Sonny Rollins Volume 1 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Sonny Rollins Volume 1 Mp3, Flac, Wma Sonny Rollins Sonny Rollins Volume 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sonny Rollins Volume 1 Country: US Released: 1966 Style: Bop, Hard Bop MP3 version RAR size: 1158 mb FLAC version RAR size: 1515 mb WMA version RAR size: 1902 mb Rating: 4.1 Votes: 270 Other Formats: ADX MIDI AC3 VQF MP2 WAV APE Tracklist A1 Decision A2 Bluesnote A3 How Are Things In Glocca Morra B1 Plain Jane B2 Sonnysphere Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Gene Ramey Design [Cover] – Reid Miles Drums – Max Roach Liner Notes – Leonard Feather Photography By [Cover Photo] – Francis Wolff Piano – Wynton Kelly Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Tenor Saxophone – Sonny Rollins Trumpet – Donald Byrd Written-By – Sonny Rollins (tracks: A1, A2, B1, B2) Notes Max Roach performs by courtesy of Bob Shad, Mercury Record Corp. Recorded on December 16, 1956. Division of Liberty Records, Inc (blue and white label on both sides) Other versions Category Artist Title (Format) Label Category Country Year Sonny Sonny Rollins Volume 1 (LP, BLP 1542 Blue Note BLP 1542 US 1957 Rollins Album, Mono) 0777 7 81542 2 Sonny Sonny Rollins Volume One 0777 7 81542 2 Blue Note Europe 1988 8 Rollins (CD, Album, RE) 8 Sonny Rollins Volume 1 Sonny TC-BST 81542 (Cass, Album, RE, RM, Blue Note TC-BST 81542 UK 1985 Rollins XDR) Sonny Sonny Rollins Volume One BST 81542 Blue Note BST 81542 US 1976 Rollins (LP, Album, RE) Sonny Rollins Volume One 7243 5 91724 2 Sonny 7243 5 91724 2 (CD, Album, Mono, Copy Blue Note Europe 2003 2 Rollins 2 Prot., RE, RM) Related Music albums to Sonny Rollins Volume 1 by Sonny Rollins Sonny Rollins - The Best Of Sonny Rollins Dizzy Gillespie - The Sonny Rollins/Sonny Stitt Sessions Sonny Rollins - The Very Best Sonny Rollins - Sonny Rollins In Vienne Sonny Rollins Quintet - Rollins Plays For Bird Sonny Rollins - On Impulse! Sonny Rollins - Volume 2 Sonny Rollins - Sonny, Please Sonny Rollins - A Night At The "Village Vanguard" Sonny Rollins - Sonny Rollins.
Recommended publications
  • 1982-12 and 1983-01
    AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald.
    [Show full text]
  • QUASIMODE: Ike QUEBEC
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • Sonny Rollins Sonny Boy Mp3, Flac, Wma
    Sonny Rollins Sonny Boy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sonny Boy Country: France Released: 1990 Style: Bop, Hard Bop MP3 version RAR size: 1207 mb FLAC version RAR size: 1603 mb WMA version RAR size: 1521 mb Rating: 4.6 Votes: 954 Other Formats: AA ASF AUD VQF TTA FLAC WAV Tracklist Hide Credits 1 Ee-Ah 6:53 2 B. Quick 9:11 3 B. Swift 5:14 The House I Live In 4 9:21 Piano – Wade LeggeTrumpet – Kenny Dorham 5 Sonny Boy 8:22 Companies, etc. Distributed By – Carrere – 99 929 Phonographic Copyright (p) – Fantasy, Inc. Copyright (c) – Fantasy, Inc. Credits Bass – George Morrow Design – Don Schlitten Drums – Max Roach Engineer – Rudy Van Gelder Mastered By – Phil De Lancie Piano – Kenny Drew (tracks: 1 to 3, 5) Tenor Saxophone, Composed By – Sonny Rollins Notes ℗&© 1990, Fantasy Inc. #4 : Recorded October 5, 1956. #1-3, 5 : Recorded December 7, 1956. Other versions Category Artist Title (Format) Label Category Country Year Sonny Boy (LP, Sonny Prestige, PR 7207, PRLP 7207 Album, Mono, PR 7207, PRLP 7207 US 1961 Rollins Prestige RM) Sonny Boy (LP, Sonny ACV 2075 Album, Ltd, Doxy ACV 2075 Italy 2016 Rollins Num, RE) Sonny Boy (LP, Sonny PR 7207 Album, Mono, Prestige PR 7207 US 1964 Rollins RE, RM) Original Jazz Sonny Sonny Boy (CD, 00025218634823 Classics, 00025218634823 Europe 2006 Rollins Album, RE, RM) Prestige Original Jazz Sonny Sonny Boy (LP, OJC-348, P-7207 Classics, OJC-348, P-7207 US 1989 Rollins Album, RE, RM) Prestige Related Music albums to Sonny Boy by Sonny Rollins Thelonious Monk / Sonny Rollins - Work! Sonny Rollins - The Best Of Sonny Rollins Sonny Rollins - Tour De Force Sonny Rollins - Sorry Rollins With The Modern Jazz Quartet Sonny Rollins Quintet - Rollins Plays For Bird Sonny Rollins - Plus 4 Sonny Rollins Quartet - Tenor Madness Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew - Sonny Rollins With The Modern Jazz Quartet Sonny Rollins - Moving Out Sonny Rollins - Saxophone Colossus.
    [Show full text]
  • Improvizační Styl Sonnyho Rollinse a Jeho Vývoj Mezi Deskami Saxophone Colossus a the Bridge
    JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Studijní program Kytara Improvizační styl Sonnyho Rollinse a jeho vývoj mezi deskami Saxophone Colossus a The Bridge Bakalářská práce Autor práce: Timothy Veselý Vedoucí práce/školitel: David Dorůžka Oponent práce: MgA. Michal Wróblewski Brno 2021 Bibliografický záznam Veselý, Timothy. Improvizační styl Sonnyho Rollinse a jeho vývoj mezi deskami Saxophone Colossus a The Bridge. /Sonny Rollins’ improvisational approach and its development in time between Saxophone Colossus and The Bridge/ Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra jazzové interpretace, 2021. Vedoucí práce: David Dorůžka. 40 s. Anotace Bakalářská práce „Improvizační styl Sonnyho Rollinse a jeho vývoj mezi deskami Saxophone Colossus a The Bridge“ pojednává o životě a díle tenor saxofonistyjSonnyho Rollinse. Za pomoci analýzy a následné komparace cílí na identifikaci improvizačního stylu, společně s jeho vývojem mezi výše zmíněnými deskami. Annotation Bachelor’s thesis “Sonny Rollins’ improvisational approach and its development in time between Saxophone Colossus and The Bridge” deals with the life and works of tenor saxophonist Sonny Rollins. With use of analysis and consecutive comparison this work aims to identify improvisational style and its development in time between the above-mentioned records. Klíčová slova Sonny, Rollins, Saxofon, Jazz, Motivická, Improvizace Keywords Sonny, Rollins, Saxophone, Jazz, Motivic, Improvisation Prohlášení Prohlašuji, že jsem předkládanou práci na téma Improvizační styl Sonnyho Rollinse a jeho vývoj mezi deskami Saxophone Colossus a The Bridge zpracoval samostatně a použil jsem uvedené prameny a literaturu. V Brně, dne 16.5.2021 Timothy Veselý Poděkování Na tomto místě bych rád poděkoval své rodině a přátelům za podporu během studia a především mým učitelům, od nichž jsem měl tu čest čerpat nesčetné množství užitečných informací.
    [Show full text]
  • Pop / Rock Misto
    CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC.
    [Show full text]
  • Sonny Rollins Worktime Mp3, Flac, Wma
    Sonny Rollins Worktime mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Worktime Country: US Released: 1965 Style: Bop, Hard Bop MP3 version RAR size: 1449 mb FLAC version RAR size: 1899 mb WMA version RAR size: 1517 mb Rating: 4.4 Votes: 404 Other Formats: FLAC AIFF AAC MPC MIDI RA DMF Tracklist Hide Credits There's No Business Like Show Business 1 6:17 Written-By – Irving Berlin Paradox 2 4:56 Written-By – Sonny Rollins Raincheck 3 5:59 Written-By – Billy Strayhorn There Are Such Things 4 9:29 Written-By – Baer*, Meyer*, Adams* It's All Right With Me 5 6:05 Written-By – Cole Porter Companies, etc. Record Company – Universal Music Group International Phonographic Copyright (p) – Fantasy, Inc. Copyright (c) – Fantasy, Inc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Remastered At – Fantasy Studios Credits Bass – George Morrow Drums – Max Roach Engineer [Recording] – Rudy Van Gelder Liner Notes [For Prestige 7246] – Joe Goldberg Liner Notes [Original] – Ira Gitler Piano – Ray Bryant Remastered By [Digital Remastering] – Joe Tarantino Supervised By – Bob Weinstock Tenor Saxophone – Sonny Rollins Notes Recorded in Hackensack, NJ; December 2, 1955. Digital remastering, 1982 (Fantasy Studios, Berkeley) ℗&© 1982 Fantasy, Inc. Made in the EU. Barcode and Other Identifiers Barcode: 025218110723 Label Code: LC 15025 Rights Society: BIEM/SABAM Other versions Category Artist Title (Format) Label Category Country Year Worktime (LP, Sonny LP 7020 Album, Mono, Prestige LP 7020 US 1956 Rollins Pin) Worktime (LP, Sonny PRLP 7020
    [Show full text]
  • Iii E. the Jazz Component: the Fantasy Collection
    III E. THE JAZZ COMPONENT: THE FANTASY COLLECTION III E1. The LPs For many serious researchers into the changes and developments in jazz during the late 1940s and the early 1950s it is the LP albums which are part of the collection that will be of major interest. In particular Bill Belmont, as he assembled the Fantasy collection for the Archives, was able to locate a selection of the earliest 10” Prestige LPs which had been almost forgotten in the Fantasy warehouse. It should be emphasised, however, that these are not the original Prestige releases, which now sell for thousands of dollars on the collector’s market. To satisfy a small core of serious jazz enthusiasts, most of them in Japan, Fantasy manufactured facsimiles of many of the most important LPs in their catalog. Although the new albums are imprinted with an inconspicuous notice “Manufactured from master owned by Fantasy, Inc.” they are in every other respect identical with the originals. They are an invaluable time capsule of this crucial period of jazz’s development - and in their often primitive albums covers and minimal presentation they suggest the marginal nature of jazz as this period began. Also, in their LP format the modern listener has an insight into the programming concepts that led to the presentation of the material on the LP’s two sides. THE PRESTIGE 10”ALBUMS These have been reproduced with the original one color covers and - in the beginning - simply catalog listings on the back of the cover. The album notes, generally by Ira Gitler, begin after the first few examples.
    [Show full text]
  • JVVWL VOL.6 B5 24P.Indd
    Jazz Vintage Vinyl Want List Vol.6 BLUE NOTE, PRESTIGE, RIVERSIDE +MERCURY/ CLEF/NORGRAN/VERVE BLUE NOTE 1500番台 MILES DAVIS MILES DAVIS THE JAZZ MESSENGERS THE JAZZ MESSENGERS Vol. 1 Vol. 2 At The Cafe Bohemia, Vol. 1 At The Cafe Bohemia, Vol. 2 (BLP1501/LEX/DG/FLAT/額縁) (BLP1502/LEX/DG/FLAT/額縁) (BLP1507/LEX/DG/FLAT/額縁) (BLP1508/LEX/DG/FLAT/額縁) 買取 買取 買取 買取 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥30,000 10%UP→ ¥33,000 THELONIOUS MONK THELONIOUS MONK THAD JONES JUTTA HIPP Genius Of Modern Music, Genius Of Modern Music, Detroit-New York Junction At The Hickory House, Vol. 1 Vol. 1 Vol. 2 (BLP1513/LEX/DG/FLAT/額縁) (BLP1515/LEX/DG/FLAT/額縁) (BLP1510/LEX/DG/FLAT/額縁) (BLP1511/LEX/DG/FLAT/額縁) 買取 買取 買取 買取 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥35,000 10%UP→ ¥38,500 価格 ¥70,000 10%UP→ ¥77,000 価格 ¥70,000 10%UP→ ¥77,000 JUTTA HIPP HORACE SILVER HERBIE NICHOLS ART BLAKEY At The Hickory House, Vol. 2 And The Jazz Messengers Trio A Night At Birdland Vol.1 (BLP1516/LEX/DG/FLAT) (BLP1518/LEX/DG/FLAT/額縁) (BLP1519/LEX/DG/FLAT/額縁) (BLP1521/LEX/DG/FLAT/額縁) 買取 買取 買取 買取 価格 ¥80,000 10%UP→ ¥88,000 価格 ¥25,000 10%UP→ ¥27,500 価格 ¥30,000 10%UP→ ¥33,000 価格 ¥40,000 10%UP→ ¥44,000 ART BLAKEY KENNY BURRELL KENNY DORHAM CLIFFORD BROWN A Night At Birdland Vol.2 Introducing Round About Midnight At The Memorial Album (BLP1522/LEX/DG/FLAT/額縁) (BLP1523/LEX/DG/FLAT/額縁) Cafe Bohemia (BLP1526/LEX/DG/FLAT/額縁) (BLP1524/LEX/DG/FLAT/額縁) 買取 買取 買取 買取 価格 ¥40,000 10%UP→ ¥44,000 価格 ¥50,000 10%UP→ ¥55,000 価格 ¥100,000 10%UP→ ¥110,000 価格 ¥80,000 10%UP→ ¥88,000
    [Show full text]
  • Black and Blue 33.092 1974 Grande Parade Du Jazz Black and Blue 950.504
    Jazz Interpret Titel Album/Single Label / Nummer Jahr «Nice All Stars» black and blue 33.092 1974 Grande Parade du Jazz black and blue 950.504 Abdul-Malik Ahmed The Music of New Jazz NJ 8266 1961, 2002 Adams Pepper 10 TO 4 AT THE 5 SPOT Riverside 12-265 1958, 1976 Adderley Julian "Cannonball" in the land of EmArcy MG 36 077 1956 Adderley Cannonball sophisticated swing EmArcy MG 36110 Adderley Cannonball Jump for Joy Mercury MG 36146 1958 Adderley Cannonball TAKES CHARGE LANDMARKLLP-1306 1959, 1987 Adderley Cannonball African Waltz Riverside OJC-258 (RLP-9377) 1961 Adderley Cannonball Quintet Plus Riverside OJC-306 (RLP-9388) 1961 Adderley Cannonbal Sextet In New York Riverside OJC-142 (RLP-9404) 1962 Adderley Cannonball Cannonball in Japan Capitol ECJ-50082 1966 Adderley Cannonball Masters of jazz EMI Electrola C 054-81 997 1967 Adderley Cannonball Soul of the Bible SABB-11120 1972 Adderley Cannonball Nippon Soul Riverside OJC-435 (RLP-9477) 1990 Adderley Cannonball The quintet in San Francisco feat. Nat Adderley Riverside OJC-035 (RLP-1157) Adderley Cannonball Know what I mean ? with Bill Evans Riverside RLP 9433, alto AA 021 Adderley Julian Portrait of Cannonball Riverside OJC-361 (RLP-269) 1958 Adderley Nat We remember Cannon In + Out Records 7588 1991 Adderley with Milt Jackson Things are getting better Riverside OJC-032 (RLP-1128) 1958 Adderly Julian "Cannonball" & strings 1955 Trip Jazz TLP-5508 Albam Manny Jazz lab vol.1 MCA Coral PCO 7177 1957, 1974 Alexander Monty Monty strikes again MPS 68.044 1974, 1976 Alexander Monty Overseas
    [Show full text]
  • TESI Per Alessio Riccio Copia.Compressed
    CAPITOLO 1 Introduzione L’idea che la batteria, il mio strumento, potesse non essere semplicemente concepita come scatola ritmica e dunque non inglobata in un contesto melodico, è da sempre stata per me fonte d’ispirazione, continue ricerche e lavoro da che ho memoria. Attraverso uno studio ben preciso e mirato sui personaggi che hanno aperto la strada in tal senso, ponendo in evidenza le peculiarità e le potenzialità che questo strumento può offrire, ho potuto svolgere la mia tesi su due livelli: in ambito teorico, ho parlato di “Batteria melodica” attraverso ricerche e informazioni di tutti coloro che in qualche modo hanno concepito sia il fraseggio che l’accompagnamento, riferendosi all’aspetto melodico; in ambito pratico, con l’aiuto di un artigiano, ho costruito un set originale e ben preciso, con delle caratteristiche molto particolari, le cui peculiarità sono: la nota caratteristica per ogni tamburo, riduzione di armonici non desiderati e l’esaltazione dell’aspetto melodico. La batteria costruita in tal senso permette all'occorrenza di unirsi ai fraseggi degli altri strumenti solistici e non, entrando inoltre armonicamente nelle strutture dell’accompagnamento. Nei suoi spazi solistici, quando chiamata ad esprimersi singolarmente, può offrire l’apertura verso una gamma ampissima di colori e sfumature più o meno dettagliate. Forte di questi principi e certo delle potenzialità nascoste di questo progetto, basato su ricerca e sperimentazione, nasce “La batteria melodica”, che consiste, in definitiva, nella costruzione di un particolare drumset che prevede l’ampliamento di un set tradizionale Jazz, costituito generalmente da tre pezzi (cassa, timpano, tom) attraverso la progettazione di ulteriori 12 tamburi appositamente studiati con diametri e profondità variabili in base alla nota scelta ed accordati cromaticamente seguendo il range di un’ottava del pianoforte (12 semitoni).
    [Show full text]