List of L.A. Talent Agencies
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Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Coming-Of-Age Film in the Age of Activism
Coming-of-Age Film in the Age of Activism Agency and Intersectionality in Moonlight, Lady Bird, and Call Me By Your Name 29 – 06 – 2018 Supervisor: Anne Salden dr. M.A.M.B. (Marie) Lous Baronian [email protected] Second Reader: student number: 11927364 dr. A.M. (Abe) Geil Master Media Studies (Film Studies) University of Amsterdam Acknowledgements First and foremost, I would like to thank Marie Baronian for her first-rate supervision and constant support. Throughout this process she inspired and encouraged me, which is why she plays an important part in the completion of my thesis. I would also like to thank Veerle Spronck and Rosa Wevers, who proved that they are not only the best friends, but also the best academic proof-readers I could ever wish for. Lastly, I would like to express my gratitude towards my classmate and dear friend Moon van den Broek, who was always there for me when I needed advice (or just a hug) during these months, even though she had her own thesis to write too. Abstract The journey of ‘coming of age’ has been an inspiring human process for writers and filmmakers for centuries long, as its narrative format demonstrates great possibilities for both pedagogy and entertainment. The transformation from the origins of the genre, the German Bildungsroman, to classic coming-of-age cinema in the 1950s and 1980s in America saw few representational changes. Classic coming-of-age films relied heavily on the traditional Bildungsroman and its restrictive cultural norms of representation. However, in the present Age of Activism recent coming-of-age films seem to break with this tendency and broaden the portrayal of identity formation by incorporating diversity in its representations. -
Assessment Day 2013 1. Gender 2. Race Or Ethnicity
Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise -
Friday, Feb 28 America’S Original First Run Food Theater! We Recommend That You Arrive 30 Minutes Before Showtime
Movies starting Friday, Feb 28 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Call Of The Wild” Rated PG Run Time 1:45 Starring Harrison Ford Start 3:00 5:40 8:20 End 4:45 7:25 10:05 Rated PG for some violence, peril, thematic elements and mild language. “Ford v. Ferrari” Rated PG-13 Run Time 2:30 Starring Christian Bale and Matt Damon Start 5:20 8:30 End 7:50 11:00 Rated PG-13 for some language and peril. “1917” Rated R Run Time 2:00 Starring George MacKay, Colin Firth and Benedict Cumberbatch Start 2:50 5:40 8:20 End 4:50 7:40 10:20 Rated R for violence, some disturbing images, and language. “Judy” Rated PG-13 Run Time 2:00 Starring Renee Zellweger Start 2:40 End 4:40 Rated PG-13 for substance abuse, thematic content, some strong language, and smoking. “Harriet” Rated PG-13 Run Time 2:05 Starring Cynthia Erive and Leslie Odom Jr. Start 2:30 End 4:35 Rated PG-13 for thematic content throughout, violent material and language including racial epithets. “Once Upon a Time in Hollywood” Rated R Run Time 2:45 Starring Brad Pitt and Leonardo DiCaprio Start 5:20 End 8:05 Rated R for language, some violence and sexual content. “Richard Jewell” Rated R Run Time 2:10 Winner of 4 Academy Awards including Best Picture and Director!! Start 8:30 End 10:45 Rated R for language, some violence and sexual content. -
ATA MEMBERSHIP LIST As of August 9, 2021
ATA MEMBERSHIP LIST As of August 9, 2021 A3 ARTISTS AGENCY (CA) APERTURE TALENT (NY) BBA TALENT, Inc. 750 North San Vincente Blvd., 300 Park Avenue South, Suite 201 3500 W. Olive Ave., Suite 300 East Tower 11th Floor New York, NY 10010 Burbank, CA 91505 Los Angeles, CA 90069 (212) 271-1634 (818) 506-8188 (310) 859-0625 AQUA TALENT BECSEY WISDOM KALAJIAN A3 ARTISTS AGENCY (NY) 9000 Sunset Blvd., #700 10585 Santa Monica Blvd., Suite 140 350 Fifth Avenue, 38th Floor West Hollywood, CA 90069 Los Angeles, CA 90025 New York, NY 10118 (310) 859-8889 (310) 402-5152 (646) 486-4600 ARCIERI & ASSOCIATES BETH STEIN & ASSOCIATES th AKA TALENT AGENCY 6 East 39 Street, Suite 1202 925 North La Brea, 4th Floor 4525 Wilshire Blvd., Suite 280 New York, NY 10016 Los Angeles, CA 90038 Los Angeles, CA 90010 (212) 286-1700 (310) 452-8811 (323) 965-5600 ARTISTIC TALENT, INC. BEVERLY HECHT AGENCY 12100 ALMOND TALENT AGENCY 5437 Laurel Canyon, Suite 111 Wilshire Blvd., Suite 800 8217 Beverly Blvd., #8 Valley Village, CA 91607 Los Angeles, CA 90025 Los Angeles, CA 90048 (323) 206-7807 (818) 559-5600 (323) 934-5500 ARTISTS & REPRESENTATIVES BIENSTOCK INC. ALVARADO REY AGENCY (CA) 888 7th Avenue, Suite 913 7080 Hollywood Blvd. #1100 6100 Wilshire Blvd., Suite 1500 New York, NY 10106 Los Angeles, CA 90028 Los Angeles, CA 90048 (212) 765-3040 (323) 656-2277 (323) 655-1313 BIG MOUTH TALENT INC. AMERICAN ARTISTS GROUP TALENT ARTISTS & REPRESENTATIVES 5100 Ravenswood Ave. Suite 102 AGENCY LLC (NY) Chicago, IL 60640 13321 Ventura Boulevard, Suite C-2 630 Ninth Avenue, Suite 220 (312) 421-4400 Sherman Oaks, CA 91423 New York, NY 10036 (818) 430-8688 (212) 505-1400 BMG TALENT GROUP (LA) 5455 Wilshire Blvd., Suite 900 AMSEL, EISENSTADT, FRAZIER & ARTISTS UNITED TALENT AGENCY Los Angeles, CA 90036 HINOJOSA, Inc. -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
The Justinian Volume 1995 Article 1 Issue 3 December
The Justinian Volume 1995 Article 1 Issue 3 December 1995 The uJ stinian Follow this and additional works at: https://brooklynworks.brooklaw.edu/justinian Recommended Citation (1995) "The usJ tinian," The Justinian: Vol. 1995 : Iss. 3 , Article 1. Available at: https://brooklynworks.brooklaw.edu/justinian/vol1995/iss3/1 This Article is brought to you for free and open access by the Special Collections at BrooklynWorks. It has been accepted for inclusion in The usJ tinian by an authorized editor of BrooklynWorks. et al.: The Justinian The Justinian Founded in 1931 • A Forum for the Brooklyn Law School Community December 1995 · Volume 65 • Number 2 Published by BrooklynWorks, 1995 1 The Justinian, Vol. 1995 [1995], Iss. 3, Art. 1 "I cannot wait to see what is in The Justinian." GET INVOLVED!!! THE JUSTINIAN IS LOOKING FOR STAFF MEMBERS AND CONTRffiUTING WRITERS. IF YOU WANT TO SHARE YOUR THOUGHTS AND IDEAS WITH THE BLS COMMUNITY, JUST WRITE THEM DOWN AND SUBMIT THEM TO THE JUSTINIAN 2 3ustinian Cj)ecem&er 1995 https://brooklynworks.brooklaw.edu/justinian/vol1995/iss3/1 2 et al.: The Justinian The Justinian A Forum for the Brooklyn Law School Community Edi tor-in-Chief MUliel Richards 4 Editor's Corner Managing Editor 6 Twenty-Eighth Amendment Joseph A. Hayden 7 Human Rights Watch Special Contributors 1l On Political Correctness Prof. Daniel C. Kramer Prof. Spencer Weber Waller 12 Why We Must Tolerate Hate Speech Prof. Anthony Sebok 14 A Thief Among Us Staff 15 The Orenthal Aftermath Daniel Ajello, Sandra Pallante 16 Years Ago ... Staff Photographer 17 Dean's Speech Robin Eichel 18 Best Brief 19 Equal Representation 20 Law and Popular Culture 21 Cultural Events Around Town 22 What Do You Think? 23 Dangerous Corner 23 Library Info. -
Hollywood Studios Are Promising 2018 Will Deliver A
20 Wednesday, December 27, 2017 Hollywood studios 10. Avengers: Infinity War. are promising 2018 Directed by Anthony Russo and will deliver a box Joe Russo, starring Benedict Cumberbatch, Mark Ruffalo, office bonanza with Robert Downey Jr. Downey movies from directors returns to his role as Iron Man/ Tony Stark while Cumberbatch Steven Spielberg, appears as Dr Stephen Strange Ron Howard, the and Ruffalo makes a comeback as the Incredible Hulk/Bruce Russo brothers, Brad Banner. Bird, Christopher Released by Walt Disney Studios Motion Pictures from McQuarrie, Etan Cohen May 4 and Gary Ross. 11. Tomb Raider. Directed 1. Jurassic World: Fallen by Roar Uthaug, starring Alicia Kingdom. Directed by J.A. Vikander, Walton Goggins, Bayona, starring Chris Pratt, Bryce Hannah John-Kamen. Lara Croft, Dallas Howard, B.D. Wong, Jeff the fiercely independent daugh- Goldblum, James Cromwell, Ted ter of a missing adventurer, must Levine. The second chapter in a push herself beyond her limits planned Jurassic World trilogy fea- when she finds herself on the tures Blue, the last surviving raptor island where her father disap- from Jurassic World, and a return peared. of T Rex. Released by Warner Bros. from Released by Universal Pictures Mar 16 from Jun 22 12. Incredibles 2. Directed 2. Hotel Transylvania 3: Summer by Brad Bird, starring Craig T. Vacation. Directed by Genndy Nelson, Holly Hunter, Sarah Tartakovsky, starring Adam Vowell, Samuel L. Jackson. Pixar Sandler, Andy Samberg, Selena Animation Studios’ sequel fol- Gomez. 3D computer-animated lows the adventures of the Parrs, fantasy-comedy film sees Dracula a family of Supers, with Helen and friends on a luxury Monster (Elastigirl) out saving the world. -
Friday, July 19
Movies starting Friday, July 19 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Lion King” Rated PG Run Time 2:00 Starring (voices) Donald Glover, Beyonce Knowles and Seth Rogen Start 2:40 5:40 8:45 End 4:50 7:40 10:45 Rated PG for sequences of violence and peril, and some thematic elements. “Pavarotti: Genius is Forever” Rated PG-13 Run Time 2:00 Starring Luciano Pavarotti Start 2:50 5:50 9:00 End 4:50 7:50 11:00 Rated PG-13 for brief strong language and a war related image. “Crawl” Rated R Run Time 1:30 Starring Kaya Scodelario and Barry Pepper Start 3:00 6:00 9:00 End 4:30 7:30 10:30 Rated R for bloody creature violence, and brief language. “Spider-Man: Far From Home” Rated PG-13 Run Time 2:10 Starring Tom Holland and Samuel L. Jackson Start 2:30 5:30 8:45 End 4:40 7:40 10:55 Rated PG-13 for sci-fi action violence, some language and brief suggestive comments. ***Prices*** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Lion King (PG) (voices) • Donald Glover • Beyonce Knowles • Disney’s The Lion King, directed by Jon Favreau, journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. -
Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
Director-At-Large Seats up for Grabs in ICC Election
NON-PROFIT US POSTAGE THE PAID MILWAUKEE, WI Permit No. 5716 PubliIshed 1T1 times aAnnually bLy the IAN TIMES Italian Community Center 631 E. Chicago St., Milwaukee, WI 53202 Become a member of the Italian www.ICCMilwaukee.com Community Center and you will receive OCTOBER 2018 • VOL. 40, NO. 4 home delivery of this publication. Your address label will be placed here. – CHANGE SERVICE REQUESTED – Postmarked ballots due no later than Thursday, Oct. 11 Director-at-large seats up for grabs in ICC election; officers unopposed by Thomas Hemman Members in attendance ac - Ciano, Marie Andaloro Lieber and The committee recently mailed a Times Editor cepted the slate of officers proposed Tony Lupo. Members added Chris - ballot and voting instructions to While the election outcomes for by the Nominating Committee. tine Catalano, Sophia Michalovitz, every member who is eligible to the five unopposed nominees for of - They included: Joseph Emanuele Pietro Tarantino and Anthony Zin - vote. It is important to read the vot - ficer positions are certain, voters in for President, Rose Anne Ceraso gale. ing instructions to make sure that the Italian Community Center elec - Fritchie for Vice President, Ted After adjournment of the Aug. your ballot counts. tion will decide, from among eight Catalano for Treasurer, Susie De - 16 general meeting, the Nominat - A key provision is that ballots nominees, who will capture the four Sanctis Christiansen for Secretary ing Committee conducted a draw - must be returned in the supplied open director-at-large seats. and Joanne Sanfilippo Czubek for ing of the names of the nominees envelopes with the outer envelope As reported in the September Sergeant-At-Arms. -
Randy Finch Film Department, University of Central Florida, Orlando, FL 32816 Phone 407-823-6111 Email: [email protected]
Randy Finch Film Department, University of Central Florida, Orlando, FL 32816 Phone 407-823-6111 Email: [email protected] EDUCATION 1987 Juris Doctor FORDHAM UNIVERSITY SCHOOL OF LAW 1978 Bachelor of Arts HARVARD COLLEGE Psychology and Social Relations Cum Laude PROFESSIONAL EXPERIENCE TEACHING 2006-present Associate Professor, UNIVERSITY OF CENTRAL FLORIDA 2005-2006 Visiting Associate Professor, UNIVERSITY OF CENTRAL FLORIDA FILM/TELEVISION PRODUCED FEATURE LENGTH CREDITS 1997-1999 Producer, OUTSIDE PROVIDENCE (Miramax Films) Developed screenplay from Peter Farrelly’s coming-of- age novel. Produced the movie with a cast including Alec Baldwin, Shawn Hatosy and Amy Smart, and negotiated sale to Miramax. 1994-1997 Producer, THE SUBSTANCE OF FIRE (Miramax Films) Developed screenplay from Jon Robin Baitz’s play. Structured the deals including equity financing and, assembled cast including Sarah Jessica Parker, Ron Rifkin, Timothy Hutton and Tony Goldwyn. Produced film and negotiated sale to distributor. 1993-1994 Executive Producer, FEDERAL HILL (Miramax/Trimark Films) Negotiated rights acquisition and sale of independent film. Orchestrated worldwide festival campaign. Winner Critic’s Award and Audience Award at 1994 Deauville Film Festival. 1990-1991 Producer, CAROLINA SKELETONS (NBC) Developed teleplay from David Stout’s Edgar Award winning novel. Stars; Louis Gossett Jr., Bruce Dern & Melissa Leo. 1987-1988 Associate Producer, MILES FROM HOME (Cinecom) Developed screenplay for Gary Sinises’s film directing debut. Cast included Richard Gere, Helen Hunt, Brian Dennehy, and John Malkovich. THEATER SELECTED PRODUCED CREDITS 1995 Director, THE ENGAGEMENT (Workhouse Theater, NY, NY) Directed the premiere of Richard Vetere’s comic play at off-off- Broadway venue. 1994-1995 Co-Producer, NEW YORK STAGE AND FILM Produced plays summer seasons at Vassar College Poughkeepsie, NY, including new work by John Patrick Shanley (author of MOONSTRUCK and DOUBT) and Steve Martin.