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  • The 'Wild' Sheep of Britain

    The 'Wild' Sheep of Britain

    The 'Wild' Sheep of Britain </. C. Greig and A. B. Cooper Primitive breeds of sheep and goats, such as the Ronaldsay sheep of Orkney, could be in danger of disappearing with the present rapid decline in pastoral farming. The authors, both members of the Department of Forestry and Natural Resources in Edinburgh University, point out that, quite apart from their historical and cultural interest, these breeds have an important part to play in modern livestock breeding, which needs a constant infusion of new genes from unimproved breeds to get the benefits of hybrid vigour. Moreover these primitive breeds are able to use the poor land and live in the harsh environment which no modern hybrid sheep can stand. Recent work on primitive breeds of sheep and goats in Scotland has drawn attention not only to the necessity for conserving them, but also to the fact that there is no organisation taking a direct scientific in- terest in them. Primitive livestock strains are the jetsam of the Agricul- tural Revolution, and they tend to survive in Europe's peripheral regions. The sheep breeds are the best examples, such as the sheep of Ushant, off the Brittany coast, the Ronaldsay sheep of Orkney, the Shetland sheep, the Soay sheep of St Kilda, and the Manx Loaghtan breed. Presumably all have survived because of their isolation in these remote and usually infertile areas. A 'primitive breed' is a livestock breed which has remained relatively unchanged through the last 200 years of modern animal-breeding techniques. The word 'primitive' is perhaps unfortunate, since it implies qualities which are obsolete or undeveloped.
  • Ame R I Ca N Pr

    Ame R I Ca N Pr

    A Century of ME R I CA N R IDE A P August 1 3th- 16th 2014 R EGULAR A DMISSION Adults $9.00 | Kids 6-12 $5.00 | Age 5 & under Free W EDNESDAY S PECIAL All Day Adult $5.00 |Kids 6-12 $3.00 | Age 5 & under Free Fair Passes & Carnival Armbands Discounted July 1st - August 1 2th Courtesy of Grants Pass Daily Courier 2 2014 Schedule of Events SUBJECT TO CHANGE 9 AM 4-H/FFA Poultry Showmanship/Conformation Show (RP) 5:30 PM Open Div. F PeeWee Swine Contest (SB) 9 AM Open Div. E Rabbit Show (PR) 5:45 PM Barrow Show Awards (SB) ADMISSION & PARKING INFORMATION: (may move to Thursday, check with superintendent) 5:30 PM FFA Beef Showmanship (JLB) CARNIVAL ARMBANDS: 9 AM -5 PM 4-H Mini-Meal/Food Prep Contest (EB) 6 PM 4-H Beef Showmanship (JLB) Special prices July 1-August 12: 10 AM Open Barrow Show (SB) 6:30-8:30 PM $20 One-day pass (reg. price $28) 1:30 PM 4-H Breeding Sheep Show (JLB) Midway Stage-Mercy $55 Four-day pass (reg. price $80) 4:30 PM FFA Swine Showmanship Show (GSR) Grandstand- Truck & Tractor Pulls, Monster Trucks 5 PM FFA Breeding Sheep and Market Sheep Show (JLB) 7 PM Butterscotch Block closes FAIR SEASON PASSES: 5 PM 4-H Swine Showmanship Show (GSR) 8:30-10 PM PM Special prices July 1-August 12: 6:30 4-H Cavy Showmanship Show (L) Midway Stage-All Night Cowboys PM PM $30 adult (reg.
  • The Hybrid Photobook

    The Hybrid Photobook

    SELF-PUBLISHING IN THE DIGITAL AGE: THE HYBRID PHOTOBOOK Exegesis submitted by DOUGLAS RONALD SPOWART Graduate Diploma Arts (Visual Art), Monash University (2003) Master of Photography, Fellow and Honorary Fellow of the Australian Institute of Professional Photography in October 2011 with creative work in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in the School of Creative Arts JAMES COOK UNIVERSITY ACKNOWLEDGEMENTS My deepest gratitude goes to fellow PhD candidate and partner Victoria Cooper for her encouragement, challenge and support throughout the candidature. I would also wish to acknowledge Professor Diana Davis for the opportunity to engage with this research project and to Professor Dr Stephen Naylor for his supervision and mentorship through the process to its conclusion. For their generosity, support and willing participation during the process of the work, I wish to express my thanks to the following: SUPERVISORS • Professor Diana Davis – Principal Supervisor 2004-2006 • Professor Dr Stephen Naylor – Principal Supervisor 2006-2011 • Ronald McBurnie – Associate Supervisor MY MENTORS: FORMAL AND INFORMAL I have some heroes and heroines who historically have fuelled my interest in making photographs and books. These photographers, artists and bookmakers have rewarded my life and research activities through their book works, commentaries about books and occasionally, through personal conversation. Most importantly these mentors have shaped my work in the book as a personal communiqué. Thank you to: Victoria Cooper is my life partner and also a photographer and artists’ bookmaker. Whilst we work as independent practitioners, our fieldwork, conceptual refinement of work, and production work are often linked by the kinds of discussion that can take place over the breakfast table, driving in the car or walking.
  • "First Report on the State of the World's Animal Genetic Resources"

    "First Report on the State of the World's Animal Genetic Resources"

    Country Report of Australia for the FAO First Report on the State of the World’s Animal Genetic Resources 2 EXECUTIVE SUMMARY................................................................................................................5 CHAPTER 1 ASSESSING THE STATE OF AGRICULTURAL BIODIVERSITY THE FARM ANIMAL SECTOR IN AUSTRALIA.................................................................................7 1.1 OVERVIEW OF AUSTRALIAN AGRICULTURE, ANIMAL PRODUCTION SYSTEMS AND RELATED ANIMAL BIOLOGICAL DIVERSITY. ......................................................................................................7 Australian Agriculture - general context .....................................................................................7 Australia's agricultural sector: production systems, diversity and outputs.................................8 Australian livestock production ...................................................................................................9 1.2 ASSESSING THE STATE OF CONSERVATION OF FARM ANIMAL BIOLOGICAL DIVERSITY..............10 Major agricultural species in Australia.....................................................................................10 Conservation status of important agricultural species in Australia..........................................11 Characterisation and information systems ................................................................................12 1.3 ASSESSING THE STATE OF UTILISATION OF FARM ANIMAL GENETIC RESOURCES IN AUSTRALIA. ........................................................................................................................................................12
  • Characterisation of the Cattle, Buffalo and Chicken Populations in the Northern Vietnamese Province of Ha Giang Cécile Berthouly

    Characterisation of the Cattle, Buffalo and Chicken Populations in the Northern Vietnamese Province of Ha Giang Cécile Berthouly

    Characterisation of the cattle, buffalo and chicken populations in the northern Vietnamese province of Ha Giang Cécile Berthouly To cite this version: Cécile Berthouly. Characterisation of the cattle, buffalo and chicken populations in the northern Vietnamese province of Ha Giang. Life Sciences [q-bio]. AgroParisTech, 2008. English. NNT : 2008AGPT0031. pastel-00003992 HAL Id: pastel-00003992 https://pastel.archives-ouvertes.fr/pastel-00003992 Submitted on 16 Jun 2009 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Agriculture, UFR Génétique, UMR 1236 Génétique Alimentation, Biologie, Biodiva project UR 22 Faune Sauvage Elevage et Reproduction et Diversité Animales Environnement, Santé Thesis to obtain the degree DOCTEUR D’AGROPARISTECH Field: Animal Genetics presented and defended by Cécile BERTHOULY on May 23rd, 2008 Characterisation of the cattle, buffalo and chicken populations in the Northern Vietnamese province of Ha Giang Supervisors: Jean-Charles MAILLARD and Etienne VERRIER Committee Steffen WEIGEND Senior scientist, Federal Agricultural
  • Performative Sentences and the Morphosyntax-Semantics Interface in Archaic Vedic

    Performative Sentences and the Morphosyntax-Semantics Interface in Archaic Vedic

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Journal of South Asian Linguistics JSAL volume 1, issue 1 October 2008 Performative Sentences and the Morphosyntax-Semantics Interface in Archaic Vedic Eystein Dahl, University of Oslo Received November 1, 2007; Revised October 15, 2008 Abstract Performative sentences represent a particularly intriguing type of self-referring assertive clauses, as they constitute an area of linguistics where the relationship between the semantic-grammatical and the pragmatic-contextual dimension of language is especially transparent. This paper examines how the notion of performativity interacts with different tense, aspect and mood categories in Vedic. The claim is that one may distinguish three slightly different constraints on performative sentences, a modal constraint demanding that the proposition is represented as being in full accordance with the Common Ground, an aspectual constraint demanding that there is a coextension relation between event time and reference time and a temporal constraint demanding that the reference time is coextensive with speech time. It is shown that the Archaic Vedic present indicative, aorist indicative and aorist injunctive are quite compatible with these constraints, that the basic modal specifications of present and aorist subjunctive and optative violate the modal constraint on performative sentences, but give rise to speaker-oriented readings which in turn are compatible with that constraint. However, the imperfect, the present injunctive, the perfect indicative and the various modal categories of the perfect stem are argued to be incompatible with the constraints on performative sentences. 1 Introduction Performative sentences represent a particularly intriguing type of self-referring assertive clauses, as they constitute an area of linguistics where the relationship between the semantic-grammatical and the pragmatic-contextual dimension of language is especially transparent.
  • The Music of Rhythm Willie Can Be at Once a Blues Harmonica Fan's Most Exciting and Most Frustrating Discovery

    The Music of Rhythm Willie Can Be at Once a Blues Harmonica Fan's Most Exciting and Most Frustrating Discovery

    Copyright Scott Dirks, for Blues & Rhythm magazine The music of Rhythm Willie can be at once a blues harmonica fan's most exciting and most frustrating discovery. His recordings reveal a technically accomplished and musically innovative player, with few peers on the standard 10-hole Marine Band harmonica in his day. A strong case can be made for his position as the first truly urban blues harp player; at a time when the harmonica was still used in black music essentially for 'country' adornment, Rhythm Willie was utilizing it with the urbanity of a jazz trumpeter or clarinetist. Yet until recently almost nothing was known of him other than the sound of his harmonica in the grooves of a handful of rare 78s recorded in Chicago between 1939 and 1950. Overlooked by blues researchers and historians for over 40 years, mention of his name draws only blank expressions or resigned shrugs from most blues authorities. Listening for biographical clues in his music reveals virtually nothing about the artist--his only recordings as a leader were all instrumentals. Further compounding the mystery, most of Willie's appearances as an accompanist on the recordings of other blues artists are attributed to "unknown harmonica" or "possibly Lee McCoy" in published discographies (a situation which this article will examine and attempt to rectify.) In fact, given his extraordinary range and talent, referring to Rhythm Willie as simply a "blues" harmonica player might be slightly unfair, and in retrospect it's easy to imagine that Willie himself may have gone to some lengths to avoid being classified with the blues harp players he probably considered to be his musically less sophisticated country cousins.
  • The Role of Syntactic and Semantic Level in Middle-Irish Verbal Noun: This Paper Aims to Provide Some Insights Into the Interact

    The Role of Syntactic and Semantic Level in Middle-Irish Verbal Noun: This Paper Aims to Provide Some Insights Into the Interact

    The role of syntactic and semantic level in middle-Irish verbal noun: This paper aims to provide some insights into the interaction between the syntactic level and the semantic one, with special regards on the middle-Irish verbal noun The research concentrates on the syntactic and semantic functions of Verbal Noun in Irish. One of the more striking features of the Celtic languages is their lack of a category of infinitive comparable to that found in most other Indo-European languages. Instead, a nominalization is used, which is usually termed “Verbal Noun”. This Verbal Noun is a true noun: it is declined like other nominals and takes its argument in genitive case. One of the recurring issues in the literature on the Irish Verbal Noun has been whether or not the Verbal Noun is an infinitive. The answer to this question depends on which criteria are used. From a syntactic point of view, a Verbal Noun behaves like a verbal argument and it could assume a nominal function or a verbal function (in this sense it could be the verb of a subordinate clause): a. When a Verbal Noun functions as a noun, it could be syntactically subject, direct object, indirect object, governed by a preposition, noun of a nominal predicate. From a semantic point of view, the verbal noun can code two meanings: 1. an abstract meaning “action of Vx”, i.e. an entity with the traits [-animate], [-human]. For example: From Táin Bó Cúalnge (1967), rigo 90-92: Ra iarfacht Dare do Mac Roth cid ask:IND.PERF.3.SG Dare:NOM.SG.
  • 1 DEBORAH TANNEN Department of Linguistics Georgetown University

    1 DEBORAH TANNEN Department of Linguistics Georgetown University

    DEBORAH TANNEN Department of Linguistics Georgetown University Washington, DC 20057 202/687-5910 Education Ph.D. Linguistics. University of California, Berkeley. 1979 M.A. Linguistics. University of California, Berkeley. 1976 M.A. English Literature. Wayne State University. 1970 B.A. English Literature. Harpur College. 1966 Diploma. Hunter College High School. New York, NY. 1962 Honorary Doctorates University of San Francisco, San Francisco, CA, 2002 St. Mary's College, St. Mary's City, MD, 1998 Weber State University, Ogden, UT, 1997 St. Michael's College, Colchester, VT, 1996 Binghamton University, Binghamton, NY, 1993 Professional Positions University Professor, Department of Linguistics, Georgetown University, 1991-present 1989-1991: Professor, Department of Linguistics, Georgetown University 1985-1989: Associate Professor, Department of Linguistics, Georgetown University 1979-1985: Assistant Professor, Department of Linguistics, Georgetown University Visiting 2012-2013 Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford University, Stanford, CA June 1997 Faculty, 1997 Linguistic Institute, Cornell University, Ithaca, NY 1992-1993 Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford, CA Spring 1992 Visiting Scholar, Institute for Advanced Study, Princeton, NJ Fall 1991 McGraw Distinguished Lecturer, Council for the Humanities and Department of Anthropology, Princeton University, Princeton, NJ 1986-1987 Research Associate, Joint Program in Applied Anthropology, Teachers College, Columbia University,
  • Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition

    Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition

    You Get What You Pay For: Independent Music and Canadian Public Policy Jennifer Testa Interdisciplinary MA Program in Popular Culture Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Popular Culture Brock University St. Catharines, Ontario © October 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-46620-9 Our file Notre reference ISBN: 978-0-494-46620-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
  • Undergraduate Journal of Contemporary Issues and Media

    Undergraduate Journal of Contemporary Issues and Media

    The Undergraduate Journal of Contemporary Issues Media Volume 3 Winter 2021 The Undergraduate Journal of Contemporary Issues & Media volume 3 issue 1 Jan. 2021 Maureen Mathison, Editor David Hawkins-Jacinto, Design Editor Editorial Assistants Tyler Mitchell Stephanie Weidauer *funded by the MUSE Program Content Assistants Katherine Allred Joanne Castillo Heather David Lisa Donaldson Elizabeth Ferguson Tyler Mitchell Ta’Nisha Poulsen Stephanie Weidnauer Angela Woolf Design Assistants Hannah Belcher Sarah Mismash Michael Cunningham Keary Muir Carmina Gray Derek Sherman-Bartholomew Anna Henderson Aspen Stuart Adam Hutt Griffin Tatman Table of Contents The Confines of Labels in the Art World 4 Alena DeVaughn / Stanford University Just Like Your Father (poem) 14 Lizzy Santana, Southwestern College Queer is Queer (zine) 20 Katherine Taylor Allred, University of Utah No One Needs to Know My War Stories 38 Jared Nistler, University of Utah Identity Struggles Growing Up Indian American: An Analysis 43 of Immigrant Personal Narratives Sahithi Pingali, Stanford University In the Eye of the Beholder: Perspectives on the American Thin Ideal 52 Lauren Ramlan / Stanford University The Golden Hour (poem) 62 Gentry Hale, University of Utah 1 UJCIM The Rebellion of Black Olympia: Exploring the Relationship 63 between Black Women, Sexuality, and Controlling Images Samantha Thompson, Stanford University 2 UJCIM Letter from the Editor This issue is a continuation of our last one, with issues of identity front and center. We received so many quality submissions that we decided to extend our coverage of them. The pieces included in this volume repre- sent the stories of people who allow us into their lives for brief moments to share the obstacles and roadblocks they have encountered and point towards pushing through them.
  • Transformative Poetry. a General Introduction and a Case Study of Psalm 2

    Transformative Poetry. a General Introduction and a Case Study of Psalm 2

    Perichoresis Volume 14. Issue 2 (2016): 3-20 DOI: 10.1515/perc-2016-0007 TRANSFORMATIVE POETRY. A GENERAL INTRODUCTION AND A CASE STUDY OF PSALM 2 ARCHIBALD L. H. M. VAN WIERINGEN * Tilburg University ABSTRACT. The structure of Psalm 2 is based on direct speeches in the text. These direct speeches characterise the communication that takes place in the text. The text-immanent author addresses the text-immanent reader with a question in the first line and with a makarismos in the last line. The direct speeches of the characters enable the text-immanent reader to undergo a development in his striving towards the beatitude. In this development, the ‘now’ of the birth of the Anointed One / Son is re-enacted in the reading moment of the text-immanent reader. The reception of Psalm 2 makes clear that Hebrews and the Christmas liturgy re-use the text, while retaining this re-enactment character. KEY WORDS: Psalm 2, synchrony, Epistle to the Hebrews , introit midnight Mass Christmas, direct speech Introductory Remarks: the Characteristics of Transformative Poetry Transformations occur in every religion, most strikingly in religious initiation. This is also the case for Judaism and Christianity. In Judaism, the initiatory transformation is marked by circumcision. The ritual includes the new believer in the promises that God made to Abraham. Through circumcision, Abraham experienced in his body the difficult reali- sation of the promise of a son, and circumcision thus became the expression of his trust, his faith, in the Lord. Circumcision is therefore a sign of faith, both for Abraham and also for the generations to come as in Genesis 17:9-14 (Jacob 1934: 431-434).