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Movies starting Thursday, December 26 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Star Wars: The Rise of Skywalker” Rated PG-13 Run Time 2:15 Starring Daisy Ridley, Adam Driver, Carrie Fisher and Mark Hamill Start 2:15 5:35 8:15 End 4:30 7:50 11:00 Rated PG-13 for sci-fi violence and action. “Little Women” Rated PG-13 Run Time 2:15 Starring Saoirse Ronan, Emma Watson and Meryl Streep Start 2:40 5:40 8:35 End 4:55 7:55 11:50 Rated PG for thematic elements and brief smoking. “Cats” Rated PG Run Time 1:45 Starring Judy Dench, Jennifer Hudson, Taylor Swift and James Corden Start 2:30 5:50 8:45 End 4:15 7:35 10:30 Rated PG for some rude and suggestive humor. “Jumanji: The Next Level” Rated PG-13 Run Time 2:05 Starring Dwayne Johnson, Kevin Hart, Nick Jonas and Danny DeVito Start 2:50 5:50 8:35 End 4:55 7:55 10:40 Rated PG-13 for adventure action, suggestive content and some language. *** Prices *** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Star Wars: The Rise of Skywalker (PG-13) • Daisy Ridley • Adam Driver • Carrie Fisher • Mark Hamill • Lucasfilm and director J.J. Abrams join forces once again to take viewers on an epic journey to a galaxy far, far away with Star Wars: The Rise of Skywalker, the riveting conclusion of the seminal Skywalker saga, where new legends will be born and the final battle for freedom is yet to come. Little Women (PG) • Saoirse Ronan • Emma Watson • Meryl Streep • Writer-director Greta Gerwig (Lady Bird) has crafted a Little Women that draws on both the classic novel and the writings of Louisa May Alcott, and unfolds as the author’s alter ego, Jo March, reflects back and forth on her fictional life. In Gerwig’s take, the beloved story of the March sisters – four young women each determined to live life on her own terms -- is both timeless and timely. Jumanji: The Next Level (PG-13) • Dwayne Johnson • Kevin Hart • Nick Jonas • Danny DeVito • In Jumanji: The Next Level, the gang is back but the game has changed. As they return to Jumanji to rescue one of their own, they discover that nothing is as they expect. The players will have to brave parts unknown and unexplored, from the arid deserts to the snowy mountains, in order to escape the world’s most dangerous game. Cats (PG) • Judi Dench • Jennifer Hudson • Taylor Swift • James Corden • Cats is a most-unexpected film adaptation of Andrew Lloyd Webber's beloved smash musical. In 1983 the Broadway production became the recipient of seven Tony Awards, including Best Musical, and ran for an extraordinary 18 years. A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life. Beach Theater www.FMBTheater.com 6425 Estero Blvd (239) 765-9000 .

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On the Leadership
2018 Annual Report RISEON THE LEADERSHIP NATIONAL BOARD OF TRUSTEES James A. Miller Thomas Schumacher Matt Conover, Chair Bartlett Wealth Management, Principal and Disney Theatrical Group, President Chairman Disney Parks Live Entertainment, Cincinnati, OH Vice President of Disneyland Entertainment Deborah Voigt Award-winning opera soprano Anaheim, CA Megan Tulac Phillips Hunter Bell, Vice Chair McKinsey & Company, Head of Marketing and ADVISORY BOARD Communications, Enterprise Agility Tony-nominated playwright, EdTA Board of San Francisco, CA Sarah Jane Arnegger Directors iHeart Radio Broadway, Director New York, NY John Prignano New York, NY Debbie Hill, Secretary Music Theatre International, COO and Director of Education and Development Aretta Baumgartner Community Arts Initiatives, Founder and New York, NY Center for Puppetry Arts, Education Director Executive Director Atlanta, GA Cincinnati, OH Kim Rogers Dori Berinstein Alex Birsh Concord Theatricals, Vice President, Amateur Licensing Dramatic Forces, Producer Playbill, Vice President and Chief Digital Officer New York, NY New York, NY New York, NY J. Jason Daunter Mark Drum David Redman Scott Disney Theatrical Group, Director of Theatrical Production Stage Manager Actor, Arts Advocate, EdTA Volunteer Licensing New York, NY New York, NY New York, NY Debby Gibbs Nancy Aborn Duffy ETF Legacy Circle Committee, Chair Educator, Former Broadway Licensing Abbie Van Nostrand Concord Theatricals, Vice President, Client Tupelo, MS Company Owner Relations & Community Engagement New York, NY
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Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
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Coming-Of-Age Film in the Age of Activism
Coming-of-Age Film in the Age of Activism Agency and Intersectionality in Moonlight, Lady Bird, and Call Me By Your Name 29 – 06 – 2018 Supervisor: Anne Salden dr. M.A.M.B. (Marie) Lous Baronian [email protected] Second Reader: student number: 11927364 dr. A.M. (Abe) Geil Master Media Studies (Film Studies) University of Amsterdam Acknowledgements First and foremost, I would like to thank Marie Baronian for her first-rate supervision and constant support. Throughout this process she inspired and encouraged me, which is why she plays an important part in the completion of my thesis. I would also like to thank Veerle Spronck and Rosa Wevers, who proved that they are not only the best friends, but also the best academic proof-readers I could ever wish for. Lastly, I would like to express my gratitude towards my classmate and dear friend Moon van den Broek, who was always there for me when I needed advice (or just a hug) during these months, even though she had her own thesis to write too. Abstract The journey of ‘coming of age’ has been an inspiring human process for writers and filmmakers for centuries long, as its narrative format demonstrates great possibilities for both pedagogy and entertainment. The transformation from the origins of the genre, the German Bildungsroman, to classic coming-of-age cinema in the 1950s and 1980s in America saw few representational changes. Classic coming-of-age films relied heavily on the traditional Bildungsroman and its restrictive cultural norms of representation. However, in the present Age of Activism recent coming-of-age films seem to break with this tendency and broaden the portrayal of identity formation by incorporating diversity in its representations.
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Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts.
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It's… Cats! 00:00:08 Elliott Kalan Host
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Modern Design 75 Books Cinema ANT FARM: LIVING ARCHIVE 7 SEX and the Author: Felicity D
Text: Carolyn Melian BRINGING A WHOLE new MEANING to that TIME-HONOURED phrase, ‘charity BEGINS at HOME’, whether you want to save THE EARTH, THE myriad OF LIFE FORMS that INHABIT IT, OR would LIKE to DO your BIT to HELP ONE OF THE seemingly never ENDING humanitarian CRISES afflicting THE globe – THE Nargis Cyclone that’S recently devastated Burma, A rash OF tornadoes across THE US, AND THE deadly earthquake that HAS HIT Sichuan IN SOUTHWEST CHINA - making A HUGE DIFFERENCE to any ONE OF THOUSANDS OF worthy causes IS JUST A MOUSE CLICK away. Focusing on the eradication of world hunger, a simple daily click on this site’s yellow ‘Click Here To Give’ button helps provide food to those in need, and won’t cost you a single penny. Food is donated by the sponsors and distributed by Mercy Corps worldwide and by America’s Second Harvest to food banks across the US. And if you really want to put your money where your mouth is, by shopping at their online store - specialising in fair-trade and handcrafted items from around the globe – you’ll be lending them even more support. With an estimated 27 million people still in bonded labour around the world, and 126 million children in work harmful to their health and welfare, this is the website of the world’s oldest human rights organisation founded in 1839. Campaigning against shameful issues such as the forced labour and exploitation of domestic workers in the Philippines, slavery by descent, and people trafficking, it also highlights the importance of exercising consumer power when it comes to choosing chocolate, hand- knotted rugs, and high street fashion.
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(LACMA) Hosted Its Ninth Annual Art+Film Gala on Saturday, November 2, 2019, Honoring Artist Betye Saar and Filmmaker Alfonso Cuarón
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The Facelift How American Idol Came up with a New Jury, Warmth and Emotion
19 May 2011 week 20 The facelift How American Idol came up with a new jury, warmth and emotion Luxembourg France RTL Group publishes new M6 enriches its corporate responsibility brochure I-Pad app Germany France RTL Interactive launches RTL Radio honours Clipfish Music young journalists the RTL Group intranet week 20 Cover: Montage with Jennifer Hudson, Jennifer Lopez and Rihanna (from left to right) who performed on American Idol during season 10. 2 the RTL Group intranet week 20 “Format is king” In the run-up to the American Idol finale, Backstage looks back on the anniversary season of the most watched series in the world’s biggest TV market. Steven Tyler United States - 19 May 2011 Many contestants who audition for American Idol tell moving and emotional stories. Perhaps the most touching of them was told by Chris Medina who performed Breakeven by The Scripts at the auditions in Chicago. He told the judges of his fiancée Juliana Ramos who had suffered a brain injury after a car accident that left her in a wheelchair – able to move only her left arm and little more. After Chris sang, he brought his fian- cée to the audition room at the judges’ request. While Randy Jackson and Jennifer Lopez intro- duced themselves, Steven Tyler shook her hand saying: “Hi, girl. I just heard your fiancée sing, and he’s so good.” He added in a warm, tender whisper: “That’s why he sings so good, because he sings to you.” The New York Times called the moment “a stellar embrace” and praised Tyler as “deeply practiced and deeply humane” and an “unalloyed genius”.
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Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
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P38-39X Layout 1
lifestyle TUESDAY, FEBRUARY 24, 2015 Jessica Chastain Resse Witherspoon Felicity Jones Keira Knightley Scarlett Johansson Lady GaGa Oscars fashion White, silver, and beads ollywood’s A-list actresses and a red carpet darling-wore a cus- oozed old-school elegance in tom pearl-encrusted sleeveless Calvin Hwhite and glittering silver on Klein gown. the Oscars red carpet Sunday, even as “The pressure’s off,” she said. “I can rain tumbled down on Tinseltown’s just dress up and enjoy the show.” top fashion parade. Beyond the icy “Wild” nominee Laura Dern-who color palette, another trend for the brought her actor father Bruce to the ladies was lots of pearls and beads. ceremony-glittered in a fierce silver- Many of the gowns seen on the red studded strapless Alberta Ferretti carpet at the Dolby Theatre were gown worthy of a warrior princess. In embellished to the max. a pale shade of silvery gray was best Luckily, organizers set up a canopy actress nominee Felicity Jones, who to protect the stars from the drizzle. was resplendent in a hand-sewn, Julianne Moore, who won the best pearl-covered gown by Sarah Burton actress Oscar for playing a woman for Alexander McQueen, her shoul- with early onset Alzheimer’s disease ders bare. And Lady Gaga, who sang in “Still Alice,” wore a custom beaded a powerful “Sound of Music” tribute Emma Stone Jennifer Hudson white strapless Chanel gown with medley during the show to mark its Rita Ora Oprah Winfrey black accents, her red hair swept back 50th anniversary, wore a space-age in a bun.
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Reminder List of Productions Eligible for the 88Th Academy Awards
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Judy Turns the Objectifying Male Gaze Back on Itself
JUDY O’BRIEN [Maureen O’Hara] (dancing onstage, dress straps rip-male audience members taunt) Go ahead and stare. I'm not ashamed. Go on, laugh; get your money's worth. Nobody's going to hurt you. I know you want me to tear my clothes off so you can look your 50 cents' worth. Fifty cents for the privilege of staring at a girl the way your wives won't let you. What do you suppose we think of you up here? (camera pans l to r well-heeled and ashamed male in tuxedos and reproving female audience members) With your silly smirks your mothers would be ashamed of. It's a thing of the moment for the dress suits to come and laugh at us too. We'd laugh right back at you, only we're paid to let you sit there...and roll your eyes, and make your screamingly clever remarks. What's it for? So you can go home when the show's over, strut before your wives and sweethearts... and play at being the stronger sex for a minute? I'm sure they see through you just like we do. From Dance, Girl, Dance (Dorothy Arzner,1940) Tess Slesinger & Frank Davis (screenplay) Vicki Baum (story) Judy turns the objectifying male gaze back on itself. First 4 have a Hollywood/family connection: Dorothy Arzner’s family owned a Hollywood restaurant frequented by actors and directors Ida Lupino came from a family of British actors Penny Marshall’s Mom was a tap dance teacher, her Dad a director of industrial films and older brother Gary, a TV series creator and successful film director.
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