DOCSLIB.ORG

Lists for Dragon Rampant

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lists for Dragon Rampant Lists for Dragon Rampant Steve Holmes Contents Introduction ............................................................................................................................................ 2 Japanese Yokai ........................................................................................................................................ 3 Sengoku Japanese ................................................................................................................................... 4 Ming China .............................................................................................................................................. 5 Indonesian or Malay ............................................................................................................................... 6 Mughal .................................................................................................................................................... 7 Rajput ...................................................................................................................................................... 8 Southern Hindu Indian ............................................................................................................................ 9 Indian Legendary Elements ................................................................................................................... 10 Ottoman Expansion .............................................................................................................................. 11 Abyssinian ............................................................................................................................................. 12 Somali .................................................................................................................................................... 13 Colonial Portuguese .............................................................................................................................. 14 Da Vinci Early Renaissance .................................................................................................................... 15 Colonial Venice...................................................................................................................................... 16 Knights of St. John ................................................................................................................................. 17 Henry VIII English .................................................................................................................................. 18 Introduction Inspiration for these lists came from figure producers who dared to stretch history a little: A Mughal flying carpet, a Leonardo tank, Japanese spirit beasts and manga characters. The original armies, Mughal, Sengoku Japan and Early Italian Renaissance shared a timeframe, but no common borders. Further armies were added to provide historic opponents. The timeframe: Early Renaissance and age of exploration is about as late as the Dragon Rampant rules can reasonably cover without modification. Black powder firearms make their first appearance but the “pike and shot” drill has not evolved. Most armies feature a medieval looking core. This is the era when firearms emerged and then displaced the crossbow. I have listed close order firearms as Heavy Missiles *. You may freely apply the “Weighty projectiles” downgrade for all or none of your heavy missile firearm troops. The lists are mostly presented in three sections: Core Units, Support Units and Legendary Elements. Core and Support Units are based on historical army troop ratios, the more numerous types are at the top of each list. A warband with at least 2 core per support will reflect its historical army. Don’t let this spoil your fun, adapt as you and your opponent see fit. Your warband is a small expedition, so might not reflect the troop ratios of its national army. Legendary Elements are generally drawn from the area’s own culture and mythology. They add character, but required the most work in compiling the lists. Use as few or as many of these as you wish, subject to points limits. I have largely avoided summoning in these lists. If you wish to summon your legendary elements, designate a unit or character as the summoner and pay the necessary three points. You might also place a priest / holy man / shaman figure among a unit’s ranks as a visual clue to the summoning ability. Remember the warband limits: 4 to 10 units costing between 1 and 10 points each. Expensive super- troops are tempting, but make for a tiny warband. I wrote these lists to promote enjoyable gaming. The troop classifications are my own interpretations. Feel free to adjust unit classifications or spell lists with your opponent’s approval. The warband is ultimately yours, the game is between you and your opponent, and the objective is enjoyment. Good luck in locating suitable models. Enjoy your gaming. May it provide fun with good friends. Japanese Yokai Japanese spirits, with human summoners / mediums / thralls. Select from one or zero human themes, add Yokai to taste. Manga Schoolgirl (Human, spirit dreamers – single unit) Natsume’s Friends Mixed Light Foot, Leader 5 pts Or Mixed Light Foot, Leader, Summoner 8 pts Warrior Monk Theme (Human) Warrior Monks Light Foot, Leader 3 pts Or Light Foot, Leader, Summoner 6 pts Ashigaru (Human thralls, Select a Yokai unit as leader) Naginata / Yari Heavy Foot 4 pts Archers Light Missiles 4 pts Teppo (Arquebus) Heavy Missiles * 4 pts Monsters / Yokai (Legendary Elements) Nurikabe (Wall blockers) Heavy Foot 4 pts Oni (Big Colourful Ogre) Elite Foot 6 pts Or Bellicose foot, Shiny Armour 6 pts Or Bellicose Foot 4 pts Tengu (Crow Demon) Light Foot, Offensive 5 pts Or Light Foot, Offensive, Flying 7 pts Inugami (Dog Spirits) Lesser Warbeasts 4 pts Nekomata (Cat Spirits) Lesser Warbeasts 4 pts Tanuku (Dog Racoon Archers) Scouts 2 pts Sengoku Japanese Japanese humans Core Units Foot Samurai Heavy Foot 4 pts Or Heavy Foot, Offensive 6 pts Ashigaru, Yari or Naginata Light Foot 3 pts Or Light Foot, Offensive 5 pts Support Units Mounted Samurai with Bow Heavy Riders, Mounted Missiles 5 pts Mounted Samurai Naginata / Yari Heavy Riders 4 pts Ashigaru Archers Light Missiles 4 pts Ashigaru Teppo (Arquebus) Heavy Missiles * 4 pts Ronin Swordsmen Bellicose Foot 4 pts Sohei Warrior Monks Light Foot 3 pts Legendary Elements Select up to one unit from the Yokai List. Ming China Core Units Chinese Infantry Light Foot 3 pts Chinese Crossbows Heavy Missiles 4 pts Regular Cavalry Heavy Riders, Mounted Missiles 5 pts Tribal Skirmishers Scouts 2 pts Supporting Units Mercenary Cavalry Heavy Riders 4 pts Chinese Archers Light Missiles 4 pts Chinese Arquebus Heavy Missiles * 4 pts Chinese Rocket Carts Heavy Missiles, Venomous (Shooting) 7 pts Chinese Rockets Scouts, Venomous (Shooting) 5 pts Chinese Militia Ravening Hordes 1 pt Legendary Elements Jiangshi (Reanimated Hopping Corpse) Heavy Foot, Undead (No Feelings), Fear 6 pts Or Heavy Foot, Undead (No Feelings) 4 pts Rui Shi (Imperial Guardian Lions) Lesser Warbeasts 4 pts Or Lesser Warbeasts, Cunning 6 pts Quilin (Like a Giraffe) Light Foot, Wizardling 5 pts Wizardling Suggestion: Banish Fear, Heal Thee, Dragon Breath Dragon Greater Warbeast 6 pts Or Greater Warbeast, Flame Attack 8 pts Or Greater Warbeast, Flame Attack, Flying 10 pts Indonesian or Malay Core Units Leader on Elephant Greater Warbeast, Leader 6 pts Warriors Bellicose Foot 4 pts Archers Light Missiles 4 pts Javelins, Archers, Matchlocks Scouts 2 pts Supporting Units Noble Cavalry Light Riders, Short Range Missiles 3 pts Blowpipe Men Scouts, Venomous Shooting 5 pts Legendary Elements Legendary Kris ( Magical sidearm) Upgrade Warrior(s) with enchanted weapons. 1 pt each Barong (Protective spirit, lion form) Heavy Riders, Spellcaster 8 pts Garuda (Big Sacred Bird) Greater Warbeast, Flying 8 pts Babi Ngepet (Were-Pig) Light Foot converting to Lesser Werebeasts 8 pts Orang Bunian (Elf-like invisibles) Elite Foot, Invisible 9 pts Or Heavy Foot, Invisible 7 pts Or Light Missiles, Marksmen, Invisible 9 pts Or Light Missiles, Invisible 7 pts Or Light Foot, Mixed Weapons, Invisible 8 pts Bomoh / Dukun (Shaman) Light Foot, Wizardling 5 pts Wizardling Suggestion: Banish Fear, Heal Thee, Sharper Blades Pawang (Animal / Weather shaman) Light Foot, Wizardling 5 pts Wizardling Suggestion: Bog Thee, Dragon Breath, Stronger Shields Rangda (Demon Queen, widow) Light Foot, Wizardling, Fear 7 pts Wizardling Suggestion: Befuddle Thee, Bog Thee, Dragon Breath Leyak (Undead Cannibal, flying heads) Light Foot, Undead (No Feelings), Flying 5 pts Pocong (Jumping corpse in shroud) Heavy Foot, Undead (No Feelings), Fear 6 pts Or Heavy Foot, Undead (No Feelings) 4 pts Pontianak (Female vampire ghost) Light Foot, Undead (No Feelings), Venomous 6 pts Mughal Mughals post Akbar – Gunpowder heavy. Core Units Elephant with musketeer crew Greater Warbeast, Spore Attack 8 pts Heavy Cavalry, lance and bow Elite Riders, Mounted Missiles 8 pts Or Heavy Riders, Mounted Missiles 5 pts Bunduqchis Heavy Missiles * 4 pts Other Units Bowmen Light Missiles 4 pts Or Scouts 2 pts Zambaruk Camel Gunners Scouts 2 pts Jezailachis Scouts 2 pts Rocketeers Scouts, Venomous (Shooting) 5 pts Spearmen Light Foot 3 pts Swordsmen Bellicose Foot 4 pts Legendary Elements Magician on flying carpet. Heavy Riders, Spellcaster, Flying 10 pts Or Heavy Riders, Wizardling, Flying 8 pts Or Light Foot, Spellcaster. Flying 9 pts Or Light
Load more

Recommended publications
  • Prosiding Seminar Nasional
    PROSIDING SEMINAR NASIONAL PEMAJUAN SENI RUPA DAN DESAIN UNTUK MEMBANGUN KEBUDAYAAN DAN PERADABAN YANG BERKEPRIBADIAN Ruang Vicom, Gedung Citta Kelangen Lt.2 Institut Seni Indonesia Denpasar Selasa, 4 September 2018 FAKULTAS SENI RUPA DAN DESAIN INSTITUT SENI INDONESIA DENPASAR 2018 PROSIDING SEMINAR NASIONAL! Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Pemajuan Seni Rupa dan Desain!untuk Membangun Kebudayaan dan Peradaban yang Berkepribadian Ruang Vicom, Gedung Citta Kelangen Lt.2 Institut Seni Indonesia Denpasar Selasa, 4 September 2018 Reviewer : Dr. Drs. I Gede Mugi Raharja, M.Sn Dr. Drs. I Wayan Mudana, M.Par Ida Bagus Ketut Trinawindu, S.Sn., M.Erg Dr. I Nyoman Larry Julianto, S.Sn., M.Ds Tata letak dan desain : I Made Saryana, S.Sn., M.Sn Amoga Lelo Octaviano PENERBIT Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jalan Nusa Indah, Denpasar 80235, Bali Telp. 0361-227316 Fax. 0361- 236100 web. www.isi-dps.ac.id 8+342 halaman, 29.7 x 21 cm cetakan pertama: september 2018 Hak Cipta Dilindungi Undang-undang Copyright @2018 ISBN: 978-602-51033-8-4 KATA PENGANTAR Perkembangan bidang seni rupa dan desain Indonesia, dapat ditelusuri dari peninggalan purbakala berupa benda-benda yang tebuat dari batu, logam, tanah liat (gerabah dan terakota), manik-manik (asesoris) dan lukisan di gua-gua prasejarah. Setelah berkembangnya sistem pemerintahan kerajaan di Indonesia, kemudian dikenal aturan-aturan tentang penciptaan karya seni rupa dan desain, serta telah mempercepat lajunya perkembangan seni rupa dan desain pada masa Indonesia klasik. Masuknya pengaruh budaya kolonial, menyebabkan terjadinya perkembangan seni rupa dan desain modern di Indonesia.
    [Show full text]
  • Bali: So Many Faces--Short Stories and Other Literary Excerpts in Indonesian. INSTITUTION Western Sydney Univ., Macarthur (Australia)
    DOCUMENT RESUME ED 411 529 CS 215 987 AUTHOR Cork, Vern, Comp. TITLE Bali: So Many Faces--Short Stories and Other Literary Excerpts in Indonesian. INSTITUTION Western Sydney Univ., Macarthur (Australia). Language Acquisition Research Centre.; Australian National Languages and Literacy Inst., Deakin. ISBN ISBN-1-87560-40-7 PUB DATE 1996-00-00 NOTE 200p. PUB TYPE Collected Works General (020) Creative Works (030) LANGUAGE English, Indonesian EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Anthologies; *Audience Awareness; Cultural Background; *Cultural Context; Foreign Countries; *Indonesian; Literary Devices; Non Western Civilization; *Short Stories; *Social Change; Tourism IDENTIFIERS *Bali; *Balinese Literature; Indonesia ABSTRACT This collection of 25 short stories (in Indonesian) by Balinese writers aims to give Bali's writers a wider public. Some of the stories in the collection are distinctly and uniquely Balinese, while others are more universal in their approach and are self-contained. But according to the collection's foreword, in all of the stories, experiences of Bali are presented from the inside, from the other side of the hotels, tour buses, and restaurants of "tourist" Bali. The writers presented come from a range of backgrounds, reflecting the diversity cf Balinese society--different castes, differences between urban and rural baa4xiouncl.s, .and varieties of ethnicity are all important to the multiplicity of voices found in the collection. In addition, the collection draws from backgrounds of journalism, theater, cartoons, poetry, and academia, and from writers who may have been born in other parts of Indonesia but who have lived for decades in Bali and reflect Bali's inseparability from the Indonesian nation.
    [Show full text]
  • Perlakuan Terhadap Orang Meninggal Dalam Tradisi Penguburan Masyarakat Desa Trunyan Bali
    BAB III Tradisi Penguburan Masyarakat Trunyan Bali 3.1. Letak Geografi1 Desa Trunyan yang terletak di Kaki Bukit Abang sebelah timur, di Tepi Danau Batur yang sering disebut kawasan Bintang Danu, adalah salah satu desa dari 48 desa yang ada di kecamatan Kintamani, dengan latar belakang pegunungan yang terjal dan curam. Desa Trunyan merupakan daerah berbukit dan berlembah, secara geografis terletak di: 1. Sebelah Timur berbatasan dengan Kabupaten Karangasem 2. Sebelah Barat berbatasan dengan Danau Batur 3. Sebelah Utara berbatasan dengan Desa Songan 4. Sebelah Selatan berbatasan dengan Desa Abang Batudinding Desa Trunyan terletak disebelah timur Kota Kecamatan dengan jarak orbital ke ibukota kecamatan 20 Km, ke ibu kota kabupaten 35 Km, serta ke kota provinsi 70 Km. Trunyan yang merupakan daerah berbukit dengan kondisi masih cukup kritis, dengan tipe iklim 6 bulan musim hujan, dan 6 bulan musim kering dengan curah hujan 1, 860 mm/ tahun (Sumber BPS Kintamani). Luas wilayah Desa Trunyan 1963 Ha, dan secara administratif desa ini terbagi dalam Lima Banjar Dinas, yaitu: Banjar Dinas Trunyan, Banjar Dinas Madia, Banjar Dinas Bunut, Banjar Dinas Puseh, dan Banjar Dinas Mukus. 1 Data Desa Trunyan, diambil dari Gambaran Umum Desa dan Potensi Desa 27 Konon riwayatnya pada tahun Saka 833 (911 Masehi), Raja Singhamandawa mengizinkan penduduk Turunan (Trunyan) membangun kuil. Kuil berupa bangunan bertingkat tujuh ini merupakan tempat pemujaan Bhatara Da Tonta. Desa Trunyan merupakan desa Tua di Bali, yang masih memegang teguh warisan dan tradisi leluhur. Untuk menjangkau lokasi, ada dua akses yaitu yang pertama adalah lewat askes dengan menggunakan sarana angkutan penyeberangan perahu tempel dan dayung, dan dari darat.
    [Show full text]
  • Women on the Margins : an Alternative to Kodrat?
    WOMEN ON THE MARGINS AN ALTERNATIVE TO KODRAT? by Heather M. Curnow Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. University of Tasmania, Hobart School of Asian Languages and Studies October 2007 STATEMENTS OF OrtiONALITY / AUTHORITY TO ACCESS Declaration of otiginahtY: ibis thesis contains no material which has been acep ted for a degree or diploma by the University or any other institutions, except by way of hackground information and duly acknowledged in the thesis, and to the best of the candidate's knowledge and belief, no material previously published or written by another person, except- uthere due actabowledgement has been made in the text of the thesis. Statement of Authority of access: This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. ,C70 11leather Cuniow Date: A,5 hit tibigki ittool ABSTRACT: WOMEN ON THE MARGINS During New Order Indonesia (1966 — 1998) women's roles were officially defined by the Panca Darma Wanita (The Five Duties of Women). Based on traditional notions of womanhood, these duties were used by the Indonesian State to restrict women's activities to the private sphere, that is, the family and domesticity. Linked with the Five Duties was kodrat wanita (women's destiny), an unofficial code of conduct, loosely based on biological determinism. Kodrat wanita became a benchmark by which women were measured during this period, and to a large extent this code is still valid today. In this thesis, I have analyzed female characters in Indonesian literature with specific identities that are on the periphery of this dominant discourse.
    [Show full text]
  • Ideologi Kedok Muka Kala Pada Bangunan Suci Di Bali Telaah Tentang Ideologi-Religi
    Forum Arkeologi Volume 26, Nomor 1, April 2013 (52 - 62) IDEOLOGI KEDOK MUKA KALA PADA BANGUNAN SUCI DI BALI TELAAH TENTANG IDEOLOGI-RELIGI IDEOLOGY OF KEDOK MUKA KALA AT HOLY SHRINE IN BALI: AN ARCAEOLOGICAL-RELIGIOUS STUDY I Made Surada Pascasarjana IHDN Denpasar Jl. Kenyeri No: 57 Denpasar Email : [email protected] Naskah masuk : 16-02-2013 Naskah setelah perbaikan : 04-03-2013 Naskah disetujui untuk dimuat : 08-04-2013 Abstract Religion is a part of the culture systems that can explain the things that humans do not understand, to find serenity in order to face things out of reach. So that, it is necessary to do research on the religious of the past and its continuation until now mainly on the kedok muka kala (face mask decoration) which probably a continued tradition from the creepy face mask decoration of sarcophagus ornaments. The problems to be discussed in this study is the ideology of kedok muka kala. There are two theories used in this study namely religious theory which relates to rites and ceremonial equipment and theory of symbol which elaborate that symbol is a media of communication and dialogue between man and beyond. Based on the analysis it can be seen that kala is energy of the universe, the laws of nature with regard to good and evil, space and time, as well as a means of solving problems with ruwatan tradition and balancing the universe so that natural well-being and everything in it can be created. Keywords: kala, religion, Panca Mahabhuta Abstrak Religi bagian dari sistem budaya yang dapat menerangkan hal-hal yang tidak dipahami manusia, sehingga mendapat ketenangan untuk menghadapi hal-hal di luar jangkauan.
    [Show full text]
  • Packaged for Export 21 February 1984 R Peter Bird Martin Institute of Current World Affairs Whee Lock House 4 West Wheelock Street Hanover NH 08755
    INSTITUTE OF CURRENT WORLD AFFAIRS BEB-24 28892 Top of the World Laguna Beach CA 92651 Packaged For Export 21 February 1984 r Peter Bird Martin Institute of Current World Affairs Whee lock House 4 West Wheelock Street Hanover NH 08755 Dear Peter In 1597, eighty-seven years after the Spice Islands were discovered by the Portugese, Dutch ships under the command of Cornelius Houtman dropped anchor near the island of Bali. So warm was the welcome from the local ruler, so abundant the hospitality of the local populace, that many of Houtman's crew refused to leave; it took him two years to round up enough crewmen to sail back to Holland. It took almost another three and a half centuries fo. the rest of the world to make good Houtman's discovery. Today, a bare fifty years since the word got out, Bali suffers from an annual tourist invasion so immense, so rapacious, it threatens the island's traditional culture With complete suffocation. Today, tourist arrivals total around 850,000. By 1986 the numbers are expected to. top 750,000. Not lon afterwards, the Balinese will be playing host to almest a million tourists a year. This on an island of only 5,682 square kilometers" (2,095square miles) with a resident populat$on of almost three million. As Houtman and others found out,_ Bali is unique. I the fifteenth century before the first known Western contact, Bali had been the on-aain, off-again vassal of eastern lava's Majapahit empire. By the sixteenth century, however, Majapahit was decaying and finally fell under the advanci.ng scourge of Islam.
    [Show full text]
  • The Gods & the Forge
    ificah International Foundation of Indonesian Culture and Asian Heritage The Gods & the Forge Balinese Ceremonial Blades The Gods & the Forge in a Cultural Context This publication is the companion volume for the exhibition of the same name at the IFICAH Museum of Asian Culture in Hollenstedt-Wohlesbostel, Germany December 2015 to October 2016. Title number IFICAH V01E © IFICAH, International Foundation of Indonesian Culture and Asian Heritage Text: Dr. Achim Weihrauch, Efringen-Kirchen, Germany Dr. Udo Kloubert, Erkrath, Germany Adni Aljunied, Singapore Photography: Günther Heckmann, Hollenstedt, Germany Printing: Digital Repro Druck GmbH, Ostfildern, Germany Layout: S&K Kommunikation, Osnabrück, Germany Editing: Kerstin Thierschmidt, Düsseldorf, Germany Image editing: Concept 33, Ostfildern, Germany Exhibition design: IFICAH Display cases: Glaserei Ahlgrim, Zeven, Germany "Tradition is not holding onto the ashes, Metallbau Stamer, Grauen, Germany Conservation care: but the passing on of the flame." Daniela Heckmann, Hollenstedt, Germany Thomas Moore (1477–1535) Translation: Comlogos, Fellbach, Germany 04 05 Foreword Summer 2015. Ketut, a native of Bali, picks me Years earlier, the fishermen had sold the land up on an ancient motorcycle. With our feet bordering the beach to Western estate agents, clad in nothing more resilient than sandals, we which meant however that they can now no ride along streets barely worthy of the name longer access the sea with their boats ... to the hinterland. We meet people from dif- ferent generations who live in impoverished It is precisely these experiences that underline conditions by western standards and who wel- the urgency of the work carried out by IFICAH – come the "giants from the West" with typi- International Foundation of Indonesian Culture cal Balinese warmth.
    [Show full text]
  • CATALOG of the Islamic Occult and Indonesian Shamanic Traditions Ver
    CATALOG of the Islamic Occult and Indonesian Shamanic Traditions Ver. 14.0 Talismans, Amulets, Occult Powers, Magickal Objects, Incenses, Rosaries, Kerises (Indonesian Athames), Occult Secrets, Ritual Kits, Enchanted Oils, Power Rings, Spirit-Familiars, Genies, etc Introduction Welcome to a world of mystifying occult objects! The amulets, talismans and various other items presented in this catalog have their origin in Indonesia, a country considered by some as a possible location for the long, lost continent or archipelago of Atlantis --the "fabled" nation famous for its magickal mysteries. Enjoy browsing this catalog, you will find many things that will fill you with wonder and possibly skepticism! About the Talismans and Amulets There are over a hundred talismans and amulets in this catalog, and it will continually grow as we add more items into it periodically. Some of the items have similar functions, although they are in different form and produced by different occultists and have their roots in different branches of the Shamanic/occult Islamic tradition. Most of the talismans require time-consuming rituals to fashion and consecrate. Special days are chosen according to the Javanese/Islamic calendar for their consecration. Care have been taken to ensure that these magickal items are of high quality by their producers. Because some of these items are made-to-order, please allow several weeks for them to reach you. It is worth the wait. The magickal items that you will see in this catalog are very popular in their place of origin and are often out of stock as a result. Some are rare and difficult to acquire.
    [Show full text]
  • A Comparative Study of Japanese and Indonesian Folklores *
    Southeast Asian Studies, Vol. 33, No.3, December 1995 A Comparative Study of Japanese and Indonesian Folklores James DANANDJAJA * The History of Folklore Research in Japan and Indonesia As in Indonesia, folklore has long been collected and studied by Japanese scholars, especially those in the humanities. The difference is that, in .Japan. folklore was from the outset collected by the Japanese themselves, while in Indonesia it was mostly collected by European scholars, especially Dutch, in the initial stage. While, beginning in 1910, and particularly since 1930, Japanese folklore materials were collected by Japanese folklorists, in Indonesia such was not the case, since folklore materials were collected by scholars in other disciplines, such as philologists, musicologists, cultural anthropologists, theologists (Catholics as well as Protestant), Dutch civil servants etc. [Danandjaja 1994b: 9-10J. According to Ronald A. Morse, folklore in Japan began to be recorded in 1910 by folklorists or folklore lovers. and by 1930 folklore had become a discipline in its own right, since when it has grown into an independent and mature discipline [Morse 1990: xvJ. Officially the first folklore in Japan was collected in 1910, in which year Yanagita Kunio collected and published the first book of folklore, entitled Tono Monogatari (The Legend of Tono), a literal work that is now considered to be a classic [Zoe. cit.J. The year 1930 was also important, because it was then that folklore in Japan become a separate discipline, and folklore study was intensified. In that period there were three groups of folklorists in Japan. The first group led by Yanagita Kunio, emphasized the expressive aspect of folklore and tried to reconstruct the history of folk ideas.
    [Show full text]
  • Sample File Sample File
    Sample file Sample file “Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.” Friedrich Nietzsche 1 ATLANTIS: The Second Age Theragraphica Contents ELysIum 34 GondwAnA 60 What Is This Book? 4 Elang Laut 35 Anteater, Giant 61 Adversaries 5 Ngendi 36 Basilisk 61 Attributes 5 Ngurai 37 Bennu Birds 62 Skill Ratings For Creatures 5 Pua Tu Tahi 37 Dan Ida Hwedo 62 Ability Levels During Combat 5 Tiki Toniwha 38 Egun Gun 63 Tinirau 38 Eloko 64 Tipua 39 Golems 65 ALBA And IBER 6 Uhinipili 39 Gorgosian Hag 66 Albish Ogre 7 Grootslang 67 Bánánach 8 RIA Impundulu 68 Boggart 9 E 40 Binesi 41 Inkanyamba 68 Caorthannach 9 Kishi 69 Carraig Fuileachdach 10 Bishagishkah 42 Jeebay 43 Kongamato 69 The Dullahan 11 Ninki Nanka 70 Fearbeag 12 Manidoon 44 Mikinahk 45 Rompo 70 Phouka 12 Sasabonsam 71 Sluagh 13 Naaldlooshi 46 Uhkten 47 Silver Ants 71 Tapper 14 Termites, Giant 72 Wickerman 15 War Bison 48 Wihmbahg 48 Tikoloshe 72 Windigo 49 Umdhlebi 73 Anostos 16 Worm Wood 50 Winged White Ape 73 Ash Wraith 17 Conquering Worms 51 Bas’lok 17 HEspERIA 74 Blydvine 18 uRopA Chimera 75 Brass Horror 19 E 52 Adoniat 53 Cyclopes 76 Fomorian 20 Hydra 76 Huldufolk 21 Alkonost 54 Black Hound 54 Lamia 77 Mythsiger 22 Nymph 77 The Uln 23 Boar Rat 55 Boddenman 55 Satyr 78 CroidubhSample The Deathless, file Nightmare Stymphalian 79 AtlantIs 24 Lord 56 Apata Ori 25 Isari 57 JAmBu 80 Bronze Sentinels 26 Lavalu 57 Berbalang 81 Crypt Keepers 27 Longana 58 Diwata 82 Diomekses
    [Show full text]
  • 0..* 18+ 3 Doa 3 Cinta (2009) 3 Hari Untuk Selamanya 30 Hari Mencari Cinta 40 Hari Bangkitnya Pocong
    0..* 18+ 3 Doa 3 Cinta (2009) 3 Hari untuk Selamanya 30 Hari Mencari Cinta 40 Hari Bangkitnya Pocong A Ada Apa dengan Bunga Ada Apa dengan Cinta? Ada Cinta Di Hati | 2010 | FTV Ada Hantu di Sekolah Ada Kamu, Aku Ada Affair (2010) Ai Lop Yu Pul Air Terjun Pengantin Akibat Pergaulan Bebas Alangkah Lucunya (negeri ini) Alexandria Anak Setan (2009) Anda Puas Saya Loyo Angker Batu Arisan Arisan Brondong (2010) ASAL TAHU SAJA [Benyamin S Movie] Asmara Dua Diana Asoy Geboy Ayat-ayat Cinta B Babad Tanah Leluhur Badai Pasti Berlalu Bahwa Cinta Itu Ada 2010 Bangkitnya si Mata Malaikat (1988) Bangku Kosong Bangsal 13 Banyu Biru Barbi3 Basah Bebek Belur Belahan Jiwa Belum Cukup Umur (2010) Benci Disko Berbagi Suami Best Friend Betty Bencong Selebor (1978) Bidadari Jakarta (2010) Bintang Kejora (1986) Bukan Cinta Biasa (2009) Bukan Malin Kundang Buruan Cium Gue Butterfly C Ca Bau Kan (2002) Capres (Calo Presiden)(2009) Catatan Akhir Sekolah Catatan Si Boy Chika Cinlok Cin(T)a Cinta 24 Karat Cinta dan Julia Cinta Pertama Cinta Setaman (2008) Cinta Silver Cinta untuk Cinta (2008) Cintaku Forever Cintaku Selamanya Cintapuccino Claudia/Jasmine Coblos Cinta Coklat Stroberi D D'Bijis D'Love 2010 Darah Janda Kolong Wewe Darah Perawan Bulan Madu (2009) Date with Danella (2009) Denias, Seandung di Atas Awan (2006) Detik Terakhir (2005) Dia Bukan Bayiku Doa yang Mengancam Drop Out Dukun Lintah 1981 E Ekspedisi Madewa El Meler Emak Ingin Naik Haji (2010) F Fiksi Film Horor (2007) From Bandung With Love G G30S PKI Gara Gara Bola Gara-Gara High Heels Garasi [2006]
    [Show full text]
  • Ritual, Kepercayaan Lokal Dan Identitas Budaya Masyarakat Ciomas Banten
    157 RITUAL, KEPERCAYAAN LOKAL DAN IDENTITAS BUDAYA MASYARAKAT CIOMAS BANTEN Ayatullah Humaeni Fakultas Ushuluddin, Dakwah dan Adab IAIN Sultan Maulana Hasanuddin Banten Email: [email protected], Abstract This article discusses the local beliefs, the characteristics and cultural identity as well as the socio-religious rituals of Ciomas society. It is a field research using ethnographical method based on anthropological perspective. To analyze the data, the researcher uses structural-functional approach. The finding shows the champion character of jawara is frequently identified with negative labels by several authors such as Willams and Kartodirdjo. The fame of Golok Ciomas that has historical and cultural values for Bantenese society in general is also often referred to champion figures who are rude, valiant, and act like a criminal. As a matter of fact, for majority of Bantenese society, such distinctive characteristics have more positive meanings that were inherited by their ancestors and they still possess religious values maintained up to the present. Artikel ini mengkaji sistem kepercayaan lokal, karakteristik dan identitas kultural masyarakat, serta ritual sosial keagamaan masyarakat Ciomas. Artikel ini merupakan hasil penelitian lapangan dengan menggunakan metode ethnografi dengan menggunakan pendekatan antropologis. Dalam menganalisa data, peneliti menggunakan pendekatan fungsional-struktural. Hasil penelitian menunjukkan bahwa “karakter jawara” seringkali oleh beberapa penulis seperti Williams dan Kartodirdjo digambarkan dengan
    [Show full text]