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Where Crime Compounds Conflict
WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities SIMONE HAYSOM October 2018 WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities Simone Haysom October 2018 Cover photo: iStock/Katiekk2 Pemba, Mozambique: ranger with a gun looking at feet of elephants after poachers had killed the animals for illegal ivory trade © 2018 Global Initiative Against Transnational Organized Crime. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Global Initiative. Please direct inquiries to: The Global Initiative Against Transnational Organized Crime WMO Building, 2nd Floor 7bis, Avenue de la Paix CH-1211 Geneva 1 Switzerland www.GlobalInitiative.net Contents Summary and key findings ..............................................................................................................................................1 Background .........................................................................................................................................................................................2 The militants and funding from the illicit economy .......................................................................................4 Methodology .....................................................................................................................................................................................5 Corrosion, grievance and opportunity: A detailed picture -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries Permalink https://escholarship.org/uc/item/70h801wr Author Martins Rufino Valente, Rita Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Rita Martins Rufino Valente 2017 © Copyright by Rita Martins Rufino Valente 2017 ABSTRACT OF THE DISSERTATION Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries by Rita Martins Rufino Valente Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair My dissertation investigates the politics of festival curation and production in artist-led theater festivals across the Portuguese-speaking (or Lusophone) world, which includes Latin America, Africa, Europe, and Asia. I focus on uses of Lusophony as a tactics to generate alternatives to globalization, and as a response to experiences of racialization and marginalization stemming from a colonial past. I also expose the contradictory relation between Lusophony, colonialism, and globalization, which constitute obstacles for transnational tactics. I select three festivals where, I propose, the legacies of the colonial past, which include the contradictions of Lusophony, become apparent throughout the curatorial and production processes: Estação da Cena Lusófona (Portugal), Mindelact – Festival Internacional de Teatro do Mindelo (Cabo Verde), and Circuito de Teatro em Português (Brazil). -
Dialogue: a Journal of Mormon Thought
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE 52.3 fall 2019 52.3 DIALOGUE a journal of mormon thought EDITORS DIALOGUE EDITOR Boyd Jay Petersen, Provo, UT a journal of mormon thought ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Jennifer Quist, Edmonton, Canada POETRY Elizabeth C. Garcia, Atlanta, GA IN THE NEXT ISSUE REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan Papers from the 2019 Mormon Scholars in the INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS Humanities conference: “Ecologies” HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT A sermon by Roger Terry FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT Karen Moloney’s “Singing in Harmony, Stitching in Time” ART Andi Pitcher Davis, Orem, UT BUSINESS & PRODUCTION STAFF Join our DIALOGUE! BUSINESS MANAGER Emily W. Jensen, Farmington, UT PUBLISHER Jenny Webb, Woodinville, WA Find us on Facebook at Dialogue: A Journal of Mormon Thought COPY EDITORS Richelle Wilson, Madison, WI Follow us on Twitter @DialogueJournal Jared Gillins, Washington DC PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. Oman, Williamsburg, VA $10/month Subscriber: Receive four print issues annually and our Daniel Dwyer, Albany, NY Taylor Petrey, Kalamazoo, MI Subscriber-only digital newsletter Ignacio M. -
Loretta Ross
Loretta Ross is a Visiting Associate Professor in Women’s Studies at various colleges teaching courses on “White Supremacy in the Age of Trump” and “Reproductive Justice Praxis”. Currently, she is visiting at Smith College in the Program for the Study of Women and Gender for the 2019-2020 academic year. She started her career in activism and social change in the 1970s, working at the National Football League Players’ Association, the D.C. Rape Crisis Center, the National Organization for Women (NOW), the National Black Women’s Health Project, the Center for Democratic Renewal (National Anti-Klan Network), the National Center for Human Rights Education, and SisterSong Women of Color Reproductive Justice Collective, until retiring as an organizer in 2012 to teach about activism. Her passion transforms anger into social justice to change the world. Her most recent books are Reproductive Justice: An Introduction co-written with Rickie Solinger, and Radical Reproductive Justice: Foundations, Theory, Practice, Critique, both published in 2017. Her forthcoming book is Calling In the Calling Out Culture: Detoxing Our Movement due out in 2019. She has appeared on CNN, BET, "Lead Story," "Good Morning America," "The Donahue Show," the National Geographic Channel, and "The Charlie Rose Show.” She has been quoted in the New York Times, Time Magazine, The Los Angeles Times, and the Washington Post, among others. Her activism began as a rape and incest survivor as a teen mother. She graduated college at age 55. She is from San Antonio, TX and lives in Atlanta, GA. She is a mother and grandmother, and an avid pinochle player. -
Thesis Title Page with Pictures2
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University GIRLS IN WAR, WOMEN IN PEACE: REINTEGRATION AND (IN)JUSTICE IN POST-WAR MOZAMBIQUE Town Cape of University A MINOR DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF PHILOSOPHY IN JUSTICE AND TRANSFORMATION LILLIAN K. BUNKER BNKLIL001 FACULTY OF THE HUMANITIES UNIVERSITY OF CAPE TOWN 2011 COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Town Cape of University i UNIVERSITY OF CAPE TOWN GRADUATE SCHOOL IN HUMANITIES DECLARATION BY CANDIDATE FOR THE DEGREE OF MASTER IN THE FACULTY OF HUMANITIES I, Lillian Bunker, of 101 B W. McKnight Way #27, Grass Valley, California 95949 U.S.A. do hereby declare that I empower the University of Cape Town to produceTown for the purpose of research either the whole or any portion of the contents of my dissertation entitled Girls in War, Women in Peace: Reintegration and (In)justice in Post-war Mozambique in any manner whatsoever. -
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f the past is another country, it might well be called Mozambique. In this east African nation, history is an extra element in the atmosphere, a living, breathing part of daily life that intrudes upon and retreats from one’s experience of the place like the aquamarine tides. A mural outside Maputo airport gives a quick sweep of events, depicting an unbroken stream of history from the Portuguese colonisation to the slave trade, the war of independence to the recent civil war (represented by stony- faced men in military fatigues). The past is unavoidable – but why would you want to? In a country where an IAK-47 imprints the national flag, Mozambique’s often turbid, sometimes torrid past lends a fascinating aspect to a refreshed luxury travel destination. Spirited new hotels deliver a cultural fix alongside their castaway chic – plus all the kayaking, diving, boating, beaches, private pools and first-rate cuisine that come as five-star standard in these parts. It’s a combination that few Indian Ocean locales can match. The sense of utter dislocation and off-map seclusion – bet on being the only diver on the reef for several hundred miles – the staggering natural beauty and pioneering spirit (a psychic hangover from those centuries-old explorers, now palpable in the discovery of vast reserves of precious stones, ore and gas) makes Mozambique a country for now. Ibo Island is a jungly tract of sand, palms and mangrove in the northern Quirimbas archipelago, a Unesco protected haven of 32 islands where the sea recedes to reveal vast, crenulated swirls of white sand like marbled paper. -
TRILHAS E TRAMAS Mestrado Luciane Silva
LUCIANE DA SILVA Trilhas e tramas: Percursos insuspeitos dos tecidos industrializados do continente africano A experiência da África oriental Universidade Estadual de Campinas Instituto de Filosofia e Ciências Humanas Programa de Pós-Graduação em Antropologia Social Campinas Dezembro/2008 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO IFCH - UICAMP Silva, Luciane da Si38t Trilhas e tramas: percursos insuspeitos dos tecidos industrializados do continente africano: a experiência da África Oriental / Luciane da Silva. - - Campinas, SP : [s. n.], 2008. Orientador: Omar Ribeiro Thomaz. Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciênci as Humanas. 1. Cultura material – África. 2. Tecidos. 3. Identidade. 4. Tradição. 5. Modernidade. I. Thomaz, Omar Ribeiro. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. III.Título. (cn\ifch) Título em inglês: Tracks and wefts: unsuspected paths of the industrialized textiles on the African continent: the East African experience Palavras chaves em inglês (keywords): Material Culture – African Textiles Identity Tradition Modernit Área de Concentração: Antropologia Social Titulação: Mestre em Antropologia Social Banca examinadora: Omar Ribeiro Thomaz, Silvana Barbosa Rubino, Acácio Sidinei Almeida Santos Data da defesa: 12-12-2008 Programa de Pós-Graduação: Antropologia Social Universidade Estadual de Campinas Instituto de Filosofia e Ciências Humanas Programa de Pós-Graduação em Antropologia Social ii LUCIANE DA SILVA Trilhas e Tramas Percursos insuspeitos dos tecidos industrializados do continente africano A experiência da África Oriental Dissertação de Mestrado em Antropologia Social apresentada ao Departamento de Antropologia do Instituto de Filosofia e Ciências Humanas da Universidade Estadual de Campinas, sob orientação do Prof. Dr. Omar Ribeiro Thomaz Este exemplar corresponde à redação final da dissertação defendida e aprovada pela Comissão Julgadora em 12/12/2008. -
Continuities of Change: Conversion and Convertibility in Northern Mozambique
Continuities of Change: Conversion and Convertibility in Northern Mozambique The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Premawardhana, Devaka. 2014. Continuities of Change: Conversion and Convertibility in Northern Mozambique. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064926 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Continuities of Change: Conversion and Convertibility in Northern Mozambique A dissertation presented by Devaka Premawardhana to The Ad Hoc Committee in Religion and Anthropology in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Religion and Anthropology Harvard University Cambridge, Massachusetts September 2014 © 2014 Devaka Premawardhana All rights reserved. Dissertation Advisor: Jacob Olupona Devaka Premawardhana Continuities of Change: Conversion and Convertibility in Northern Mozambique Abstract Recent scholarship on Africa gives the impression of a singular narrative regarding Pentecostalism, that of inexorable rise. Indisputably, Pentecostalism’s “explosion” throughout the global South is one of today’s more remarkable religious phenomena. Yet what can we learn by shifting attention from the places where Pentecostal churches succeed to where they fail? Attending to this question offers an opportunity to reassess a regnant theoretical paradigm within recent studies of Pentecostalism: that of discontinuity. This paradigm holds that Pentecostalism, by insisting that worshippers break with traditional practices and ancestral spirits, introduces a temporal rupture with the past. -
Loretta Ross, Associate Professor, Smith College, Northampton, MA
Loretta Ross, Associate Professor, Smith College, Northampton, MA 3253 Dale Lane SW Atlanta, GA 30311 (404) 867-6308 (cell) [email protected] Education BA, Women’s Studies, Agnes Scott College, 2007 Doctoral Candidate, Women’s Studies, Emory University, 2008-9 Howard University, Chemistry and Physics Major, 1970-1973 (incomplete BS degree) Awards and Honors (partial list) Honorary Doctorate, Smith College, 2013 Honorary Doctor of Civil Law, Arcadia University, 2003 National Women’s History Project, “Nevertheless She Persisted: Honoring Women Who Fight All Forms of Discrimination Against Women” Award, 2018 Woodhull Freedom Foundation, Sexual Freedom Award, 2017 Women of Color Resource Center, Sister Fire Award, 2017 Black Women’s Blueprint, Lasting Legacy Award, 2016 SisterLove Pandora Singleton Ally Award, 2012 Women Helping Women, Revolutionary Award, 2011 International Black Women’s Congress, Oni Award, 2010 Delta Sigma Theta, Pinnacle Leadership Award, 2008 Black Women’s Health Imperative, Community Health Activist Award, 2008 Sisters of Color United for Education, Denver, CO, 2008 Women’s Medical Fund of Philadelphia, Rosie Jimenez Award, 2007 United States Social Forum, Building Movements Award, 2007 NARAL Pro-Choice Georgia, Blazing Arrow Award, 2006 Feminist Women’s Health Center, Stand Up for Choice Award, 2005 National Center for Human Rights Education, First Mother of Human Rights Education Award, 2004 SisterLove Women’s HIV/AIDS Resource Project Award, South Africa, 2002 Georgia Committee on Family Violence, Gender Justice Award, -
Embodying Disobedience, Crafting Affinities
Southeastern Women’s Studies Association Conference Embodying Disobedience, Crafting Affi nities March 26-28, 2020 Department of Women’s & Gender Studies University of South Florida Welcome to SEWSA 2020! Welcome to SEWSA 2020: “Embodying Disobedience, Crafting Affi nities,” organized and hosted by the Department of Women’s & Gender Studies of the University of South Florida Tampa campus, and held on the beautiful, waterfront USF St. Petersburg campus. With over 230 presenters, more than 300 attendees, and a long list of exhibitors and supporters, this year’s conference is one of the biggest ever. We believe this increase in size and interest is indicative of the value that the fi elds of women’s studies, gender studies, race studies, LGBTQ+ and queer studies, and all the other fi elds of inquiry and activism represented at SEWSA 2020 hold in the national, regional, and transnational landscapes in these historic moments -- and our conference theme refl ects this. With the theme “Embodying Disobedience, Crafting Affi nities” we wish to approach embodiment and diverse lived experiences as the lifeblood of resistant politics and the livelihood of building alliances across our many differences. As 2020 marks the 59th quadrennial presidential election, the centennial of the 19th Amendment, and the fi ftieth anniversary of the fi rst women’s studies program, we want to remember the ways in which women’s studies has linked theory to practice, not only to transform the present but also to know the past differently and to imagine and create a world beyond it. We are especially delighted to welcome two amazing speakers: Loretta Ross will speak on Calling in for Reproductive Justice, discussing the future of the reproductive justice movement, and how to use calling-in strategies to strengthen our activism and scholarship. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Permalink https://escholarship.org/uc/item/1w33f4s5 Author Montoya, Aaron Tracy Publication Date 2016 License https://creativecommons.org/licenses/by-nc/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ PERFORMING CITIZENS AND SUBJECTS: DANCE AND RESISTANCE IN TWENTY-FIRST CENTURY MOZAMBIQUE A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in ANTHROPOLOGY with an emphasis in Visual Studies by Aaron Montoya June 2016 The Dissertation of Aaron Montoya is approved: ____________________________________ Professor Shelly Errington, Chair ____________________________________ Professor Carolyn Martin-Shaw ____________________________________ Professor Olga Nájera-Ramírez ____________________________________ Professor Lisa Rofel ____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Aaron T. Montoya 2016 Table of Contents Abstract iv Agradecimientos vi Introduction 1 1. Citizens and Subjects in Portuguese Mozambique 20 2. N’Tsay 42 3. Nyau 84 4. Um Solo para Cinco 145 5. Feeling Plucked: Labor in the Cultural Economy 178 6. Conclusion 221 Bibliography 234 iii Abstract Performing Citizens and Subjects: Dance and Resistance in Twenty-First Century Mozambique Aaron Montoya This dissertation examines the politics and economics of the cultural performance of dance, placing this expressive form of communication within the context of historic changes in Mozambique, from the colonial encounter, to the liberation movement and the post-colonial socialist nation, to the neoliberalism of the present. The three dances examined here represent different regimes, contrasting forms of subjectivity, and very different relations of the individual to society. -
Is Abortionabortion “Black“Black Genocide”Genocide”
SISTERSONG WOMEN OF COLOR REPRODUCTIVE JUSTICE COLLECTIVE C o l l e c t i v eVo i c e s VO L U M E 6 ISSUE 12 S u m m e r 2 0 1 1 IsIs AbortionAbortion “Black“Black Genocide”Genocide” AlliesAllies DefendingDefending BlackBlack WomenWomen UnshacklingUnshackling BlackBlack MotherhoodMotherhood ReproductiveReproductive VViolenceiolence aandnd BlackBlack WomenWomen WhyWhy II PrProvideovide AborAbortions:tions: AlchemAlchemyy ofof RaceRace,, Gender,Gender, andand HumanHuman RightsRights COLLECTIVEVOICES “The real power, as you and I well know, is collective. I can’t afford to be afraid of you, nor of me. If it takes head-on collisions, let’s do it. This polite timidity is killing us.” -Cherrie Moraga Publisher....................................................SisterSong Editor in Chief.........................................Loretta Ross Managing Editor.......................................Serena Garcia Creative Director....................................cscommunications Webmaster..............................................Dionne Turner CONTRIBUTING WRITERS Loretta Ross Laura Jimenez Heidi Williamson Dionne Turner Serena Garcia Charity Woods Monica Simpson Candace Cabbil Kathryn Joyce Willie J. Parker, MD, MPH, MSc Bani Hines Hudson Gina Brown Susan A. Cohen Laura L. Lovett Cherisse Scott From the Managing Editor, Serena Garcia: Please note in this issue of Collective Voices we have allowed our writers to maintain their own editorial integrity in how they use the terms, “Black”,“minority,” and the capitalization of Reproductive Justice. Send Inquiries to: [email protected] SEND STORY IDEAS TO: [email protected] SisterSong Women of Color Reproductive Justice Collective 1237 Ralph David Abernathy Blvd., SW Atlanta, GA 3011 404-756-2680 www.sistersong.net © All Rights Reserved 2 www.sistersong.net CV Message from the National Coordinator This special edition of Collective Voices is dedicated to women of color fighting race- and gender-specific anti-abortion legislation and billboards across the country.