Continuities of Change: Conversion and Convertibility in Northern Mozambique
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Here Referred to As Class 18A (See Hyman 1980:187)
WS1 Remarks on the nasal classes in Mungbam and Naki Mungbam and Naki are two non-Grassfields Bantoid languages spoken along the northwest frontier of the Grassfields area to the north of the Ring languages. Until recently, they were poorly described, but new data reveals them to show significant nasal noun class patterns, some of which do not appear to have been previously noted for Bantoid. The key patterns are: 1. Like many other languages of their region (see Good et al. 2011), they make productive use of a mysterious diminutive plural prefix with a form like mu-, with associated concords in m, here referred to as Class 18a (see Hyman 1980:187). 2. The five dialects of Mungbam show a level of variation in their nasal classes that one might normally expect of distinct languages. a. Two dialects show no evidence for nasals in Class 6. Two other dialects, Munken and Ngun, show a Class 6 prefix on nouns of form a- but nasal concords. In Munken Class 6, this nasal is n, clearly distinct from an m associated with 6a; in Ngun, both 6 and 6a are associated with m concords. The Abar dialect shows a different pattern, with Class 6 nasal concords in m and nasal prefixes on some Class 6 nouns. b. The Abar, Biya, and Ngun dialects show a Class 18a prefix with form mN-, rather than the more regionally common mu-. This reduction is presumably connected to perseveratory nasalization attested throughout the languages of the region with a diachronic pathway along the lines of mu- > mũ- > mN- perhaps providing a partial example for the development of Bantu Class 9/10. -
Statelessness and Citizenship in the East African Community
Statelessness and Citizenship in the East African Community A Study by Bronwen Manby for UNHCR September 2018 Commissioned by UNHCR Regional Service Centre, Nairobi, Kenya [email protected] STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY 2 September 2018 STATELESSNESS AND CITIZENSHIP IN THE EAST AFRICAN COMMUNITY Table of Contents List of Tables ............................................................................................................................... i List of Boxes ................................................................................................................................ i Methodology and acknowledgements ...................................................................................... ii A note on terminology: “nationality”, “citizenship” and “stateless person” ........................... iii Acronyms .................................................................................................................................. iv Key findings and recommendations ....................................................................... 1 1. Summary ........................................................................................................... 3 Overview of the report .............................................................................................................. 4 Key recommendations .............................................................................................................. 5 Steps already taken .................................................................................................................. -
From Fetishism to Sincerity
CAMBRIDG E UNIVERSITY PRESS From Fetishism to Sincerity: On Agency, the Speaking Subject, and Their Historicity in the Context of Religious Conversion Author(s): Webb Keane Source: Comparative Studies in Society and History, Vol. 39, No. 4 (Oct., 1997), pp. 674-693 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/179364 Accessed: 10-08-2017 16:57 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend D access to Comparative Studies in Society and History JSTOR This content downloaded from 142.103.160.110 on Thu, 10 Aug 2017 16:57:06 UTC All use subject to http://about.jstor.org/terms From Fetishism to Sincerity: On Agency, the Speaking Subject, and their Historicity in the Context of Religious Conversion WEBB KEANE University of Michigan Central to much recent work in both anthropology and history is the concept of agency. This essay examines some problems with this concept that arise when we look for it across historical and ethnographic contexts. This study focuses on how agency is expressed in differences among the powers that people impute to spoken words and the kinds of subjects to which they attribute the authorship of words. -
Where Crime Compounds Conflict
WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities SIMONE HAYSOM October 2018 WHERE CRIME COMPOUNDS CONFLICT Understanding northern Mozambique’s vulnerabilities Simone Haysom October 2018 Cover photo: iStock/Katiekk2 Pemba, Mozambique: ranger with a gun looking at feet of elephants after poachers had killed the animals for illegal ivory trade © 2018 Global Initiative Against Transnational Organized Crime. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without permission in writing from the Global Initiative. Please direct inquiries to: The Global Initiative Against Transnational Organized Crime WMO Building, 2nd Floor 7bis, Avenue de la Paix CH-1211 Geneva 1 Switzerland www.GlobalInitiative.net Contents Summary and key findings ..............................................................................................................................................1 Background .........................................................................................................................................................................................2 The militants and funding from the illicit economy .......................................................................................4 Methodology .....................................................................................................................................................................................5 Corrosion, grievance and opportunity: A detailed picture -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries Permalink https://escholarship.org/uc/item/70h801wr Author Martins Rufino Valente, Rita Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Rita Martins Rufino Valente 2017 © Copyright by Rita Martins Rufino Valente 2017 ABSTRACT OF THE DISSERTATION Staging Lusophony: politics of production and representation in theater festivals in Portuguese-speaking countries by Rita Martins Rufino Valente Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair My dissertation investigates the politics of festival curation and production in artist-led theater festivals across the Portuguese-speaking (or Lusophone) world, which includes Latin America, Africa, Europe, and Asia. I focus on uses of Lusophony as a tactics to generate alternatives to globalization, and as a response to experiences of racialization and marginalization stemming from a colonial past. I also expose the contradictory relation between Lusophony, colonialism, and globalization, which constitute obstacles for transnational tactics. I select three festivals where, I propose, the legacies of the colonial past, which include the contradictions of Lusophony, become apparent throughout the curatorial and production processes: Estação da Cena Lusófona (Portugal), Mindelact – Festival Internacional de Teatro do Mindelo (Cabo Verde), and Circuito de Teatro em Português (Brazil). -
Dialogue: a Journal of Mormon Thought
DIALOGUE PO Box 1094 Farmington, UT 84025 electronic service requested DIALOGUE 52.3 fall 2019 52.3 DIALOGUE a journal of mormon thought EDITORS DIALOGUE EDITOR Boyd Jay Petersen, Provo, UT a journal of mormon thought ASSOCIATE EDITOR David W. Scott, Lehi, UT WEB EDITOR Emily W. Jensen, Farmington, UT FICTION Jennifer Quist, Edmonton, Canada POETRY Elizabeth C. Garcia, Atlanta, GA IN THE NEXT ISSUE REVIEWS (non-fiction) John Hatch, Salt Lake City, UT REVIEWS (literature) Andrew Hall, Fukuoka, Japan Papers from the 2019 Mormon Scholars in the INTERNATIONAL Gina Colvin, Christchurch, New Zealand POLITICAL Russell Arben Fox, Wichita, KS Humanities conference: “Ecologies” HISTORY Sheree Maxwell Bench, Pleasant Grove, UT SCIENCE Steven Peck, Provo, UT A sermon by Roger Terry FILM & THEATRE Eric Samuelson, Provo, UT PHILOSOPHY/THEOLOGY Brian Birch, Draper, UT Karen Moloney’s “Singing in Harmony, Stitching in Time” ART Andi Pitcher Davis, Orem, UT BUSINESS & PRODUCTION STAFF Join our DIALOGUE! BUSINESS MANAGER Emily W. Jensen, Farmington, UT PUBLISHER Jenny Webb, Woodinville, WA Find us on Facebook at Dialogue: A Journal of Mormon Thought COPY EDITORS Richelle Wilson, Madison, WI Follow us on Twitter @DialogueJournal Jared Gillins, Washington DC PRINT SUBSCRIPTION OPTIONS EDITORIAL BOARD ONE-TIME DONATION: 1 year (4 issues) $60 | 3 years (12 issues) $180 Lavina Fielding Anderson, Salt Lake City, UT Becky Reid Linford, Leesburg, VA Mary L. Bradford, Landsdowne, VA William Morris, Minneapolis, MN Claudia Bushman, New York, NY Michael Nielsen, Statesboro, GA RECURRING DONATION: Verlyne Christensen, Calgary, AB Nathan B. Oman, Williamsburg, VA $10/month Subscriber: Receive four print issues annually and our Daniel Dwyer, Albany, NY Taylor Petrey, Kalamazoo, MI Subscriber-only digital newsletter Ignacio M. -
Bernander Et Al AAM NEC in Bantu
The negative existential cycle in Bantu1 Bernander, Rasmus, Maud Devos and Hannah Gibson Abstract Renewal of negation has received ample study in Bantu languages. Still, the relevant literature does not mention a cross-linguistically recurrent source of standard negation, i.e., the existential negator. The present paper aims to find out whether this gap in the literature is indicative of the absence of the Negative Existential Cycle (NEC) in Bantu languages. It presents a first account of the expression of negative existence in a geographically diverse sample of 93 Bantu languages. Bantu negative existential constructions are shown to display a high degree of formal variation both within dedicated and non-dedicated constructions. Although such variation is indicative of change, existential negators do not tend to induce changes at the same level as standard negation. The only clear cases of the spread of an existential negator to the domain of standard negation in this study appear to be prompted by sustained language contact. Keywords: Bantu languages, negation, language change, morphology 1 Introduction The Bantu language family comprises some 350-500 languages spoken across much of Central, Eastern and Southern Africa. According to Grollemund et al. (2015), these languages originate from a proto-variety of Bantu, estimated to have been spoken roughly 5000 years ago in the eastern parts of present-day northwest Cameroon. Many Bantu languages exhibit a dominant SVO word order. They are primarily head-marking, have a highly agglutinative morphology and a rich verbal complex in which inflectional and derivational affixes join to an obligatory verb stem. The Bantu languages are also characterised by a system of noun classes – a form of grammatical gender. -
Thesis Title Page with Pictures2
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University GIRLS IN WAR, WOMEN IN PEACE: REINTEGRATION AND (IN)JUSTICE IN POST-WAR MOZAMBIQUE Town Cape of University A MINOR DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF MASTER OF PHILOSOPHY IN JUSTICE AND TRANSFORMATION LILLIAN K. BUNKER BNKLIL001 FACULTY OF THE HUMANITIES UNIVERSITY OF CAPE TOWN 2011 COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Town Cape of University i UNIVERSITY OF CAPE TOWN GRADUATE SCHOOL IN HUMANITIES DECLARATION BY CANDIDATE FOR THE DEGREE OF MASTER IN THE FACULTY OF HUMANITIES I, Lillian Bunker, of 101 B W. McKnight Way #27, Grass Valley, California 95949 U.S.A. do hereby declare that I empower the University of Cape Town to produceTown for the purpose of research either the whole or any portion of the contents of my dissertation entitled Girls in War, Women in Peace: Reintegration and (In)justice in Post-war Mozambique in any manner whatsoever. -
Abstract African and African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES HILL, ERNESS A. B.A. SPELMAN COLLEGE, 1998 REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART. THE MACONDE AND THE SHETANI Advisor: Dr. Mustafah Dhada Thesis dated December, 2000 This thesis examines to what extent the shetani icon in Maconde Art has been elevated to the status of deity; and what powers it has been endowed with to transform the lives of its "worshippers." The investigation was based on the observation that, although not a recognized 'god' in the traditional Maconde form of worship, nor that of Mozambique, the shetani’s appearance in Mozambican art was consistent and abundant. The investigative approach used was a comparative analysis of three internationally known Mozambican artists, two of which are Maconde. The researcher found that with all three artists, the shetani was an obvious element in their artistic renderings and in each instance, their individual lives, though not unique, were charged with suffering and unhappiness. The conclusion drawn from this investigation suggests that, although created by a Maconde for the purpose of patronage, the shetani icon has become a 'deity' not only for the Maconde, but for Mozambicans, as well. While not 'worshipped' in the sense that Westerners worship, it has been endowed with powers that transform the lives of those who identify with it. At the very least, it has been endowed with the power to promote their artistic abilities with a view to catalyzing greater creativity. REFLECTIONS OF THE PAST: THE CASE OF MOZAMBICAN ART, THE MACONDE AND THE SHETANI A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY ERNESS A. -
Joseph Hokororo Ismail Institute of Judicial Administration, Lushoto
Joseph Hokororo Ismail Institute of Judicial Administration, Lushoto Abstract. This study analyzes tone in monosyllabic infinitives of Makhuwa (Bantu, Tanzania and Mozambique, P.31, described in Guthrie 1948:670) and how the autosegmental approach can successfully handle such a word category for which there seems to be no straightforward derivational approach. It is generally assumed that these tonal analysis strategies are characterized by recycled tonal rules which have differing approaches in monosyllabic functions (cf. Marlo 2007, Massamba 2010, Ismail 2011). Despite the attention given to tonal analysis of other word categories in infinitival forms, the relevant facts about the analysis of tonal in monosyllabic forms and the complications that arise in these derivations have not been exhaustively described. In this descriptive account, with the application of the Autosegmental Framework (Goldsmith 1976), it shows that the analysis of tone in monosyllabic infinitives is a much more complex phenomenon than the literature in Bantu tonal studies suggest. It has been shown in this paper that tonal analyses in accentual approaches are proposed to handle monosyllabic forms but are subjected to many tonal rules as compared to melodic approaches which capture more linguistic generalizations and simplicity. Keywords: Monosyllabic, Infinitives, Accent, Melody, Autosegmental Theory Languages: Makhuwa 1. INTRODUCTION This study explores the extent of which tone in monosyllabic infinitives can be analysed using insights of auto segmental framework. The study was guided by the following three objectives: 1) to describe tone in monosyllabic infinitives using a classic autosegmental phonology of which an accentual approach was used; 2) to describe tone in monosyllabic infinitives using a melodic high approach; and 3) to establish tonal rules for both the accentual and melodic approaches in order to see the similarities and differences of the two approaches with regard to tonal rules. -
Conversion to Modernities: ZONES of RELIGION the Globalization of Christianity
SERIES: Conversion to Modernities: ZONES OF RELIGION The Globalization of Christianity Edited by Peter van derVeer Edited by Peter van derVeer ROUTLEDGE White, G. 1991. Identity through History: Living Stories in a Solomon Islands Society. Cambridge: Cambridge University Press. Young. M. W. n.d. "Commemorating missionary heroes: Local Christianity and 10 narratives of nationalism." In N.Thomas andT. Otto, eds., Narrating the Na- tion in the Pacific, ts. under review. COMMENTS ON CONVERSION Unpublished Sources Pacific Manuscripts Bureau, consulted on microfilm at Mitchell Library Sydney. PMB 52 Roman Catholic Mission New Hebrides. Records Account of Mission Talal As ad at Pentecost by Father J. B. Jamond, SM. PMB 53 Roman Catholic Mission, New Hebrides. Journal of the Mission at Port Sandwich, Malakula, 1889-99 by Father]. N. Pionnier, SM. PMB 57 Roman Catholic Mission, New Hebrides. Records, 1894-1932 (Letters of Father Z. Strock, SM etc.). So What Is Conversion? PMB 58 Roman Catholic Mission, New Hebrides. Records, 1898-1932 (Letters of Father J. B. Suas, etc.). Why do people convert? This seems an innocent question. Anthropologists have not only raised it but responded to it with interesting answers. In his edited volume Conversion to Christianity,1 R. W. Hefner provides a useful overview of many of these answers. Populations become Christian or Muslim for different personal reasons and under a variety of social conditions. Hefner has outlined the debates about the proper explanation of such conversions. But the question is not entirely innocent. At any rate, it is based on as- sumptions that are at least as interesting as the answers. -
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f the past is another country, it might well be called Mozambique. In this east African nation, history is an extra element in the atmosphere, a living, breathing part of daily life that intrudes upon and retreats from one’s experience of the place like the aquamarine tides. A mural outside Maputo airport gives a quick sweep of events, depicting an unbroken stream of history from the Portuguese colonisation to the slave trade, the war of independence to the recent civil war (represented by stony- faced men in military fatigues). The past is unavoidable – but why would you want to? In a country where an IAK-47 imprints the national flag, Mozambique’s often turbid, sometimes torrid past lends a fascinating aspect to a refreshed luxury travel destination. Spirited new hotels deliver a cultural fix alongside their castaway chic – plus all the kayaking, diving, boating, beaches, private pools and first-rate cuisine that come as five-star standard in these parts. It’s a combination that few Indian Ocean locales can match. The sense of utter dislocation and off-map seclusion – bet on being the only diver on the reef for several hundred miles – the staggering natural beauty and pioneering spirit (a psychic hangover from those centuries-old explorers, now palpable in the discovery of vast reserves of precious stones, ore and gas) makes Mozambique a country for now. Ibo Island is a jungly tract of sand, palms and mangrove in the northern Quirimbas archipelago, a Unesco protected haven of 32 islands where the sea recedes to reveal vast, crenulated swirls of white sand like marbled paper.