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A Case Study of Russia and Ukraine's Use of the Eurovision Song
Lund University FKVK02 Department of Political Science Spring 2020 Peace and Conflict Studies Supervisor: Fredrika Larsson The Battle of Eurovision A case study of Russia and Ukraine’s use of the Eurovision Song Contest as a cultural battlefield Character count: 59 832 Julia Orinius Welander Abstract This study aims to explore and analyze how Eurovision Song Contest functioned as an alternative – cultural – battlefield in the Russian-Ukrainian conflict over Crimea. With the use of soft power politics in warfare as the root of interest, this study uses the theories of cultural diplomacy and visual international relations to explore how images may be central to modern-day warfare and conflicts as the perception of. The study has a theory-building approach and aims to build on the concept of cultural diplomacy in order to explain how the images sent out by states can be politized and used to conduct cultural warfare. To explore how Russia and Ukraine used Eurovision Song Contest as a cultural battlefield this study uses the methodological framework of a qualitative case study with the empirical data being Ukraine’s and Russia’s Eurovision Song Contest performances in 2016 and 2017, respectively, which was analyzed using Roland Barthes’ method of image analysis. The main finding of the study was that both Russia and Ukraine used ESC as a cultural battlefield on which they used their performances to alter the perception of themselves and the other by instrumentalizing culture for political gain. Keywords: cultural diplomacy, visual IR, Eurovision Song Contest, Crimea Word count: 9 732 Table of Contents 1 Introduction ............................................................................................................ -
A Musical Play in Three Acts
Library of Congress Meet the Mamma Title Page MEET THE MAMMA By Zora Neale Hurston MEET THE MAMMA A Musical Play in Three Acts. By Zora Neale Hurston TIME: Present. PLACE: New York, U.S.A.; the high seas; Africa. PERSONS: Hotel Proprietor - Peter Thorpe His Wife Carrie Her Mother Edna Frazier His Friend, a lawyer -Bill Brown The Cashier The uncle in Africa Clifford Hunt Meet the Mamma http://www.loc.gov/resource/mhurston.0201 Library of Congress The Princess Waitresses Bell Hops Warriors Guests, etc. Act I, Scene I -2- ACT I. SCENE 1. HOTEL BOOKER WASHINGTON, N. Y. C. SETTING: One-half of stage (left) is dining room, the other is a lobby (right), with desk, elevator, etc. The dining room is set with white cloths, etc. Elevator is upstage exit (center). There is a swinging door exit right and left. ACTION: As the curtain goes up, singing and dancing can be heard, and as it ascends the chorus of waitresses and bellhops are discovered singing and dancing about the lobby and dining room. (7-9 minutes). CASHIER: (looking off stage right) Psst! Here comes the boss! (Everyone scurries to his or her position and pretends to be occupied. Enter boss, right, in evening clothes and cane. Walks wearily through lobby and dining room and back again, speaking to everyone in a hoarse whisper) BOSS: Have you seen my mother-in-law? (Everyone answers "No". Meet the Mamma http://www.loc.gov/resource/mhurston.0201 Library of Congress BOSS: It wont be long now before she comes sniffing and whiffing around. -
PAROLE E MUSICA DELLA MEMORIA EBRAICA a Cura Di CARLO BIANCHI
brescia MUSICA INTERVISTA A ROLANDO ANNI E ALESSANDRO ADAMI DEL GRUPPO “KLEZMORIM” PAROLE E MUSICA DELLA MEMORIA EBRAICA a cura di CARLO BIANCHI n bambino di fronte a dialogo fra ebrei e cristiani, per un albero su un prato un incontro che è stato, credo, circondato da una il nostro primo ‘concerto’. Nel U sconnessa stacciona- corso del tempo i rapporti fra la ta scarna che conduce, voltan- musica e le letture o le mie spie- do, fino a un caseggiato romito. gazioni si è invertito: prima la La copertina del disco che rac- musica accompagnava quello chiude i quindici canti della tra- che avevo da dire, adesso inve- dizione popolare ebraica can- ce sono io a dire delle cose che tati e suonati dal complesso accompagnano la musica. Di- Klezmorim è l’immagine ricreata ciamo che io mi sono preoccu- di Oyfn veg shteyt a boym (“sta, pato di costruire questo proget- lungo la strada, un albero pie- to da un punto vista letterario e gato”), una di queste quindici storico. La nostra particolarità è storie in musica, la ninna-nanna che i nostri non sono dei veri e di un bambino che chiede alla propri concerti, sono ‘incontri’ mamma di potersi arrampicare dove la musica viene inserita in sull’albero per volare verso il un contesto molto preciso per- cielo, anche se fa freddo e la ché siamo convinti ancora oggi mamma gli raccomanda di co- che questa musica pur essendo prirsi, non vuol lasciarlo andare, semplice, popolare, non possa per paura che si smarrisca. essere del tutto compresa senza Sono canti di un popolo – di alcune fondamentali spiegazio- una cultura, di una religione – ni”. -
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INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
2.1 ISRAELI VOCAL SOLOS Chava Alberstein Coconut a Kiss Every
2.1 ISRAELI VOCAL SOLOS Chava Alberstein Coconut A Kiss Every Hour An Urban Tree A Single Parent Bird Coconut Opposite the Sea Short Espresso Stems Falling Leaves My Kind of Man Bird of Saturday New Prayers Words Sholomo Artzi His Best Gever Holekh L’ebood Yom Ekhad Ani Shomea Shoov Ha’ish Hahoo Lo Ozev Et Ha’ir Shinuey Mezeg Haavir Tirkod Akharey Ha’kol At Shir Ani Nose Imi Hardufim Takhat Shmey Yam Tikhon Fran Avni Israel World Beat -- Eretz Eretz Zavat Chalav (The Land of Milk and Honey) Lo Yare’u/V’chititu (Harm No More) Natati Etz (I Planted a Tree) Shir Bareket (The Jewel Song) Vayiven Uziyahu (Uzziah Built Towers) Shorashim (Roots) Am Echad (One Nation) L’zaracha (For Your Children) Down in the Garden Tsipor Shniya (The Bird of a Fleeting Moment) The Colors of Jerusalem Lo Yare’u Martha Rock Birnbaum Timeless Jewish Songs Shabbat Hamalka Tumbalalaika Eliahu Hanavi Rozhinket Mit Mandlen Der Regge Elimeylekh Bamidbar Chiri Biri Bim Adio Kerida Los Bibilicos Finjan V’shamru Oyfn Pripetshik Adon Olam Zog Nit Keyn Mol! Miserlu Shir Noded / Hatikva Esta Home Made World Tekia, Shevarim, Terua Black Sheep Our Hope Nights in White Satin Till Dawn I Still Haven’t Found What I’m Looking For The Kite A Word Armenian Draem (Offering) Fatma Morgana Yearning Lament Magda Fishman Massa U’Mattan Beleilot Hakaitz Hachamin Shnei Shoshanim Arba Lifnot Boker Ve’ulay Hayalda Hachi Yafa Bagan My Funny Valentine Osseh Shalom Balada Le’isha Yedid Nefesh Samba Chick What Are You Doing the Rest of Your Life? Eretz Zavat Chalav U’devash Ofra Fuchs Like a Wheel -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
La Instrumentalización Política Del Festival De Eurovisión: El Caso Del Enfrentamiento Entre Rusia Y Ucrania (2010-2019)”
FACULTAD DE COMUNICACIÓN GRADO EN PERIODISMO TRABAJO DE FIN DE GRADO “La instrumentalización política del Festival de Eurovisión: el caso del enfrentamiento entre Rusia y Ucrania (2010-2019)” JUNIO 2020. SEVILLA. AUTOR: DANIEL LINDO GARCÍA TUTOR: FERNANDO RAMÓN CONTRERAS MEDINA RESUMEN La cuestionada gestión de los servicios públicos de televisión, y la influencia de la Unión Europea de Radiodifusión y sus derivados en los cinco continentes, hacen del Festival de Eurovisión un escenario perfecto para la propagación de las consignas políticas que defienden los dispares gobiernos europeos que administran los primeros. La Revolución del Maidán y la anexión rusa de Crimea no solo provocaron una colisión entre Kiev y Moscú, también lograron acercar a una antigua república soviética como Ucrania a Bruselas. El longevo evento de música, reflejo del poder económico occidental, no ha sido sino la mayor plataforma mediática donde Rusia y su país vecino han librado una de sus muchas batallas. Palabras clave: Rusia, Ucrania, Eurovisión, Europa, canciones, televisión. ÍNDICE 1. INTRODUCCIÓN ...................................................................................................... 1 1.1. INTERÉS EN EL TEMA DE ESTUDIO E HIPÓTESIS ...................................... 1 1.2. ESTRUCTURA ..................................................................................................... 2 1.3. PLANTEAMIENTO GENERAL .......................................................................... 3 1.3.1. Objetivos ........................................................................................................ -
Instrumental
Instrumental Intermediate Winds (Christian Dawid) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 In this class, we’ll work on klezmer ornamentation: how to apply it, phrasing, feel, variation, and more. One topic a day. Tips and tricks generously delivered. Open to all melody wind instrumentalists who want to work at a moderate pace, or are new to klezmer. Depending on group size, we might have time for individual coaching as well. PDFs of workshop material (according to your instrument's tuning: Bb, Concert Eb) will be provided to download before the class. Looking forward to meeting you! Christian Dawid is presented thanks to the generous support of the Consulate General of the Federal Republic of Germany, Montreal. Register for Intermediate Winds Advanced Winds (Zilien Biret) Advanced| Tuesday-Friday |AM1 - 9:30-10:45 Dave Tarras himself once said that he never played the same melodic phrase twice, always ornamenting or articulating in a different way. Working with the repertoire of Naftule Brandwein and Titunschneider, we will repeat phrases by ear and learn how to give a strong klezmer character to a repetitive melody. This is a master-class, so please prepare a tune you would like to share with us. I will help you with little tips to piece together the magic of klezmer. Register for Advanced Winds Intermediate Strings (Amy Zakar) Intermediate| Tuesday-Friday |AM1 - 9:30-10:45 For bowed strings: violin, viola, cello, bass, et. al. Play repertoire and learn string-specific klezmer style to start out your morning with good cheer! This class will be a good fit for you if you are past the beginning technical stage of learning your instrument, but are not yet performing on a regular basis or playing at an orchestral level. -
Jewish Humor
Jewish Humor Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Arie Sover All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6447-9 ISBN (13): 978-1-5275-6447-3 With love to my parents, Clara (Zipkis) and Aurel Sober, and my grandmother, Fanny Zipkis: Holocaust survivors who bequeathed their offspring with a passion for life and lots of humor. TABLE OF CONTENTS Acknowledgements .................................................................................. xii Preface ..................................................................................................... xiii Introduction ................................................................................................ 1 Literacy and critical Jewish thought ........................................................... 2 The sources of Jewish humor ..................................................................... 6 The Bible .............................................................................................. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat.