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Popular Music and National Culture in Israel, by Motti Regev and Edwin Seroussi
Review Popular Music and National Culture in Israel, by Motti Regev and Edwin Seroussi. Berkeley–Los Angeles–London: University of California Press, 2004. Paperback, 308 pp., ISBN 0 520 23654 8 The study of popular music in Israel is a relatively new field. Although it has a history of more than a century, since the beginning of the Zionist establishment in Israel in the late nineteenth century, the bulk of this genre was created after the establishment of the State of Israel in 1948. The few studies of the popular music of Israel’s Jewish population that were carried out before the 1980s dealt mainly with the genre known as “Songs of the Land of Israel.”1 From the early ’80s until the beginning of the twenty-first century, the range of subjects covered by this research was expanded. “Songs of the Land of Israel” still played a central role,2 but other categories of Israeli popular music, such as “Oriental” or “Mediterranean” music,3 and Israeli rock,4 were also studied, as was the influence of foreign music on Israeli popular music.5 Another field of research developed in the early twenty-first century was the detailed analysis of the musical and linguistic characteristics of composers and poets whose work was set to music. This music, too, belongs to the category of “Songs of the Land of Israel.”6 The book reviewed here differs from previous studies in that it provides a broad, overall view of popular music in Israeli society. It is the first attempt to survey Israel’s popular music as a complete field of research. -
Surround Sound Auteurs and the Fragmenting of Genre
Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock. -
UW System Requests $30 Surcharge
Inside Block that sun P.3 Yoko is surprise P.4 Women's buckets win opener * .. P.5 Unique gift guide special insert Vol. 25, NO. 30, December 2,1980 UW System requests $30 surcharge by James E. Piekarski not seek a general tax increase when the The letter also cited the "uncertain ofThePoststaff legislature reconvenes in January. ties" caused by litigation challenging the 4.4 percent budget cutback to muni The UW Board of Regents is expected Committee referral cipalities and school districts. The State to approve a $30 surcharge for the second If the Regents approve the $30 sur Supreme Court has ordered the return semester at its meeting this week, ac charge, it must then be approved by Of almost $18 million to municipali cording to UW System Vice President the legislature's Joint Committee on ties, and the school district case, which Reuben Lorenz. Finance. At a November meeting, the seeks the return of $29 million, is still The surcharge, which would raise tui Regents approved a resolution, with only pending. - tion for a semester to $516 for a full- one objection, that authorized UW Sys Chancellor Frank Horton, who will time resident undergraduate student, is tem President Robert O'Neil to file a attend the Board of Regents meeting in based on the anticipation of no further request with the Joint Committee on Madison on Thursday and Friday, said budget cutbacks, despite the state's wor Finance for the surcharge by its Nov. that based on the experience of the first sened financial forecast for the biennium 10 deadline. -
Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
The Languages of the Jews: a Sociolinguistic History Bernard Spolsky Index More Information
Cambridge University Press 978-1-107-05544-5 - The Languages of the Jews: A Sociolinguistic History Bernard Spolsky Index More information Index Abu El-Haj, Nadia, 178 Alliance Israélite Universelle, 128, 195, 197, Afrikaans, 15, 243 238, 239, 242, 256 learned by Jews, 229 Almohads, 115 Afrikaaners forced conversions, 115 attitude to Jews, 229 Granada, 139 Afro-Asiatic persecution, 115, 135, 138 language family, 23 alphabet Agudath Israel, 252 Hebrew, 30 Yiddish, 209 Alsace, 144 Ahaz, 26, 27 became French, 196 Akkadian, 20, 23, 24, 25, 26, 30, 36, 37, expulsion, 125 39, 52 Alsace and Lorraine borrowings, 60 Jews from East, 196 Aksum, 91 al-Yahūdiyya, 85 al-Andalus, 105, 132, 133 Amarna, 19 emigration, 135 American English Jews a minority, 133 Yiddish influence, 225 Jews’ languages, 133 Amharic, 5, 8, 9, 90, 92 languages, 136 Amoraim, 60 Aleppo, 102 Amsterdam emigration, 225 Jewish publishing, 169 Jewish Diasporas, 243 Jewish settlement, 198 Jewish settlement, 243 multilingualism, 31 Alexander the Great, 46 Anglo-Israelite beliefs, 93 Alexandria, 47, 59, 103 anti-language, 44 Hebrew continuity, 48 Antiochus, 47, 56 Jews, 103 Antipas, 119 Alfonso X, 137 Antwerp Algeria, 115 Anusim, 199 consistories, 236 multilingualism, 199 emigration, 197, 236, 237 Yiddish maintained, 199 French rule, 234 Antwerpian Brabantic, 18 French schools, 236 Anusim, 132, 139, 232 Jews acquire French, 236 Algeria, 115 Vichy policy, 236 Belgium, 199 342 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-05544-5 - -
PRESSEMITTEILUNG 20.12.2017 Aviv Geffen Im
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 20.12.2017 Aviv Geffen im Januar auf Tour Im Januar kommt Aviv Geffen erneut nach Deutschland, um bei vier Shows Songs von Blackfield zu präsentieren, dem gemeinsamen Projekt des israelischen Superstars mit dem gefeierten Prog-Rocker Steven Wilson. Im Februar erschien das jüngste Album „V“, anschließend ging Geffen mit Band auf Tour, um das Werk live zu präsentieren, das von den doch sehr unterschiedlichen Künstlerpersönlichkeiten profitiert. Wilson, das Musikgenie, ist ein sehr bedachtsamer Mensch, beschäftigt sich in seinen Songs viel mit sich und seinem teils eher dunkel angehauchten Seelenleben. Aviv Geffen hingegen richtet seine Stimme nach außen – in seinen Songs fordert er den Frieden zwischen Israel und den arabischen Ländern, er singt an gegen Krieg, Gewalt und Terror, er ist die Stimme des modernen Israel. Überhaupt ist er in seiner Heimat ein echter Star und dominiert die Hallen und die Hitparaden weit vor ausländischen Künstlern. Er tourte mit U2 und produzierte seine Alben mit Tony Visconti und Trevor Horn, der der Mischung aus Glamrock und Indie-Pop seinen Stempel aufgedrückt hat. Die beiden Musikerpersönlichkeiten Geffen und Wilson könnten kaum unterschiedlicher sein – doch genau deshalb ergänzen sie sich schon so lange so gut. Das wahre Potenzial der gemeinsamen Musik von Blackfield kommt aber ganz besonders in den reduzierten Versionen zum Ausdruck, die Geffen für die kommende Tour vorbereitet und arrangiert hat. 19.01.2018 Köln - Luxor 24.01.2018 Hamburg - Knust 29.01.2018 München - Strom 30.01.2018 Berlin - Frannz Tickets für die Shows gibt es ab Montag, den 27. -
The Story Behind an Invisible Community: Arab Jews in the United States Ramzi Brahmi University of Manouba, Tunisia
International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.3, December, 2014 The story behind an invisible community: Arab Jews in the United States Ramzi Brahmi University of Manouba, Tunisia Abstract: The invisibility of the community of Arab Jews living in the United States, better known as the Mizrahi community is intriguing. Its identity combines two seemingly paradoxical elements and it is assumed that this community is encompassed by two larger ethnic groups: the Jewish American and the Arabic American ones. However, a closer look at this community shows that such assumptions are not corroborated by facts. Little is known about this diaspora, which suffers double alienation from the two larger ethnic groups. This paper attempts to delve into the identity formation of the Mizrahi community in the United States by starting with a bird’s eye view on its immigration and integration patterns in an attempt to understand its distinctiveness and the obstacles that prevent the community from being visible and more influential. This paper also intends to spotlight the way such a community managed to preserve its identity for generations and the way members of the community perceive their Arabic and Jewish identities in an American context which presents both identities as incompatible. Key words: Mizrahi, Jews, Arabs, United States, identity. 1 International Journal of Humanities and Cultural Studies (IJHCS) ISSN 2356-5926 Vol.1, Issue.3, December, 2014 It is not so easy for many Americans to digest the combination of being Arab, Jewish and American at the same time. Being Arab and Jewish at the same time is more complicated by living in the US where media regularly stereotype part of one’s identity and glorify the other. -
PAROLE E MUSICA DELLA MEMORIA EBRAICA a Cura Di CARLO BIANCHI
brescia MUSICA INTERVISTA A ROLANDO ANNI E ALESSANDRO ADAMI DEL GRUPPO “KLEZMORIM” PAROLE E MUSICA DELLA MEMORIA EBRAICA a cura di CARLO BIANCHI n bambino di fronte a dialogo fra ebrei e cristiani, per un albero su un prato un incontro che è stato, credo, circondato da una il nostro primo ‘concerto’. Nel U sconnessa stacciona- corso del tempo i rapporti fra la ta scarna che conduce, voltan- musica e le letture o le mie spie- do, fino a un caseggiato romito. gazioni si è invertito: prima la La copertina del disco che rac- musica accompagnava quello chiude i quindici canti della tra- che avevo da dire, adesso inve- dizione popolare ebraica can- ce sono io a dire delle cose che tati e suonati dal complesso accompagnano la musica. Di- Klezmorim è l’immagine ricreata ciamo che io mi sono preoccu- di Oyfn veg shteyt a boym (“sta, pato di costruire questo proget- lungo la strada, un albero pie- to da un punto vista letterario e gato”), una di queste quindici storico. La nostra particolarità è storie in musica, la ninna-nanna che i nostri non sono dei veri e di un bambino che chiede alla propri concerti, sono ‘incontri’ mamma di potersi arrampicare dove la musica viene inserita in sull’albero per volare verso il un contesto molto preciso per- cielo, anche se fa freddo e la ché siamo convinti ancora oggi mamma gli raccomanda di co- che questa musica pur essendo prirsi, non vuol lasciarlo andare, semplice, popolare, non possa per paura che si smarrisca. essere del tutto compresa senza Sono canti di un popolo – di alcune fondamentali spiegazio- una cultura, di una religione – ni”. -
Open Mind: the Best of Blackfield
Blackfield – Open Mind: The Best Of Blackfield (58:20, CD, Vinyl, Digital, KScope/Edel, 2018) An dieser Stelle soll nicht das Für und Wider von „Best Of“‘- Compilations diskutiert werden. Fakt ist, dass solche Releases eben nicht für den Fan gemacht sind, denn dieser hat sowieso schon alles von seinen angebeteten Stars, sondern für solche Klientel, denen die Hitvariante des jeweiligen Akteurs vollkommen ausreicht. Diese allerdings wirklich zum Kauf zu bewegen, ist in Zeiten von Spotify & Co. ein immer schwieriger werdendes Unterfangen. Nach fünf regulären Alben geht es aber schon okay, sich mit einer Werkschau zu präsentieren. Von Porcupine Tree-Fans wurde das Sideproject von Steven Wilson, das dieser seit 2001 mit dem israelischen Musiker Aviv Geffen betrieb, immer reichlich stiefmütterlich behandelt. Und dies, weil die Songs und die Musik an sich schon tendenziell unter Pop rangieren – Pop, mit dem für Wilson und Geffen so typisch-perfekten Songwriting wohlgemerkt. „Open Mind“ enthält dann auch eine respektable Auswahl aus den von 2004 bis 2017 veröffentlichten Originalalben, wobei gewichtungstechnisch vor allen das Debüt sowie das 2017er Werk „V“ mit jeweils vier Songs gesteigerte Berücksichtigung findet. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Es ist aber auch hier wie bei anderen Bands mit einem Rock’n Pop Aspekt – wo viel Licht ist eben auch viel Schatten. -
Ordinary Jerusalem 1840–1940
Ordinary Jerusalem 1840–1940 Angelos Dalachanis and Vincent Lemire - 978-90-04-37574-1 Downloaded from Brill.com03/21/2019 10:36:34AM via free access Open Jerusalem Edited by Vincent Lemire (Paris-Est Marne-la-Vallée University) and Angelos Dalachanis (French School at Athens) VOLUME 1 The titles published in this series are listed at brill.com/opje Angelos Dalachanis and Vincent Lemire - 978-90-04-37574-1 Downloaded from Brill.com03/21/2019 10:36:34AM via free access Ordinary Jerusalem 1840–1940 Opening New Archives, Revisiting a Global City Edited by Angelos Dalachanis and Vincent Lemire LEIDEN | BOSTON Angelos Dalachanis and Vincent Lemire - 978-90-04-37574-1 Downloaded from Brill.com03/21/2019 10:36:34AM via free access This is an open access title distributed under the terms of the prevailing CC-BY-NC-ND License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. The Open Jerusalem project has received funding from the European Research Council (ERC) under the European Union’s Seventh Framework Programme (FP7/2007-2013) (starting grant No 337895) Note for the cover image: Photograph of two women making Palestinian point lace seated outdoors on a balcony, with the Old City of Jerusalem in the background. American Colony School of Handicrafts, Jerusalem, Palestine, ca. 1930. G. Eric and Edith Matson Photograph Collection, Library of Congress. https://www.loc.gov/item/mamcol.054/ Library of Congress Cataloging-in-Publication Data Names: Dalachanis, Angelos, editor. -
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No
Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No. 3 JNUL Officially Becomes The National Library of Israel ELHANAN ADL E R On November 26, 2007, The Knesset enacted the “National Li- assistance of the Yad Hanadiv foundation, which previously brary Law,” transforming the Jewish National and University contributed the buildings of two other state bodies: the Knesset, Library (JNUL) at The Hebrew University’s Givat Ram campus and the Supreme Court. The new building will include expanded into the National Library of Israel. reading rooms and state-of-the-art storage facilities, as well as The JNUL was founded in 1892 by the Jerusalem Lodge of a planned Museum of the Book. B’nai B’rith. After the first World War, the library’s ownership The new formal status and the organizational change will was transferred to the World Zionist Organization. With the enable the National Library to expand and to serve as a leader opening of the Hebrew University on the Mount Scopus campus in its scope of activities in Israel, to broaden its links with simi- in 1925, the library was reorganized into the Jewish National and lar bodies in the world, and to increase its resources via the University Library and has been an administrative unit of the government and through contributions from Israel and abroad. Hebrew University ever since. With the founding of the State The law emphasizes the role of the Library in using technology of Israel the JNUL became the de facto national library of Israel. -
The Polyphony Foundation Brings Arab and Jewish Israeli Musicians Together with Classical Music
Monday 08 August, 2016 Published On: Sun, May 31st, 2015 Israel & Middle East / Life & Style / Religion | By Reggie Reiner The Polyphony Foundation Brings Arab and Jewish Israeli Musicians Together With Classical Music "It’s really to give young people from both communities a chance to interact and to become more familiar with the other." - – There are so many different people and organizations today dedicated to building bridges between Jews and Arabs around the world. The Polyphony Foundation uses classical music to do so in Israel. The organization declares its goal to be to find common ground through a common sound. It states that it has created a place of harmony where young people, both Arab and Jew, come together around classical music. This harmony is achieved in Israel through various programs operated by Polyphony Education Israel as part of a multi- tiered programming structure designed to move the students from beginner to professional performer. As the students advance from program to program, they encounter increasingly mixed groups of Arabs and Jews, so as they learn to appreciate music, they also learn to appreciate each other. Through the common language of music, they learn to look beyond their differences to see the culture, connection and humanity they share. Currently, these programs reach more than 6,000 Arab and Jewish youth and provide training and employment for over 100 teachers, according to the organization. – – It was created in 2011 by New York residents Deborah and Craig Cogut and artistic director Nabeel Abboud-Ashkar. Abboud-Ashkar told Reuters, “It’s really to give young people from both communities a chance to interact and to become more familiar with the other.