The Story of Israel at 66 Through the Songs of Arik Einstein
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Popular Music and National Culture in Israel, by Motti Regev and Edwin Seroussi
Review Popular Music and National Culture in Israel, by Motti Regev and Edwin Seroussi. Berkeley–Los Angeles–London: University of California Press, 2004. Paperback, 308 pp., ISBN 0 520 23654 8 The study of popular music in Israel is a relatively new field. Although it has a history of more than a century, since the beginning of the Zionist establishment in Israel in the late nineteenth century, the bulk of this genre was created after the establishment of the State of Israel in 1948. The few studies of the popular music of Israel’s Jewish population that were carried out before the 1980s dealt mainly with the genre known as “Songs of the Land of Israel.”1 From the early ’80s until the beginning of the twenty-first century, the range of subjects covered by this research was expanded. “Songs of the Land of Israel” still played a central role,2 but other categories of Israeli popular music, such as “Oriental” or “Mediterranean” music,3 and Israeli rock,4 were also studied, as was the influence of foreign music on Israeli popular music.5 Another field of research developed in the early twenty-first century was the detailed analysis of the musical and linguistic characteristics of composers and poets whose work was set to music. This music, too, belongs to the category of “Songs of the Land of Israel.”6 The book reviewed here differs from previous studies in that it provides a broad, overall view of popular music in Israeli society. It is the first attempt to survey Israel’s popular music as a complete field of research. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
When Mizrahi Artists Said ‘No’ to Israel’S Pioneer Culture
Riches To Rags To Virtual Riches: When Mizrahi Artists Said ‘No’ To Israel’s Pioneer Culture Shoshana Gabay. Ills. Joseph Sassoon Semah Upon their arrival in Israel, Mizrahi Jews found themselves under a regime that demanded obedience, even in cultural matters. All were required to conform to an idealized pioneer figure who sang classical, militaristic ‘Hebrew’ songs. That is, before the ‘Kasetot’ era propelled Mizrahi artists into the spotlight, paving the way for today’s musical stars. Part two of a musical journey beginning in Israel’s Mizrahi neighborhoods of the 1950s and leading up to Palestinian singer Mohammed Assaf. Read part one here. Our early encounter with Zionist music takes place in kindergarten, then later in schools and the youth movements, usually with an accordionist in tow playing songs worn and weathered by the dry desert winds. Music teachers at school never bothered with classical music, neither Western nor Arabian, and traditional Ashkenazi liturgies – let alone Sephardic – were not even taken into account. The early pioneer music was hard to stomach, and not only because it didn’t belong to our generation and wasn’t part of our heritage. More specifically, we were gagging on something shoved obsessively down our throat by political authority. Our “founding fathers” and their children never spared us any candid detail regarding the bodily reaction they experience when hearing the music brought here by our fathers, and the music we created here. But not much was said regarding the thoughts and feelings of Mizrahi immigrants (nor about their children who were born into it) who came here and heard what passed as Israeli music, nor about their children who were born into it. -
The Messiah Isn't Coming – Mashiach Lo Ba – אב אל חישמ
משיח לא בא – The Messiah Isn’t Coming – Mashiach Lo Ba Compiled by David Bryfman and Jessica Fechtor for the 2007 Wexner Graduate Fellowship Summer Institute The texts that follow are organized according to the following themes: I. An introduction to the relationship between Zionism and messianism (p. 2) II. From Messianism to Zionism: Religious Zionism (pp. 3‐4) III. Human Agency and Political Zionism (p. 5) IV. From Messianism to the Socialist Utopian Dream (p. 6) V. “Messianism” in the Labor Zionist Movement (p. 7) VI. Human Agency and the Zionist Dream (p. 8) VII. “Messianism” in Music (pp. 9‐11) VIII. Closing Questions (p. 12) Because of time constraints, it will probably not be possible for you and your chevrutah to cover all of the material on messianism and Zionism. Begin with the introduction (section I), and then choose one or more of the sub-topics that interest you (sections II – VII). Please conclude with the general closing questions (section VIII), which we hope you will find relevant to each of the sub-topics. Save the rest for exploration on your own. 2 משיח לא בא – The Messiah Isn’t Coming – Mashiach Lo Ba I. Introduction What is the relationship between Zionism and messianism? Traditional beliefs about the coming of the Messiah seem incompatible with Zionist ideology. The verse, “‘I adjure you, O daughters of Jerusalem, by the gazelles, and by the hinds of the field, that ye awaken not, nor stir up love, until it please’ (Song of Songs 3:5) has been interpreted as a ban on Jews to ascend the walls, that is, to bring about the return to Zion prior to the coming of the Messiah.”1 And yet, messianism is a constant trope throughout the intellectual history of Zionism. -
Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
Israel Resource Cards (Digital Use)
WESTERN WALL ַה ּכֹו ֶתל ַה ַּמ ַעָר ִבי The Western Wall, known as the Kotel, is revered as the holiest site for the Jewish people. A part of the outer retaining wall of the Second Temple that was destroyed by the Romans in 70 CE, it is the place closest to the ancient Holy of Holies, where only the Kohanim— —Jewish priests were allowed access. When Israel gained independence in 1948, Jordan controlled the Western Wall and all of the Old City of Jerusalem; the city was reunified in the 1967 Six-Day War. The Western Wall is considered an Orthodox synagogue by Israeli authorities, with separate prayer spaces for men and women. A mixed egalitarian prayer area operates along a nearby section of the Temple’s retaining wall, raising to the forefront contemporary ideas of religious expression—a prime example of how Israel navigates between past and present. SITES AND INSIGHTS theicenter.org SHUK ׁשוּק Every Israeli city has an open-air market, or shuk, where vendors sell everything from fresh fruits and vegetables to clothing, appliances, and souvenirs. There’s no other place that feels more authentically Israeli than a shuk on Friday afternoon, as seemingly everyone shops for Shabbat. Drawn by the freshness and variety of produce, Israelis and tourists alike flock to the shuk, turning it into a microcosm of the country. Shuks in smaller cities and towns operate just one day per week, while larger markets often play a key role in the city’s cultural life. At night, after the vendors go home, Machaneh Yehuda— —Jerusalem’s shuk, turns into the city’s nightlife hub. -
Shabbat Program Shabbat Program
SHABBAT PROGRAM SHABBAT PROGRAM May 10 and 11, 2019 / 6 Iyar 5779 Parashat Kedoshim Atsma’ut Shabbat ֽא־תִשׂ�נָא אֶת־אָחִי בִּלְבָבֶ ... ו�אָֽהַבְתָּ לְ�ֽעֲ כָּמוֹ אֲנִי ה': "You shall not hate your fellow human in your heart… Love your neighbor as yourself: I am the Eternal!" (Leviticus 19:17-18) 1 Welcome to CBST! ברוכים וברוכות הבאים לקהילת בית שמחת תורה! קהילת בית שמחת תורה מקיימת קשר רב שנים ועמוק עם ישראל, עם הבית הפתוח בירושלים לגאווה ולסובלנות ועם הקהילה הגאה בישראל. אנחנו מזמינים אתכם\ן לגלוּת יהדוּת ליבראלית גם בישראל! מצאו את המידע על קהילות רפורמיות המזמינות אתכם\ן לחגוג את סיפור החיים שלכן\ם בפלאיירים בכניסה. לפרטים נוספים ניתן לפנות לרב נועה סתת: [email protected] 2 MAY 10, 2019 / 6 IYAR 5779 ATSMA’UT SHABBAT- PARASHAT KEDOSHIM הֲכָנַת הַלֵּב OPENING PRAYERS AND MEDITATIONS *Od Yavo Shalom Aleinu Mosh Ben Ari (Born 1971) עוד יבוא שלום עלינו 101 (Peace will yet come to us and to everyone) L’chah Dodi Mordechai Zeira (1905-1968) לְכָה דוֹדִי Program Arr. Yehezkel Braun (1922-2014) *(Candle Blessings Abraham Wolf Binder (1895-1967 הַדְ לָקַת נֵרוֹת שׁ�ל שׁ�בָּת 38 *(Shalom Aleichem Israel Goldfarb (1879-1956 שׁ�לוֹם עֲלֵיכֶם 40 קַבָּלַת שׁ�בָּת KABBALAT SHABBAT / WELCOMING SHABBAT *L’chu N’ran’na Reuben Sirotkin (Born 1933) לְכוּ נְ�נְּנָה (תהלים צה) 52 (Psalm 95) (Yir’am Hayam (Psalm 98) Yoel Sykes (Born 1986 י��עַם הַיּ�ם (תהלים צו) 54 Nava Tehilah (Jerusalem)* *Mizmor L’David (Psalm 29) Yoel Sykes (Born 1986) מִזְמוֹר לְדָו�ד (תהלים כט) 62 *L'chah Dodi (Shlomo Alkabeitz) Kehilat Tsiyon (Jerusalem) לְכָה דוֹדִי 66 Kol Haneshama -
The Audacity of Holiness Orthodox Jewish Women’S Theater עַ זּוּת שֶׁ Israelבִּ קְ Inדוּשָׁ ה
ׁׁ ְִֶַָּּּהבשות שעזּ Reina Rutlinger-Reiner The Audacity of Holiness Orthodox Jewish Women’s Theater ַעזּּו ֶׁת ש in Israelִּבְקּדו ָׁשה Translated by Jeffrey M. Green Cover photography: Avigail Reiner Book design: Bethany Wolfe Published with the support of: Dr. Phyllis Hammer The Hadassah-Brandeis Institute, Waltham, Massachusetts, USA Talpiot Academic College, Holon, Israel 2014 Contents Introduction 7 Chapter One: The Uniqueness of the Phenomenon 12 The Complexity of Orthodox Jewish Society in Israel 16 Chapter Two: General Survey of the Theater Groups 21 Theater among ultra-Orthodox Women 22 Born-again1 Actresses and Directors in Ultra-Orthodox Society 26 Theater Groups of National-Religious Women 31 The Settlements: The Forge of Orthodox Women’s Theater 38 Orthodox Women’s Theater Groups in the Cities 73 Orthodox Men’s Theater 79 Summary: “Is there such a thing as Orthodox women’s theater?” 80 Chapter Three: “The Right Hand Draws in, the Left Hand Pushes Away”: The Involvement of Rabbis in the Theater 84 Is Innovation Desirable According to the Torah? 84 Judaism and the Theater–a Fertile Stage in the Culture War 87 The Goal: Creation of a Theater “of Our Own” 88 Differences of Opinion 91 Asking the Rabbi: The Women’s Demand for Rabbinical Involvement 94 “Engaged Theater” or “Emasculated Theater”? 96 Developments in the Relations Between the Rabbis and the Artists 98 1 I use this term, which is laden with Christian connotations, with some trepidation. Here it refers to a large and varied group of people who were not brought up as Orthodox Jews but adopted Orthodoxy, often with great intensity, later in life. -
PRESSEMITTEILUNG 20.12.2017 Aviv Geffen Im
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 20.12.2017 Aviv Geffen im Januar auf Tour Im Januar kommt Aviv Geffen erneut nach Deutschland, um bei vier Shows Songs von Blackfield zu präsentieren, dem gemeinsamen Projekt des israelischen Superstars mit dem gefeierten Prog-Rocker Steven Wilson. Im Februar erschien das jüngste Album „V“, anschließend ging Geffen mit Band auf Tour, um das Werk live zu präsentieren, das von den doch sehr unterschiedlichen Künstlerpersönlichkeiten profitiert. Wilson, das Musikgenie, ist ein sehr bedachtsamer Mensch, beschäftigt sich in seinen Songs viel mit sich und seinem teils eher dunkel angehauchten Seelenleben. Aviv Geffen hingegen richtet seine Stimme nach außen – in seinen Songs fordert er den Frieden zwischen Israel und den arabischen Ländern, er singt an gegen Krieg, Gewalt und Terror, er ist die Stimme des modernen Israel. Überhaupt ist er in seiner Heimat ein echter Star und dominiert die Hallen und die Hitparaden weit vor ausländischen Künstlern. Er tourte mit U2 und produzierte seine Alben mit Tony Visconti und Trevor Horn, der der Mischung aus Glamrock und Indie-Pop seinen Stempel aufgedrückt hat. Die beiden Musikerpersönlichkeiten Geffen und Wilson könnten kaum unterschiedlicher sein – doch genau deshalb ergänzen sie sich schon so lange so gut. Das wahre Potenzial der gemeinsamen Musik von Blackfield kommt aber ganz besonders in den reduzierten Versionen zum Ausdruck, die Geffen für die kommende Tour vorbereitet und arrangiert hat. 19.01.2018 Köln - Luxor 24.01.2018 Hamburg - Knust 29.01.2018 München - Strom 30.01.2018 Berlin - Frannz Tickets für die Shows gibt es ab Montag, den 27. -
Open Mind: the Best of Blackfield
Blackfield – Open Mind: The Best Of Blackfield (58:20, CD, Vinyl, Digital, KScope/Edel, 2018) An dieser Stelle soll nicht das Für und Wider von „Best Of“‘- Compilations diskutiert werden. Fakt ist, dass solche Releases eben nicht für den Fan gemacht sind, denn dieser hat sowieso schon alles von seinen angebeteten Stars, sondern für solche Klientel, denen die Hitvariante des jeweiligen Akteurs vollkommen ausreicht. Diese allerdings wirklich zum Kauf zu bewegen, ist in Zeiten von Spotify & Co. ein immer schwieriger werdendes Unterfangen. Nach fünf regulären Alben geht es aber schon okay, sich mit einer Werkschau zu präsentieren. Von Porcupine Tree-Fans wurde das Sideproject von Steven Wilson, das dieser seit 2001 mit dem israelischen Musiker Aviv Geffen betrieb, immer reichlich stiefmütterlich behandelt. Und dies, weil die Songs und die Musik an sich schon tendenziell unter Pop rangieren – Pop, mit dem für Wilson und Geffen so typisch-perfekten Songwriting wohlgemerkt. „Open Mind“ enthält dann auch eine respektable Auswahl aus den von 2004 bis 2017 veröffentlichten Originalalben, wobei gewichtungstechnisch vor allen das Debüt sowie das 2017er Werk „V“ mit jeweils vier Songs gesteigerte Berücksichtigung findet. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren. Video laden Es ist aber auch hier wie bei anderen Bands mit einem Rock’n Pop Aspekt – wo viel Licht ist eben auch viel Schatten. -
Table of Contents
Table of Contents From the Editors 3 From the President 3 From the Executive Director 5 The Sound Issue “Overtures” Music, the “Jew” of Jewish Studies: Updated Readers’ Digest 6 Edwin Seroussi To Hear the World through Jewish Ears 9 Judah M. Cohen “The Sound of Music” The Birth and Demise of Vocal Communities 12 Ruth HaCohen Brass Bands, Jewish Youth, and the Sonorities of a Global Perspective 14 Maureen Jackson How to Get out of Here: Sounding Silence in the Jewish Cabaretesque 20 Philip V. Bohlman Listening Contrapuntally; or What Happened When I Went Bach to the Archives 22 Amy Lynn Wlodarski The Trouble with Jewish Musical Genres: The Orquesta Kef in the Americas 26 Lillian M. Wohl Singing a New Song 28 Joshua Jacobson “Sounds of a Nation” When Josef (Tal) Laughed; Notes on Musical (Mis)representations 34 Assaf Shelleg From “Ha-tikvah” to KISS; or, The Sounds of a Jewish Nation 36 Miryam Segal An Issue in Hebrew Poetic Rhythm: A Cognitive-Structuralist Approach 38 Reuven Tsur Words, Melodies, Hands, and Feet: Musical Sounds of a Kerala Jewish Women’s Dance 42 Barbara C. Johnson Sound and Imagined Border Transgressions in Israel-Palestine 44 Michael Figueroa The Siren’s Song: Sound, Conflict, and the Politics of Public Space in Tel Aviv 46 Abigail Wood “Surround Sound” Sensory History, Deep Listening, and Field Recording 50 Kim Haines-Eitzen Remembering Sound 52 Alanna E. Cooper Some Things I Heard at the Yeshiva 54 Jonathan Boyarin The Questionnaire What are ways that you find most useful to incorporate sound, images, or other nontextual media into your Jewish Studies classrooms? 56 Read AJS Perspectives Online at perspectives.ajsnet.org AJS Perspectives: The Magazine of President Please direct correspondence to: the Association for Jewish Studies Pamela Nadell Association for Jewish Studies From the Editors perspectives.ajsnet.org American University Center for Jewish History 15 West 16th Street Dear Colleagues, Vice President / Program New York, NY 10011 Editors Sounds surround us. -
Stardigio Program
スターデジオ チャンネル:408 J-POPピックアップアーティスト 放送日:2021/06/28~2021/07/04 「番組案内 (8時間サイクル)」 開始時間:4:00〜/12:00〜/20:00〜 楽曲タイトル 演奏者名 ■DOBERMAN INFINITY 特集 INFINITY DOBERMAN INFINITY SAY YEAH!! DOBERMAN INFINITY Heartbeat DOBERMAN INFINITY x ELLY (三代目 J Soul Brothers from EXILE TRIBE) JUMP AROUND ∞ DOBERMAN INFINITY いつか DOBERMAN INFINITY GA GA SUMMER DOBERMAN INFINITY D.Island DOBERMAN INFINITY feat. m-flo あの日のキミと今の僕に DOBERMAN INFINITY SUPER BALL DOBERMAN INFINITY YOU & I DOBERMAN INFINITY We are the one DOBERMAN INFINITY 6 -Six- DOBERMAN INFINITY konomama DOBERMAN INFINITY Who the KING? DOBERMAN INFINITY ■FANTASTICS from EXILE TRIBE 特集 OVER DRIVE FANTASTICS from EXILE TRIBE Flying Fish FANTASTICS from EXILE TRIBE Believe in Love FANTASTICS from EXILE TRIBE Dear Destiny FANTASTICS from EXILE TRIBE Every moment FANTASTICS from EXILE TRIBE ターミナル FANTASTICS from EXILE TRIBE Time Camera FANTASTICS from EXILE TRIBE FANTASTIC 9 FANTASTICS from EXILE TRIBE Hey, darlin' FANTASTICS from EXILE TRIBE Winding Road ~未来へ~ FANTASTICS from EXILE TRIBE High Fever FANTASTICS from EXILE TRIBE STOP FOR NOTHING FANTASTICS from EXILE TRIBE Play Back FANTASTICS from EXILE TRIBE M.V.P. FANTASTICS from EXILE TRIBE ■THE RAMPAGE from EXILE TRIBE 特集(1) FIND A WAY THE RAMPAGE from EXILE TRIBE Lightning THE RAMPAGE from EXILE TRIBE ELEVATION THE RAMPAGE from EXILE TRIBE GO ON THE RAMPAGE THE RAMPAGE from EXILE TRIBE FRONTIERS THE RAMPAGE from EXILE TRIBE Knocking Knocking THE RAMPAGE from EXILE TRIBE Dirty Disco THE RAMPAGE from EXILE TRIBE Shangri-La THE RAMPAGE from EXILE TRIBE 100degrees