Neat Document
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Results Level 3
Pass (P) Level First Name Last Name or Fail (F) 4132 CHRISTINA S ABARTSOUMIDOU F 4132 EMMANOUIL G ABARTZAKIS P 4132 PANAYIOTIS M ABARTZAKIS P 4132 CHOUSEIN S ABASI F 4132 KONSTANTINOS N ACHILEUS F 4132 PANAGIOTIS V ACHILLEOPOULOS P 4132 DIMITRIOS V ACHILLEOPOULOS P 4132 ARCHODOULA MARIA D ACHINIOTI F 4132 TSAMPIKOS-ELEFTHERIOS M ACHIOLAS P 4132 VASILIKI D ACHLADIOTI P 4132 THEMISTOKLIS G ACHYRIDIS P 4132 ANGELIKI N ADALI F 4132 MARIA A ADAM P 4132 KONSTANTINOS-IOANNIS I ADAMAKIS P 4132 IOANNIS P ADAMAKOS P 4132 GEORGIOS S ADAMIDIS P 4132 KIRIAKOS A ADAMIDIS P 4132 ANTIGONI G ADAMIDOU P 4132 THEODOROS G ADAMOPOULOS P 4132 NIKOLAOS G ADAMOPOULOS P 4132 GEORGIOS E ADAMOPOULOS P 4132 GEORGIOS I ADAMOPOULOS F 4132 NIKOLAOS T ADAMOPOULOS P 4132 GEORGE K ADAMOPOULOS P 4132 AGELOS S ADAMOPOULOS P 4132 ANNA N ADAMOPOULOU P 4132 MARIGO I ADAMOPOULOU F 4132 GEORGIA D ADAMOPOULOU F 4132 THEODORA P ADAMOPOULOU F 4132 POLYXENI A ADAMOPOULOU P 4132 IOANNA S ADAMOPOULOU P 4132 FOTIS S ADAMOS F 4132 EVAGGELIA A ADAMOU P 4132 MARIA G ADAMOU F 4132 SOULTANA T ADAMOU-ANDROULAKI P 4132 EVAGELIA V ADONAKI P 4132 THEODOROS N ADONIOU F 4132 CHRISOULA K ADONIOU F 4132 ANA D ADRANJI P 4132 LAZAROS T AEFADIS F 4132 ANDREAS K AERAKIS P 4132 EMMANOUIL G AERAKIS P 4132 EMMANOUIL M AERAKIS P 4132 CHARA P AFALONIATI P 4132 TSAMPIKA D AFANTENOU P 4132 VASILIKI G AFENTOULI P 4132 SAVVAS A AFENTOULIDIS F 4132 ALEXANDROS P AFENTOULIDIS F 4132 MARIA A AGA P 4132 BRUNILDA I AGALLIU P 4132 ANASTASIOS G AGAOGLOU F 4132 ELENI V AGAPITOU F 4132 JOHN K AGATHAGGELOS P 4132 PANAGIOTA -
Tom Roby SHORT TUESDAY LIST (Preliminary) 1 May 1996
Tom Roby SHORT TUESDAY LIST (Preliminary) 1 May 1996 EASY NOT SO EASY INTERMEDIATE HARD COUPLE Core Core Core Core Easy Abdala Adjon az Isten Ajde Jano Biˇcak Albanian #1 Ciganˇcica Ajde Lepa Maro Ali Pa¸sa Ca la Balt˘a Brˆıul de la F˘ag˘ara¸s Gamal Polska Alunelul Bardezuh Mer Ciganski Orijent Brˆıul pe Opt Gamal Schottis Bavno Oro Divˇcibarsko Kolo Buˇcimiˇs Karapjet An Dro Makazice/Bela Rada Cekurjankinoˇ Horo Kevi Cs´ard´as Arap Draganovo Belasiˇcko Oro DrmeˇsizZdenˇcina Cetvornoˇ Sopskoˇ H. Kujawiak Bufˇcansko Dedo Mile Dedo Lepa Anka Kolo Vodi ˇ Fatiˇse Kolo Cimpoi Cereˇsna Devojˇce2 Gencsi Verbunk Marin-Congo ´ Hora from Oltenia Cuperlika Durdevica Hora Spoitorilor Gergebunarsko Norwegian Polka Devetorka Dospatsko Kasapsko Oro Godeˇcki Caˇˇ cak R˘uˇcenica po 3 Eleno Mome Gerakina Katja Jove Maloj Mome Slangpolska Ersko Kolo Hora Fetelor ˇ Stabberinglender ˇ Kulska Sira Kulsko Horo Guhnega Horehronsk´y Card´aˇs Numero Vossarull Mure¸sanca Waltz G¨uzelleme Janino Novo Zagorsko Ovˇcepolsko Oro Karamfil Ol´ahos Pandalaˇs Hanter Dro Katuˇse Mome Hora Mare Ovˇcepolska Potrˇculka Plevensko Dajˇcovo Medium Kjustendilska R˘uˇc. Pajduˇsko (3,2,1,4) R˘uka Hora Pe Gheat¸˘a Lefkaditikos Aino Kchume Pajduˇsko, Jambolsko Ripna Maca Ana Lugojana Ivanica Mariˇcensko Pravo H. Preskaˇcanka Topansko Oro Jovano, Jovanke Moja Diridika B´ek´esi P´aros Radomirsko Horo Trei P˘aze¸ste dl GM ˆInvˆırtita [Yves’s] Kalamatianos Ooska Gookas Rustemul Trile¸se¸sti Orijent ˆInvˆırtita de la Sibiu Kendime Sedi Donka ˆ Koftos Orta Anadolu Sej Sej Bop Invˆırtita din Luna T. Osmica Sepastia Bar Uncore Hambo Kostursko Oro Pinosavka Lipa Ma Mar´yca Kritikos Syrtos Sestorkaˇ Ali, Ali Povrateno Alunelul Schiop Michael’s Cs´ard´as Kukunjeˇs´ce Prekid Kolo Sevdalino Maloj Mome Pr´ıdi, Jan´ık Sˆırba pe Loc Avrameanca Legnala Dana Ratevka Dansul Fetelor Rezijankas Lesnoto Sadilo Mome S¸obolanul Siamse Beirte Tropanka iz Dobrudˇza Daronee Maˆıtre de Maison Sandansko Dobrichka Tropanka Slangpolska fr. -
One the Peculiarities of Modern Musical Folklore of Shirak
Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak. -
ACADEMY Music
January 12, 1954 #32 "' P 27 - ! Ä M ' ¡i Wi7 worn mil lOpp1i 3 1 u11.1 v w " 1111 111i11.. rn Ill I u B R OKflYN ACADEMY Music PANEGYRIS BROOKLYN INSTITUTE OF ARTS AND SCIENCES -------- - - ---- Vmtgtg-hh7zl.oTYm+m7zgTm+m4gTm+gTmTiirimvmTm+z§h+zg+7cYYT`g+mTzgrm-h7h-h7cTT-T7n 7 7cg4r7Y3roggu:3og7cYYuYzgsyoogtgti7g-hu+3g77c7g7wtrmx FIRE NOTICE: The exit indicated by a red light TUESDAY EVENING, JANUARY 12, 1954 and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire please do 7. a) KALAMATIANOS . Popular Greek dance not run -WALK TO THAT EXIT. JACOB GRUMET, Fire Commissioner b) TSAKONIKOS Symbolizing the exodus from the UNDER THE HIGH PATRONAGE OF HER MAJESTY It is urgent for the comfort and safety of all that labyrinth in the Palace of Knossos patrons refrain from lighting matches in this theater. c) TSAMIKOS Popular Greek dance QUEEN FREDERIKA OF THE HELLENES INTERMISSION PAnEGYRIS 8. a) KERKYRA -LEFKAS -KEPHALLONIA- ZAKINTHOS- KYTHIRA Dances and songs from the Ionian Islands recently devasted by earthquakes - THE ROYAL FESTIVAL COMPANY OF GREECE followed by b) MOIROLOGIA Laments for the dead DORA STRATOU ó Dora Stratou Producer and Director The Laments still used in Greece today derive from the ancient dirges of Greek tragedy. YANNIS TSAROUHIS A. FIVOS 9. KYPRIAKOI CHOROI -KARSILAMAS _ Dances from Cyprus Musical Supervisor Costumes 10. TRATA Fishing Song M. SVOLOPOULOU and V. PAPACHRISTOU A. PAPANIKOLAOU Soloist: Afrodifi Papanikolaou Solo Dancers Singer II. a) CHIOTIKOS .. Dances from the island of Chios II;;fli1 ALEKOS KARAVITIS b) KARPATHIOTIKOS ZERVOS Dances from the island of Karpathos The Cretan Soloist (Lyra- Songs) c) CHASSAPIKOS Butchers' dance Originated in Byzantium, as now danced in Salamis. -
Ö 10 - 1 Royal Empress Tango English Couple I A- 5
MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD -
Folk Dance in Bulgaria Today
„Този проект е финансиран с подкрепата на Европейската комисия. Публикацията отразява само личните виждания на автора и от Комисията не може да бъде търсена отговорност за използването на съдържащата се в нея информация.” 2 3 Short Bulgarian History The oldest traces of human presence in our land are from Paleolithic Age –before 1.6 million years. Archaeological finds in the ―Kozarnika‖ cave, near the town of Belogradchik, testify to the life of the first inhabitants of southeastern Europe. With the emergence of agriculture (VII-VI millennium BC) in the valleys of Struma and Mesta rivers, the live of people here is transformed. Dwellings of stone and wood, permanent settlements and tribes appeared. The discovery of copper noted a peak in the agriculture in our land. Open in 1972, Varna treasure is evidence of advanced human relationships - property differentiation. In the III-II millennium BC, with the arrival of the nomadic tribes of the north and merging them with the local farmers, formed a large tribal community - the Thracians. Their culture is described by the ancient Greeks. The largest Thracian tribe- Odrysaeans, founded in V century BC their country, between the Maritsa River and Black Sea, led by king Teres. Thracians established a rich culture, although they have no script. Many lavish tombs in our lands reveal the sacraments of faith in the afterlife. Top of the art of the ancient Thracian is tomb of Kazanlak . 4 Since 1979, Kazanlak Tomb is in the List of World Heritage of UNESCO. Thracians demonstrated exceptional craft skills in the processing of gold and silver. -
Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Cahiers Balkaniques, 33
Cahiers balkaniques 33 | 2004 Turquie, Grèce : un passé commun, des nouvelles perspectives Édition électronique URL : https://journals.openedition.org/ceb/3053 DOI : 10.4000/ceb.3053 ISSN : 2261-4184 Éditeur INALCO Édition imprimée Date de publication : 1 janvier 2004 ISSN : 0290-7402 Référence électronique Cahiers balkaniques, 33 | 2004, « Turquie, Grèce : un passé commun, des nouvelles perspectives » [En ligne], mis en ligne le 24 juillet 2012, consulté le 06 juillet 2021. URL : https://journals.openedition.org/ ceb/3053 ; DOI : https://doi.org/10.4000/ceb.3053 Ce document a été généré automatiquement le 6 juillet 2021. Cahiers balkaniques est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International. 1 Sans être naïfs sur les questions aussi importantes que le contentieux en mer Égée, le problème chypriote, la question des minorités, la confrontation des nationalismes, l’instrumentalisation de l'histoire, l’utilisation des différends comme outil politique interne, avec ce numéro spécial « Turquie et Grèce : un passé commun, des nouvelles perspectives », nous avons voulu délibérément mettre l’accent sur la complémentarité et la communauté culturelle entre Grecs et Turcs, bien plus encore que Grèce et Turquie, qui sont au contact depuis presque un millénaire. Aux Langues O’, langue et culture turques sont parmi les enseignements fondateurs de l’institution, et le grec moderne a eu très tôt une place de choix, puisque c’est dès 1800 qu’Ansse de Villoison inaugurait son enseignement. Entre le turc, le grec et l’INALCO, c'est déjà une vieille histoire, naturellement et plus que jamais porteuse d’avenir. -
RCA Victor International FPM/FSP 100 Series
RCA Discography Part 26 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor International FPM/FSP 100 Series FPM/FSP 100 – Neapolitan Mandolins – Various Artists [1961] Torna A Surriento/Anema E Core/'A Tazza 'E Caffe/Funiculi Funicula/Voce 'E Notte/Santa Lucia/'Na Marzianina A Napule/'O Sole Mio/Oi Mari/Guaglione/Lazzarella/'O Mare Canta/Marechiaro/Tarantella D'o Pazzariello FPM/FSP 101 – Josephine Baker – Josephine Baker [1961] J'ai Deux Amours/Ca C'est Paris/Sur Les Quais Du Vieux Paris/Sous Les Ponts De Paris/La Seine/Mon Paris/C'est Paris/En Avril À Paris, April In Paris, Paris Tour Eiffel/Medley: Sous Les Toits De Paris, Sous Le Ciel De Paris, La Romance De Paris, Fleur De Paris FPM/FSP 102 – Los Chakachas – Los Chakachas [1961] Never on Sunday/Chocolate/Ca C’est Du Poulet/Venus/Chouchou/Negra Mi Cha Cha Cha/I Ikosara/Mucho Tequila/Ay Mulata/Guapacha/Pollo De Carlitos/Asi Va La Vida FPM/FSP 103 – Magic Violins of Villa Fontana – Magic Violins of Villa Fontana [1961] Reissue of LPM 1291. Un Del di Vedremo/Rubrica de Amor/Gigi/Alborada/Tchaikovsky Piano Concerto No. 1/Medley/Estrellita/Xochimilco/Adolorido/Carousel Waltz/June is Bustin’ Out All Over/If I Loved You/O Sole Mio/Santa Lucia/Tarantella FPM/FSP 104 – Ave a Go Wiv the Buskers – Buskers [1961] Glorious Beer/The Sunshine of Paradise Alley/She Told Me to Meet Her at the Gate/Nellie Dean/After the Ball/I Do Like to Be Beside the Seaside//Any Old Iron/Down At the Old Bull and Bush/Boiled Beef and Carrots/The Sunshine of Your Smile/Wot Cher -
Dances Inscribed in the UNESCO Intangible Cultural Heritage of Humanity a List Compiled by Alkis Raftis
Dances inscribed in the UNESCO Intangible Cultural Heritage of Humanity A list compiled by Alkis Raftis www.CID-world.org/Cultural-Heritage/ The International Dance Council CID, being the official organization for dance, presents a list of dances recognized by UNESCO as part of the Cultural Heritage of Humanity. Dances are part of many customs or rituals included either in the Representative List or the Urgent Safeguarding List. I have listed below only cultural manifestations where dance is the central part. For information visit www.CID-world.org/Cultural-Heritage/ Send comments to the CID Secretariat or CID Sections in the respective countries. Representative List & Urgent Safeguarding List 2018 Yalli (Kochari, Tenzere), traditional group dances of Nakhchivan - Azerbaijan Khon, masked dance drama in Thailand - Thailand Mooba dance of the Lenje ethnic group of Central Province of Zambia - Zambia Mwinoghe, joyous dance - Malawi 2017 Zaouli, popular music and dance of the Guro communities in Côte d’Ivoire - Côte d'Ivoire Kushtdepdi rite of singing and dancing - Turkmenistan Kolo, traditional folk dance - Serbia Kochari, traditional group dance - Armenia Rebetiko – Greece Taskiwin, martial dance of the western High Atlas - Morocco 2016 Almezmar, drumming and dancing with sticks - Saudi Arabia Momoeria, New Year's celebration in eight villages of Kozani area, West Macedonia, Greece - Greece Music and dance of the merengue in the Dominican Republic - Dominican Republic Rumba in Cuba, a festive combination of music and dances and all -
TITLE NATIONALITY FORMATION COMPLEXITY Adana Macedonia Line Adv Al Tira Israel Indiv Adv Alunelul Batut a Romania Line Adv Ardel
AIFD Music List Alpha Order April 19, 2009 TITLE NATIONALITY FORMATION COMPLEXITY Adana Macedonia Line Adv Al Tira Israel Indiv Adv Alunelul Batut A Romania Line Adv Ardeleana Cu Figuri Romania Couple Adv Arkan Ukraine Line Adv Askagaragan (tape) Armenia Line Adv Atzay Hatsaftsafot (tape) Israel Couple Adv Bekesi Paros (Hungary) Hungary Couple Adv Bingsjo Polska - Wallmans Sweden Couple Adv Bistrishka Kopanitsa Bulgaria Line Adv Boda Polska (tape) Sweden Couple Adv Bourree Carree De La Chatre France Set Adv Bourree de la Brande D'ardentes France Set Adv Bourree Pastourelle (medium speed) France Set Adv Bourree Pastourelle (original version - fast) France Set Adv Briul Pe Opt (Mihai David) Romania Line Adv Bruder Lustig Germany Couple Adv Calusharii Romania Line Adv Changier Germany Set Adv Cimpoi Romania Line Adv De A Lungul Romania Couple Adv D'Invirtit Romania Couple Adv Dodi Li Israel Couple Adv Ei Hatal Israel Couple Adv Eski Bulgaria Line Adv Floricica Olteneasca Romania Line Adv Galaonul De La Birca Romania Line Adv Gamzovjana Bulgaria Line Adv Gankino Horo Bulgaria Line Adv Gankino Horo (Boris Karlov) Bulgaria Line Adv Gencsi Verbunk Hungary Indiv Adv Grancarsko Horo (XOPO LP-4) Bulgaria Line Adv Graovsko Horo (Connie Taylor) (tape) Bulgaria Line Adv Hambo - Accordion Hambo Sweden Couple Adv Hambo - Alle Vakre Jenters (very fast) Sweden Couple Adv Hambo - Gammelhambo (Gastrickland) Sweden Couple Adv Hambo - Horgalaten (Hambo In The Barn) Sweden Couple Adv Hambo - Vigerspolska (Hambo In The Barn) Sweden Couple Adv Hora De La Gorj -
"Κ'na" Dance: the Construction of Ethnic and National Identity in Nea
ISSN 2039-2117 (online) Mediterranean Journal of Vol 9 No 2 ISSN 2039-9340 (print) Social Sciences March 2018 Research Article © 2018 Filippidou et.al.. This is an open access article licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License (http://creativecommons.org/licenses/by-nc-nd/3.0/). Cybernetic Approach of the "Κ’na" Dance: The Construction of Ethnic and National Identity in Nea Vyssa, Thrace , Greece Eleni Filippidou Ph.D. holder, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Maria Koutsouba Associate professor, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Vassiliki Lalioti Assistant Professor, Department of music studies, National and Kapodistrian University of Athens Vassilis Lantzos Assistant Professor, School of Physical Education and Sports Science, National and Kapodistrian University of Athens, Greece, Athens Doi: 10.2478/mjss-2018-0022 Abstract The research field of this project is the area if Greek Thrace, which is a great geopolitical-cultural unity that was divided – due to political process – in three subareas that were distributed to three different countries: Bulgaria, Turkey and Greece. A dance happening that took place before the lining of the boundaries to date in the Greek and Turkish Thrace is that of “K’na”. “K’na” is a female dance happening which is danced to date by the people of both areas in spite of their religious beliefs, social – economic and cultural development. The purpose of this project is to study the different expressions of this dance in Nea Vyssa and examine if these are related to matters of search and conformation of ethnic and national identity of this group under the terms of the social cybernetics.