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ATA MEMBERSHIP LIST As of August 9, 2021
ATA MEMBERSHIP LIST As of August 9, 2021 A3 ARTISTS AGENCY (CA) APERTURE TALENT (NY) BBA TALENT, Inc. 750 North San Vincente Blvd., 300 Park Avenue South, Suite 201 3500 W. Olive Ave., Suite 300 East Tower 11th Floor New York, NY 10010 Burbank, CA 91505 Los Angeles, CA 90069 (212) 271-1634 (818) 506-8188 (310) 859-0625 AQUA TALENT BECSEY WISDOM KALAJIAN A3 ARTISTS AGENCY (NY) 9000 Sunset Blvd., #700 10585 Santa Monica Blvd., Suite 140 350 Fifth Avenue, 38th Floor West Hollywood, CA 90069 Los Angeles, CA 90025 New York, NY 10118 (310) 859-8889 (310) 402-5152 (646) 486-4600 ARCIERI & ASSOCIATES BETH STEIN & ASSOCIATES th AKA TALENT AGENCY 6 East 39 Street, Suite 1202 925 North La Brea, 4th Floor 4525 Wilshire Blvd., Suite 280 New York, NY 10016 Los Angeles, CA 90038 Los Angeles, CA 90010 (212) 286-1700 (310) 452-8811 (323) 965-5600 ARTISTIC TALENT, INC. BEVERLY HECHT AGENCY 12100 ALMOND TALENT AGENCY 5437 Laurel Canyon, Suite 111 Wilshire Blvd., Suite 800 8217 Beverly Blvd., #8 Valley Village, CA 91607 Los Angeles, CA 90025 Los Angeles, CA 90048 (323) 206-7807 (818) 559-5600 (323) 934-5500 ARTISTS & REPRESENTATIVES BIENSTOCK INC. ALVARADO REY AGENCY (CA) 888 7th Avenue, Suite 913 7080 Hollywood Blvd. #1100 6100 Wilshire Blvd., Suite 1500 New York, NY 10106 Los Angeles, CA 90028 Los Angeles, CA 90048 (212) 765-3040 (323) 656-2277 (323) 655-1313 BIG MOUTH TALENT INC. AMERICAN ARTISTS GROUP TALENT ARTISTS & REPRESENTATIVES 5100 Ravenswood Ave. Suite 102 AGENCY LLC (NY) Chicago, IL 60640 13321 Ventura Boulevard, Suite C-2 630 Ninth Avenue, Suite 220 (312) 421-4400 Sherman Oaks, CA 91423 New York, NY 10036 (818) 430-8688 (212) 505-1400 BMG TALENT GROUP (LA) 5455 Wilshire Blvd., Suite 900 AMSEL, EISENSTADT, FRAZIER & ARTISTS UNITED TALENT AGENCY Los Angeles, CA 90036 HINOJOSA, Inc. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Professional Gamers Are Today's Professional Athletes
Georgia State University Law Review Volume 37 Issue 3 Spring 2021 Article 8 8-1-2021 Professional Gamers are Today’s Professional Athletes Troy Viger Georgia State University College of Law, [email protected] Follow this and additional works at: https://readingroom.law.gsu.edu/gsulr Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Troy Viger, Professional Gamers are Today’s Professional Athletes, 37 GA. ST. U. L. REV. 1001 (2021). Available at: https://readingroom.law.gsu.edu/gsulr/vol37/iss3/8 This Article is brought to you for free and open access by the Publications at Reading Room. It has been accepted for inclusion in Georgia State University Law Review by an authorized editor of Reading Room. For more information, please contact [email protected]. Viger: Professional Gamers PROFESSIONAL GAMERS ARE TODAY’S PROFESSIONAL ATHLETES Troy Viger ABSTRACT Recall the adversities faced by many in the entertainment industry. Freddie Mercury tried to join several bands before forming Queen. Judy Garland signed with Metro-Goldwyn-Mayer at age thirteen after performing with her sisters throughout her childhood. Babe Ruth signed his first professional baseball contract with the minor-league Baltimore Orioles. Those same historic adversities faced by these giants of the entertainment industry are being repeated today in a closely related field—the Esports industry. Esports, a form of competitive video gaming, attracts audiences that “rival some of the world’s great sporting events.” A thorough due diligence review of the industry-norm contract must be undertaken. Esports professionals continue to fall victim to handshake deals put to paper like so many entertainers before them. -
Seven Summits Pictures & Management David Shapira
SEVEN SUMMITS PICTURES & MANAGEMENT PARTNER & CO-HEAD MOTION PICTURE LITERARY DEPT. (Full -service agency for film and TV) Jeremy Zimmer 8447 Wilshire Blvd., Ste. 200, Beverly Hills, CA 90211. HEAD, BUSINESS AFFAIRS TEL: (323) 655-0101. Gary Gradinger BUSINESS AFFAIRS, ALTERNATIVE TV DAVID SHAPIRA & ASSOCIATES, INC. (DSA) Anne Bartnett (Actors for film and TV; writers) DIRECTOR, UTA FOUNDATION 15821 Ventura Blvd., Ste. 245, Encino, CA 91436. Rene Jones TEL: (310) 967-0480. BUSINESS AFFAIRS AGENTS Thora Leiken, Lauren Menkes, Leroy Simmons Donna Gaba, Marc Kamler, David Shapira, Matthew Shapira, PARTNER, AGENT Susan Simmons, Doug Warner Blair Belcher, Andrew Cannava, Wayne Fitterman, David Guillod, Lisa Hallerman, Tracey Jacobs, David Kramer, Sue THE SKOURAS AGENCY Naegle, Matt Rice, Howard Sanders, Sharon Sheinwold 1149 Third St., 3rd Fl., Santa Monica, CA 90403. AGENTS TEL: (310) 395-9550. FAX: (310) 395-4295. Robert Arakelian, Tobin Babst, Allison Band, Jeremy Barber, Joel Begleiter, Brinda Bhatt, Jason Burns, Carlos Carreras, MICHAEL SLESSINGER & ASSOCIATES Pamela Cole, Stephanie Comer, Jimmy Cundiff, James Degus, (Full -service talent agency for actors) Marissa Devins, Barbara Dreyfus, Gueran Ducoty, Shana Eddy, 8730 Sunset Blvd., Ste. 270, West Hollywood, CA 90069. Jonathan Epstein, DAn Erlij, Jacob Fenton, Charlie Ferraro, TEL: (310) 657-7113. Pete Franciosa, Jay Gassner, Brett Hansen, Lee Horvitz, Lisa VICE PRESIDENT Jacobson, Josh Katz, Keya Khayatian, Rob Kim, Josh Klein, Michael Slessinger Richard Klubeck, Marc Korman, Billy Lazarus, Everly Lee, Stuart Manashil, Leslie Maskin, Nancy Gates, Hayden Meyer, SMS TALENT, INC. Geoff Morley, Dave Park, Jonathan Perry, Rob Prince, Itay (Adult theatrical) Reiss, Shani Rosenweig, Larry Salz, Alex Schaffel, Ruthanne 8730 Sunset Blvd., Ste. -
Regulation of Attorneys Under California's Talent Agencies Act: a Tautological Approach to Protecting Artists
Regulation of Attorneys Under California's Talent Agencies Act: A Tautological Approach to Protecting Artists James M. O'Brien IIIt Lawyers increasingly play important and pervasive roles in the California-centeredentertainment industry. When they step out of tradi- tional legal roles to engage in agency or managerial ventures with their artist-clients, however, they risk breaching the licensing regulations of California's Talent Agencies Act. The Act, which is called into operation by the activity of 'procuring, offering, promising, or attempting to procure employment or engagementsfor an artist," was designed to protect artists against iniquitous or overreaching conduct by their personal representa- tives. But unlike talent agents, personal managers, and other players in the industry, lawyers already answer to an ethical and legal code more rigorous than that of the Act. This Comment argues that the Act is at least redundant as applied to attorneys and potentially subjects them to penal- ties for tasks, made illicit when done for artist-clients,that they customa- rily perform for clients other than artists. Two alternatives to subjecting lawyers to the Act are proposed: the California legislature should substi- tute a registrationrequirement for attorneys in lieu of the Act's full-licen- sure requirementsor, alternatively,reconsider its decision not to include an "incidental booking" exception within the Act. Either would help clarify the ambiguous scope of the Act and eliminate the dilemma that those law- yers who seek employment for their artist-clientsmight face. Absent such change, attorneys in California'sentertainment industry are in an uncer- tain position-they constantly must beware of a statutory regime without knowing whether it actually applies to their conduct. -
International Delegates International Delegates
15th – 17th October 2015 International delegates International delegates 3 Brandon Young Sync ACTIVISION BLIZZARD DIRECTOR, MUSIC AFFAIRS Andrea von Foerster USA FIRESTARTER MUSIC MUSIC SUPERVISOR Activision Publishing, Inc. is a leading worldwide developer, USA publisher and distributor of interactive entertainment and leisure products. Andrea von Foerster is a music supervisor for film, television and As the head of music for Activision Publishing, Inc., Brandon Young online projects based in Los Angeles. Throughout her extended has been an integral part of each brands music direction and inte- time in the industry, her credits include independent films such as gration for the company for over 10 years, and has spent a great (500) Days Of Summer, From Prada To Nada, Bellflower, and Begin deal of time managing relationships and partnerships with top in- Again; studio films such as Journey 2: The Mysterious Island, Chron- dustry artists ranging from Aerosmith, Van Halen, and Metallica, to icle, Chasing Mavericks, Devil’s Due, and Fantastic Four; music doc- pop-country superstar Taylor Swift, to Jay-Z and Eminem among umentaries such as The White Stripes Under Great White Northern many others. In addition to this he and his team have been Lights and Butch Walker: Out Of Focus. Her television work includes responsible for licensing over 3,000 songs on more than 130 titles Dollhouse, Stargate Universe, Don’t Trust the B in Apt. 23 and nu- in his tenure with the company. Activision Publishing, Inc. is one merous MTV shows such as Run’s House -
2016 and Will Not Have Begun Principal Photography During This Calendar Year
The Black List was compiled from the suggestions of over 250 film executives, each of whom contributed the names of up to ten of her favorite scripts that were written in, or are somehow uniquely associated with, 2016 and will not have begun principal photography during this calendar year. This year, scripts had to receive at least six mentions to be included on the Black List. All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2016 affiliations. It has been said many times, but it’s worth repeating: The Black List is not a “best of” list. It is, at best, a “most liked” list. “ The more we’re governed by idiots and have no control over our own destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. “ ALAN RICKMAN BLOND AMBITION Elyse Hollander In 1980s New York, Madonna struggles to get her first album released while navigating fame, romance, and a music industry that views women as disposal. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR BELLEVUE PRODUCTIONS RATPAC ENTERTAINMENT, MICHAEL DELUCA PRODUCTIONS, AGENTS MANAGERS BELLEVUE PRODUCTIONS TANYA COHEN,48 SIMON FABER JOHN ZAOZIRNY LIFE ITSELF Dan Fogelman A multigenerational love story that weaves together a number of characters whose lives intersect over the course of decades from the streets of New York to the Spanish countryside and back. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR MANAGEMENT 360 RHODE ISLAND AVENUE, TEMPLE HILL AGENTS MANAGERS FINANCIERS DANNY GREENBERG35ERYN BROWN FILMNATION THE OLYMPIAN Tony Tost The true story of an underdog rower trying to make it into the 1984 Olympics, told through the story of his relationships with his coach, his father, his fiancée, and with competition itself. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Netflix Kevin Spacey Statement
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Careers in the Music Business
Careers in the Music Business Careers in Music Business/Management Personal Manager (or Artist Manager, Agent) Personal managers represent one or more musical groups or artists and oversee all aspects of an act's career. They deal with and advise the act(s) on all business decisions, as well as many of the creative decisions an artist must make, and attempt to guide the artist's rise to the top. Booking Agent (or Talent Agent) Booking agents work to secure performance engagements for musical artists and groups. They work to find talent to book and may be involved with developing the talent toward a goal. They must possess good communication skills to sell talent and develop contacts in the music industry. They often work closely with an act's manager and may be involved in setting the fee and negotiating with promoters or clubs. A booking agent is paid a percentage of the negotiated fee for an act's performance. Concert Promoter The concert promoter presents, organizes, advertises, and in many cases, finances concerts at performance venues such as arenas, festivals, clubs, church buildings, auditoriums, etc. The promoter often secures money for the concert by finding others to share in the profits/expenses. However, it is often times the concert promoter who absorbs all the financial risk. Independent Radio Promoter The independent radio promoter (IRP) has a similar role as that of a promotional staffer at a record label, except the IRP is usually employed by an independent radio promotions company or works freelance. Often, a record label, artist/band, or manager will hire the services of an independent radio promotions company to generate airplay of a particular song or record. -
Taylor Swift Jay-Z / Beyoncé Eagles Kenny Chesney Justin
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 277.3 Taylor Swift 124.99 80,322 2,168,706 10,271,531 27/40 Messina Touring Group 2 166.4 Jay-Z / Beyoncé 128.23 54,085 1,298,038 6,935,409 24/30 Live Nation 3 166.0 Eagles 172.13 21,428 964,245 3,688,308 45/53 Creative Artists Agency 4 114.4 Kenny Chesney 88.15 32,443 1,297,731 2,860,007 40/42 Dale Morris & Associates 5 110.0 Justin Timberlake 138.87 19,795 791,780 2,748,832 40/50 WME 6 105.0 Ed Sheeran 92.42 54,119 1,136,497 5,001,537 21/24 Paradigm Talent Agency 7 97.8 Journey / Def Leppard 97.79 17,246 1,000,272 1,686,460 58/60 CAA / Artist Group International 8 95.3 Pink 138.46 18,120 688,558 2,508,798 38/46 Marshall Arts 9 88.3 “Springsteen On Broadway” 508.93 4,231 173,461 2,153,146 41/183 Thrill Hill Productions 10 79.0 Drake 116.46 35,706 678,410 4,158,145 19/43 WME 11 73.3 Luke Bryan 73.66 19,893 994,648 1,465,269 50/51 WME 12 61.5 U2 140.39 25,768 438,059 3,617,680 17/27 Live Nation Global Touring 13 60.6 Bruno Mars 133.41 26,730 454,415 3,566,036 17/31 WME 14 59.4 Luis Miguel 110.28 11,976 538,901 1,320,654 45/64 WME 15 58.7 Billy Joel 120.94 23,121 485,533 2,796,155 21/21 Artist Group International 16 53.7 Trans-Siberian Orchestra 58.04 16,234 925,345 942,297 57/94 WME 17 48.5 Kevin Hart 73.48 11,185 659,908 821,856 59/62 WME 18 47.7 Dave Matthews Band 66.53 19,365 716,489 1,288,333 37/46 Paradigm Talent Agency 19 46.3 Dead & Company 76.82 20,801 603,225 1,597,977 29/34 WME 20 45.6 Shania Twain 85.80 12,642 530,979 -