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On the Leadership
2018 Annual Report RISEON THE LEADERSHIP NATIONAL BOARD OF TRUSTEES James A. Miller Thomas Schumacher Matt Conover, Chair Bartlett Wealth Management, Principal and Disney Theatrical Group, President Chairman Disney Parks Live Entertainment, Cincinnati, OH Vice President of Disneyland Entertainment Deborah Voigt Award-winning opera soprano Anaheim, CA Megan Tulac Phillips Hunter Bell, Vice Chair McKinsey & Company, Head of Marketing and ADVISORY BOARD Communications, Enterprise Agility Tony-nominated playwright, EdTA Board of San Francisco, CA Sarah Jane Arnegger Directors iHeart Radio Broadway, Director New York, NY John Prignano New York, NY Debbie Hill, Secretary Music Theatre International, COO and Director of Education and Development Aretta Baumgartner Community Arts Initiatives, Founder and New York, NY Center for Puppetry Arts, Education Director Executive Director Atlanta, GA Cincinnati, OH Kim Rogers Dori Berinstein Alex Birsh Concord Theatricals, Vice President, Amateur Licensing Dramatic Forces, Producer Playbill, Vice President and Chief Digital Officer New York, NY New York, NY New York, NY J. Jason Daunter Mark Drum David Redman Scott Disney Theatrical Group, Director of Theatrical Production Stage Manager Actor, Arts Advocate, EdTA Volunteer Licensing New York, NY New York, NY New York, NY Debby Gibbs Nancy Aborn Duffy ETF Legacy Circle Committee, Chair Educator, Former Broadway Licensing Abbie Van Nostrand Concord Theatricals, Vice President, Client Tupelo, MS Company Owner Relations & Community Engagement New York, NY -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Discourse Analysis of the Interaction Between the Therapist and the King in Overcoming the King’S Stuttering Disorder in Tom Hooper’S the King’S Speech
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DISCOURSE ANALYSIS OF THE INTERACTION BETWEEN THE THERAPIST AND THE KING IN OVERCOMING THE KING’S STUTTERING DISORDER IN TOM HOOPER’S THE KING’S SPEECH A THESIS Presented as a Partial Fulfillment of the Requirements to Obtain the Magister Humaniora (M.Hum.) Degree in English Language Studies by Nurvita Wijayanti Student Number: 146332019 THE GRADUATE PROGRAM OF ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2016 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI v PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS It is a delightful opportunity for me to express my deepest gratitude to all of those who have supported me in accomplishing this thesis. Firstly, my deepest gratitude goes to Allah SWT for showing me the light to have my courage finishing this thesis. I present the best gratitude to my lovely advisor Dr. B.B Dwijatmoko, M.A. for his guidance and patience. He has been a good advisor who has listened and shared opinion regarding the ideas contributing in this thesis. Great thanks also go to Dr. Francis Borgias Alip, M.Pd., M.A. and Dr. E. Sunarto, M.Hum who give me a fruitful contribution to my thesis as the second readers. I dedicate this thesis to my lovely parents, Martini Lastianingsih, S.H and (alm) Pranoto, S.H, and siblings, Fajar Putra Pradika and Yudanti Kurnia Dewi, who are always be my motivation whenever I am about to give up finishing this thesis. Their endless love indeed works to keep up my encouragement and spirit. -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Modern Design 75 Books Cinema ANT FARM: LIVING ARCHIVE 7 SEX and the Author: Felicity D
Text: Carolyn Melian BRINGING A WHOLE new MEANING to that TIME-HONOURED phrase, ‘charity BEGINS at HOME’, whether you want to save THE EARTH, THE myriad OF LIFE FORMS that INHABIT IT, OR would LIKE to DO your BIT to HELP ONE OF THE seemingly never ENDING humanitarian CRISES afflicting THE globe – THE Nargis Cyclone that’S recently devastated Burma, A rash OF tornadoes across THE US, AND THE deadly earthquake that HAS HIT Sichuan IN SOUTHWEST CHINA - making A HUGE DIFFERENCE to any ONE OF THOUSANDS OF worthy causes IS JUST A MOUSE CLICK away. Focusing on the eradication of world hunger, a simple daily click on this site’s yellow ‘Click Here To Give’ button helps provide food to those in need, and won’t cost you a single penny. Food is donated by the sponsors and distributed by Mercy Corps worldwide and by America’s Second Harvest to food banks across the US. And if you really want to put your money where your mouth is, by shopping at their online store - specialising in fair-trade and handcrafted items from around the globe – you’ll be lending them even more support. With an estimated 27 million people still in bonded labour around the world, and 126 million children in work harmful to their health and welfare, this is the website of the world’s oldest human rights organisation founded in 1839. Campaigning against shameful issues such as the forced labour and exploitation of domestic workers in the Philippines, slavery by descent, and people trafficking, it also highlights the importance of exercising consumer power when it comes to choosing chocolate, hand- knotted rugs, and high street fashion. -
The Honorable Mentions Movies – LIST 3
The Honorable mentions Movies – LIST 3: 1. Modern Times by Charles Chaplin (1936) 2. Pinocchio by Hamilton Luske et al. (1940) 3. Late Spring by Yasujirō Ozu (1949) 4. The Virgin Spring by Ingmar Bergman (1960) 5. Charade by Stanley Donen (1963) 6. The Soft Skin by François Truffaut (1964) 7. Who's Afraid of Virginia Woolf? by Mike Nichols (1966) 8. Dog Day Afternoon by Sidney Lumet (1975) 9. Love Unto Death by Alain Resnais (1984) 10. Kiki's Delivery Service by Hayao Miyazaki (1989) 11. Bram Stoker's Dracula by Francis Ford Coppola (1992) 12. Léon: The Professional by Luc Besson (1994) 13. Princess Mononoke by Hayao Miyazaki (1997) 14. Fight Club by David Fincher (1999) 15. Rosetta by Jean-Pierre Dardenne, Luc Dardenne (1999) 16. The Ninth Gate by Roman Polanski (1999) 17. O Brother, Where Art Thou? by Ethan Coen, Joel Coen (2000) 18. The Return Andrey Zvyagintsev (2003) 19. The Sea Inside by Alejandro Amenábar (2004) 20. Broken Flowers by Jim Jarmusch (2005) 21. Climates by Nuri Bilge Ceylan (2006) 22. The Prestige by Christopher Nolan (2006) 23. The Class by Laurent Cantet (2008) 24. Mother by Bong Joon-ho (2009) 25. Shutter Island by Martin Scorsese (2010) 26. The Tree of Life by Terrence Malick (2011) 27. The Artist by Michel Hazanavicius (2011) 28. Melancholia by Lars von Trier (2011) 29. Hugo by Martin Scorsese (2011) 30. Twice Born by Sergio Castellitto (2012) 31. August Osage county by John Wells (2013) 32. 12 Years a Slave by Steve McQueen (2013) 33. The Best Offer by Giuseppe Tornatore (2013) 34. -
Marco Movies
Movies starting Thursday, December 26 www.FMBTheater.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Star Wars: The Rise of Skywalker” Rated PG-13 Run Time 2:15 Starring Daisy Ridley, Adam Driver, Carrie Fisher and Mark Hamill Start 2:15 5:35 8:15 End 4:30 7:50 11:00 Rated PG-13 for sci-fi violence and action. “Little Women” Rated PG-13 Run Time 2:15 Starring Saoirse Ronan, Emma Watson and Meryl Streep Start 2:40 5:40 8:35 End 4:55 7:55 11:50 Rated PG for thematic elements and brief smoking. “Cats” Rated PG Run Time 1:45 Starring Judy Dench, Jennifer Hudson, Taylor Swift and James Corden Start 2:30 5:50 8:45 End 4:15 7:35 10:30 Rated PG for some rude and suggestive humor. “Jumanji: The Next Level” Rated PG-13 Run Time 2:05 Starring Dwayne Johnson, Kevin Hart, Nick Jonas and Danny DeVito Start 2:50 5:50 8:35 End 4:55 7:55 10:40 Rated PG-13 for adventure action, suggestive content and some language. *** Prices *** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Beach Theater at www.fmbtheater.com facebook.com/BeachTheater Star Wars: The Rise of Skywalker (PG-13) • Daisy Ridley • Adam Driver • Carrie Fisher • Mark Hamill • Lucasfilm and director J.J. Abrams join forces once again to take viewers on an epic journey to a galaxy far, far away with Star Wars: The Rise of Skywalker, the riveting conclusion of the seminal Skywalker saga, where new legends will be born and the final battle for freedom is yet to come. -
The Facelift How American Idol Came up with a New Jury, Warmth and Emotion
19 May 2011 week 20 The facelift How American Idol came up with a new jury, warmth and emotion Luxembourg France RTL Group publishes new M6 enriches its corporate responsibility brochure I-Pad app Germany France RTL Interactive launches RTL Radio honours Clipfish Music young journalists the RTL Group intranet week 20 Cover: Montage with Jennifer Hudson, Jennifer Lopez and Rihanna (from left to right) who performed on American Idol during season 10. 2 the RTL Group intranet week 20 “Format is king” In the run-up to the American Idol finale, Backstage looks back on the anniversary season of the most watched series in the world’s biggest TV market. Steven Tyler United States - 19 May 2011 Many contestants who audition for American Idol tell moving and emotional stories. Perhaps the most touching of them was told by Chris Medina who performed Breakeven by The Scripts at the auditions in Chicago. He told the judges of his fiancée Juliana Ramos who had suffered a brain injury after a car accident that left her in a wheelchair – able to move only her left arm and little more. After Chris sang, he brought his fian- cée to the audition room at the judges’ request. While Randy Jackson and Jennifer Lopez intro- duced themselves, Steven Tyler shook her hand saying: “Hi, girl. I just heard your fiancée sing, and he’s so good.” He added in a warm, tender whisper: “That’s why he sings so good, because he sings to you.” The New York Times called the moment “a stellar embrace” and praised Tyler as “deeply practiced and deeply humane” and an “unalloyed genius”. -
Annonce En Anglais Pour Site
AUDITIONS for the French language production of CATS Music Andrew Lloyd Webber based on T.S Eliot’s Old Possum’s Book of Practical Cats Original Director Trevor Nunn Choreographer and Associate Director Gillian Lynne Produced by Stage Entertainment France From autumn 2015 at the Mogador Theatre Rehearsals will start on August 8 2015. We are looking for: LEADING SINGERS/ACTORS By appointment only For the following roles (see full description below): Old Deuteronomy, Grizabella, Bustopher Jones/Gus, Jellylorum/Griddlebone Please send your resume and your photo before February 15 to: [email protected] LEADING DANCERS/SINGERS Excellent dancers with good vocal ability, acrobats with a high level of dance and very good singers with both good belt and classical voices. For the following roles (see full description below): Munkustrap, Rum Tum Tugger, Mr. Mistoffelees, Demeter, Bombalurina, Mungojerrie, Rumpleteazer, Skimbleshanks, Jennyanydots/Gumbie, Jemima, Cassandra, Tantomile, Victoria, Alonzo, Coricopat, Plato, Macavity, Pouncival, Tumble Brutus DANCE OPEN CALL Female Dancers: Monday, February 23 rd – 9.30 AM Male Dancers: Tuesday, February 24 th – 9.30 AM The audition will be held at: Théâtre Mogador 23 rue de Mogador 75009 Paris Métro: Trinité d’Estienne d’Orves, Chaussée d’Antin-Lafayette, St Lazare, Havre Caumartin Wear tight fit dance clothes and jazz shoes or sneakers. Tap shoes a plus. If you are selected, dance callbacks will be on Wednesday February 25. In the same week, candidates will be asked to prepare one complete song in the style of the show and to bring sheet music in the correct key; an accompanist will be provided. -
Grantarmstrong
(8/5/21) GRANT ARMSTRONG Production Designer www.grant-armstrong.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “CHASE” Brian Goodman Voltage Pictures Nicholas Chartier Marc Frydman “KICKS” Lindy Heymann BBC Films Andy Stebbing AS SUPERVISING ART DIRECTOR: “THE BATMAN” Matt Reeves Warner Bros. Dylan Clark DC Entertainment Matt Reeves “SPIDER-MAN: FAR Jon Watts Columbia Pictures Kevin Feige FROM HOME” Marvel Studios Amy Pascal Walt Disney Pictures “OVERLORD” Julius Avery Paramount Pictures J. J. Abrams Bad Robot Lindsey Weber “KINGSMAN: THE Matthew Vaughn Twentieth Century Fox Adam Bohling GOLDEN CIRCLE” Marv Films Jane Goldman TSG Entertainment David Reid Matthew Vaughn “A CURE FOR WELLNESS” Gore Verbinski New Regency David Crockett Blind Wink Productions Christoph Fisser Arnon Milchan Charlie Woebcken “CRIMINAL” Ariel Vromen Lionsgate Christa Campbell BenderSpink Denis Chobanov Millennium Films Mark Gill J.C. Spink “THE DANISH GIRL” Tom Hooper Artémis Productions Tim Bevan Pretty Pictures Eric Fellner Working Title Films Gail Mutrux “VICTOR FRANKENSTEIN” Paul McGuigan Moving Picture Co. John Davis Twentieth Century Fox Mairi Bett “MUPPETS MOST James Bobin Mandeville Films David Hoberman WANTED” Walt Disney Pictures Todd Lieberman “LES MISÉRABLES” Tom Hooper Cameron Mackintosh Ltd. Tim Bevan Relativity Media Eric Fellner Working Title Films Debra Hayward (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (8/5/21) GRANT ARMSTRONG Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES -
Cats Study Guide TABLE of CONTENTS
Name:______________________________ Date: / / 1 Cats Study Guide TABLE OF CONTENTS PLOT SUMMARY………………………………………………………………………………………………………… 3 PRODUCTION HISTORY…………………………………………………………………………………………. 5 CAST LIST & ABOUT THE DIRECTOR……………………………………………………………….. 7 THEATRE ETIQUETTE………………………………………………………………………………………………. 8 STUDENT ACTIVITIES WORD SEARCH…………………………………………………………………………………………… 9 CRITIQUE SHEET…………………………………………………………………………………………. 10 ALIGNMENT TO STANDARDS……………………………………………………………………………… 11 Cats Music by Andrew Lloyd Webber Based on Old Possum's Book Of Practical Cats by T.S. Eliot Directed and Choreographed by Sarah Wilcoxon Other showtimes: 25-26, 28 October 7:30 PM 27 October 2:30 PM Craig Hall Coger Theatre Cats Study Guide 3 Plot Summary Cats begins with the gathering of the cats of the Jellicle tribe onstage to explain a bit about their lives and their purpose. After the group describes how they assign names to each cat in the tribe, they assemble in preparation to take part in the annual festival of cat-dom...they send out invitations to attend the Jellicle Ball! At the Ball, each cat tries to prove to Old Deuteronomy (the leader of the Jellicle tribe) why he or she deserves to go the Heavyside Layer – a heavenly feline afterlife. Munkustrap, the show’s feline narrator, introduces the cats one by one starting with Jennyanydots. The Rum Tum Tugger, the wild and inconstant Elvis-esque cat, interrupts her presentation with his grand entrance; he feels no obligation to other cats and does as he feels. Following Tugger’s exuberant performance, the old and greying Grizabella makes her way through the group causing the tribe to scatter. The other cats dislike the lowly Grizabella and somberly sing of her sad state. As Grizabella sulks off into the night, the fat and renowned Bustopher Jones sings of his elite status among his fellow cats.