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Clowes Memorial Hall Administration Elise J. Kushigian Executive Director W. MichaelJonson Director of Operations Program Guide Linda L. Neal Director of Administration

Education Carolyn J. Owens Director Donna Rund Coordinator

Marketing Samantha Cross Director and Sponsorships September 2000 Krissy Warrenburg Group Sales Contents 3 Shawn Jones Webmaster Indianapolis Chamber Orchestra I Box Office Sheila K. Sharp Sonny Rollins Box Office Manager Lisa C. Whitaker Clowes Hall Society 34 Assist. Box Office Manager Stacey Harbor Senior Cashier Coming Events 38

Production Facility Guide 40 Haldon Whitehouse Head Carpentar John P. Lucas First Electrician Dainis Ozers Second Electrician James Winegard Flyman

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Kirk Trevor, Conductor Lara St. John, Violin

PROGRAM

The Four Seasons for Violin, Strings, and Continuo, Op. 8 Antonio Vivaldi

Spring Allegro Largo e pianissimo sempre Danza Pastorale:Allegro

Summer Andantino mosso - Allegro non molto Adagio - Presto Presto: Tempo impetuoso d'Estate

Autumn Allegro Adagio La caccia:Allegro

Winter Allegro non molto Largo Allegro

INTERMISSION

Commedia for (almost) 18th Century Orchestra (1972) William Bolcom

Symphony No. 8 in F Major, Op. 93 Ludwig van Beethoven

Allegro vivace e con brio Allegretto scherzando Scherzo: Tempo di menuetto Allegro Vivace

The Indianapolis Chamber Orchestra is grateful to Merrill lynch for underwriting support provided for Opening Night. Presentation bouquets are provided by Daren Redman in memory of Mrs. O. T. Robinson. Hotel accomodations for the conductor and guest artists are provided courtesy of General Hotels Corporation.

PERSONNEL Kirk Trevor, Music Director and Principal Conductor The Christel DeHaan Family Foundation Podium Stanley DeRusha, Resident Conductor

VIOLIN I OBOE Larry Shapiro, Concertmaster Deirdre Chadwick, Principal The Mary Ann and Robert Derek Devine Tucker Chair Davis Brooks, Associate CLARINET Concertmaster Eli Eban, Principal Deborah Rodin Noelle Gosling BASSOON Thomas Watkins Jeffrey Lange, Principal Pamela Close HORN VIOLIN II Fred Ehnes, Principal Lisa Brooks, Principal Kent Leslie Alfred Abel, Assistant Principal Ginny Womack TRUMPET Li-Yuan Ho Daniel Gosling, Principal Daniel Golando VIOLA Csaba Erdelyi, Co-Principal TROMBONE Donna Lively Clark, Co-Principal Jared Rodin Colette Abel Byron Plexico TIMPANI & PERCUSSION Kevin Kaiser CELLO Marjorie Lange Hanna, Principal HARP Nancy Smith Wendy Muston Dennis McCafferty PERSONNEL MANAGER DOUBLE BASS Daniel Gosling David Murray, Principal Thomas Reynolds IIBRARIAN Noelle Gosling FLUTE Marsha Krantz Anne Reynolds, Principal Suzanne Farley STAGE MANAGER Paul K. Gloger

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The Four Seasons for Violin, Strings and Continuo, Op. 8 Antonio Vivaldi, b. March 4, 1678, at Venice; d.fuly 28, 1741, at Vienna.

Of the twelve violin concertos which Vivaldi assembled for publication in 1725 as his Opus 8 (subtitled // cemento dell'armonia e dell'inventione, or "The Balance between Harmony and Invention"), the first four are a carefully preserved unit which the composer previously wrote and performed for the Bohemian Count Wenzeslaus von Morzin, one of whose descendants employed Joseph Haydn for about three years commencing in 1758. For their publication by Le Cene in Amsterdam, Vivaldi added descriptive sonnets of the seasons which express the programmatic content of each of these four con­ certos. In the manuscript, each sonnet in its entirety precedes the concerto to which it pertains, and then each line of the sonnet reappears over the bars of music which depict the text.

A translation of Vivaldi's sonnets appears below, the lines arranged by the con­ certo movements in which Vivaldi placed them. The listener needs no further guide to understanding the composer's intentions other than the music pro­ vided by Maestro Trevor and the Indianapolis Chamber Orchestra. These con­ certos comprise one of the earliest examples of programmatic music that remains in the repertory today, and it is undoubtedly Vivaldi's most popular work with present-day audiences. Just a few years ago, Vivaldi's The Four Seasons as performed with Gil Shaham as violin soloist achieved almost cult status as the recurring signature background music on cable television's The Weather Channel, catapulting Shaham to a level of popularity usually reserved for "rock" artists.

SPRING I. Allegro in E Major, 4/4 time.

Spring has joyfully arrived, The Birds salute it with joyous songs, And the streams, in gentle breezes, With sweet murmurs flow.

Now the sky is coated black, Lightening and thunder announce the storm, After the storm passes, the birds Return to their melodious songs.

II. Largo e pianissimo sempre in C-Sharp Minor, 3/4 time. And in the beautifuUy flowering meadow, To the tender rustling of leaves and branches, NOTES ON THE PROGRAM The goatherd sleeps, his faithful dog at his side.

III. Danza Pastorale:Allegro in E Major, 12/8 time. To the rustic merry sound of the shepherd's pipe, Nymphs and shepherds dance under the lovely Spring sky.

SUMMER I. Andantino mosso - Allegro non molto in G Minor, 3/8 time.

£ In the harsh Summer sun, u o % ThMaen cuckoand beaso raiset languishs his song, an,d the pine tree scorches, And is soon joined by the turtledove and the goldfinch.

A gentle breeze blows, but then Comes the North Wind, And the shepherd weeps, as he fears < ^ The fierce North storm that imperils his fate.

II. Adagio - Presto in G Minor, 4/4 time. 10 The shepherd's weary limbs are rousted from rest, By his fear of lightening and the thunder's roll, 2;

And by the angry swarm of flies and hornets.

III. Presto: Tempo impetuoso dEstate in G Minor, 3/4 time.

Ah, his fears come true. Thunder, lightening and hail consume the sky, Snapping treetops and flattening grain. AUTUMN I. Allegro in F Major, 4/4 time. The peasant celebrates with song and dance The joy of an abundant harvest, And filled from Bacchus' cup, His merry feast ends in slumber.

II. Adagio in D Minor, 3/4 time.

Everyone ceases dancing and singing, The Autumn air is temperate and pleasant, And the season invites everyone To contented sleep. BANK HOME AGAIN

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yJEWELhRby 56Q9 North nUnois . Indianapolis, IN 46208.317.255.5555 NOTES ON THE PROGRAM III. La caccia:Allegro in F Major, 3/8 time.

At dawn the hunters give chase With horns, guns and staffs, The hunted game flees, tracked by the hunters. Frightened and exhausted from the deafening noise, Of guns, beaters, and wounded as well, The poor beast, spent, falls and dies.

WINTER S | I. Allegro non molto in F Minor, 4/4 time. u Freezing and shivering in the snowy darkness. In the harsh gusts of a fearful wind, Running and stamping one's feet repeatedly < In a world of ice that causes one's teeth to chatter. ux II. Largo in E-FIat Major, 4/4 time.

Spending quiet days content by the fire, While outside the rain pours. z -^2 HI. Allegro in F Minor, 3/8 time.

Walking cautiously on the ice, Slowly, carefully, for fear of falling; Then stepping boldly and falling at last, To stand again, and running hard While the ice cracks and breaks.

Hearing the wind burst through the iron gates, The North Wind and all winds are at war, This is Winter, yet such joy it brings.

Commedia for (almost) 18th Century Orchestra William Bolcom, b. May 26, 1938, at Seattle.

William Bolcom has stellar careers both as a composer and pianist (whether solo or as an accompanist to his wife, mezzo-soprano Joan Morris). Bolcom has been associated with the music faculties of the University of Washington, Queens College, Yale University, New York University (the latter two as com- poser-in-residence, 1968-70) and, since 1973, the University of Michigan. For the 1987-88 season he was composer-in-residence with the Detroit Symphony.

As a pianist, Bolcom is deeply involved in such diverse interests as the advancement of the keyboard works of Darius Milhaud (1892-1974) and NOTES ON THE PROGRAM Charles Ives (1874-1954), and the revival of early 20th-century American rag­ time. With his wife, the pair concertize often with programs of the songs of American composers popular before World War II. Bolcom claims, and cham­ pions, three American idols: Ives, Scott Joplin (1868-1917), and George Gershwin (1898-1937). Bolcom's research led to the 1980s revival of Joplin's opera Treemonisha, published by the composer himself in 1911. In 1984, Bolcom premiered to much acclaim his monumental setting of forty-six poems from William Blake's Songs of Innocence and Experience for nine soloists, three choruses, children's choir, and orchestra - a work on which the composer had toiled for nearly thirty years. In 1987 Bolcom won the Pulitzer Prize for his Twelve New Etudes for Piano.

Commedia for (almost) 18th Century Orchestra is the lighter side of William Bolcom. It was commissioned and premiered in 1972 by the St. Paul Chamber Orchestra under Sydney Hodkinson.The work was scored for the usual forces of the St. Paul orchestra - one flute (doubling on piccolo), two oboes, one clarinet, two bassoons, two horns, piano, and strings - to which the Commedia score adds optional timpani, contrabassoon, and recorder.

Played without pause, Commedia contains tempo markings and other nota­ tions in the score which leave no doubt of the fun (and musical puns) intend­ ed: "Not too slow; tense-like sparks ""Presto demente... or faster?" Rough/" "Really go!""Infernal!" and "No parody! This is for real!" just to give a sampling. As he forewarned in the notes he provided for the recorded pre­ miere of Commedia, Bolcom "baldly trots out some of the orchestral cliches of the late 18th and early 19th centuries [and], as the title suggests, the influ­ ence is the commedia del 'arte - the stock stage characters tossed against each other in a variety of situations, often comic, but...not without a dark side." Even in parody, Commedia expressively demonstrates Bolcom's flam­ boyant and vivid style.

Symphony No. 8 in F Major, Op. 93 Ludwig van Beethoven, b. December 16, 1770, at Bonn; d. March 26, 1827, at Vienna.

It was customary for Beethoven to work at the same time on two scores with opposing qualities. Beethoven's seventh and eighth symphonies were so paired. Both works were begun in Vienna inl811; but, once Beethoven reached the explosive Scherzo of the Seventh Symphony, he continued straight through until the piece was completed in late May or early June of 1812. Beethoven then traveled to Linz to take on two tasks, one of which was the completion of the gentler Eighth Symphony, his shortest and brightest of the genre. As for the other affair, Beethoven stirred up quite a domestic imbroglio. NOTES ON THE PROGRAM Beethoven's brother, Johann, maintained a lodge at Linz and at the time employed a housekeeper,Therese, who was the sister-in-law of one of the lodgers.Therese was tending to Johann's wishes day and night, and this set tongues a-wagging all the way back to Vienna. Beethoven was furious and for more than three months in Linz hounded his brother to end the affair. Johann, incensed at the interference, put an end to the matter in November in the one way Beethoven did not intend: Johann and Therese were married. Under such circumstances, it can be reported without surprise that the marriage quickly failed, serving only to alienate further these two brothers Beethoven.

As we have seen time and again in the creative processes of great composers, Beethoven's Eighth Symphony contains not a hint of this untoward familial episode. Completed "October 1812, in Linz on the Danube," Beethoven pre­ miered this symphony on February 27,1814, in the Redoutensaal at Vienna, and it was not well received.To the Redoutensaal audience, the work appar­ ently paled by comparison to the Seventh Symphony, which the audience heard that evening for the second time (it was premiered in the same hall three months before).Today, the popularity of both of Beethoven's sym­ phonies from 1812 is unquestioned.

The Eighth Symphony is in four movements, and its instrumentation calls for 14 pairs of flutes, oboes, clarinets, bassoons, horns, and trumpets, with timpani and strings. The work begins straightaway with a rambunctious Allegro vivace e con brio in three-quarter time.The exposition is of uncharacteristic brevity, for a Beethoven symphony, giving the stanza an even greater sense of exuberance.There is no slow movement.The second-movement Allegretto pace of the Seventh Symphony is distilled to an even more driven, brief Allegretto scherzando here, where the woodwinds poke fun at what was then the latest invention of Johann Maelzel (1772-1838), that device seemingly preferred by all music teachers and detested by all music students, the metronome. Following a light-weight Scherzo marked Tempo di menuetto, the concluding Allegro vivace in double time starts barely above a whisper, so as to make the jolt or two in store all the more unsettling.This symphonic finale may well be Beethoven's most inventive, with a labyrinth of numerous false endings, each quite convincing. THE BEST AD PLACEMENT IN TOWN ISO • CLOWES • CIVIC • IRT • INDPLS. OPERA • EDYVEAN • DECORATORS' SHOW HOUSE • ORCHARD IN BLOOM • NCAA FINAL FOUR • PARK TUDOR APPLEFEST • BALLET INTERNATIONALE • IU-KY BASKETBALL CAME • RILEY HOSPITAL • RYAN WHITE FOUNDATION For the best placement in the best books in town. NANCY BURRIS, 317.253.5845, FAX 317.251.2521

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Brokerage services are offered through Fifth Third Securities, Inc., member NASD, SIPC. It's Hard To Stop A Trane. Fifth Third and Fifth Third Rank are registered service marks of Fifth Third Bancorp. DISTRIBUTED BY www.53.com • Member FDIC & Equal Housing Lender SUPPLY CORPORATION MEET THE ARTISTS Maestro Kirk Trevor was appointed Music Director and Principal Conductor of the Indianapolis Chamber Orchestra in 1988, and is the current occupant of the Christel DeHaan Family Foundation Conductor's Podium. Regarded as one of the most exciting conductors of his gen­ eration, Mr. Trevor also serves as Music Director of the Knoxville Symphony Orchestra, and is Chief Conductor of the Bohuslav Martinu Philharmonic of Zlin, in the Czech Republic. By 1982 Mr. Trevor had emerged as one of America's most promising young conductors. In that year he was selected to serve as Exxon/Arts Endowment Conductor of the Dallas Symphony, where he continued as resi­ dent conductor through the 1987-88 season. In June 1990 he received anoth­ er prestigious national award as winner of the American Symphony Orchestra League's Bernstein Conducting Competition. He was one of only three American conductors chosen to conduct the National Symphony Orchestra at the Kennedy Center for the Performing Arts in a special concert for the League's national conference in Washington, D.C. Maestro Trevor is now becoming widely recognized as one of the leading teachers of conducting in the world. He is a Master Teacher for both the American Symphony Orchestra League and the Conductor's Guild, conducting workshops and serving as visiting lecturer at numerous universities in the U.S. and abroad. Since 1991, he has been Artistic Director of the International Conductors Workshop in Zlin, the Czech Republic, the world's largest con­ ducting school, with over 100 students from at least 20 countries. Born in England, Mr. Trevor graduated with distinction from London's Guildhall School of Music. He was awarded a British Council Scholarship to study in France with the renowned cellist, Paul Tortelier. He came to the United States in 1975 on a Fulbright Exchange Grant to study and teach at the North Carolina School of the Arts, and was subsequently named Associate Conductor of the Charlotte Symphony. As a guest conductor, Mr. Trevor has appeared with many of America's leading orchestras. He has also conducted the Orquesta Sinfonia Municipal in Caracas, Venezuela; the Latvian Philharmonic Society; the Basel Chamber Orchestra (Switzerland); and numerous orchestras in the Czech Republic. Recent appearances have included concerts with the Prague Symphony, the Polish National Radio Orchestra, the Bucharest Philharmonic, and the Janacek Philharmonic. Recently Mr.Trevor guest-conducted the Estonian National Symphony Orchestra and the Filharmonie Hradec Kralove. Maestro Kirk Trevor's consummate musicianship, inciteful interpretation, and comprehensive approach to repertoire programming have brought the Indianapolis Chamber Orchestra to a unique level of artistry and versatility among American chamber orchestras. You have a style and rhythm all your own. Now there's a bank that's just like you.

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Store Hours And don't forget, Moil-Thill's H)um-K| Kri lOam-tinni we make a mattress for every stage of your life. i MEET THE ARTISTS Violinist Lara St. John is a native of Canada, where she began playing violin at the astonishing age of two years. She made her solo debut with orchestra at the age of five, and performed with the Gulbenkian Orchestra of Lisbon five years later. Before she entered the Curtis Institute at the age of 14, she had toured Spain, France, Portugal, and Hungary! Upon graduation from Curtis, Lara went to Moscow to study at the Tchaikovsky Conservatory, and traveled throughout the former Soviet Union and Eastern Europe. She subse­ quently spent two years studying at England's Guildhall School of Music, and then returned to the U.S. for additional study at the Mannes College of Music in New York City. She also holds the Artist Diploma from the New England Conservatory in Boston. She currently resides in New York City. Lara has won a number of important competitions, including the Sylva Gelber Prize in Canada, the Minnesota Orchestra Competition, the Philadelphia Orchestra Competition, and the Grand Prize of the Canadian Music Competition. In 1997 she won the use of a 1702 Stradivarius violin for two years from the Canada Council for the Arts; she currently performs on the 1779 "Salabue" Guadagnini, courtesy of Heinl & Co. of Toronto. Recent solo engagements have included appearances with the Cleveland Orchestra, the Philadelphia Orchestra, the Toronto Symphony, the Montreal Symphony, and the Franz Liszt Chamber Orchestra of Budapest. Lara has also given solo recitals around the world. Her debut CD, Bach Works for Violin Solo, has received critical acclaim, and has sold over 30,000 copies. Her sec­ ond album, Gypsy, has attracted wide attention for its electrifying passion and emotional intensity. This season Lara will appear with the Tokyo Symphony, the Hong Kong Philharmonic, and the Calgary Philharmonic, among others.This evening's concert marks her first appearance with the Indianapolis Chamber Orchestra.

Ms. St. John's appearance with the Indianapolis Chamber Orchestra is by special arrangement with Thea Dispeker Artists Management, New York. 2000-2001 CONTRIBUTORS CORPORATE AND FOUNDATION CONTRIBUTORS CONCERT BENEFACTOR CIRCLE Arts Council of Indianapolis Christel DeHaan Family Foundation The Clowes Fund, Inc. Clowes Memorial Hall of Butler University Indiana Arts Commission Indianapolis Foundation MAESTRO CIRCLE Banta - Rafferty Public Relations Lilly Endowment, Inc. Merrill Lynch, Inc. National City Bank of Indiana Nicholas H. Noyes, Jr. Memorial Foundation SAFECO Corporation Wright & Company Jewelers

GUEST ARTIST CIRCLE Alliance Graphics Indiana Energy Arthur Jordan Foundation Inland Foundation Casa del Sol Violins Luther Graphics Cinergy Foundation PSI Foundation, Inc. Empire Development, LLC Shoup and Associates General Hotels, Inc. Target Stores CONCERTMASTER CIRCLE Caito Foods The Penrod Society Fifth Third Bank PricewaterhouseCoopers LLP Meridian Music Company Professional Data Dimensions Park Tudor School

PRINCIPAL CIRCLE Bank One, Indianapolis, NA Phico Insurance Company Ernst & Young, LLP Yount & Company, PC. PLAYER CIRCLE Eckhart & Company, Inc. O'Malia Food Markets Grain Dealers Mutual Insurance Co. Simon Property Group National Bank of Indianapolis

Matching gifts received from: Ameritech Bank One, Indianapolis, NA Cendant Eli Lilly and Company Foundation Inland Paperboard and Packaging Lilly Endowment, Inc.

If your company matches gifts, please include that information with your donation and double your gift! We Ve made providing excellent customer service an ^y/9^^/rr^

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Jynese's an art to providing good service. ror the five power cooperatives surrounding Indianapolis, it includes a Cast response to problems and concerns, constantly ': reinvesting In equipment and facilities, and an isiwawsring commitment to the suburban communities they serve. ^amemb^, YOUR LOCAL Of & 6 Hit/ iii COOPERATIVE Touchstone Energy 2000-2001 CONTRIBUTORS INDIVIDUAL CONTRIBUTORS The Indianapolis Chamber Orchestra expresses sincere appreciation to the following individuals whose contributions help ensure the continuity and growth of the Orchestra. MOZART CIRCLE Allen W. Clowes Mr. and Mrs. Wayne Patrick Mr. and Mrs. G. David Glover Vin and Cindy Rampey Ann Hinson Amy and Clay Robbins Lucina B. Moxley Dr. and Mrs. R.C. Tucker, Jr. Mr. and Mrs. Robert Muessig Dave and Kelcy Whitman Ifeanyi Osili, II

BEETHOVEN CIRCLE Dr. and Mrs. Louis F. Chenette Dr. and Mrs. Philip M. Morton Dinatha V. DeGraw Ron Reader Elaine and Brent Eckhart Marta Spence Bob Edwards Mark C. Webb Robin A. Grimes

HANDEL CIRCLE Karla H. Blum Judith B. Murphy Mr. and Mrs. John Carr, Jr. Mr. and Mrs. Chip Muston Mr. and Mrs. James Davlin Amy and Thad Perry Mary P. Gosling Patricia Quinn and Phillip Price Rev. and Mrs. Russell F. Harrison Jane and Fred Schlegel Dennis and Anne McCafferty Mr. Frank C. Springer, Jr. Dan and Kay Millar

VIVALDI CIRCLE Anonymous Betty E. Land is Norris and Carole Allen Mr. and Mrs. Richard Ledman Mr. and Mrs. Bradford H. Arthur Richard Lieber Chris and Bill Barton Rob MacPherson and Steven Stolen John and Susan Bowers Mr. and Mrs. Robert McNamara Ann and Charles Conrad Susan and Don Orr Kent Cook Mr. and Mrs. J. Daniel Philpott Suzanne S. Dettwiler Valerie Purvin Mr. and Mrs. William F. Fechtman Mr. and Mrs. John Reddington Richard Ford Roger Roe Mr. and Mrs. David Foutty Dr. and Mrs. James Ruckle Earl W. Furlow Mrs. Paul Scheuring Karen and Bruce Galbraith Mr. and Mrs. John A. Schmid Gail and Bob Hall Charles S. Shoup, Jr. Susan G. Hudnut J. Patrick Tatum Mr. and Mrs. Gordon Hughes Julio C. Tierno Barbara Kiffmeyer Patricia Tretick Carolyn W. Kincannon Phyllis and Stephen West Beth Kissling Eva and David Yount 2000-2001 CONTRIBUTORS MOZART CIRCLE Elizabeth and Victor Amend Anna Mullen Jeff Baker Andy M. Palm Mr. and Mrs. Tom A. Bither, Jr. John Pickett Donald P. Bogard Mr. and Mrs. Glenn D. Pratt Mr. and Mrs. Don Buckley Mr. and Mrs. Thomas J. Rafferty Ann Dettwiler Daren and Dave Redman Marianne Eckhart Mr. and Mrs. Thomas W. Roberts Mr. and Mrs. William F. Eckhart Mrs. Pat Garrett Rooney Dorothy Gitlin Rozann and Neal Rothman Daniel and Noelle Gosling Mrs. Farrell M. Scott Dr. and Mrs. M.E. Hodes Jane G. Shackleford Leona M. Hopper Leonard H. Smith Terry Kirts Vernon N. Tramontini Sharon and Jeffrey Lange Brent J. Troy Ruth Lee Alice B. West Joan and David Lewis Nancee Weigel Louise Lieberman Mr. and Mrs. Richard Weiner Mr. and Mrs. Charles R. McDaniel Mr. And Mrs. James P. White lla and Stephen Miller Mr. and Mrs. George Yensco Mr. and Mrs. Wayne Moss Mabel C. Young

BOARD OF DIRECTORS

Donna L. Reynolds President Kay Millar Vice President for Marketing and Audience Development Cathleen Nevin Vice President for Education and Outreach Morna Patrick Vice President for Volunteer Development and Special Events J. Daniel Philpott Vice President for Board Development and President-Elect Andrew Taylor Vice President for Financial Development Tracey Til I is Vice President for Strategic Planning Pat Garrett Rooney Secretary David P. Whitman Treasurer

LilaBerdia Batties Robin A. Grimes Ifeanyi Osili II Gail Swanstrom Jim Davlin David S. Katz Barbara Rafferty Brent J. Troy Elaine F. Eckhart Alan Mills Daren Redman Mark C. Webb Peg Glover Ray "Chip" Muston Mark Riddles

HONORARY LIFE TRUSTEE Allen W. Clowes

ADMINISTRATIVE STAFF Chad Miller Charles L. Manning Executive Director Director of Operations

Christina N. Baich Daniel Gosling Development Assistant Personnel Manager

Noelle Gosling Beth Kissling Librarian Office Assistant 2000-2001 CONTRIBUTORS ENDOWMENT CONTRIBUTORS

FOUNDER Christel DeHaan Family Foundation Dr. and Mrs. R.C. Tucker, Jr.

TRUSTEE Mr. and Mrs. John Carr, Jr.

PRESIDENT'S CLUB Elaine and Brent Eckhart Amy and Clay Robbins Ann Hinson Dr. Charles S. Shoup, Sr. Lucina B. Moxley Dave and Kelcy Whitman Donna L. Reynolds

DIRECTOR Lauren Christopher Mrs. Pat Garrett Rooney Mr. and Mrs. James Davlin Mr. and Mrs. Andrew Taylor Sarah DiCarlo Kirk Trevor Sheila and Monroe Little Alliance Graphics Mr. and Mrs. Robert Muessig Brad Luther Designs Ifeanyi Osili, II Merrill Lynch, Inc. Mr. and Mrs. Wayne Patrick National City Bank of Indiana Dave and Daren Redman

PATRON James Gillespie Judith B. Murphy Charles S. Shoup, Jr. Mr. and Mrs. Dan Golando Mr. and Mrs. Chip Muston Marta Spence Carolyn W. Kincannon Dr. and Mrs. James Nevin Gail Swanstrom Anne and Dennis McCafferty Vin and Cindy Rampey Tracey Til lis Chad A. Miller Mr. and Mrs. Larry Shapiro

FRIEND

Robert A. Charpie Susan G. Hudnut Eckhart & Company Sharon Gamble Dr. and Mrs. David S. Katz Ryan Associates Marjie Hanna Barbara Kiffmeyer World Media Group Dr. and Mrs. William F. Fechtman Mr. and Mrs. J. Daniel Philpott Dan and Noelle Gosling Brent J. Troy

SUPPORTER Anonymous Rudy Ennis David Murray Christina N. Baich Suzanne E. Farley Mr. and Mrs. Thomas Rafferty Lisa and Davis Brooks Rosalie Ferguson Anne and Tom Reynolds Donna Lively Clark Ann Freije Sally and Mark Riddles Mr. and Mrs. Steven Coopersmith Dr. and Mrs. Donald H. Jolly Ginny and Mark Womack Diantha V. DeGraw Mr. and Mrs. Paul Karel Eli Eban Mary and Kent Leslie

Matching gifts received from: Ameritech Eli Lilly and Company Foundation Inland Paperboard and Packaging Lilly Endowment, Inc.

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ADMISSIONSOIRANKI l\l OU 2000-2001 CONTRIBUTORS

IN MEMORY OF FRAN SHOUP Alice Akins Anne Elizabeth Harrigan Mrs. Pat Garrett Rooney Mr. and Mrs. Walt Bogdanowicz James R. Hebden Mr. and Mrs. Arthur Sanford Mr. and Mrs. Robert Book Susan G. Hudnut Mr. and Mrs. Blake Schlabach Delano Bryant and Fay Henning Mr. and Mrs. Richard Huelster Mr. and Mrs. Philip Schnell Mr. and Mrs. Roy Cage Hon. Z. Mae Jimison Mr. and Mrs. Alan Seville Mr. and Mrs. Bob Campbell Mr. and Mrs. Pat Kehoe Karen Sheely Mr. and Mrs. John Carr, Jr. Mr. and Mrs. Patric Kehoe Joan R. Shonske Robert A. Charpie Sharon Kehoe Charles S. Shoup, Jr. Donna Lively Clark Beth Kissling Dr. Charles S. Shoup, Sr. Mr. and Mrs. Lucas Coggins Mr. and Mrs. Pieter Kollen Margo Shoup and Michael Hans Collins Mr.and Mrs. John Leppert Meyer Christel DeHaan Mr. and Mrs. John Lund Mr. and Mrs. Richard Smyser Dr. and Mrs. Roy L. DeHart William Manly Doreen Squire Ficara Deborah DiCarlo Renee Martin Rich Charles B. Staff, Jr. Sarah DiCarlo Elizabeth Mathis Mr. and Mrs. James P. White Patricia Duerksen Alicia McMahon Dave and Kelcy Whitman Elaine and Brent Eckhart Phyllis Morrissey Ginny and Mark Womack Rosalie Ferguson Lucina B. Moxley Eva and David Yount Mrs. M.J. Fortenberry Mr. and Mrs. Robert Muessig Dance Kaleidoscope Carolyn P. Foust Mr. and Mrs. Tom Olsen Gradex, Inc. Dr. and Mrs. Richard Gamelli Mr. and Mrs. Wayne Patrick Indiana Orchestra Consortium Mr. and Mrs. Craig Gigax Mr. and Mrs. George Plews Indianapolis Children's Choir Josifina Godinez Mr. and Mrs. John Proffitt Loyola University Mr. and Mrs. Dan Golando Vin and Cindy Rampey Sunnyside Guild Mary P. Gosling Chris Rheinheimer Young Audiences of Indiana Mr. and Mrs. Robert E. Haesloop Amy and Clay Robbins

IN MEMORY OF IVAN LIVELY Lory O. Barker Dan and Noelle Gosling Mr. and Mrs. William M. Mr. and Mrs. Benjamin Briscoe Mr. and Mrs. Elwood Maris Sheppard Helen W. Campbell Anne and Dennis McCafferty Dr. and Mrs. Samuel W. Siurua Donna Lively Clark Mr. and Mrs. Roger Neal Alice B. Weest Diantha V. DeGraw Mr. and Mrs. Charles Phillipy Ginny and Mark Womack Thelma L. Deckard Jean M. Richmond Marie and Lewellyn Flory Mr. and Mrs. Jared Rodin

IN HONOR OF ALLEN W. CLOWES William H. Ball, Jr. Ann Hinson Jane W. Myers Olimpia Barbera Carolyn W. Kincannon J. Daniel Philpott Mr. and Mrs. John Carr, Jr. Charles Latham, Jr. Donna L. Reynolds Dr. and Mrs. Louis F. Chenette Mr. and Mrs. David Lewis Mr. and Mrs. William S. Richards Elaine and Brent Eckhart Rob MacPherson and Joan R. Shonske Richard Ford Steven Stolen Dr. Charles S. Shoup, Sr. Mr. and Mrs. Russell Fortune, Jr. Mr. and Mrs. Charles L. Manning Frank C. Springer, Jr. Karen and Bruce Galbraith Mr. and Mrs. Robert McNamara Edna VanRiper Frances Girdwood Kay and Dan Millar Mr. and Mrs. Bret Waller Mary P. Gosling Lucina B. Moxley Dave and Kelcy Whitman Lisa Hamilton Mr. and Mrs. Robert Muessig t/^(»^^^<3^/^/_^^/;^/&^&W

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please visit our website www.behaviorcorp.com CLOWES MEMORIAL HALL 2000/2001 PERFORMING ARTS SERIES

>.v Friday, Odober 27,2000 ;V 8:00 p.m.

Tango Pasion Wednesday, JJ January 24,2001 8:00 p.m. ies of Note H Featuring Lainie Kazan, Melba Moore and Nnenna Freelon Friday, January 26,2001 \ | 8:00 p.m. % 1

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Aeros Romanian Gymnastics Team Choreographed by V. David Parsons, Moses Pendleton and Daniel Ezralow Sunday, March 4, 2001 4:00 p.m.

I^f *f The Girls V? Choir of ' •*_%. A SAIA » » ; • Harlema* flf (gi ^ v A^^ Fri., April 27, 2001 Jf* 8:0°Pm* Experience The Extraordinary Save up to 30% oti Season Packages. ^ Tickets available at the Clowes Memorial Hall Box Office and all ggggliglgjgr Ticket Centers. Charge by phone (317) 239-1000. For Group Sales call Krissy at 940-9987. For information only call (317) 940-6444 or (800) 732-0804. a*— TDD/TTY for hearing impaired (317) 940-6479 www.ClowesHall.org ^ ^ BANKS ONE >•) li.WK OSli. CORI'ORATIOX. Member //)/(. innv.ftflnione.com SONNY ROLLINS

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ARTSKBlN DIANA # CLOWES MEMORIAL HALL SOCIETY •fflllllcLOWES MEMORIAL HALL tSaciet^ Corporations & Foundations Dr. & Mrs. A. D. Hauersperger Joseph G. Conway Arts Council of Indianapolis Mr. & Mrs. John A. Henderson Janet M. Davis Bank One Bob & Susan Johnstone Patricia A. Deyhle Christel DeHaan Family Kay M. Jolly Dorothy Dickerson Foundation Robert P. Kassing Derek Divine Clowes Hall Women's Robin L. Kirschner George & Catherine Hahn Committee William Lapworth Lowell & Virginia Harbison Eli Lilly & Company John G. Leininger Vicki Harding Leland's Carol S. Loggins Eugene Heinbaugh Target Stores Darrin S. Lafferty Derek L. Hippelsteel The Kennedy Center for the Mr. & Mrs. Joseph C. Sharon Jackson Performing Arts Lanning, Jr. Julia Kellum Brian McDermott Mr. & Mrs. Jack A. Kesler Producers ($1000 and up) Gary & Judy Mitchell Amy Lewis Russell & Elise Kushigian Felicia E. Morris Laura Lewis Robert & Cheryl Sparks Dr. & Mrs. Victor H. Muller V Joan Logan Mr. & Mrs. Richard Ann Lynam Directors ($500 - $999) Mullholand Ann Manet Mr. & Mrs. Philip J. Gibson* Dr. & Mrs. Kenneth L. James May Bill & Jacky Templeton Renkens, Jr Mary Mullins** Mrs. Lloyd H. Richter Anne Quade Leading Role ($250 - $499) Cindy Schaefer Michael Sanders Dr. & Mrs. Joseph F. Mrs. Terry Sharp Sharon Shrack Heidelman Mr. & Mrs. Richard Shevitz Oscar & Laura Smith Jean M. Smith Penny M. Siml KurtStahl Mr. & Mrs. Albert Spurlock Daniel & Rebecca Skaggs Marilyn Stamm Janine J. Smulyan Susan Stanhope Stage Manager ($50 - $249) Gretchen K. Sullivan Gordon Starr Joseph M. Adams Mr. & Mrs. Glenn M. Swisher James Sterr Mrs. Joanne L. Alcorn* Rita Uchida Marcy Strawmyer Erin Baas Mr. David & Dr. Betty Lou Mr. & Mrs. Kenneth Swain Debra Baker Walsman Udyan Trivedi Mr. & Mrs. Taylor L. Baker, Jr. Vickie Wann Pam Turner David Barnes Rev. R. Donald Weaver Lynda D. Van Kirk Janet Bates Dennis Wetzel Joe & Shirley Vargas Betty Bayliff John J. Zachary III Dr. & Mrs. Robert M. Stephanie Brater Weetman Gordon Butts Company Member (up to $49) Joann Wehlage Diana L. Doty Betty Atwood Mr. & Mrs. Charles C. Mr. & Mrs. French L. Eason Dr. Ronald Baker Whitaker Rafael Fernandez Harley Barnard Lisa A. Wightman Mr. & Mrs. Joe Fischer Peter T. Brady Bret Williams Dr. & Mrs. Martin Garfield Cynthia Van Bree Betty Wilson Mr. & Mrs. Steve Garrett Lillian Brodey Susan Writt Mr. & Mrs. Thomas J. Gawlik Kathryn Bowman Patricia Ziegelbauer James E. Geissler & Timothy Joy Bump McGinley Patricia Chasteen** *indicates a corporate matched gift. Thomas Graves Peter Chen **lndicates an in memoriam gift. Mr. & Mrs. Robert Haddad Dora Ogden Cherrington** Dr. & Mrs. Mark and Jan Dr. & Mrs. Donald L. Cline Hatfield Sara Compton

The individuals, corporations and foundations listed above represent the generosity of a larger community who have contributed to the Clowes Memorial Hall Society through September 1, 2000. Their gifts enable us to maintain the high standards of pro­ gramming excellence that you have come to expect. To join this group of contributors, pledge cards are available at the Reception Desk. SONNY ROLLINS When Sonny Rollins picks up the tenor saxophone, the world listens. For nearly half a century, he has played music with the majesty of a Greek god, and today remains one of the few surviving icons from a golden era of jazz that will probably never be equaled. In 1998, he returned to the studio after a two year absence to painstakingly record Global Warming, his 20th Milestone record­ ing. Rollins first recorded in 1949 and, nearly 50 years later, as the most for­ midable of all jazz improvisers, he remains a living inspiration to musi­ cians and listeners worldwide.

Born in New York City on September 7, 1930 to music-loving parents of the Carribean ancestry, Sonny Rollins studied piano initially but soon turned to the saxophone. Under the mentorship of Thelonious Monk, Rollins began to develop the true mastery of the sax. In Harlem, Rollins' contemporaries included Jackie McClean, Kenny Drew, and Art Taylor. Out of this core of future jazz superstars, Rollins was the first to break through by recording tracks with Babs Gonzalez, J.J. Johnson, Bud Powell, and Miles Davis, all before he was 20 years of age.

By the early fifties, Rollins was recognized as on of the most promising, spontaneous, and creative tenor sax players on the jazz scene, sought after by Miles, Monk, and MJQ. In November of 1954 he had retreated from the limelight for a time of introspection. He was back by the end of '55 when he re-emerged in Chicago with Clifford Brown/Max Roach Quintet. He recorded his first 12-inch LP, Work Time, in December of 1955, which marked the start of a three-year golden period highlight­ ed by records such as Tenor Madness, Saxophone Colossus, and Sonny Rollins Plays for Bird. Sonny was finally officially recognized by the prestigious Downbeat Magazine's Critics' Poll as New Star of the tenor saxophone in 1957. But by 1959, when he had become one of the most important musicians in jazz, Sonny Rollins withdrew from music. He took some time and went to India to study yoga, a practice that has become an intrinsic part of his life. Rollins resurfaced in the early Seventies and since his return to the scene full time, he has maintained a steady program of carefully chosen performance and recordings. Buder is proud to be...

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A Midsummer Night's Dream Jordan College of Fine Arts Tuesday, October 24 • 8:00 pm

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