Imaginefall 2011 L Vol. 2, No.1

Total Page:16

File Type:pdf, Size:1020Kb

Imaginefall 2011 L Vol. 2, No.1 imagineFall 2011 l Vol. 2, No.1 THE EARLY CHILDHOOD ONLINE MAGAZINE OF THE AMERICAN MUSIC THERAPY ASSOCIATION 2011 imagine 2(1), 2011 1 imagineFall 2011 l Vol.2, No.1 EDITOR Petra Kern, Ph.D. MT-DMtG, MT-BC, MTA EDITORIAL ASSISTANCE Marcia Humpal, M.Ed., MT-BC Lisa Jacobs, MM, MA, MT-BC BUSINESS MANAGER Andrea Farbman, Ed.D. AMTA National Office DESIGN Petra Kern, Ph.D. MT-DMtG, MT-BC, MTA PUBLICATION Annual Online Magazine PURPOSE to improve access to and distribute knowledge and information about early childhood music therapy in clinical terms. SPONSOR American Music Therapy Association www.musictherapy.org WEBSITE imagine.musictherapy.biz Hosted by Music Therapy Consulting imagine: Early Childhood Music Therapy Online Magazine ISSN 2153-7879 imagine 2(1), 2011 2 DISCLAIMER The opinions and information contained in this publication are those of the authors of the respective articles and not necessarily those of the editorial team, the Early Childhood Network co-chairs, or the American Music Therapy Association (AMTA). Accordingly, the editorial team, the Early Childhood Network co-chairs, and AMTA assume no liability or risk that may be incurred as a consequence, directly or indirectly, of the use and application of any of the contents of this publication. imagine 2(1), 2011 3 editorial Building Awareness and Community Welcome to the second volume of imagine, AMTA’s annual online magazine dedicated to early childhood music therapy. imagine 2011 offers you 39 colorful articles, eight innovative podcasts, and four delightful photo stories featuring the work of our frequent contributors and newcomers from around the world. We also included new “teaching episodes,” expanded the “our favorite” section, updated the “event calendar,” and can now accept online submissions of your manuscripts on the imagine website. As we reflected on the launching of imagine in 2010, the editorial team was very pleased with the positive responses and encouraging words from our authors and readers. Below are three examples of comments we received: ‣ The new online imagine is fabulous. What a fantastic major new contribution to the field. I was awed by the sophistication and wealth of info. ‣ I had a chance to look at imagine a bit last night. It is absolutely Petra Kern, Ph.D., MT-DMtG, MT-BC, MTA fabulous. Congratulations! I want to go back and read every Editor, imagine word and watch every video. ‣ I just spent the whole morning exploring the imagine website...and I am inspired! Not just by the beautiful layout and design, but also by the amazing multimedia and quality of the content. I have forwarded it on to all my music therapy colleagues in South Africa and I am sure they will enjoy it just as much. The interest in imagine is also evident by over 8300 worldwide visitors on the imagine website since September 2010 as well as numerous hyperlinks from related organizations and companies. Over the past year, we reached out to build awareness of imagine as well as Early Childhood Music Therapy. For example, in October 2010, I was invited to speak on the Music Therapy Radio Show with Janice Harris and to introduce imagine to the readers of the ECMMA’s online journal, Perspectives. As a result of our fruitful collaboration with ECMMA, complimentary copies of selected articles from Perspectives are now available on the AMTA website’s “Member Only” section. Furthermore, we held roundtables at the 2010 AMTA imagine 2(1), 2011 4 conference in Cleveland, Ohio where we shared reflections introduce music therapy interventions that can be easily and ideas for AMTA’s new early childhood online magazine; implemented and adapted to your clinical practice. This year’s at the World Congress of Music Therapy in Seoul, Korea, we Color of Us series focuses on early childhood music therapy featured our Asian Color of Us series authors. We also as practiced in Europe including Switzerland, the United distributed imagine flyers at AMTA’s 2011 regional Kingdom, France, Finland, Iceland, Poland, Hungary, and conferences and to colleagues abroad. During the Latvia. In our Resources section, Ruthlee Adler introduces her International Society of Early Intervention (ISEI) conference in favorite websites that are useful for music therapy practice New York City (covered in this issue), we met with major with young children and families. Rachel Rambach shares players in the field of early childhood education. You can valuable resources for building your own business, and I learn about additional initiatives in the reports by Angela provide a short review of selected music apps for little ones. Snell, Judy Simpson, and in a reflection on “Imagine why Music Matters: Advocacy for Music as an Essential Early Finally, I would like to introduce you to our new Wisdom Childhood Experience” by Dr. Dena Register. section, which spotlights the knowledge, expertise, and insights of our senior colleagues who have worked throughout Other features in this issue include a multimedia article by their entire lives with young children and their families. I am Noelle Pederson and Dr. Barbara Reuer, describing a solid delighted that Marcia Humpal has pioneered this section this early childhood music therapy training program for parents year. She is an incredible evidence-based practitioner, and has who use English as a Second Language (ESL) and whose been a teacher, role model, and mentor for many of us. I also children’s facilities follow an Even Start curriculum. Our new would like to thank her and Lisa Jacobs for their indispensable “research snapshots” section is presented by Dr. Blythe editorial assistance in getting this issue off the ground. My LaGasse, and Debra Gombert gives a brief research report on gratitude also is extended to our authors who shared their improving communication in young children with autism work plus their collegiality and friendly collaboration as we all spectrum disorders. explore this new way of publishing. Our Practice category features clinical work based on sound As we continue building a strong professional early childhood theories, recommended practice, and research. The wide music therapy community, I encourage you to think about how variety of topics spotlighted by 15 authors include early music you might contribute with your talents and make a difference therapy interventions for language development with at-risk in the lives of young children, their families, and our infants, clinical case vignettes with infants in an Australian profession. I would like to leave you with John Lennon’s quote hospital, the use of augmentative and alternative “A dream you dream is only a dream. A dream you dream communication as well as “Words for Engagement” for together is a reality” and invite you to watch the beautiful children with autism spectrum disorders, a case report for a performance of his song “Imagine” produced by the nonprofit child with partial agenesis of the corpus callosum, new organization Playing for Change. It is a great example of how opportunities and requirements for attachment-based music we can be united in music and build community for change. therapy, music and literacy development in young children Happy reading, listening, watching, and reflecting! with hearing loss, cultural awareness related to family roles in bilingual music therapy sessions, reunifying families in crises Yours, through a music therapy intervention including Music Together® repertoire, understanding development in early child music therapy, and dancing poems. In the Ideas section, our colleagues Beth McLaughlin, Laurel Petra Kern, Ph.D., MT-DMtG, MT-BC, MTA Rose-Weatherford, Margie LaBella, and Carol Ann Blank Editor, imagine imagine 2(1), 2011 5 contents Inside this issue: ‣ Possible Effects of Music Therapy on the Building Blocks of Communication Debra Jelinek Gombert.......................................... 31 editorial 4 practice 34 ‣ Building Awareness and Community Petra Kern............................................................. 4 ‣ Early Music Therapy Intervention for Language Development with At-Risk Infants Deanna Hanson-Abromeit....................................... 34 wisdom 8 ‣ Evidence-Based Interactions: Music Therapy ‣ Marcia Humpal, Founder of the AMTA Early with 3-12 Month Old Infants in a Hospital Childhood Newsletter............................................... 8 Michelle Fisher and Helen Shoemark....................... 36 ‣ Augmentative and Alternative Communication in Music Therapy for Children with reports 10 Autism Spectrum Disorders ‣ 2010 Early Childhood Music Therapy Special Target Anita L. Gadberry.................................................. 40 Population Network: Meeting Report from 11-19-2010 ‣ Words For Engagement Angela M. Snell..................................................... 10 Ilene Berger Morris................................................ 44 ‣ AMTA in the ATL: Advocacy, Therapy, and Leadership ‣ Our Photo Stories 2010.......................................... 47 Amy Furman........................................................... 13 ‣ Directed Developmental Play: Case Report for ‣ Inclusion of Music Therapy in Early Childhood a Child with Partial Agenesis of the Corpus Callosum Intervention Programs Darcy Walworth and Jessica P. Albright................... 48 Judy Simpson......................................................... 14 ‣ Attachment-Based Music Therapy: New ‣ Third Conference of the International Society on Early Opportunities and Requirements for Music Therapists Intervention (ISEI), New York City, May
Recommended publications
  • Volume 3 Summer 2012
    Volume 3 Summer 2012 . Academic Partners . Cover image Magnetic resonance image of the human brain showing colour-coded regions activated by smell stimulus. Editors Ulisses Barres de Almeida Max-Planck-Institut fuer Physik [email protected] Juan Rojo TH Unit, PH Division, CERN [email protected] [email protected] Academic Partners Fondazione CEUR Consortium Nova Universitas Copyright ©2012 by Associazione EURESIS The user may not modify, copy, reproduce, retransmit or otherwise distribute this publication and its contents (whether text, graphics or original research content), without express permission in writing from the Editors. Where the above content is directly or indirectly reproduced in an academic context, this must be acknowledge with the appropriate bibliographical citation. The opinions stated in the papers of the Euresis Journal are those of their respective authors and do not necessarily reflect the opinions of the Editors or the members of the Euresis Association or its sponsors. Euresis Journal (ISSN 2239-2742), a publication of Associazione Euresis, an Association for the Promotion of Scientific Endevour, Via Caduti di Marcinelle 2, 20134 Milano, Italia. www.euresisjournal.org Contact information: Email. [email protected] Tel.+39-022-1085-2225 Fax. +39-022-1085-2222 Graphic design and layout Lorenzo Morabito Technical Editor Davide PJ Caironi This document was created using LATEX 2" and X LE ATEX 2 . Letter from the Editors Dear reader, with this new issue we reach the third volume of Euresis Journal, an editorial ad- venture started one year ago with the scope of opening up a novel space of debate and encounter within the scientific and academic communities.
    [Show full text]
  • The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
    The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax:
    [Show full text]
  • Psychoanalysis and "The Discipline of Love"
    University of New Orleans ScholarWorks@UNO English Faculty Publications Department of English and Foreign Languages 2000 Psychoanalysis and "The Discipline of Love" Nancy Easterlin University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/engl_facpubs Part of the English Language and Literature Commons Recommended Citation Easterlin, Nancy. "Psychoanalysis and 'The Discipline of Love'." Philosophy and Literature 24.2 (2000): 261-279. This Article is brought to you for free and open access by the Department of English and Foreign Languages at ScholarWorks@UNO. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Nancy Easterlin 261 Nancy Easterlin PSYCHOANALYSIS AND “THE DISCIPLINE OF LOVE” n the past three decades, psychological approaches to literature, Iincluding feminist interpretations, have been overwhelmingly psy- choanalytic, and this is still the case even as cognitive psychology emerges as a relevant and fruitful secondary field for literary scholars. The dominance of psychoanalysis holds true for Wordsworth scholar- ship, an area in which, given the poet’s developmental concerns, psychological orientations seem particularly apropos. Unfortunately, Freud’s most basic assumptions about infant experience, still credited in various forms by Lacanian and many feminist scholars, are no longer accepted by developmental psychologists, who regard the infant as a self-organizing system engaged in a fundamentally productive and social relationship with his primary caregiver, usually his mother. By contrast, psychoanalysis, which opposes union with the mother in the state of primary narcissism to separation and individuation, envisions the mother- infant relationship as paradigmatically conflicted.
    [Show full text]
  • Paul Bley Discography Download
    Paul bley discography download LINK TO DOWNLOAD rows · Find Paul Bley discography, albums and singles on AllMusic. 91 rows · Paul Bley discography. Jump to navigation Jump to search. This is the discography for . * Savoy SJL Various Artists - New Music: Second Wave * Savoy MG Paul Bley - Footloose! = BYG (F) Paul Bley - Footloose * Savoy SJL Paul Bley With Steve Swallow & Pete LaRoca - Syndrome * Savoy SJL Paul Bley With Steve Swallow & Pete LaRoca - Floater. Paul Bley Quartet. John Gilmore, tenor sax; Paul Bley, piano; Gary Peacock, bass; Paul Motian, drums. View credits, reviews, tracks and shop for the Vinyl release of Paul Bley on Discogs. Label: Wing Records - MGW • Format: Vinyl LP, Album, Mono • Country: US • Genre: Jazz • Paul Bley - Paul Bley (, Vinyl) | Discogs. Paul Bley discography and songs: Music profile for Paul Bley, born 10 November Genres: Avant- Garde Jazz, Jazz, Free Jazz. Albums include Open, to Love, Jaco Pastorius / Pat Metheny / Bruce Ditmas / Paul Bley, and Diane. Paul Bley - Discography (48 Albums) Hit -> DOWNLOAD (Mirror #1). 86 rows · Paul Bley: Open, to Love "Closer", "Ida Lupino" and "Seven" Steve Kuhn: Steve Kuhn . Download discography Paul Bley on site renuzap.podarokideal.ru Quality: DSD () 1 Bit / 2,8 MHz (ISO) + FLAC 24 bit / kHz (Tracks) Artist: Paul Bley with Masahiko Togashi Title: Echo Released: Style: Jazz RAR Size: Gb + Mb. cd. イントロデューシング・ポール・ブ レイ+4 発売日. 価 格. ¥1, (税込) 品 番. ucco Paul Bley 4 Sweet Basil, Greenwich Village, NY, May 31, Paul Bley - Gary Peacock 2 Sound On Sound, NYC, Dec. 18, Paul Bley 3 Dec. 22, Paul Bley - Charlie Haden - Paul Motian 3 Mondial Sound, Milan, Italy, July 20, Paul Bley 1 .
    [Show full text]
  • Lp Stock Database
    Excluding Children, Classical/Ballet/ Opera, Religious Vinyl 4U Main Database (see other databases for these) 1 LP (x1) 2 Contact: Judy Vos [email protected] LP's (x2) # of LPs in Artist/s or Group Composer Album Name Album 101 Strings After a hard day x1 101 Strings Lerner&Loewe Camelot x1 101 Strings Exodus and other great movie themes x1 101 Strings Webb/BacharachMillion Seller Hits x1 10CC Bloody Tourists x1 ABBA Arrival x1 ABBA Gracias por la Musica x1 ABBA Gracias por la musica (in Spanish) x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Greatest Hits x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA Super Trouper x1 ABBA The Album x1 ABBA The Album x1 Abba The Album x1 ABBA The Singles - The 1st 10 years x2 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA The Visitors x1 ABBA Voulez Vouz x1 ABBA Voulez-Vous x1 ABBA Voulez-Vous x1 ABBA Voulez-Vous x1 ABC Beauty Stab x1 Acker Bilk Stranger on the shore x1 Acker Bilk & Bent Fabric Cocktails for Two x1 Acker Bilk & others Clarinet Jamboree x1 Acker Bilk & Stan Tracey Blue Acker x1 Acker Bilk Esquire A Taste of honey x1 Acker Bilk with Leon Young Stranger on the Shore x1 Adam and the Ants Kings of the Wild Frontier x1 Adam and The Beasts Alasdair Clayre x1 Adamo A L'Olympia x1 Adamo Adamo x1 Adamo The Hits of Adamo x1 Adrian Brett Echoes of Gold x1 Adrian Gurvitz Classic x1 Agnetha Faltskog Eyes of a woman x1 Agnetha Faltskog Wrap your arms around me x1 A-Ha Stay on these
    [Show full text]
  • Paul Bley, Jamais Deux Fois Pareil Stanley Péan
    Document generated on 10/01/2021 5:06 a.m. L'Inconvénient Paul Bley, jamais deux fois pareil Stanley Péan La société sans douleur Number 67, Winter 2017 URI: https://id.erudit.org/iderudit/85349ac See table of contents Publisher(s) L'Inconvénient ISSN 1492-1197 (print) 2369-2359 (digital) Explore this journal Cite this review Péan, S. (2017). Review of [Paul Bley, jamais deux fois pareil]. L'Inconvénient, (67), 57–59. Tous droits réservés © L’inconvénient, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Jazz PAUL BLEY JAMAIS DEUX FOIS PAREIL Stanley Péan es amateurs aiment décrire le jazz son premier combo, à la tête duquel il se (Nightwood Editions, 1989). En dépit comme une musique en mouvement produit dans les camps de vacances de de son imprévisibilité réputée, le prince Lperpétuel, sans cesse renouvelée. Sainte-Adèle, et se joint à l’occasion à déchu du bebop se pointe pour ce Mais en fait très peu de ses artisans des groupes américains de passage. À double engagement le jeudi 5 février ont incarné cet idéal de manière aussi seize ans, les mélomanes montréalais 1953, dans les studios montréalais littérale que le pianiste et compositeur le découvrent à l’Alberta Lounge où, de la CBC, puis deux jours après au canadien Paul Bley, décédé en janvier devenu maître ès bebop, il s’illustre chic cabaret Chez Parée.
    [Show full text]
  • 1 Seminar on the Dual Unity and the Phantom The
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Leeds Beckett Repository SEMINAR ON THE DUAL UNITY AND THE PHANTOM THE NECESSITY OF INTRODUCING THE DUAL UNITY INTO METAPSYCHOLOGY NICOLAS ABRAHAM Translated by Tom Goodwin What use is the dual unity? My response: anasemia, which is to ask, how is this analytical concept structured and what specific analytical problem is being addressed? The answer here is that it transforms the symbol into metaphor. This additional step is metapsychological in that it concerns a system of concepts that has no status in language other than as the foundation—the condition of possibility and ultimate recourse—of everything we consider to be human. No logical or ontological status can be granted to this construction, and yet it is not arbitrary..1 It is necessitated by clinical requirement, to transform what appears as symbol into analogy, into metaphor. Analytical listening begins the moment when we hear symbols, in place of what the patient says. But what then is the symbol? It is the result of an operation that remains hidden. What appears for example in dream symbolism is in reality a series of enigmas that allude to something different from their apparent meaning. However, every symbol is originally a metaphor. It is only by a forced forgetting, through the repression of its metaphoric origin, that it becomes a symbol, which, of course, implies a mechanism of repression. When the two “parts” come together, 1 the symbol ceases to be a symbol. But where does the metaphor come from? It comes from the incorporation of the original detachment that is overcome.
    [Show full text]
  • KONCERTY John Scofield, Pat Martino, Jan Garbarek, Taylor Mc Ferrin, RGG, Ircha, Hefi Quartet, Zbigniew Namyslowski WYWIADY Moni
    LISTOPAD 2011 Internetowa gazeta poświęcona muzyce improwizowanej WYWIADY Monika Borzym, Maciej Obara Pat Martino, Gregoire Maret, Ken Vandermark, Gary Guthman, Daniel Popiałkiewicz KONCERTY John Scofield, Pat Martino, Jan Garbarek, Taylor Mc Ferrin, RGG, Ircha, HeFi Quartet, Zbigniew Namyslowski Maciej Obara, fot. Piotr Dłubak Wydarzenia JazzPRESS, listopad 2011 2 Wydarzenia 4 Płyty 4 RadioJAZZ.FM poleca 6 Nowości płytowe 8 III kwartał w polskim jazzie 12 Road Shows vol. 2 – Sonny Rollins 14 Festiwale i koncerty 18 Amadou & Mariam i John Scofield R & B Quartet 1 października wręczono nagrody Koryfeusza 22 Koncert Johna Scofielda komentują Muzyki Polskiej. Laureatami pierwszej edycji Rafał Garszczyński i Kacper Pałczyński zostali: Łukasz Borowicz w kategorii Osobo- 28 Jan Garbarek w Poznaniu wość Roku, XVI Międzynarodowy Konkurs 30 Taylor McFerrin w Hipnozie Pianistyczny im. Fryderyka Chopina w kate- 32 Pat Martino na 9 Bydgoszcz Jazz Festival gorii Wydarzenie Roku, zaś Nagrodę Honoro- 34 RGG w Blue Note wą otrzymał Jan Krenz. Wśród nominowanych 36 Ircha w synagodze Nożyków w kategorii Osobowość Roku znalazł się pia- 38 Namysłowski na Smolnej nista jazzowy Marcin Masecki. Uroczysta gala 40 HeFi Quartet & Krzesimir Dębski odbyła się w Studio Koncertowym Polskiego Radia im. Witolda Lutosławskiego. 41 Sylwetki High Definition – Piotr Orzechowski, Mateusz Śliwa, Alan Wykpisz, Patryk Dobosz 41 Wywiad z Gregoirem Maretem Wydarzenia 44 Paul Desmond 46 Coleman Hawkins 48 Wywiad z Moniką Borzym 21 września na polskim rynku ukazała się książ- Kwartet High Definition został laureatem pre- 3 października w ramach kampanii Jazzowisko, 52 Rozmowa z Patem Martino ka Terry’ego Teachouta zatytułowana Pops. Ży- stiżowego konkursu Jazz Hoeilaart 2011! Zaś nakładem Polskiego Wydawnictwa Muzyczne- 62 Hokej, syrop klonowy i Joni Mitchell 64 Rrozmowy z Kenem Vandermarkiem i muzykami The Ex cie Louisa Armstronga.
    [Show full text]
  • 'West African' Dance Class in Philadelphia
    DANCING DOWN THE FLOOR: EXPERIENCES OF ‘COMMUNITY’ IN A ‘WEST AFRICAN’ DANCE CLASS IN PHILADELPHIA ______________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ______________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in Dance ______________________________________________________________________ by Julie B. Johnson ______________________________________________________________________ Dissertation Date July, 2016 Dissertation Approvals: Dr. Kariamu Welsh, Dissertation Advisor, Dance Dr. Karen Bond, Dance Dr. Patricia Melzer, Women’s Studies/German Studies Dr. Kimmika Williams-Witherspoon, Theater !ii © Copyright 2016 by Julie B. Johnson All Rights Reserved !iii ABSTRACT 'Community' is a multivalent concept, subject to a plurality of contexts and con- structs that can alter and shift its meaning. As a dance artist, I have encountered myriad understandings and manifestations of 'community' through dance practice, and perceive an intrinsic relationship between dance and 'community.' A 'West African' dance class in Philadelphia — designated as a 'community-based' class by the instructor — provides a rich opportunity to excavate this relationship. The class, one of several offered through- out the city, is located in West Philadelphia. It is an intergenerational class attended by a diverse demographic of participants (race/ethnicity, gender, profession, class, age, abili- ty, etc.) with an array of motivations and goals for participating in class (as made evi- dent through conversations and interviews). All are welcome to attend, regardless of previous experience or skill level in 'West African' dance. My dissertation is a qualitative research study that examines participant experi- ences and interpretations of 'community,' with attention paid to the socio-cultural/politi- cal context of 'West African' dance in the United States, specifically in Philadelphia.
    [Show full text]
  • Frances Tustin Today
    Downloaded by [New York University] at 03:54 14 August 2016 Frances Tustin is an icon within British Object-Relations psychoanalysis. It is good to have in this book a sustained tribute to her ideas and to their significant and enduring contribution. Her tradition of learning fundamental truths from autistic conditions remains lively, productive and inspiring. Tustin’s work sustains one of the founding principles of Object-Relations work – that the depth of psychoanalytic ideas is enhanced by rigorous work with children. As that long- held view – going back to the innovative work of Anna Freud and Melanie Klein – has weakened over time, granting a more exclusive place to work with adults, it is important to have this book to redress that imbalance. This collection draws us back to the fundamental questions about working with another mind. How can one conceive of the object relations of a mind that can barely sustain the possibility of relating to others? It is commonplace to regard psychoanalysis as a body of knowledge derived from what goes wrong, but what can be learned about a mind that has gone so radically and despairingly wrong? It is evident from the wide range of papers presented here that indeed much can be learned from the work with children, contributing that which is not accessible in the work with adults alone. This book is a celebration of clinical and therapeu- tic confidence from those who have actually persevered in the presence of severe autism, those who have managed to form a joint venture with their suffering young patients, both large and small.
    [Show full text]
  • Jaco Pastorius / Pat Metheny / Bruce Ditmas / Paul Bley
    Jaco Pastorius Jaco mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jaco Country: US Released: 1976 Style: Post Bop, Fusion MP3 version RAR size: 1608 mb FLAC version RAR size: 1696 mb WMA version RAR size: 1224 mb Rating: 4.1 Votes: 263 Other Formats: DTS ASF APE AC3 XM AA AU Tracklist Hide Credits Vashkar A1 9:54 Composed By – Carla Bley Poconos A2 1:03 Composed By – Paul Bley Donkey A3 6:28 Composed By – Carla Bley Vampira B1 7:17 Composed By – Paul Bley Overtoned B2 1:43 Composed By – Carla Bley Jaco B3 3:30 Composed By – Paul Bley Batterie B4 5:05 Composed By – Carla Bley King Korn B5 0:30 Composed By – Carla Bley Blood B6 1:25 Composed By – Annette Peacock Companies, etc. Phonographic Copyright (p) – Improvising Artists Inc. Copyright (c) – Improvising Artists Inc. Recorded At – Blue Rock Studio Pressed By – Wakefield Manufacturing – 28985 Published By – Pablo Music Published By – Vicious Music Credits Design [Jacket, Cover-video Synthesis], Photography [Liner-photo] – Carol Goss Drums – Bruce Ditmas Electric Bass – Jaco Pastorius Electric Guitar – Pat Metheny Electric Piano, Producer – Paul Bley Engineer [Mixing] – David Baker Engineer [Recording] – Jan Rathbun Mastered By – John Bittner Notes Recorded in NYC, Blue Rock Studio, June 16, 1974. Barcode and Other Identifiers Matrix / Runout (Runout Side A): JB #7 IAI-373846-1 MO#2 (ᵛᵛ)28985 Matrix / Runout (Runout Side B): JB #5 IAI-373846-2 MO#2 (ᵛᵛ)28985 Matrix / Runout (Labels): Other versions Category Artist Title (Format) Label Category Country Year Jaco Pastorius / Pat Jaco Pastorius / Metheny / Bruce Pat Metheny / Ditmas / Paul Bley - Improvising IAI 373846 IAI 373846 US 1976 Bruce Ditmas / Pastorius / Metheny / Artists Inc.
    [Show full text]
  • Freedom Label Discography
    Freedom Discography by David Edwards, Patrice Eyries & Mike Callahan © 2018 by Mike Callahan Freedom Label Discography The Freedom Label was owned by Alan Bates and operated as a subsidiary of Black Lion Records. The label was sold to Arista Records. 1000 Series Arista-Freedom (US Releases): AF 1000 - Vibrations - Albert Ayler & Don Cherry [1975] Ghosts/Children//Holy Spirit/Ghosts/Vibrations/Mothers AF 1001 - Porto Novo - Marion Brown [1975] Similar Limits/Sound Structure/Improvisation/QBIC/Porto Novo/And Then They Danced/Rhythmus No. 1 AF 1002 - Paper Man - Charles Tolliver [1975] Earl's World/Peace With Myself/Right Now/Household Of Saud/Lil's Paradise/Paper Man AF 1003 - Confluence - Gato Barbieri & Dollar Brand [1975] Dollar Brand:The Aloe And The Wildrose. Hamba Khale//Gato Barbieri: To Elsa. Eighty First Street AF 1004 - Carnival - Randy Weston [1975] Carnival/Tribute To Duke Ellington/Mystery Of Love AF 1005 - Silent Tongues - Cecil Taylor [1975] Abyss/Petals & Filaments/Jitney/Crossing/After All/Jitney, No. 2/After All, No. 2 AF 1006 - Flexible Flyer - Roswell Rudd [1975] What Are You Doing The Rest Of Your Life?/Maiden Voyage/Suh Blah Blah Buh Sibi/Waltzing In The Sagebrush/Moselle Variations: Whatever Turns You On Baby; Tuff Muffins; Moselle AF 1007 - Spiral - Andrew Hill [1975] Tomorrow/Laverne/The Message/Invitation//Today/Spiral/Quiet Dawn AF 1008 - Heavy Spirits - Oliver Lake [1975] While Pushing Down Turn/Owshet/Heavy Spirits/Movement Equals Creation/Alto Violin/Intensity/Lonely Blacks/Rocket AF 1009 - Brilliant Circles
    [Show full text]