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Deliver Us to Cinema: the Prince of Egypt and Cinematic Depictions of Religious Texts
Deliver Us to Cinema: The Prince of Egypt and Cinematic Depictions of Religious Texts Kadii Lott Introduction There is a pervasive Hollywood culture of appropriating and commodifying biblical concepts and imagery into films that do not explicitly address the Abrahamic belief systems that consider the Old and New Testaments as sacred texts. Many such films received mixed reviews. Christian and Jewish groups have heavily criticised particular adaptations of scriptural stories, including Life of Brian,1 The Last Temptation of Christ,2 The Passion of Christ,3 and Noah,4 for their blasphemous or ill-intentioned treatment of biblical figures. Despite the protectiveness of religious people Kadii Lott received First Class Honours in Studies in Religion at the University of Sydney in 2020. 1 The 1979 religious satire reimagined the fictional life of a man named Brian who gets mistaken for Jesus. The film was considered blasphemous by some Christians who protested against the release and the film was banned in many countries upon its release, including in Ireland and Norway. See Ben Dowell, ‘BBC to dramatise unholy row over Monty Python’s Life of Brian’, The Guardian (21 June 2011), https://www.theguardian.com/media/ 2011/jun/21/bbc-monty-python-life-of-brian. Accessed 13 July 2020. 2 Scorsese’s depicted Jesus Christ dealing with worldly temptations like everyone else. This caused outrage amongst some Christian groups, even leading to an incident in Paris where a theatre showing the film was set on fire. See Steven Greenhouse, ‘Police Suspect Arson In Fire at Paris Theater’, The New York Times (25 October 1988), p. -
Digital Dialectics: the Paradox of Cinema in a Studio Without Walls', Historical Journal of Film, Radio and Television , Vol
Scott McQuire, ‘Digital dialectics: the paradox of cinema in a studio without walls', Historical Journal of Film, Radio and Television , vol. 19, no. 3 (1999), pp. 379 – 397. This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at http://www.informaworld.com/smpp/title~content=g713423963~db=all. Digital dialectics: the paradox of cinema in a studio without walls Scott McQuire There’s a scene in Forrest Gump (Robert Zemeckis, Paramount Pictures; USA, 1994) which encapsulates the novel potential of the digital threshold. The scene itself is nothing spectacular. It involves neither exploding spaceships, marauding dinosaurs, nor even the apocalyptic destruction of a postmodern cityscape. Rather, it depends entirely on what has been made invisible within the image. The scene, in which actor Gary Sinise is shown in hospital after having his legs blown off in battle, is noteworthy partly because of the way that director Robert Zemeckis handles it. Sinise has been clearly established as a full-bodied character in earlier scenes. When we first see him in hospital, he is seated on a bed with the stumps of his legs resting at its edge. The assumption made by most spectators, whether consciously or unconsciously, is that the shot is tricked up; that Sinise’s legs are hidden beneath the bed, concealed by a hole cut through the mattress. This would follow a long line of film practice in faking amputations, inaugurated by the famous stop-motion beheading in the Edison Company’s Death of Mary Queen of Scots (aka The Execution of Mary Stuart, Thomas A. -
Engaging, Enriching, and Inspiring Community
Engaging, Enriching, 2017 - 2018 and Inspiring Community ANNUAL REPORT MISSION Dear Friends, STATEMENT It’s been quite a year for SBIFF – filled with enormous SUCCESS and TRANSFORMATION! Our mission is to engage, enrich, Alongside our many successes has been immense tragedy. The natural and inspire people through the disasters that swept through our community made it some of the most power of film. We celebrate Board of Directors tumultuous times for us. the art of cinema and provide Lynda Weinman During this time, we realized that the 33rd SBIFF was needed more than impactful educational President ever. For each of the 11 days of the Festival, we gathered, reflected, and processed while leaning on one another for strength. This message experiences for our local, Jeffrey Barbakow continues to echo in the feedback we receive – the Festival was a Chairman national and lifeline that unified our fragmented community. We feel very honored to global communities. Linda Armstrong have played this critical role. This experience has crystallized our mission Vice President Treasurer to serve through the power of film. Mimi deGruy As you read this report, you’ll learn about our successes and the impact Vice President Education we make on a year-round basis. Renovating Lynda & Bruce’s Riviera Theatre has been a thrill. Since the grand re-opening on September 13, Susan Eng-Denbaars 2017, we’ve been screening incredible films, including the documentary Vice President Secretary RBG, Academy Award winner Call Me By Your Name, Palme d’Or winner Tammy Hughes The Square, and a 4K restoration of Belle de Jour. -
3RD AACTA INTERNATIONAL AWARDS Winners by Category
3RD AACTA INTERNATIONAL AWARDS Winners by Category AACTA INTERNATIONAL AWARD FOR BEST FILM 12 YEARS A SLAVE AMERICAN HUSTLE CAPTAIN PHILLIPS GRAVITY – WINNER RUSH AACTA INTERNATIONAL AWARD FOR BEST DIRECTION 12 YEARS A SLAVE Steve McQueen AMERICAN HUSTLE David O. Russell CAPTAIN PHILLIPS Paul Greengrass GRAVITY Alfonso Cuarón – WINNER THE GREAT GATSBY Baz Luhrmann AACTA INTERNATIONAL AWARD FOR BEST SCREENPLAY 12 YEARS A SLAVE John Ridley AMERICAN HUSTLE Eric Warren Singer, David O. Russell – WINNER BLUE JASMINE Woody Allen INSIDE LLEWYN DAVIS Joel Coen, Ethan Coen SAVING MR. BANKS Kelly Marcel, Sue Smith AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTOR Christian Bale AMERICAN HUSTLE Leonardo DiCaprio THE WOLF OF WALL STREET Chiwetel Ejiofor 12 YEARS A SLAVE – WINNER Tom Hanks CAPTAIN PHILLIPS Matthew McConaughey DALLAS BUYERS CLUB AACTA INTERNATIONAL AWARD FOR BEST LEAD ACTRESS Amy Adams AMERICAN HUSTLE Cate Blanchett BLUE JASMINE – WINNER Sandra Bullock GRAVITY Judi Dench PHILOMENA Meryl Streep AUGUST: OSAGE COUNTY AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTOR Bradley Cooper AMERICAN HUSTLE Joel Edgerton THE GREAT GATSBY Michael Fassbender 12 YEARS A SLAVE – WINNER Jared Leto DALLAS BUYERS CLUB Geoffrey Rush THE BOOK THIEF Page 1 of 2 AACTA INTERNATIONAL AWARD FOR BEST SUPPORTING ACTRESS Sally Hawkins BLUE JASMINE Jennifer Lawrence AMERICAN HUSTLE – WINNER Lupita Nyong’o 12 YEARS A SLAVE Julia Roberts AUGUST: OSAGE COUNTY Octavia Spencer FRUITVALE STATION Page 2 of 2 . -
'James Cameron's Story of Science Fiction' – a Love Letter to the Genre
2 x 2" ad 2 x 2" ad April 27 - May 3, 2018 A S E K C I L S A M M E L I D 2 x 3" ad D P Y J U S P E T D A B K X W Your Key V Q X P T Q B C O E I D A S H To Buying I T H E N S O N J F N G Y M O 2 x 3.5" ad C E K O U V D E L A H K O G Y and Selling! E H F P H M G P D B E Q I R P S U D L R S K O C S K F J D L F L H E B E R L T W K T X Z S Z M D C V A T A U B G M R V T E W R I B T R D C H I E M L A Q O D L E F Q U B M U I O P N N R E N W B N L N A Y J Q G A W D R U F C J T S J B R X L Z C U B A N G R S A P N E I O Y B K V X S Z H Y D Z V R S W A “A Little Help With Carol Burnett” on Netflix Bargain Box (Words in parentheses not in puzzle) (Carol) Burnett (DJ) Khaled Adults Place your classified ‘James Cameron’s Story Classified Merchandise Specials Solution on page 13 (Taraji P.) Henson (Steve) Sauer (Personal) Dilemmas ad in the Waxahachie Daily Merchandise High-End (Mark) Cuban (Much-Honored) Star Advice 2 x 3" ad Light, Midlothian1 x Mirror 4" ad and Deal Merchandise (Wanda) Sykes (Everyday) People Adorable Ellis County Trading Post! Word Search (Lisa) Kudrow (Mouths of) Babes (Real) Kids of Science Fiction’ – A love letter Call (972) 937-3310 Run a single item Run a single item © Zap2it priced at $50-$300 priced at $301-$600 to the genre for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily2 x Light,3.5" ad “AMC Visionaries: James Cameron’s Story of Science Fiction,” Midlothian Mirror and Ellis County Trading Post premieres Monday on AMC. -
CICLO DE CINE La Voz De Constantino Romero II El Golpe George Roy Hill (1973) 2 De Agosto De 2013, 17.30 H
CICLO DE CINE La voz de Constantino Romero II El golpe George Roy Hill (1973) 2 de agosto de 2013, 17.30 h Título original: The Sting. Dirección: George Roy Hill. Productores: Tony Bill, Julia Phillips, Michael Phillips. Productores ejecutivos: David Brown, Richard D. Zanuck. Productor asociado: Robert Crawford Jr. Producción: Zanuck/Brown Productions, Universal Pictures. Guion: David S. Ward. Fotografía: Robert Surtees. Música: Scott Joplin, adaptado por Marvin Hamslisch. Montaje: William Reynolds. Dirección artística: Henry Bumstead. Intérpretes: Paul Newman (Henry Gondorff), Robert Redford (Johnny Hooker), Robert Shaw (Doyle Lonnegan), Charles Durning (teniente William Snyder), Ray Walston (J. J. Singleton), Eileen Brennan (Billie), Harold Gould (Kid Twist), John Heffernan (Eddie Niles), Dana Elcar (agente del F.B.I. Polk), Jack Kehoe, Dimitra Arliss, Robert Earl Jones, James Sloyan, Charles Dierkop, Lee Paul, Sally Kirkland, Avon Long, Arch Johnson, Ed Bakey, Brad Sullivan... Nacionalidad y año: Estados Unidos 1973. Duración y datos técnicos: 129 min. Color 1.85:1. Posiblemente El golpe sea una de las películas más populares de los setenta, y mucha gente la valore como una de las más ingeniosas, debido al siempre atractivo tema de los “pillos simpáticos” y la de los intrincados juegos de azar plagados de inventiva. Este mérito corresponde, desde luego, al guionista, David S. Ward, en ésta su segunda película, tras la muy poco conocida Material americano (Steelhard Blues, 1973), de Alan Myerson. No puede decirse, en todo caso, que tras El golpe (por el cual ganó un Oscar, y fue candidato a los premios Edgar Allan Poe, los Globo de Oro y la Writers Guild of America), tuviera una carrera demasiado lucida: su siguiente guion apareció en 1982, con Destinos sin rumbo (Cannery Row, 1982), su debut en la dirección, seguida de la secuela El golpe II (The Sting II, 1983), de un director que merece más crédito del que se le suele dar, Jeremy Kagan. -
John Caglione, Jr
JOHN CAGLIONE, JR. Make-Up Designer IATSE 798 and 706 FILM BROKEN CITY Personal Make-Up Artist to Russell Crowe Director: Allen Hughes PHIL SPECTOR Personal Make-Up Artist to Al Pacino Director: David Mamet TOWER HEIST Department Head Director: Brett Ratner ON THE ROAD Special Make-Up Effects Director: Walter Salles Cast: Viggo Mortensen THE SMURFS Department Head Director: Raja Gosnell YOU DON’T KNOW JACK Personal Make-Up Artist to Al Pacino Director: Barry Levinson Nominee: Emmy Award for Outstanding Make-Up for a Miniseries or Movie SALT Department Head Director: Philip Noyce STATE OF PLAY Personal Make-Up Artist to Russell Crowe Director: Kevin Macdonald THE DARK KNIGHT Personal Make-Up Artist to Heath Ledger Director: Christopher Nolan Nominee: Academy Award for Best Achievement in Make-Up Nominee: Saturn Award for Best Make-Up 3:10 TO YUMA Personal Make-Up Artist to Russell Crowe Director: James Mangold AMERICAN GANGSTER Personal Make-Up Artist to Russell Crowe Director: Ridley Scott THE DEPARTED Department Head Make-Up and Department Head Effects Make-Up Director: Martin Scorsese Cast: Vera Farmiga, Ray Winstone, Kristen Dalton TENDERNESS Department Head Director: John Polson Cast: Russell Crowe, Laura Dern, Jon Foster, Tonya Clarke THE MILTON AGENCY John Caglione, Jr. 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 & 706 [email protected] www.miltonagency.com Page 1 of 4 MY SUPER EX-GIRLFRIEND Department Head Director: Ivan Reitman Cast: Luke Wilson, Anna -
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair -
There's a Lot Going on in 'Australia': Baz Luhrmann's Claim to the Epic
10 • Metro Magazine 159 There’s a lot going on in Australia Baz Luhrmann’s Claim to the Epic Brian McFarlane REVIEWS BAZ LUHRmann’s EAGERLY AWAITED ‘Event’ FiLM. ou’ve got to admire the cheek of scape of a restricted kind. Does Luhrmann a director who calls his film simply believe that it is only Dorothea Mackellarland YAustralia. It implies that what is (all ‘sweeping plains’ and ‘ragged mountain going on in it is comprehensive enough, or ranges’ and ‘droughts and flooding rains’) at least symptomatic enough, to evoke the that the world at large will recognize as Aus- continent at large. Can it possibly live up to tralia? What he shows us is gorgeous be- such a grandiose announcement of intention? yond the shadow of a doubt – gorgeous, that There have been plenty of films named for is, to look at on a huge screen rather than to cities (New York, New York [Martin Scorsese, live in. It is, though, hardly the ‘Australia’ that 1977], Barcelona [Whit Stillman, 1994], most most of its inhabitants will know intimately, recently Paris [Cédric Klapisch, 2008]), but living as we do in our urban fastnesses, but summoning a city seems a modest enterprise the pictorial arts have done their bit in instill- compared with a country or a continent ing it as one of the sites of our yearning. (please sort us out, Senator Palin). D.W. Griffith in 1924 and Robert Downey Sr in Perhaps it’s really a love story at heart, a love 1986 had a go with America: neither director story in a huge setting that overpowers its is today remembered for his attempt to fragile forays into intimacy. -
Revista-3.Pdf
11:00 AMBIENTE Y MEDIO 22:30 LA TRIBUNA DE GUIDO 14:00 DERECHOS TORCIDOS AVENTURAS DE ROCKERS (5 MIN) LUNES 12:00 MARATON 2018 14:15 MAFALDA LADYBUG 14:55 MINI BEAT POWER 13:00 TPA NOTICIAS 20 ++ ARGENTINISIMA 14:30 NEUROQUE 16:30 ANDI MACK ROCKERS 14:00 COCINEROS SATELITAL 14:45 NEUROQUE (SEMANA 17:00 SOY LUNA 15:00 OLLIE Y MOON ARGENTINOS PASADA) 18:00 THE LODGE: MUSICA Y 15:11 ZACK & QUACK 16:00 CINE CLASICO 06:30 PAIS EN VIVO 15:00 ALTA NOTICIA SECRETOS 15:25 PEPPA 17:30 FAROS, LA LUZ DE LA 10:30 PAIS EN VIVO 15:30 LABORATORIO 18:30 LA CASA DE RAVEN 15:50 PEPPA CIVILIZACION 11:30 NOTICIERO FEDERAL SUPERHEROES 19:30 ENREDADOS OTRA VEZ: 15:55 EL MUNDO DE LUNA 00:00 NOCHES MIAS 18:00 DEPORTV 12:30 PAIS EN VIVO 16:00 EL ASOMBROSO JUEGO LA SERIE 16:07 EL MUNDO DE LUNA 05:00 BIEN TEMPRANO 19:00 TPA NOTICIAS 14:00 REVISTA NACIONAL DE ZAMBA 22:00 ANDI MACK 16:22 JORGE EL CURIOSO 06:50 MAÑANAS ARGENTINAS 20:00 ENCUENTRO 19:00 PANORAMA TURISTICO 16:30 CRONOCHICOS 22:30 STAR VS. LAS FUERZAS 16:47 ANGRY BIRDS STELLA 11:00 ARGENTINA EN VIVO 21:00 FESTIVAL PAIS `18 - LA 21:00 NOTICIERO FEDERAL 17:00 AMIGOS II DEL MAL 16:53 ANGRY BIRDS STELLA 14:00 LA TARDE POR C5N PREVIA 2018 22:00 NO TE VAS A CONFUNDIR 17:15 CUENTOS DE HABIA UNA 22:45 FLASH Y LOS RONKS! 16:59 VIVA EL REY JULIEN 18:00 EL DIARIO 22:00 FESTIVAL PAIS `18 VEZ 17:22 PEPPA 21:00 MINUTOUNO 29 ++ EL GARAGE 17:30 EL LIBRO DE LA SELVA II 34 ++ CARTOON NETWORK 17:27 MINI BEAT POWER 22:00 HASHTAG LA NOTICIA 12 ++ CANAL 13 BS.AS. -
Lexus Australian Short Film Fellowship
MEDIA RELEASE EMBARGOED UNTIL 6AM THURSDAY 24 MARCH SYDNEY FILM FESTIVAL ANNOUNCES 20 FINALISTS AND DISTINGUISHED JURY FOR LEXUS AUSTRALIAN SHORT FILM FELLOWSHIP The Sydney Film Festival and Lexus Australia today announced 21 filmmakers have been shortlisted by producers at The Weinstein Company, to compete for the largest cash fellowship for short film in Australia. Presiding over the selection process as Jury Chair is renowned Australian actress Judy Davis. The other jury members are Sydney Film Festival Director Nashen Moodley, Lexus Australia’s Adrian Weimers, and Australian producers Jan Chapman AO and Darren Dale. The industry luminaries will assess each finalist’s proposed short film projects to select up to four filmmakers, each of whom will receive a $50,000 Fellowship grant. The four successful candidates will be announced at the Sydney Film Festival (8-19 June 2016). The shortlisted filmmakers are: Alex Murawski (NSW) Dave Redman (VIC) Alex Ryan (NSW) David Hansen (VIC) Anya Beyersdorf (NSW) James Vinson (VIC) Billie Pleffer (NSW) Victoria Thaine (VIC) Brooke Goldfinch (NSW) Mikey Hill (VIC) Genevieve Clay-Smith (NSW) Thomas Baricevic (VIC) Hazel Annikki Savolainen (NSW) Erin Coates (WA) Jacobie Gray (NSW) Anna Nazzari (WA) Lucy Gaffy (NSW) Eddie White (SA) Tim Russell (NSW) Stephen de Villiers (SA) Venetia Taylor (NSW) The Weinstein Company chose 10 female and 11 male filmmakers from over 355 Australians who last year entered Lexus’s international short film competition, the Lexus Short Film Series. The Series was recently won by Australian actor and filmmaker Damian Walshe- Howling, alongside three other filmmakers from France, South Korea and the USA. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................