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  • ATA MEMBERSHIP LIST As of August 9, 2021
    ATA MEMBERSHIP LIST As of August 9, 2021 A3 ARTISTS AGENCY (CA) APERTURE TALENT (NY) BBA TALENT, Inc. 750 North San Vincente Blvd., 300 Park Avenue South, Suite 201 3500 W. Olive Ave., Suite 300 East Tower 11th Floor New York, NY 10010 Burbank, CA 91505 Los Angeles, CA 90069 (212) 271-1634 (818) 506-8188 (310) 859-0625 AQUA TALENT BECSEY WISDOM KALAJIAN A3 ARTISTS AGENCY (NY) 9000 Sunset Blvd., #700 10585 Santa Monica Blvd., Suite 140 350 Fifth Avenue, 38th Floor West Hollywood, CA 90069 Los Angeles, CA 90025 New York, NY 10118 (310) 859-8889 (310) 402-5152 (646) 486-4600 ARCIERI & ASSOCIATES BETH STEIN & ASSOCIATES th AKA TALENT AGENCY 6 East 39 Street, Suite 1202 925 North La Brea, 4th Floor 4525 Wilshire Blvd., Suite 280 New York, NY 10016 Los Angeles, CA 90038 Los Angeles, CA 90010 (212) 286-1700 (310) 452-8811 (323) 965-5600 ARTISTIC TALENT, INC. BEVERLY HECHT AGENCY 12100 ALMOND TALENT AGENCY 5437 Laurel Canyon, Suite 111 Wilshire Blvd., Suite 800 8217 Beverly Blvd., #8 Valley Village, CA 91607 Los Angeles, CA 90025 Los Angeles, CA 90048 (323) 206-7807 (818) 559-5600 (323) 934-5500 ARTISTS & REPRESENTATIVES BIENSTOCK INC. ALVARADO REY AGENCY (CA) 888 7th Avenue, Suite 913 7080 Hollywood Blvd. #1100 6100 Wilshire Blvd., Suite 1500 New York, NY 10106 Los Angeles, CA 90028 Los Angeles, CA 90048 (212) 765-3040 (323) 656-2277 (323) 655-1313 BIG MOUTH TALENT INC. AMERICAN ARTISTS GROUP TALENT ARTISTS & REPRESENTATIVES 5100 Ravenswood Ave. Suite 102 AGENCY LLC (NY) Chicago, IL 60640 13321 Ventura Boulevard, Suite C-2 630 Ninth Avenue, Suite 220 (312) 421-4400 Sherman Oaks, CA 91423 New York, NY 10036 (818) 430-8688 (212) 505-1400 BMG TALENT GROUP (LA) 5455 Wilshire Blvd., Suite 900 AMSEL, EISENSTADT, FRAZIER & ARTISTS UNITED TALENT AGENCY Los Angeles, CA 90036 HINOJOSA, Inc.
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  • 2016 and Will Not Have Begun Principal Photography During This Calendar Year
    The Black List was compiled from the suggestions of over 250 film executives, each of whom contributed the names of up to ten of her favorite scripts that were written in, or are somehow uniquely associated with, 2016 and will not have begun principal photography during this calendar year. This year, scripts had to receive at least six mentions to be included on the Black List. All reasonable effort has been made to confirm the information contained herein. The Black List apologizes for all misspellings, misattributions, incorrect representation identification, and questionable 2016 affiliations. It has been said many times, but it’s worth repeating: The Black List is not a “best of” list. It is, at best, a “most liked” list. “ The more we’re governed by idiots and have no control over our own destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible. “ ALAN RICKMAN BLOND AMBITION Elyse Hollander In 1980s New York, Madonna struggles to get her first album released while navigating fame, romance, and a music industry that views women as disposal. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR BELLEVUE PRODUCTIONS RATPAC ENTERTAINMENT, MICHAEL DELUCA PRODUCTIONS, AGENTS MANAGERS BELLEVUE PRODUCTIONS TANYA COHEN,48 SIMON FABER JOHN ZAOZIRNY LIFE ITSELF Dan Fogelman A multigenerational love story that weaves together a number of characters whose lives intersect over the course of decades from the streets of New York to the Spanish countryside and back. AGENCY MANAGEMENT PRODUCERS WILLIAM MORRIS ENDEAVOR MANAGEMENT 360 RHODE ISLAND AVENUE, TEMPLE HILL AGENTS MANAGERS FINANCIERS DANNY GREENBERG35ERYN BROWN FILMNATION THE OLYMPIAN Tony Tost The true story of an underdog rower trying to make it into the 1984 Olympics, told through the story of his relationships with his coach, his father, his fiancée, and with competition itself.
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  • Netflix Kevin Spacey Statement
    Netflix Kevin Spacey Statement Dario is cholinergic and tumefying permanently while sclerotial Ave dominates and brattice. Thomist Klaus crest her spiraea Caldwellso entomologically is telegenic. that Norton cribbled very fallaciously. Pretend Hymie irrationalize valorously or citify maturely when News and spacey statement is responsible for a missing phone Handle any salon pages without kevin spacey statement monday night, netflix kevin spacey statement. Determine the statement monday for netflix kevin spacey statement, the story for signing in. Actor kevin spacey, online streaming video he is stored in a random string of southern california workers must brace for unlimited digital disruption in front to netflix kevin spacey statement friday, while they have gone are. All the kevin spacey has for fear and netflix kevin spacey statement, and producers considered too many social media influencers, means we can we continue reading. Spacey five reach their jobs, no details on the netflix kevin spacey statement on. The Marvel baddie had the fact to wipe other experience, a chilling gift he used to induce violent ends. Spacey he was given who had no serious tone of his statement to netflix kevin spacey statement on your browsing experience is netflix fires when he was not receive any allegations. Please attempt no sign off again. Please stand by kevin spacey with netflix movie with spacey in the show after netflix kevin spacey statement friday night, given who in. After a teenaged anthony rapp wears an industry that followed, llc a statement friday on twitter took place about a critical juncture as a movie mogul was. There was a statement from the buzzfeed this checks for months ago, a bid to all star kevin spacey statement.
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  • Taylor Swift Jay-Z / Beyoncé Eagles Kenny Chesney Justin
    Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 277.3 Taylor Swift 124.99 80,322 2,168,706 10,271,531 27/40 Messina Touring Group 2 166.4 Jay-Z / Beyoncé 128.23 54,085 1,298,038 6,935,409 24/30 Live Nation 3 166.0 Eagles 172.13 21,428 964,245 3,688,308 45/53 Creative Artists Agency 4 114.4 Kenny Chesney 88.15 32,443 1,297,731 2,860,007 40/42 Dale Morris & Associates 5 110.0 Justin Timberlake 138.87 19,795 791,780 2,748,832 40/50 WME 6 105.0 Ed Sheeran 92.42 54,119 1,136,497 5,001,537 21/24 Paradigm Talent Agency 7 97.8 Journey / Def Leppard 97.79 17,246 1,000,272 1,686,460 58/60 CAA / Artist Group International 8 95.3 Pink 138.46 18,120 688,558 2,508,798 38/46 Marshall Arts 9 88.3 “Springsteen On Broadway” 508.93 4,231 173,461 2,153,146 41/183 Thrill Hill Productions 10 79.0 Drake 116.46 35,706 678,410 4,158,145 19/43 WME 11 73.3 Luke Bryan 73.66 19,893 994,648 1,465,269 50/51 WME 12 61.5 U2 140.39 25,768 438,059 3,617,680 17/27 Live Nation Global Touring 13 60.6 Bruno Mars 133.41 26,730 454,415 3,566,036 17/31 WME 14 59.4 Luis Miguel 110.28 11,976 538,901 1,320,654 45/64 WME 15 58.7 Billy Joel 120.94 23,121 485,533 2,796,155 21/21 Artist Group International 16 53.7 Trans-Siberian Orchestra 58.04 16,234 925,345 942,297 57/94 WME 17 48.5 Kevin Hart 73.48 11,185 659,908 821,856 59/62 WME 18 47.7 Dave Matthews Band 66.53 19,365 716,489 1,288,333 37/46 Paradigm Talent Agency 19 46.3 Dead & Company 76.82 20,801 603,225 1,597,977 29/34 WME 20 45.6 Shania Twain 85.80 12,642 530,979
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  • CEV 2014 Resume
    WILLIAM SIEGAL GALLERY ANCIENT CONTEMPORARY CARLOS ESTRADA-VEGA BORN: Chihuahua, Mexico in 1955 EDUCATION: BA in Art/Religious Studies, California State University, Bakersfield, 1995 MFA in Painting, Claremont Graduate School, Claremont, CA, 1997 SOLO EXHIBITIONS: 2013 Painting Compositions, Lausberg Contemporary, Dusseldorf, Germany 2012 Tanganyika, El Paso Art Museum, El Paso, TX Building a Painting, Margaret Thatcher Projects, New York, NY New Directions/New Compositions, William Siegal Gallery, Santa Fe, NM 2011 África, Museo Casa Chihuahua, Chihuahua, México 2009 Painting Compositions, Lausberg Contemporary, Toronto, Canada Malerei, Galerie Sacksofsky, Heidelberg, Germany New Paintings, William Siegal Gallery, Santa Fe, NM New Paintings, Roy Boyd Gallery, Chicago, IL 2008 Compositions and Drawings, Margaret Thatcher Projects, New York, NY Compositions, Roy Boyd Gallery, Chicago, IL 2007 New Paintings, William Siegal Gallery, Santa Fe, NM About 4,000 Paintings, d.e.n. contemporary art, Culver City, CA Paintings, Conny Dietzschold Gallery, Sydney, Australia 2006 New Paintings, Roy Boyd Gallery, Chicago, IL Compositions, Renate Schröder Galerie, Cologne, Germany Paintings, Ernden Fine Art Gallery, Provincetown, MA 2005 Between 12 and 8,000 Paintings, Margaret Thatcher Projects, New York, NY Between 12 and 5,000 Paintings, d.e.n. contemporary art, Culver City, CA Sculptural Paintings, Riverside Art Museum, CA 2004 Paintings, Roy Boyd Gallery, Chicago, IL 10 Paintings, Elizabeth Leach Gallery, Portland, OR 4,000 Paintings/14 Compositions,
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  • Global Brands Group and Creative Artists Agency Form Caa-Gbg Global Brand Management Group, the World’S Largest Brand Management Company
    For Immediate Release GLOBAL BRANDS GROUP AND CREATIVE ARTISTS AGENCY FORM CAA-GBG GLOBAL BRAND MANAGEMENT GROUP, THE WORLD’S LARGEST BRAND MANAGEMENT COMPANY Joint Venture Combines the Expertise and Resources of CAA’s Licensing Division with Global Brands’ Brand Management Operation Hong Kong, 15 June, 2016 – Global Brands Group Holding Limited (“Global Brands” or the “Group”; SEHK Stock Code: 787) and Creative Artists Agency (CAA) have created a joint venture, which instantly becomes the world’s largest brand management company. Called CAA-GBG Global Brand Management Group (CAA-GBG), the new venture combines the resources and licensing expertise of leading entertainment and sports agency CAA with Global Brands’ international Brand Management Group. CAA-GBG is a subsidiary of Global Brands and the operating vertical for its brand management business. “This strategic partnership creates exciting new possibilities. Global Brands’ established international brand management operation, understanding of a brand’s DNA, and in-depth knowledge of retail will be combined with CAA’s remarkable collection of talent and brands, and media and marketing platforms in the U.S.,” said Bruce Rockowitz, Chief Executive Officer and Vice Chairman of Global Brands Group Holding Limited. “This is a powerful combination, and makes CAA-GBG the undisputed leader in brand extension platforms for clients across the lifestyle, corporate, celebrity, and entertainment space.” With 24 offices in 20 countries, CAA-GBG advises on and manages all aspects of brand extension programs, including branding strategies, market targeting, product development, retail activations, licensee acquisitions, and multi-territory franchising. Furthering branding opportunities for clients across a wide range of consumer products, the joint venture will combine Global Brands’ established and strong worldwide brand management operation, with CAA’s extensive licensing, media, and entertainment platform.
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  • Can Copyright Law Protect People from Sexual Harassment?
    Emory Law Journal Volume 69 Issue 4 2020 Can Copyright Law Protect People from Sexual Harassment? Edward Lee Follow this and additional works at: https://scholarlycommons.law.emory.edu/elj Recommended Citation Edward Lee, Can Copyright Law Protect People from Sexual Harassment?, 69 Emory L. J. 607 (2020). Available at: https://scholarlycommons.law.emory.edu/elj/vol69/iss4/1 This Article is brought to you for free and open access by the Journals at Emory Law Scholarly Commons. It has been accepted for inclusion in Emory Law Journal by an authorized editor of Emory Law Scholarly Commons. For more information, please contact [email protected]. LEEPROOFS_4.30.20 4/30/2020 10:01 AM CAN COPYRIGHT LAW PROTECT PEOPLE FROM SEXUAL HARASSMENT? Edward Lee* ABSTRACT The scandals stemming from the sexual harassment allegedly committed by Harvey Weinstein, Roger Ailes, Les Moonves, Matt Lauer, Bill O’Reilly, Charlie Rose, Bryan Singer, Kevin Spacey, and many other prominent figures in the creative industries show the ineffectiveness of Title VII of the Civil Rights Act of 1964, which prohibits sexual harassment in the workplace, in protecting artists and others in the creative industries. Among other deficiencies, Title VII does not protect independent contractors and limits recovery to, at most, $300,000 in compensatory and punitive damages. Since many people who work in the creative industries, including the top actors, do so as independent contractors, Title VII offers them no protection at all. Even for employees, Title VII’s cap on damages diminishes, to a virtual null, the law’s deterrence of powerful figures in the creative industries—some of whom earned $300,000 in less than a week.
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  • Problems with Personal Managers Acting As Producers
    Loyola of Los Angeles Entertainment Law Review Volume 20 Number 3 Article 1 6-1-2000 A Contested Ascendancy: Problems with Personal Managers Acting as Producers William A. Birdthistle Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation William A. Birdthistle, A Contested Ascendancy: Problems with Personal Managers Acting as Producers, 20 Loy. L.A. Ent. L. Rev. 493 (2000). Available at: https://digitalcommons.lmu.edu/elr/vol20/iss3/1 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. A CONTESTED ASCENDANCY: PROBLEMS WITH PERSONAL MANAGERS ACTING AS PRODUCERS William A. Birdthistle* TABLE OF CONTENTS I. INTRODUCTION: THE FAULT LINES IN HOLLYWOOD .......................... 495 II. THE REGULATORY SCHEME GOVERNING MANAGERS AND AGENTS.. 501 A . Talent A gents ........................................................................... 502 1. The Role of a Talent Agent ................................................ 502 2. The Historical Background of Talent Agents .................... 504 B . Personal M anagers .................................................................... 507 1. The Role of a Personal Manager .......................................
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  • Ctc 5162017 Comp
    CUT THROAT CITY Synopsis When four boyhood friends return to New Orleans' Lower Ninth Ward after Hurricane Katrina, they find their home decimated and prospects for work swept away. Turning to a local gangster for employment, the crew is hired to pull off a daring casino heist, right in the heart of the city. But when the heist goes awry, the boys are forced on a dangerous crime spree, fighting for their survival while both hunted by the warlord and an idealistic lawman. Production: The project will consist of a 25- day shoot in New Orleans, Louisiana. Writer /DIRECTOR § The Man With the Iron Fists § Marvel’s: The Iron Fist § Coco § Django Unchained § Pacific Rim § Wu Tang Clan RZA (Bobby Diggs) CO-WriteR Paul G. Cuschieri has been a professional writer since November of 2002, when he sold his first screenplay, 5150, to Columbia Pictures. His follow to this success was a film written for Saturn Productions, THEY CAME FROM BISMARCK. In 2005, Mr. Cuschieri wrote a period piece about the rivalry between the great artists Michelangelo and Leonardo DaVinci. Having been initially optioned by Kevin Spacey’s TRIGGER STREET PRODUCTIONS with Anthony Hopkins set to star, the project is now being championed by producer Mark Ciardi, (MIRACLE, THE ROOKIE). Currently, Alan Taylor, (THOR; GAME OF THRONES), is attached to direct. Last year, writing the adaption of celebrated novelist Will Self’s story, A ROCK OF CRACK AS BIG AS THE RITZ, he also adapted another novel, BURNING FOR BURNING, based on the true story of Buffalo’s famed firehouse 13.
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  • Cultural Transactions
    Cultural Transactions FRANK HODSOLL n this article I describe in broad outline the nature of the transactions that I define the arts sector and relationships between the for-profit and not-for- profit parts of it. I base the article on a component of a 2000 report to the Irvine Foundation, which itself was an outgrowth of the 1998 American Assembly entitled “Deals and Ideals: For-Profit and Not-for-Profit Arts Connections.” To ascertain whether changing circumstances in the worlds of art and cul- ture might yield new products, new enterprise models, and new sources of capital—the objective of the Irvine Foundation study—one needs some sense of what is happening in the field. I undertook a set of fifty-two interviews of for-profit and not-for-profit cultural leaders conducted over the four-year peri- od 1997–2000. Since completion of the interviews, Richard E. Caves, Nathaniel Ropes Professor of Political Economy at Harvard University, has published Creative Industries (2000), analyzing the extraordinary range of contracts between art and commerce. In this essay, I combine the results of my interviews with a number of important facts and findings contained in the Caves book, as well as additional information gathered in 2002. A list of those interviewed appears in the appendix. It is important to note that the world has not stood still since December 2000. Changes in the economy, technology, and rules governing intellectual property continue to affect the arts sector and the transactions that describe it. For example, the bloom has come off the Internet initial public offering craze Frank Hodsoll is currently a consultant on government policy and programs and board chair of the Center for Arts and Culture.
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  • Printing Instructions
    ©2018 PRINTING INSTRUCTIONS Please follow these easy steps to print out the following addresses onto mailing-label sheets. STEP 1 – Do a test print: Print out at least one page of the addresses from this PDF onto regular paper. To be extra safe, print this entire PDF from page 2 until the end. (Starting at page 2 will avoid printing this instruction page.) STEP 2 – Take a sheet of blank mailing labels ( Avery 5260 or Avery 5160 labels ) and put it on top of your print-out test. Hold this up to a light source to see if the addresses on the print-out line up correctly with the size of the mailing labels. Make any necessary adjustments to your printer settings to ensure that the addresses will fit correctly on the mailing labels. STEP 3 – Load the mailing-label pages into your printer. Note: Labels are thicker than regular paper, so be careful to not overfill your printer tray or you may get a printer jam. STEP 4 – Print out one page of addresses onto a mailing-label sheet as a test. Look at the print-out to make sure that the alignment is correct. Make any necessary adjustments to your printer settings. Repeat until the test labels are correctly aligned. STEP 5 – Print all of the address labels from page 2 until the end of the PDF document. You may want to print only one page at a time to be safe; or print out all pages at once if you're sure it'll work. STEP 6 – Now peel the labels off of the sheets and place them on your postcards or envelopes to send your headshot & resume to industry professionals.
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  • List of Celebrity Addresses* Movie Stars and Talk Show
    LIST OF CELEBRITY ADDRESSES* (*You will need to check the website and mailing addresses for celebrity fan clubs on a frequent basis since many of their addresses change frequently. CAUTION: Some general websites that include names and addresses of celebrities are outdated. Be careful or you will receive a lot of returned mail. The below websites listed are the ones that appear to be the most reliable.) MOVIE STARS AND TALK SHOW HOSTS AGE DEPENDS ON THE INTERESTS AND WHAT YOU FEEL IS APPROPRIATE FOR YOUR STUDENTS AND CHILDERN (Name of Actress or Actor) Studio Fan Mail • Sarah Michelle Gellar 1122 Robertson Boulevard • Cub Gooding Jr. Los Angeles, CA 90035 • David Hasselhoff • Marg Helgeberger Includes the following celebrities: • Kathy Ireland • Alan Alda • Don Johnson • Tim Allen • Tom Jones • Gillian Anderson • Lisa Kudrow • Richard Dean Anderson • Rich Little • Jennifer Aniston • Lori Loughlin • Tom Arnold • Cheech Martin • Brian Austin Green • Tia & Tamara Mowery • Drew Barrymore • Ed O’Neil • Halle Berry • Matthew Perry • David Boreanaz • Mitch Pilleggi • Nicholas Cage • Jason Priestly • Dean Cain • Felicity Rein • Stockard Channing • Patricia Richardson • Courtney Cox • Bob Saget • Cindy Crawford • Fred Savage • Olivia D’Abo • Cybil Shepherd • Jean Claude Van Damme • Tom Skerritt • David Duchovny • Tori Spelling • Carmen Electra • Tiffani-Amber Thiessen • Peggy Flemming • Denzel Washington • Matthew Fox • Bruce Willis • Jennie Garth • Henry Winkler 46 • Jaleel White Anne Archer • Scott Wolfe 8942 Wilshire Boulevard B-H • Seth Green
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