Do You Know Poland 2018 Brochure
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THE MAGAZINE of INTEKNATIONAL FOLK DANCING 650 U^ ^Etk
F November 1977 r THE MAGAZINE OF INTEKNATIONAL FOLK DANCING 650 u^ ^etk. T^OHce TNE littAZIIIE OF INTEIIN tTIONtl FOLK OANCma November 1977 Vol 34, Ho. 9 TABLE OF CONTENTS OFFICIAL PUBLICATION OF THE FOLK DANCE FEDERATION OF CALIFORNIA, INC. TREASURER'S BALL.................1 EDITOR.........................Linda Horn ASSOCIATE EDITOR.................Max Horn Making a Polish Bodice...........2 DANCE RESEARCH EDITOR...Dorothy Tamburini COSTUME RESEARCH EDITOR.....Eleanor Bacon Folk Arts of Poland..............5 BUSINESS MANAGER.................Max Horn Easy Does It!....................8 NOVEMBER CONTRIBUTORS Fiesta de Sonoma.................9 Miriam Lidster Ruth Miller Vera Jones Virginia Wilder Food in the Polish Manner.......10 Mona Verzi Ruth Ruling Larry Miller_________ Vi Dexhelmer Let's do Squares................12 FEDERATION OFFICERS Polish Folk Dance...............15 (North) Dance Descriptions: PRESIDENT...................Raymond Olson ^ilald RzMzoiAJ-ilU (Poland)......18 24013 Fairlands Road, Hayward, CA 94541 Kujawiak t*3 (Poland).........20 VICE PRESIDENT..............Bruce Wyckoff TREASURER........................Al Lisin Poland, a land of Changing RECORDING SECRETARY.....Genevieve Pereira Boundaries........24 DIRECTOR OF PUBLICATIONS.........Max Horn DIRECTOR OF EXTENSION...........Walt Lang DIRECTOR OF PUBLICITY.......Leonore Fifer Kolo Kalendar...................26 HISTORIAN.....................Leona Faoro (South) Party Places....................27 PRESIDENT......................Ed Feldman Council Clips...................30 -
Napoleon: the Man Behind the Myth
2019 VI Napoleon: The Man Behind the Myth Adam Zamoyski London: William Collins, 2018 Review by: Jonathan North Review: Napoleon: The Man Behind the Myth Napoleon: The Man Behind the Myth. By Adam Zamoyski. London: William Collins, 2018. ISBN 978-0-008-11607-1. xxiii + 752 pp. £30.00. he pharmacist Pierre-Irénée Jacob arrived in Madrid on 7 April 1809. The French had occupied the capital and were attempting to conquer the rest of the Iberian Peninsula in a war that would drain T blood and treasure from Napoleon’s empire for the next six years. The atmosphere in the city was strange and strained. On the one hand, the emperor Napoleon’s power seemed to have reached new heights and his sway, with an opulent Paris at its centre, extended from Galicia in Spain to Galicia in Poland. On the other, here was a land mired in an unnecessary conflict so brutal and costly that it would inspire Goya’s Disasters of War. Jacob, who had seen plenty of disasters on his way to Madrid, was relieved to have arrived and hurried to meet with his superior, Charles Jean Laubert. They were soon involved in a lively discussion about the man who had sent them to Spain. In his Journal et itinéraire de dix années de campagne, Jacob admitted that “the qualities of the emperor could not convince me to like him as a person,” and confessed that “his political mistakes, especially after 1808, had turned me against him.” Then Laubert, “after having praised some of the achievements of this extraordinary and highly intelligent man,” surprised Jacob by suddenly exclaiming “what a monster, my friend, what a monster.” In a sense, opinions on Napoleon have not moved on much since that frank exchange. -
The Polish-Lithuanian Commonwealth As a Political Space: Its Unity and Complexity*
Chapter 8 The Polish-Lithuanian Commonwealth as a Political Space: Its Unity and Complexity* Satoshi Koyama Introduction The Polish-Lithuanian Commonwealth (Rzeczpospolita) was one of the largest states in early modern Europe. In the second half of the sixteenth century, after the union of Lublin (1569), the Polish-Lithuanian state covered an area of 815,000 square kilometres. It attained its greatest extent (990,000 square kilometres) in the first half of the seventeenth century. On the European continent there were only two larger countries than Poland-Lithuania: the Grand Duchy of Moscow (c.5,400,000 square kilometres) and the European territories of the Ottoman Empire (840,000 square kilometres). Therefore the Polish-Lithuanian Commonwealth was the largest country in Latin-Christian Europe in the early modern period (Wyczański 1973: 17–8). In this paper I discuss the internal diversity of the Commonwealth in the sixteenth and seventeenth centuries and consider how such a huge territorial complex was politically organised and integrated. * This paper is a part of the results of the research which is grant-aided by the ‘Grants-in-Aid for Scientific Research’ program of the Japan Society for the Promotion of Science in 2005–2007. - 137 - SATOSHI KOYAMA 1. The Internal Diversity of the Polish-Lithuanian Commonwealth Poland-Lithuania before the union of Lublin was a typical example of a composite monarchy in early modern Europe. ‘Composite state’ is the term used by H. G. Koenigsberger, who argued that most states in early modern Europe had been ‘composite states, including more than one country under the sovereignty of one ruler’ (Koenigsberger, 1978: 202). -
When Fear Is Substituted for Reason: European and Western Government Policies Regarding National Security 1789-1919
WHEN FEAR IS SUBSTITUTED FOR REASON: EUROPEAN AND WESTERN GOVERNMENT POLICIES REGARDING NATIONAL SECURITY 1789-1919 Norma Lisa Flores A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2012 Committee: Dr. Beth Griech-Polelle, Advisor Dr. Mark Simon Graduate Faculty Representative Dr. Michael Brooks Dr. Geoff Howes Dr. Michael Jakobson © 2012 Norma Lisa Flores All Rights Reserved iii ABSTRACT Dr. Beth Griech-Polelle, Advisor Although the twentieth century is perceived as the era of international wars and revolutions, the basis of these proceedings are actually rooted in the events of the nineteenth century. When anything that challenged the authority of the state – concepts based on enlightenment, immigration, or socialism – were deemed to be a threat to the status quo and immediately eliminated by way of legal restrictions. Once the façade of the Old World was completely severed following the Great War, nations in Europe and throughout the West started to revive various nineteenth century laws in an attempt to suppress the outbreak of radicalism that preceded the 1919 revolutions. What this dissertation offers is an extended understanding of how nineteenth century government policies toward radicalism fostered an environment of increased national security during Germany’s 1919 Spartacist Uprising and the 1919/1920 Palmer Raids in the United States. Using the French Revolution as a starting point, this study allows the reader the opportunity to put events like the 1848 revolutions, the rise of the First and Second Internationals, political fallouts, nineteenth century imperialism, nativism, Social Darwinism, and movements for self-government into a broader historical context. -
A Short History of Poland and Lithuania
A Short History of Poland and Lithuania Chapter 1. The Origin of the Polish Nation.................................3 Chapter 2. The Piast Dynasty...................................................4 Chapter 3. Lithuania until the Union with Poland.........................7 Chapter 4. The Personal Union of Poland and Lithuania under the Jagiellon Dynasty. ..................................................8 Chapter 5. The Full Union of Poland and Lithuania. ................... 11 Chapter 6. The Decline of Poland-Lithuania.............................. 13 Chapter 7. The Partitions of Poland-Lithuania : The Napoleonic Interlude............................................................. 16 Chapter 8. Divided Poland-Lithuania in the 19th Century. .......... 18 Chapter 9. The Early 20th Century : The First World War and The Revival of Poland and Lithuania. ............................. 21 Chapter 10. Independent Poland and Lithuania between the bTwo World Wars.......................................................... 25 Chapter 11. The Second World War. ......................................... 28 Appendix. Some Population Statistics..................................... 33 Map 1: Early Times ......................................................... 35 Map 2: Poland Lithuania in the 15th Century........................ 36 Map 3: The Partitions of Poland-Lithuania ........................... 38 Map 4: Modern North-east Europe ..................................... 40 1 Foreword. Poland and Lithuania have been linked together in this history because -
Poland, the Knight Among Nations;
POLAND THE KNIGHTAMONG NATIONS pw£ ZRAV* POLAND THE KNIGHT AMONG NATIONS NICHOLAS COPERNICrs THE FATHER OF MODERN ASTRON.MV. (This view of the Polish astronomer, (who w;is the first to propound the theory that the earth moves aroun 1 the sun) surrounded by the scientists and other worthies of his time, is reproduced from a rare old si pel em ing made in 1843, at the celebration of the three- hundredth anniversary of his death.) POLAND THE KNIGHT AMONG NATIONS LOUIS ifc VAN NORMAN With an Introduction by Helena Modjeska a illustrated n ^ * At i New Yohk Chicago Toronto Fleming H. Revell Company London and Edinburgh Copyright, 1907, by •FLEMING H. REVELL COMPANY All rights reserved SECOND EDITION New York: 158 Fifth Avenue Chicago : 80 Wabash Avenue Toronto : 15 Richmond St., W. London : 21 Paternoster Square Edinburgh : 100 Princes Street TO MY WIFE who taught me all the noble qualities of the Poles and made me very hopeful of their national destiny INTRODUCTORY fine characteristic I have especially ONEnoted in the American people. As a gen- eral rule, they are not led to an opinion by the verdict of any other nation. Of recent years, particularly, their popular verdicts have been based upon their own independent judg- ment, and some of these verdicts have afterwards been accepted by the whole world. They were the first to "discover" Sienkiewicz. They did not accept him on the claims of French, or Ger- man, or English criticism. By their own native perception they knew he was great, and now the whole world has accepted their judgment. -
POLISH CULTURE: LESSONS in POLISH LITERATURE (In English)
POLISH CULTURE: LESSONS IN POLISH LITERATURE (in English) July 6-24, 12:30-14:00 Polish time; 30 academic hours, 2 credits/ECTS points Lecturer: Karina Jarzyńska Ph.D., karina.jarzyń[email protected] The course will be held on Microsoft Teams. All participants who marked this course on their application form will receive an invitation from the professor. Requirements for credits/ECTS points: Credits/ECTS points will be given to students who 1) attend the classes (missing no more than 1 lecture; each additional absence -5%) – 40%; 2) pass the final online exam on the last day of the course – 60%: a multiple-choice test with a few open-ended questions, 60 min. All the required material will be covered during the lectures. 3) Grading scale: 94–100% A excellent/bardzo dobry 87–93,9 B+ very good/+dobry 78–86,9 B good/dobry 69–77,9 C+ satisfactory/+dostateczny 60–68,9 C sufficient/dostateczny 0–59,9 F fail/niedostateczny Please keep in mind that if you don’t take the exam the course will not be listed on your Transcript of Studies (as if you had never taken it). SCHEDULE July 6, Monday HOW TO RECOGNIZE A PIECE OF POLISH LITERATURE, WHEN YOU SEE ONE? ON THE TIME, SPACE AND LANGUAGE(S) July 7, Tuesday “THE POLES ARE NOT GEESE, HAVE A TONGUE OF THEIR OWN”. THE FOUNDATION OF A LITERARY TRADITION July 8, Wednesday SARMATISM AND ITS AFTERLIFE July 9, Tursday ROMANTIC NATIONALISM À LA POLONAISE. ON THREE MESSIANIC PLAYS AND ONE NATIONAL EPIC July 10, Friday BETWEEN ROMANTICISM AND REALISM July 13, Monday HOW TO BECOME A SOCIETY OR “THE WEDDING” BY WYSPIAŃSKI -
Chopin's Nocturne Op. 27, No. 2 As a Contribution to the Violist's
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory Rafal Zyskowski Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Zyskowski, Rafal, "A tale of lovers : Chopin's Nocturne Op. 27, No. 2 as a contribution to the violist's repertory" (2014). LSU Doctoral Dissertations. 3366. https://digitalcommons.lsu.edu/gradschool_dissertations/3366 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A TALE OF LOVERS: CHOPIN’S NOCTURNE OP. 27, NO. 2 AS A CONTRIBUTION TO THE VIOLIST’S REPERTORY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Rafal Zyskowski B.M., Louisiana State University, 2008 M.M., Indiana University, 2010 May 2014 ©2014 Rafal Zyskowski All rights reserved ii Dedicated to Ms. Dorothy Harman, my best friend ever iii ACKNOWLEDGMENTS As always in life, the final outcome of our work results from a contribution that was made in one way or another by a great number of people. Thus, I want to express my gratitude to at least some of them. -
Moniuszko Was Poland’S Leading Nineteenth-Century Opera Composer, and Has Been Called the Man Who Bridges the Gap Between Chopin and Szymanowski
CMYK NAXOS NAXOS Stanisław Moniuszko was Poland’s leading nineteenth-century opera composer, and has been called the man who bridges the gap between Chopin and Szymanowski. In addition to operatic works he also composed purely orchestral music, and this recording reveals that his essentially lyric style could function perfectly in the non-vocal medium. There is thematically memorable music from the comic opera Hrabina (The Countess), as well as enduring Polish-flavoured dance DDD MONIUSZKO: scenes from his most popular and famous stage work, Halka. The spirited Mazurka from MONIUSZKO: Straszny Dwór (The Haunted Manor), Moniuszko’s crowning operatic achievement, draws freely 8.573610 and inventively from his national heritage. Playing Time Stanisław 78:18 MONIUSZKO 7 (1819-1872) 47313 36107 Ballet Music 1 Concert Polonaise (1866) 7:51 Ballet Music 2-5 Hrabina: Ballet Music (1859) 18:11 6 Funeral March for Antoni Orłowski (18??) 11:41 7 Civic Polonaise (post 1863) 6:07 8 Halka, Act I: Mazurka (1857) 4:06 9 Halka, Act III: Tańce góralskie 6 (Highlanders’ Dances) (1857) 4:55 www.naxos.com Made in Germany Booklet notes in English ൿ 0 The Merry Wives of Windsor: Ballet Music (c. 1849) 9:38 & Ꭿ ! Monte Christo: Mazurka (1866) 4:37 2017 Naxos Rights US, Inc. @ Jawnuta: Taniec cygański (Gypsy Dance) (1860) 4:31 # Leokadia Polka (18??) 1:44 $ Straszny Dwór (The Haunted Manor), Act IV: Mazurka (1864) 5:16 Warsaw Philharmonic Orchestra • Antoni Wit A detailed track list can be found on page 2 of the booklet. 8.573610 8.573610 Recorded at Warsaw Philharmonic Concert Hall, Poland, from 29th August to 2nd September, 2011 Produced, engineered and edited by Andrzej Sasin and Aleksandra Nagórko (CD Accord) Publisher: PWM Edition (Polskie Wydawnictwo Muzyczne), Kraków, Poland Booklet notes: Paul Conway • Cover photograph by dzalcman (iStockphoto.com). -
Chopin and Poland Cory Mckay Departments of Music and Computer Science University of Guelph Guelph, Ontario, Canada, N1G 2W 1
Chopin and Poland Cory McKay Departments of Music and Computer Science University of Guelph Guelph, Ontario, Canada, N1G 2W 1 The nineteenth century was a time when he had a Polish mother and was raised in people were looking for something new and Poland, his father was French. Finally, there exciting in the arts. The Romantics valued is no doubt that Chopin was trained exten- the exotic and many artists, writers and sively in the conventional musical styles of composers created works that conjured im- western Europe while growing up in Poland. ages of distant places, in terms of both time It is thus understandable that at first glance and location. Nationalist movements were some would see the Polish influence on rising up all over Europe, leading to an em- Chopin's music as trivial. Indeed, there cer- phasis on distinctive cultural styles in music tainly are compositions of his which show rather than an international homogeneity. very little Polish influence. However, upon Fryderyk Franciszek Chopin used this op- further investigation, it becomes clear that portunity to go beyond the conventions of the music that he heard in Poland while his time and introduce music that had the growing up did indeed have a persistent and unique character of his native Poland to the pervasive influence on a large proportion of ears of western Europe. Chopin wrote music his music. with a distinctly Polish flare that was influ- The Polish influence is most obviously ential in the Polish nationalist movement. seen in Chopin's polonaises and mazurkas, Before proceeding to discuss the politi- both of which are traditional Polish dance cal aspect of Chopin's work, it is first neces- forms. -
Towns in Poland” Series
holds the exclusive right to issue currency in the Republic of Poland. In addition to coins and notes for general circulation, TTownsowns inin PolandPoland the NBP issues collector coins and notes. Issuing collector items is an occasion to commemorate important historic figures and anniversaries, as well as to develop the interest of the public in Polish culture, science and tradition. Since 1996, the NBP has also been issuing occasional 2 złoty coins, In 2009, the NBP launched the issue struck in Nordic Gold, for general circulation. All coins and notes issued by the NBP of coins of the “Towns in Poland” series. are legal tender in Poland. The coin commemorating Warsaw Information on the issue schedule can be found at the www.nbp.pl/monety website. is the fifth one in the series. Collector coins issued by the NBP are sold exclusively at the Internet auctions held in the Kolekcjoner service at the following website: www.kolekcjoner.nbp.pl On 24 August 2010, the National Bank of Poland is putting into circulation a coin of the “Towns in Poland” series depicting Warsaw, with the face value of 2 złoty, struck in standard finish, in Nordic Gold. face value 2 zł • metal CuAl5Zn5Sn1 alloy •finish standard diameter 27.0 mm • weight 8.15 g • mintage (volume) 1,000,000 pcs Obverse: An image of the Eagle established as the State Emblem of the Republic of Poland. On the sides of the Eagle, the notation of the year of issue: 20-10. Below the Eagle, an inscription: ZŁ 2 ZŁ. In the rim, an inscription: RZECZPOSPOLITA POLSKA (Republic of Poland), preceded and followed by six pearls. -
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr. Jack J. B. Hutchens Turlington Hall 2341 Tuesdays: 3-4:55 Thursdays: 4:05-4:55 Poland Through Movies is an introductory survey of more than one thousand years of Polish history, illustrated on film. Poland’s contribution to world cinema has been immense. This class offers an examination of the chief currents of modern Polish film, including, but not limited to, the cinema of “the Polish School” of the 1950s and 60s, the works of experimental and avant- garde auteurs, satires and parodies of the late-socialist period, historical “great canvas” films, as well as more recent work that addresses the dramas, desires, and discontents of political transition and the realities of post-communist society. We will discuss the ways Polish filmmakers have represented Polish history, and how they have “read” history through their work. We will consider Polish cinema within the context of both Western European film and film production in the Soviet Bloc. A main focus will be on the oeuvre of Poland’s most recognized and prodigious filmmakers, including Wajda, Kieslowski, Ford, Polanski, Holland, Zanussi, and Hoffman, as well as on the work of “Wajda’s children” – the newest generation of filmmakers. Class time will consist of lecture & discussion, viewings, and class presentations. Required Texts: -Haltof, Marek. Polish National Cinema (paperback). ISBN-10: 1571812768; ISBN-13: 978-1571812766 -Zamoyski, Adam. Poland: A History. ISBN-13: 978-0007282753. -Zmoyski, Adam. Holy Madness: Romantics, Patriots and Revolutionaries, 1776-1871. ISBN-10: 0141002239 Recommended Texts: -Coates, Paul.