking http://www.doctorsinitaly.com 06 6790695 English speaking doctors on clinic appointment Italgas 800 900 999 Gas problems Acea 800 130 332 Electricity problems Entertainment ADDRESS TEL COMMENTS Cinemas Get the program buying “Roma c’è” at the newspaper kiosk Sala Troisi Via Induno 1 Intrastevere Vicolo Moroni 3 06 5884230 Nuovo Sacher Largho Ascianghi 1 06 5818116 Reale Piazza Sonnino 7 06 5810234 Roma Piazza Sonnino 37 06 5812884 Theatres Teatro dell’Opera Piazza Beniamino Gigli 1 06 48160255 www.opera.roma.it Teatro Argentina Largo di Torre Argentina 52 06.688000345 www.teatrodiroma.net Teatro dell’orologio Via dei Filippini 17 06.6875550 Avant-garde theatre Teatro Sistina Via Sistina 129 06.4200711 Broadway style Auditorium Parco della Viale Pietro de Coubertin 10 06 80242350 Classical music, concerts Musica www.auditorium.com Clubs & gigs Big Mama Via San Francesco a Ripa 18 06 5812551 Blues & Jazz Freni & Frizioni Lungotevere Raffaello Sanzio 1 06 58334210 Lounge, chill out Good Via di Santa Dorotea 8/9 06 97277979 Soft house & hip hop Lettere Caffè Via San Francesco a Ripa 100 06 58334379 Live music & dj-set B>Gallery Piazza Santa Cecilia 16 06 58334365 Bar/Art gallery Beige Via del Politeama, 13 347 389 1974 Live music and dj-set No Stress Brasil Via degli Stradivari 06 58335015 Caribbean music All about food ADDRESS TEL COMMENTS Supermarket Conad Viale Trastevere 62 06 58300061 Open Mon-Sat 8.30-20.00 Sun 9.30-13.30/16-20 Panella Via Natale del Grande 18 06 58332525 Open Mon-Sat 9.00-21.00 Todis discount Via Natale del Grande 24 06 58332495 Open Mon-Sat 8.00-20.00 Sun 9.00-13.00 Market / Grocery Open food market Piazza San Cosimato Open Mon-Sat 8.00-13.00 Frutteria Er Cimotto Piazza di S. Giovanni della Malva, 6 06 5806460 Fruits & vegetables Trastevere Bio Via di Santa Dorotea 11 06 5815331 Organic food Canestro Via San Francesco a Ripa 105 06 5812621 Organic food Signorini Via San Francesco a Ripa 50 06 5812764 Butchery Fratelli Longhi Via San Francesco a Ripa 19 Alimentari Antica Frutteria Via della Lungaretta 17 Fruits & vegetables Food Delivery service Deliveroo https://deliveroo.it/en/ Choose the nearest JustEat http://www.justeat.it/ restaurant and place your order online Bakery La Renella Via del Moro 15 06 5817265 Il Panettiere Piazza San Cosimato 45 Panetteria romana Via della Lungaretta, 28/ Cake shop Innocenti Via della Luce 21/a 06 5803926 Pasticceria Trastevere Via Natale del Grande 49 06 5818719 Valzani Via del Moro 37 06 5803792 Checco Er Carrettiere Via Benedetta 7 06 5811413 Bar & Pastries Ice cream Fiordiluna Via della Lungaretta 96 06 64561314 Cremì Vicolo de' Cinque, 17 06 5833 4159 La fonte della Salute Via Cardinale Marmaggi, 2 06 4566 5541 Organic & vegan ice cream Wine bar - Pubs A tempo perso Via della Luce 63 339 1855696 Selfie Now Bistrò Via Natale del Grande 6/7 06 588 1639 Bali oriental pub Via del Mattonato 29 06 5896089 Big Hilda pub Vicolo del Cinque 33 06 5803303 VinAllegro Piazza Giuditta Tavani Arquati, 114 06 5895802 Enoteca Ferrara Piazza Trilussa 41 06 58333920 Ombre Rosse Piazza Sant’Egidio 12 06 5884155 Birreria Trilussa Via Benedetta 18 06 5819067 Lunch / Take away Giselda Viale Trastevere 52/58 06 45665090 Pizza / Lunch La Prosciutteria Via della Scala, 71 06 6456 2839 Forno La Renella Via del Moro 15-16 06 5817265 Pizza Shisha e Kebab Via di S. Francesco a Ripa, 165 389 0514689 Restaurants Ai Spaghettari Piazza San Cosimato 58/60 06 5800450 All kind of Spaghetti - €25 Alberto Ciarla Piazza San Cosimato 40 06 5818668 Gourmet restaurant €70-90 Da Augusto Piazza De Renzi 15 06 5803798 Roman cuisine €20-30 Roma Sparita Piazza di Santa Cecilia, 24 06 5800757 Roman trattoria Enzo al 29 Via dei Vascellari, 29 06 5812260 Reservation recommended Dar Poeta Vicolo del Bologna 45 06 588 0516 Excellent Pizzeria €15-20 Ivo a Trastevere Via San Francesco a Ripa 158 06 5817082 Pizzeria €15-20 Ai Marmi Viale Trastevere 53 06 5800919 Pizzeria €15-20 Le Mani in Pasta Via Dei Genovesi, 37 06 5816017 Fish restaurant, € 30 Paris Piazza San Calisto 7a 06 5815378 €50 La Gensola Piazza della Gensola 15 06 5816312 Fish restaurant La Punta Expendio de Via S. Cecilia 8 065816665 Indian restaurant Agave Da Lucia Vicolo del Mattonato 2B 06 5803601 Roman trattoria Alle fratte di Trastevere Via delle Fratte di Trastevere 49 06 5835775 Roman trattoria Sottosopra Via Di Ponte Sisto, 67 06 5894554 Roman trattoria All about shopping! The most interesting shops in the city centre ADDRESS COMMENTS Clothes O-Bag Piazza del Parlamento 38 Pantheon area Degli Effetti Piazza Capranica 93 Pantheon area Vertigo Via del Gesù 71 Pantheon area Le Artigiane Via di Torre Argentina 72 Pantheon area Sirni (leather workshop) Via della Stelletta 33 Pantheon area Mado Via del Governo Vecchio 89A Navona area Kolby Via del Governo Vecchio 63 Navona area Momento Piazza Cairoli 9 Campo de Fiori area Mondello Ottica Via del Pellegrino 98 Campo de Fiori area Rachele Vicolo del Bollo 6/7 Campo de Fiori area Kokoro Via Del Boschetto 75 Monti area Testaccio Market Piazza Testaccio Testaccio area – Mon-Sat 7.30-14 Borghetto Flaminio Piazza della Marina 32 Flaminio area Market Sun 10-19 Porta Portese Piazza Ippolito Nievo / Trastevere area Via Portuense Sun 7 -14 Bookshops Libreria del Viaggiatore Via del Pellegrino 78 Campo de Fiori area Hollywood Via di Monserrato 107 Campo de Fiori area Altroquando Via del Governo Vecchio, 8 Piazza Navona Houseware C.u.c.i.n.a.
Load more

Recommended publications
  • Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere)
    DALE KINNEY Liturgy, Space, and Community in the Basilica Julii (Santa Maria in Trastevere) Abstract The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies ‘rewired’ their participants. This paper demon- strates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors – the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community – are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific case of the Basilica Julii, showing how these three factors interacted in the con- crete conditions of a particular titular church. The basilica’s early Christian liturgical layout endured until the ninth century, when it was reconfigured by Pope Gregory IV (827-844) to bring the liturgical sub-spaces up-to- date. In Pope Gregory’s remodeling the original non-hierarchical layout was replaced by one in which celebrants were elevated above the congregation, women were segregated from men, and higher-ranking lay people were accorded places of honor distinct from those of lesser stature. These alterations brought the Basilica Julii in line with the requirements of the ninth-century papal stational liturgy. The stational liturgy was hierarchically orga- nized from the beginning, but distinctions became sharper in the course of the early Middle Ages in accordance with the expansion of papal authority and changes in lay society.
    [Show full text]
  • Falda's Map As a Work Of
    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
    [Show full text]
  • Spolia from the Baths of Caracalla in Sta. Maria in Trastevere Dale Kinney Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 1986 Spolia from the Baths of Caracalla in Sta. Maria in Trastevere Dale Kinney Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Custom Citation Kinney, Dale. 1986. " Spolia from the Baths of Caracalla in Sta. Maria in Trastevere." The Art Bulletin 68.3: 379-397. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/90 For more information, please contact [email protected]. Spolia from the Baths of Caracallain Sta. Maria in Trastevere Dale Kinney Eight third-century Ionic capitals with images of Isis, Serapis, and Harpocrates, now in the nave colonnades of Sta. Maria in Trastevere, were taken from one or both of the rooms currently identified as libraries in the Baths of Caracalla. The capitals were transferred around 1140, when the church was rebuilt by Pope In- nocent II. The capitals would have been acquired by confiscation, juridically the pope's prerogative as head of the papal state; the lavish display of all kinds of spolia in Sta. Maria in Trastevere is here interpreted as a self-conscious demon- stration of that prerogative. The identity of the capitals' pagan images would have been unknown to most twelfth-century observers, because the only accessible keys to the correct identifications were one sentence in Varro's De lingua latina and another in Saint Augustine's De civitate Dei.
    [Show full text]
  • Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century
    Patrizio Pensabene Architectural Spolia and Urban Transformation in Rome from the Fourth to the Thirteenth Century Summary This paper is a historical outline of the practice of reuse in Rome between the th and th century AD. It comments on the relevance of the Arch of Constantine and the Basil- ica Lateranensis in creating a tradition of meanings and ways of the reuse. Moreover, the paper focuses on the government’s attitude towards the preservation of ancient edifices in the monumental center of Rome in the first half of the th century AD, although it has been established that the reuse of public edifices only became a normal practice starting in th century Rome. Between the th and th century the city was transformed into set- tlements connected to the principal groups of ruins. Then, with the Carolingian Age, the city achieved a new unity and several new, large-scale churches were created. These con- struction projects required systematic spoliation of existing marble. The city enlarged even more rapidly in the Romanesque period with the construction of a large basilica for which marble had to be sought in the periphery of the ancient city. At that time there existed a highly developed organization for spoliating and reworking ancient marble: the Cos- matesque Workshop. Keywords: Re-use; Rome; Arch of Constantine; Basilica Lateranensis; urban transforma- tion. Dieser Artikel bietet eine Übersicht über den Einsatz von Spolien in Rom zwischen dem . und dem . Jahrhundert n. Chr. Er zeigt auf, wie mit dem Konstantinsbogen und der Ba- silica Lateranensis eine Tradition von Bedeutungsbezügen und Strategien der Spolienver- wendung begründet wurde.
    [Show full text]
  • Stra D E V Ic Oli Piazze Chie Se O Ra Torj Pub B Lici 1 Sant'andrea E
    Type/element Original name English translation Number Rione Strade Vicoli Piazze Chiese Oratorj Pubblici 1 Sant'Andrea e Bernardino dei Rigattieri Junk dealers 70 1 Monti 1 S. Lorenzo in Miranda degli Speziali Pharmacist 81 1 Monti 1 Piazza delle Carrette Carts (produce market) 87 1 Monti 1 Sant'Agata dei Tessitori Fabric weavers 92 1 Monti 1 S. M. del Riscatto degli Acquavitari e Tabaccari Spirit- and Tobacco-sellers 95 1 Monti 1 SS. Martina e Luca de’ Pittori Painters 97 1 Monti 1 Vicolo de’ Carbonari Charcoal-sellers 104 1 Monti 1 Piazza di Macel di Corvi Slaughter house (Butcher) 112 1 Monti 1 Strada delle Carrette Carts (produce market) 142 1 Monti 1 S. M. di Loreto de’ Fornari Italiani Bakers 274 2 Trevi 1 Piazza de' due Macelli Two slaughter houses 369 3 Colonna 1 Strada de’ Sediari Chair makers 414 4 Campomarzo 1 Strada delle Carrozze Coach renters 417 4 Campomarzo 1 SS. Biagio e Cecilia de' Materassari Mattress-makers 450 4 Campomarzo 1 Strada del Macello Slaughter house (Butcher) 458 4 Campomarzo 1 Piazza delle Carrette Carts (produce market) 464 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 495 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 496 4 Campomarzo 1 Vicolo de’ Cimatori Fabric-croppers 554 5 Ponte 1 Strada de’ Coronari Crown/rosary-makers 585 5 Ponte 1 S. Biagio degli Osti Hosts 592 5 Ponte 1 Santa Elisabetta Un. Garzoni Ted. Fornari Baker’s boys 631 6 Parione 1 Strada de’ Chiavari Key-makers 632 6 Parione 1 Santa Barbara de’ Librari Booksellers 634 6 Parione 1 Piazza Pollaroli Poultry-sellers 639 6 Parione 1 Strada de’ Baullari Trunk -makers 640 6 Parione 1 Vicolo de’ Leutari Lute-makers 644 6 Parione 1 Piazza de' Cimatori Fabric croppers 648 6 Parione 1 Vicolo de’ Cartari Paper-makers 658 6 Parione 1 Vicolo de’ Cappellari Hat-makers 685 7 Regola 1 Sant’Eligio degli Orefici Goldsmiths 690 7 Regola 1 S.
    [Show full text]
  • Tra Testaccio E L'ostiense I Segni Di Roma Produttiva Un Paesaggio
    «Roma moderna e contemporanea», XIV, 2006, 1-3, pp. 343-380 ©2007 Università Roma Tre-CROMA TRA TESTACCIO E L’OSTIENSE I SEGNI DI ROMA PRODUTTIVA UN PAESAGGIO URBANO E UN PATRIMONIO CULTURALE PER LA CITTÀ 1. Da oltre un decennio l’area del Testaccio-Ostiense è uno straordinario labora- torio di trasformazioni urbane, un’area strategica per lo sviluppo e la modernizzazio- ne di Roma nel XXI secolo ed anche un terreno di riflessione culturale e progettuale particolarmente impegnativo. Si tratta, infatti, di un’area di grande pregio per la sua posizione strategica (fig. 1) – collocata a cavallo delle Mura Aureliane, a ridosso del centro storico (distante dal Campidoglio tra 1,5 e 4,5 Km), e lungo un asse dire- zionale verso l’EUR e verso il mare che è ancora oggi cruciale per lo sviluppo della città contemporanea –, per le peculiarità ambientali – accarezzata in tutta la sua proiezione dal Tevere e lambita dal Parco dell’Appia –, per uno straordinario pae- saggio urbano che vede accanto a grandi topos della città antica (il Monte Testaccio, la Piramide), di quella paleocristiana (la Basilica di San Paolo fuori le mura), di quella contemporanea (il Cimitero acattolico e Porta San Paolo) i segni di una Roma produttiva che è stata protagonista nel processo di modernizzazione della città nel primo cinquantennio post-unitario. Siamo cioè di fronte a un territorio che contiene profili storici e paesaggistici di rilevante interesse1, tali da creare nell’insieme – oltre che in numerose singole emergenze, peraltro censite, descritte e cartografate dalla Sovraintendenza ai beni culturali del Comune di Roma2 – un importante patrimo- nio culturale per la città.
    [Show full text]
  • 10 La Città E Il Suo Ritratto Il Disegno Nuovo Di Roma Moderna Nella Biblioteca Nazionale Centrale Di Roma La Roma Di Greuter
    LA CITTÀ E IL SUO RITRATTO 10 Augusto Roca De Amicis La Roma di Matthdus Greuter: crescita e forma di una città moderna 34 Maria Barbara Guerrieri Borsoi Nel segno del cambiamento: la vita e le opere di Matthdus Greuter 50 Mario Bevilacqua Il Disegno Nuovo di Roma Moderna di Matthdus Greuter. Un modello cartografico nell’Europa delle capitali 78 Aloisio Antinori “Roma moderna”: gli apparati della veduta di Greuter 98 Tommaso Manfredi Lelio Biscia, Curator aquarum ac viarum nella Roma di Paolo V 106 IL DISEGNO NUOVO DI ROMA MODERNA NELLA BIBLIOTECA NAZIONALE CENTRALE DI ROMA 124 Legenda LA ROMA DI GREUTER 131 Marisa Tabarrini Salendo al Pindo: dal Collis Hortulorum alla nuova villa suburbana dei Borghese 143 Marisa Tabarrini Il settore settentrionale di Campo Marzio e l’insediamento della famiglia Borghese presso Ripetta 155 Marisa Tabarrini La Platea Sancti Petti e i borghi vaticani 167 Marisa Tabarrini La nuova immagine dei Sacri Palazzi e della basilica di San Pietro negli anni di Paolo V 177 Isabella Salvagni Il recupero dell’antico tra sacralizzazione e pubblica utilità. Le Terme di Diocleziano e la via Pia: il nuovo accesso nord-orientale alla città 187 Isabella Salvagni Termini, piazza Grimana e il nuovo Quirinale: la saldatura tra il tessuto urbano e il disabitato dopo Sisto V 205 Isabella Salvagni Tra fontana di Trevi, Trinità dei Monti e Campo Marzio: il collegamento delle residenze Borghese nella nuova Roma di Paolo V 227 Tommaso Manfredi Il nuovo Campo Marzio: poli e aree di influenza 239 Tommaso Manfredi Le vie del Tevere. Completamenti e nuovi insediamenti urbani tra via Giulia e via della Lungara 247 Augusto Roca De Amicis Il suburbio tra Santa Maria Maggiore e le mura 253 Augusto Roca De Amicis La Suburra e la connessione tra l’abitato e Santa Maria Maggiore negli anni della grande crescita 263 Augusto Roca De Amicis Campo Vaccino e il Campidoglio: i nuovi margini della città 275 Marisa Tabarrini Da ponte Sisto a ponte Rotto.
    [Show full text]
  • Santa Cecilia in Trastevere
    (030/21) Santa Cecilia in Trastevere Santa Cecilia in Trastevere is a 9th century monastic and titular church and minor basilica dedicated to St Cecilia, 2nd or 3rd century Roman martyr and patron of musicians. 1 h History: The church is located in what was the most densely inhabited part of Trastevere in early Roman times; its large population mainly due to its proximity to the river Tiber. Where there are now convent buildings there were once four Roman streets surrounding a domus, above which the church was built. It is in the domus that the titulus of a Christian woman named Cecilia was housed. The river would have provided the domus with water for its bathhouse and tannery. j The account of Cecilia stated that she had persuaded her husband Valerian to be baptized. He was subsequently put to death, along with his brother, Tiburtius, and a man named Maximus. Cecilia was then taken before the prefect and sentenced to death by way of suffocation in the caldorinm of her own bathhouse. When this treatment failed to kill her, a soldier was sent to behead her but he struck three blows without succeeding, and she died of the wounds three days later. The remains of the executed men are known to have been buried in the Catacomb of St Praetextatus but the truth of the account and their connection with it is uncertain. 6 h j A sanctuary was built on the house of her husband, Valerianus. This became the ancient Titulus Ceciliae, one of the original twenty-five parishes of Rome.
    [Show full text]
  • 01 Pascoli 1-36
    Accademia Italiana di Scienze Forestali Tratti essenziali della tipologia veneta dei Pascoli di monte e Dintorni Gruppo di lavoro Umberto Ziliotto: Coordinatore Orazio Andrich Cesare Lasen Maurizio Ramanzin Assessorato alle Politiche del Turismo e della Montagna Direzione Regionale Foreste ed Economia Montana La grande diversità di specie e di paesaggi costituisce per il Veneto una ricchezza pre- ziosa, meritevole, come tale, di essere studiata in tutte le sue componenti e, consequen- zialmente, gestita in modo ottimale. Recentemente la ricerca scientifica in questo settore ha assunto una notevole accelera- zione, coinvolgendo in toto e prioritariamente anche le tematiche agro-forestali. La Regione Veneto, sulla scia delle positive esperienze pregresse, che hanno portato alla individuazione e classificazione delle tipologie forestali, ha voluto promuovere l’avvio di uno studio specifico per inquadrare in modo univoco, sia dal punto di vista tasso- nomico che gestionale, i pascoli montani, che costituiscono, assieme alle foreste, l’ele- mento base dei paesaggi montani. Dal lungo e meticoloso lavoro, svolto da uno specifico gruppo di ricerca coordinato dall’Accademia Italiana di Scienze Forestali, è nata la presente pubblicazione, dalla quale emerge la complessità, per certi versi inaspettata, delle biocenosi oggetto di studio. Quella che originariamente doveva essere una ricerca sui criteri di classificazione dei pascoli montani è diventata, nel prosieguo delle indagini di campagna e degli ap- profondimenti specifici, una ricerca che ha coinvolto tutte le forme di paesaggio che in- terferiscono con il bosco, dal suo limite inferiore che confina con l’attività agricola ve- ra e propria, fino al limite superiore della vegetazione ai confini con le rocce nude ed i ghiacciai perenni.
    [Show full text]
  • Water Supply of Rome in Antiquity and Today
    mmental Geolo.l!Y (1996) 27: 126- 34 Springer-Verlag 1996 P. Dono. C. Doni Water supply of Romein antiquity and today Received: 19 Apri11995 Accepted: 2 August 1995 Abstract In ancient Rome, water was considereda deity one located in the north. Water from alI easternaqueducts to be worshipped and most of alI utilized in health and art. was collected in the Porta Maggiore area, called by The availability of huge water supplies was considered a Romans"ad Spem Veterem" (Figs. 2, 3). symbol of opulenceand therefore an expressionof power. The first aqueduct was built in 312 BC. During the The countryside around Rome ofTereda spectacularview: subsequent 600 years, ten more aqueducts were built. it was adorned with an incalculable number of monu- The last one was completed in the 3rd century AD. With ments, tempIes, and villas, and it was crossed by sturdy completion of construction, there were Aqua Applia, Anio aqueducts with magnificent arcades.The aqueduct as a Vetus, Aqua Marcia, Aqua Tepula, Aqua Julia, Aqua superelevatedmonumental work is a typical concept of Virgo, Acqua Alsietina, Aqua Claudia, Anio Nowus, Aqua the Roman engineering,although it is possible to recog- Traiana, and AQua Alexandriana. nize that the inspiration and the basic ideas carne from Etruscantechnology. The Etruscansdid not construct real aqueducts,even though they built hydraulic works as irri- gation channels,drainage systems,dams, etc. The Greeks Aqua Applia had also built similar hydraulic structures,before the Ro- man influence.Interesting aqueduct remains are in Rome, No remains afe left of the first great Roman aqueduct Segovia(Spain), Nimes (France),and Cologne (Germany), constructed in 323 BC.
    [Show full text]
  • The Streets of Rome Walking Through the Streets of the Capital
    Comune di Roma Tourism The streets of Rome Walking through the streets of the capital via dei coronari via giulia via condotti via sistina via del babuino via del portico d’ottavia via dei giubbonari via di campo marzio via dei cestari via dei falegnami/via dei delfini via di monserrato via del governo vecchio via margutta VIA DEI CORONARI as the first thoroughfare to be opened The road, whose fifteenth century charac- W in the medieval city by Pope Sixtus IV teristics have more or less been preserved, as part of preparations for the Great Jubi- passed through two areas adjoining the neigh- lee of 1475, built in order to ensure there bourhood: the “Scortecchiara”, where the was a direct link between the “Ponte” dis- tanners’ premises were to be found, and the trict and the Vatican. The building of the Imago pontis, so called as it included a well- road fell in with Sixtus’ broader plans to known sacred building. The area’s layout, transform the city so as to improve the completed between the fifteenth and six- streets linking the centre concentrated on teenth centuries, and its by now well-es- the Tiber’s left bank, meaning the old Camp tablished link to the city centre as home for Marzio (Campus Martius), with the northern some of its more prominent residents, many regions which had risen up on the other bank, of whose buildings with their painted and es- starting with St. Peter’s Basilica, the idea pecially designed facades look onto the road. being to channel the massive flow of pilgrims The path snaking between the charming and towards Ponte Sant’Angelo, the only ap- shady buildings of via dei Coronari, where proach to the Vatican at that time.
    [Show full text]
  • A Hundred Churches in Rome. an Archival Photogrammetric Project
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W15, 2019 27th CIPA International Symposium “Documenting the past for a better future”, 1–5 September 2019, Ávila, Spain “CENTOCHIESE”: A HUNDRED CHURCHES IN ROME. AN ARCHIVAL PHOTOGRAMMETRIC PROJECT G. Fangi *1, C.Nardinocchi 2, G.Rubeca 2 1Ancona, Italia - [email protected] 2 DICEA, Sapienza University of Rome, 00184 Roma, [email protected], [email protected] Commission II, WG II/8 KEY WORDS: Documentation, Churches, Data Base, Panorama, Spherical Photogrammetry ABSTRACT: Rome is the city where two different cultures have found their greatest architectural achievement, the Latin civilization and the Christian civilization. It is for this reason that in Rome there is the greatest concentration in the world of Roman buildings, monuments and Christian buildings and churches. Rome is the seat of the papacy; say the head of the Christian Church. Every religious order, every Christian nation has created its own headquarters in Rome, the most representative possible, as beautiful, magnificent as possible. The best artists, painters, sculptors, architects, have been called to Rome to create their masterpieces.This study describes the photogrammetric documentation of selected noteworthy churches in Rome. Spherical Photogrammetry is the technique used. The survey is limited to the facades only, being a very significant part of the monument and since no permission is necessary. In certain cases, also the church interior was documented. A total of 170 Churches were surveyed. The statistics that one can derive from such a large number is particularly meaningful. Rome is the ideal place to collect the largest possible number of such cases.
    [Show full text]