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Volume 3 Summer 2012
Volume 3 Summer 2012 . Academic Partners . Cover image Magnetic resonance image of the human brain showing colour-coded regions activated by smell stimulus. Editors Ulisses Barres de Almeida Max-Planck-Institut fuer Physik [email protected] Juan Rojo TH Unit, PH Division, CERN [email protected] [email protected] Academic Partners Fondazione CEUR Consortium Nova Universitas Copyright ©2012 by Associazione EURESIS The user may not modify, copy, reproduce, retransmit or otherwise distribute this publication and its contents (whether text, graphics or original research content), without express permission in writing from the Editors. Where the above content is directly or indirectly reproduced in an academic context, this must be acknowledge with the appropriate bibliographical citation. The opinions stated in the papers of the Euresis Journal are those of their respective authors and do not necessarily reflect the opinions of the Editors or the members of the Euresis Association or its sponsors. Euresis Journal (ISSN 2239-2742), a publication of Associazione Euresis, an Association for the Promotion of Scientific Endevour, Via Caduti di Marcinelle 2, 20134 Milano, Italia. www.euresisjournal.org Contact information: Email. [email protected] Tel.+39-022-1085-2225 Fax. +39-022-1085-2222 Graphic design and layout Lorenzo Morabito Technical Editor Davide PJ Caironi This document was created using LATEX 2" and X LE ATEX 2 . Letter from the Editors Dear reader, with this new issue we reach the third volume of Euresis Journal, an editorial ad- venture started one year ago with the scope of opening up a novel space of debate and encounter within the scientific and academic communities. -
The Funeral of Mr. Wang Was Typical
6 Of Rules and Regulations Governing Mourning Grief involves the loss of a social relationship that had served as an anchor. This loss disorients. Not knowing what to do, the grief-stricken want to be showed what to do, told what to do. A standardized ritual to follow step by step and a person to guide one through it can help. In the language of “governmentality” theorists, grief is a time to be governed, whether this governing is to be done by familial elders, religious specialists, secular ritual practitioners, or government employees.1 In this regard, the funeral of Mr. Wang was typical. Mr. Wang’s children, espe- cially his younger daughter, were exhausted from the extra work of caring for their father during his dying days. In this period, the children avoided discussing death. While they told the middle daughter to return from England, too much talk of dying and funerals would have made it seem like they had abandoned all hope of a cure and were wishing their father dead. Mr. Wang himself was never directly told of his prognosis. When death occurred, the children were exhausted, bereaved, and unprepared. They needed someone to tell them how to proceed. A little nudge from their helper led them to Mr. Chen. They were more than happy to have him to guide them through the process. While all rituals might involve standardized procedure, funerals especially are times for limiting choice. Here a contrast with weddings illuminates. In modern marriages, choice is a necessary component. When the Communist Party came to power in 1949, it banned purely arranged marriages. -
The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax: -
Gothic Riffs Anon., the Secret Tribunal
Gothic Riffs Anon., The Secret Tribunal. courtesy of the sadleir-Black collection, University of Virginia Library Gothic Riffs Secularizing the Uncanny in the European Imaginary, 1780–1820 ) Diane Long hoeveler The OhiO STaTe UniverSiT y Press Columbus Copyright © 2010 by The Ohio State University. all rights reserved. Library of Congress Cataloging-in-Publication Data hoeveler, Diane Long. Gothic riffs : secularizing the uncanny in the european imaginary, 1780–1820 / Diane Long hoeveler. p. cm. includes bibliographical references and index. iSBn-13: 978-0-8142-1131-1 (cloth : alk. paper) iSBn-10: 0-8142-1131-3 (cloth : alk. paper) iSBn-13: 978-0-8142-9230-3 (cd-rom) 1. Gothic revival (Literature)—influence. 2. Gothic revival (Literature)—history and criticism. 3. Gothic fiction (Literary genre)—history and criticism. i. Title. Pn3435.h59 2010 809'.9164—dc22 2009050593 This book is available in the following editions: Cloth (iSBn 978-0-8142-1131-1) CD-rOM (iSBn 978-0-8142-9230-3) Cover design by Jennifer Shoffey Forsythe. Type set in adobe Minion Pro. Printed by Thomson-Shore, inc. The paper used in this publication meets the minimum requirements of the american national Standard for information Sciences—Permanence of Paper for Printed Library Materials. ANSi Z39.48-1992. 9 8 7 6 5 4 3 2 1 This book is for David: January 29, 2010 Riff: A simple musical phrase repeated over and over, often with a strong or syncopated rhythm, and frequently used as background to a solo improvisa- tion. —OED - c o n t e n t s - List of figures xi Preface and Acknowledgments xiii introduction Gothic Riffs: songs in the Key of secularization 1 chapter 1 Gothic Mediations: shakespeare, the sentimental, and the secularization of Virtue 35 chapter 2 Rescue operas” and Providential Deism 74 chapter 3 Ghostly Visitants: the Gothic Drama and the coexistence of immanence and transcendence 103 chapter 4 Entr’acte. -
University Microfilnns International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
September 1984
MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL -
Untitled Susan Anderson
Letter from the Editors genesis, volume xxxv, fall 2003 Greetings: Welcome to the thirty-fifth edition of genesis, IUPUl's literary magazine. The fall 2003 volume represents a celebration of inspiration and the creative process in all its many forms. Inside, readers will find an entertaining yet thoughtful dis play of the human condition from birth to death and all the questions and experiences that arise in between. So please, join us on this journey and simply enjoy. And as always, thanks to everyone, The Editors, Pat Harvey Kimberly McClish Dave Borschel 1 . genesis Established 1972 Indiana University - Purdue University at Indianapolis English Department Cavanaugh Hall, Room 502-L 425 University Boulevard Indianapolis Indiana 46202 senior editors Pat Harvey Kimberly McClish associate editor Dave Borschel production editor Pat Harvey faculty advisor Robert Rebein Special thanks to: Pamela Hacker, Herron School of Art Cynthia Goodnight, Student Life and Diversity, University College English Department of the School of Liberal Arts, IUPUI Western Newspaper Publishing Company, Indianapolis Copyright 2003 by the Trustees oflndiana University. Upon publication, copyright reverts to the author. If any violation of copyright has occurred, amendments will be made in future issues upon notification. genesis is published in the spring and fall each year by the genesis Editorial Board. Publication of genesis is made possible each year through a grant from the School of Lib eral Arts and the Student Activities Fund, Indiana University - Purdue University at Indianapolis. 2 genesis Table of Contents Mother and Child Carrie Rebecca Armellino . .front . cover. Best of Issue: Prose Student Parking Catherin Gioscio ................................................................. 5 Best of Issue: Poetry Jason and Freddy Brent ·Eskew ..................................................................... -
Young Girl's Dairy, and Letter of Sigmund Freud,A
A YOUNG GIRL'S DIARY Prefaced with a Letter by Sigmund Freud Translated by Eden and Cedar Paul CONTENTS FIRST YEAR Age 11 to 12 SECOND YEAR Age 12 to 13 THIRD YEAR Age 13 to 14 LAST HALF-YEAR Age 14 to 14 1/2 CONCLUSION PREFACE THE best preface to this journal written by a young girl belonging to the upper middle class is a letter by Sigmund Freud dated April 27, 1915, a letter wherein the distinguished Viennese psychologist testifies to the permanent value of the document: "This diary is a gem. Never before, I believe, has anything been written enabling us to see so clearly into the soul of a young girl, belonging to our social and cultural stratum, during the years of puberal development. We are shown how the sentiments pass from the simple egoism of childhood to attain maturity; how the relationships to parents and other members of the family first shape themselves, and how they gradually become more serious and more intimate; how friendships are formed and broken. We are shown the dawn of love, feeling out towards its first objects. Above all, we are shown how the mystery of the sexual life first presses itself vaguely on the attention, and then takes entire possession of the growing intelligence, so that the child suffers under the load of secret knowledge but gradually becomes enabled to shoulder the burden. Of all these things we have a description at once so charming, so serious, and so artless, that it cannot fail to be of supreme interest to educationists and psychologists. -
Album Cover Art Price Pages.Key
ART OF THE ALBUM COVER SAN FRANCISCO ART EXCHANGE LLC Aretha Franklin, Let Me In Your Life Front Cover, 1974 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Black Sabbath, Never Say Die Album Cover, 1978 NFS by HIPGNOSIS 1968-1983 Blind Faith Album Cover, London, 1969 $17,500 by BOB SEIDEMANN (1941-2017) Not including frame Bob Dylan & Johnny Cash Performance, The Dylan Cash Session Album Cover, 1969 $1,875 by JIM MARSHALL (b.1936 - d.2010) Not including frame Bob Dylan, Blonde on Blonde Album Cover, NYC, 1966 $25,000 by JERRY SCHATZBERG (b.1927) Not including frame Bob Dylan, Greatest Hits Album Cover, Washington DC, 1965 $5,000 by ROWLAND SCHERMAN (b.1937) Not including frame Bob Dylan, Nashville Skyline Album Cover, 1969 $1,700 by ELLIOT LANDY (b.1942) Not including frame Booker T & the MGs, McLemore Ave Front Cover Outtake, 1970 $1,500 by JOEL BRODSKY (1939-2007) Not including frame Bruce Springsteen, As Requested Around the World Album Cover, 1979 $2,500 by JOEL BERNSTEIN (b.1952) Not including frame Bruce Springsteen, Hungry Heart 7in Single Sleeve, 1980 $1,500 by JOEL BERNSTEIN (b.1952) Not including frame Carly Simon, Playing Possum Album Cover, Los Angeles, 1974 $3,500 by NORMAN SEEFF (b.1939) Not including frame Country Joe & The Fish, Fixin’ to Die Back Cover Outtake, 1967 $7,500 by JOEL BRODSKY (1939-2007) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 $6,000 by JIM MARSHALL (b.1936 - d.2010) Not including frame Cream, Best of Cream Back Cover Outtake, 1967 Price on Request by JIM MARSHALL (b.1936 -
The Angnasheotik: an Account of the Invention of a Spiritual Entity Among the Ungava Eskimos
Short Papers and Notes THE ANGNASHEOTIK: AN AC- an immediate personal judgement after COUNT OF THEINVENTION OF A death. SPIRITUALENTITY AMONG THE Where culture contact does not pro- UNGAVA ESKIMOS duce great stress, diffusion of religious The reactions of primitive peoples to beliefsmay go on either way.In contact with the western culture take a extreme instances the whole system of multitude of forms and involve a large religious beliefmay be transformed number of variables from both of the without anyvery evident changes in cultures concerned.Among the most other areas of the culture. In Samoa, for interesting are reactions that are evi- example, the congregational formof the denced in the realm of belief about the Christian religion was so exactly com- supernatural world. These may comein plementary to the existingeconomic, various ways and take various forms. political and social patterns that they If, for example, there is an active mis- underwent very little change on adop- sionaryeffort to transmit christian tion. belief, the response may vary from total Other kinds of response are observa- conversion and complete abandonment ble whenculture contact producesstress of old beliefs, or the fusion (or confu- in, or even disruption of, native society sion) of Christian and native beliefs, to and culture. These appear to take two the incorporation of some new element forms (a) theattempt to rationalize new in a native disguise. Where there is no and often painful experience with the missionary activity, conversion, even of use of familiar concepts about the su- single persons is understandably rare. pernatural or (b) the invention of new However, diffusion of aspects of chris- beliefsinvolving thesupernatural tian beliefeven to the pointwhere world. -
Past Life Regression
Past Life Regression Past life regression is a technique that uses hypnosis to recover the memories of past lives or incarnations. Past-life regression is typically undertaken either in pursuit of a spiritual experience, or in a psychotherapeutic setting. Most advocates loosely adhere to beliefs about reincarnation, though religious traditions that incorporate reincarnation generally do not include the idea of repressed memories of past lives. The technique used during past-life regression involves the subject answering a series of questions while hypnotized to reveal identity and events of their past lives. The use of hypnosis and suggestive questions can tend to help the subject to recall his past memories. The source of the memories is more likely that of combine experiences, knowledge, imagination and suggestion or guidance from the hypnotist or regression therapist. Once created, those memories are indistinguishable from memories based on events that occurred during the subject's life. Experiments with subjects undergoing past-life regression indicate that a belief in reincarnation and suggestions by the hypnotist are the two most important factors regarding the contents of memories reported. In the 2nd century BC, Sage Patanjali, in his Yoga Sutras, discussed the idea of the soul becoming burdened with an accumulation of impressions as part of the karma from previous lives. Patanjali called the process of past-life regression “prati- prasav”or "reverse birthing" and saw it as addressing current problems through memories of past lives. Past life regression can be found in Jainism. The seven truths of Jainism deal with the soul and its attachment to karma and Moksha. -
Here, from the Passenger Seat: a Novel
Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2012 Here, From the Passenger Seat: A Novel Emma June DeMilta Syracuse University Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the English Language and Literature Commons, and the Fiction Commons Recommended Citation DeMilta, Emma June, "Here, From the Passenger Seat: A Novel" (2012). Syracuse University Honors Program Capstone Projects. 107. https://surface.syr.edu/honors_capstone/107 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. Here, from the Passenger Seat A Novel A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Emma June DeMilta Candidate for B.A. Degree and Renée Crown University Honors May 2012 Honors Capstone Project in English and Textual Studies Capstone Project Advisor: _______________________ Professor Dana Spiotta Capstone Project Reader: _______________________ Professor Michael Burkard Honors Director: _______________________ Stephen Kuusisto, Director Date: Abstract What if a small but growing number of people in your city decided to stop using the Internet? What if this group held seminars, protests, and art shows all to promote their mission and gain a following? Would you argue with them? Consider joining? This is the central concept of my novel Here, from the Passenger Seat , a work with themes of friendship, grief, and growth.