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Petra Marklund Kommer Till Stora Torget Och Sommartorsdagarna®2013
2013-03-20 11:33 CET Petra Marklund kommer till Stora Torget och Sommartorsdagarna®2013 Sommartorsdagarna® - 1 augusti Petra Marklund Efter att ha spelats på hitlistor över hela världen som September, släppte Petra Marklund 2012 för första gången ett album på svenska under eget namn. Albumet ”Inferno” har arbetats fram tillsammans med Daniel Ledinsky, Saska Becker och Jocke Berg från Kent. Kritiker menar att denna svenska skiva är mer personlig, vuxen och vemodig, men samtidigt finns dansmusiken som Petra är känd för där. Första singeln ”Händerna Mot Himlen” från skivan ”Inferno” blev etta på DigiListan. Petra har länge tillhört Sveriges artistelit, men det var först när hon medverkade i TV4:s program ”Så mycket bättre” som hon blev September med hela svenska folket. För två år sedan var hon här som September, nu återvänder hon i ny skepnad och framför svenska låtar under det egna namnet Petra Marklund. – Vi är glada över att presentera Petra Marklund på Sommartorsdagarna®2013 och hoppas det blir ”Händerna i luften” över hela Stora Torget den 1 augusti säger Anette McVey, Cityledare. Sommartorsdagarnas® huvudartister 2013 är - 27 juni: State of Drama - 4 juli: Ulrik Munther - 11 juli: Linnea Henriksson - 18 juli: RRH (Rickfors/Ronander/Hylander) - 25 juli: Icona Pop - 1 augusti: Petra Marklund - 8 augusti: LEDGENDS – Voices of Rock Sommartorsdagarna® innehåller: 18.00 Barnaktivitet 19.00 Lokala förband 20.00 Svensktoppen nästa! – Artistjakt arrangerad av Sveriges Radio P4 Sjuhärad 21.00 Huvudartist 21.00 Dansband i Stadsparken 22.00 Torsdagsallén - ung lokal musik på Hemgården Butikerna har öppet till 21 Sommartorsdagarna® arrangeras av Borås City och BoråsBorås Det är butiker, restauranger och näringslivet i centrala Borås som tillsammans med sponsorer gör det möjligt att bjuda Boråsare och besökare på ett av Sveriges största gratisnöjen. -
The Future of Copyright and the Artist/Record Label Relationship in the Music Industry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive A Change is Gonna Come: The Future of Copyright and the Artist/Record Label Relationship in the Music Industry A Thesis Submitted to the College of Graduate Studies And Research in Partial Fulfillment of the Requirements for the Degree Of Masters of Laws in the College of Law University of Saskatchewan Saskatoon By Kurt Dahl © Copyright Kurt Dahl, September 2009. All rights reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Dean of the College of Law University of Saskatchewan 15 Campus Drive Saskatoon, Saskatchewan S7N 5A6 i ABSTRACT The purpose of my research is to examine the music industry from both the perspective of a musician and a lawyer, and draw real conclusions regarding where the music industry is heading in the 21st century. -
Diktatorn Vid Datorn?
Examensarbete 2007 Jimmy Åkerfors & Hugo Björck Diktatorn vid datorn? Ett studium av musikproducentens roll inom den moderna populärmusiken Handledare: Eva Öhrström Kungl. Musikhögskolan i Stockholm DIKTATORN VID DATORN? HUGO BJÖRK, JIMMY ÅKERFORS KUNGLIGA MUSIKHÖGSKOLAN 2007 Sammanfattning Hugo Björk och Jimmy Åkerfors, båda studenter vid Kungliga Musikhögskolan i Stockholm, arbetar vid sidan av studierna aktivt med musikproduktion. Valet att göra ett examensarbete om musikproducentens roll och det aktuella klimatet i musikbranschen kommer utifrån ett brinnande intresse för fortsatt arbete inom branschen. Genom intervjuer och egna erfarenheter av arbete med musik och musikproduktion presenterar vi en analys av arbetsmetoder, attityder, trender och tendenser i dagens musikbransch. Arbetet kommer främst att handla om den svenska musikbranschen som under de senaste åren genomgått en kraftig teknisk och ekonomisk förändring. Den ekonomiska och tekniska utvecklingen går med en rasande fart. Frågan är hur det hela kommer att sluta… 2 DIKTATORN VID DATORN? HUGO BJÖRK, JIMMY ÅKERFORS KUNGLIGA MUSIKHÖGSKOLAN 2007 Innehållsförteckning Sammanfattning.....................................................................................................................................2 Innehållsförteckning .............................................................................................................................3 Inledning ................................................................................................................................................4 -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Professional Gamers Are Today's Professional Athletes
Georgia State University Law Review Volume 37 Issue 3 Spring 2021 Article 8 8-1-2021 Professional Gamers are Today’s Professional Athletes Troy Viger Georgia State University College of Law, [email protected] Follow this and additional works at: https://readingroom.law.gsu.edu/gsulr Part of the Entertainment, Arts, and Sports Law Commons Recommended Citation Troy Viger, Professional Gamers are Today’s Professional Athletes, 37 GA. ST. U. L. REV. 1001 (2021). Available at: https://readingroom.law.gsu.edu/gsulr/vol37/iss3/8 This Article is brought to you for free and open access by the Publications at Reading Room. It has been accepted for inclusion in Georgia State University Law Review by an authorized editor of Reading Room. For more information, please contact [email protected]. Viger: Professional Gamers PROFESSIONAL GAMERS ARE TODAY’S PROFESSIONAL ATHLETES Troy Viger ABSTRACT Recall the adversities faced by many in the entertainment industry. Freddie Mercury tried to join several bands before forming Queen. Judy Garland signed with Metro-Goldwyn-Mayer at age thirteen after performing with her sisters throughout her childhood. Babe Ruth signed his first professional baseball contract with the minor-league Baltimore Orioles. Those same historic adversities faced by these giants of the entertainment industry are being repeated today in a closely related field—the Esports industry. Esports, a form of competitive video gaming, attracts audiences that “rival some of the world’s great sporting events.” A thorough due diligence review of the industry-norm contract must be undertaken. Esports professionals continue to fall victim to handshake deals put to paper like so many entertainers before them. -
Die Schwedische Rockband Mando Diao Wird Das Freiluft-Areal Am Kurprark Gemeinsam Mit Dem Sinfonieorchester Aachen Am 31
ES MACHT „BANG“ BEI DEN AACHENER KURPARK CLASSIX BY GENERALI 2021! DIE SCHWEDISCHE ROCKBAND MANDO DIAO WIRD DAS FREILUFT-AREAL AM KURPRARK GEMEINSAM MIT DEM SINFONIEORCHESTER AACHEN AM 31. AUGUST 2021 BEBEN LASSEN Gut 13 Kilometer nordwestlich, vor gut 15 Jahren: Im Rahmen des 1Live- Könisgtreffens 2005 standen zwischen Tocotronic, Max Herre, Fettes Brot und Franz Ferdinand auch fünf Musiker auf der Bühne am Herzogenrather Schulzentrum, die das Rap- und Rock-Establishment alt aussehen ließen: Mando Diao. Während im Mutterland der Popmusik, drüben in Manchester und London, noch Sorgenfalten der Ratlosigkeit die Gesichter der ehemaligen Britpop-Helden kennzeichneten, boten die Schweden dem ganzen Trübsinn die Stirn. Mit juvenilem Tatendrang und unüberhörbarem Komponistenhändchen für große Melodien, deutete die Band The Small Faces, The Kinks, The Who, die Beatles und die Stones modern. Der bis dahin alleine in Schweden messbare Erfolg ihrer hymnenartigen Refrains, wehte schließlich wie ein skandinavisches Hochdruckgebiet auch runter in den Nordwesten Europas. Für musikalischen Dauersonnenschein bei deutschen Rock- und Pop-Fans war gesorgt. Man dankte ihn Mando Dio mit einer Top-Drei- Platzierung ihres 2006 erschienenen Albums „Ode To Ochrasy“, benannt nach einem imaginären Sehnsuchtsort. Einen Gold-Award später unterstrich die Alternative Rock-Band bei den großen Festivals, Rock am Ring, Rock im Park, Hurricane, Southside und sogar beim Budapester Sziget-Open ihren singulären Status. Aber es sollte noch spektakulärer kommen. Ihr fünftes Album, das den resoluten Titel „Give Me Fire!“ trug, belegte im gesamten deutschsprachigen Raum umgehend die Nummer Eins der Albumcharts und wurde in Deutschland, Österreich und der Schweiz jeweils mit Platin ausgezeichnet. Die daraus entnommene Single „Dance With Somebody“ sollte fortan zum Radiodauerbrenner und zum Erkennungszeichen von Mando Diao werden. -
Drum Wars Heart & Soul Crucified Barbara Tribute
www.rtp-bonn.de Nr. 3 · Herbst 2012 KÖLN | SIEGBURG rockt! Region BONN | KOBLENZ | 08.12., Andernach, JUZ DRUM WARS HEART & SOUL CRUCIFIED BARBARA KOSTENLOS TRIBUTE TO THE GODS 3 mit Terminkalender zum Herausnehmen HUNDRED SEVENTY SPLIT Liebe Leser, nun beginnt die heiße Herbst/Winter-Konzertsession. Auch wir haben einige Top Acts für euch verpflichtet. Unsere Coverstory widmen wir den „Spass Metallern“ von J.B.O., die am 8.12. das Juz in Andernach rocken. Wir wollen euch die Musiker abseits der Konzertbühne vorstellen. Das größte „Tribute- Konzert“ (nach VÖLKERBALL 20.10. in Bad Münstereifel) findet am 2.11. im Bonner Brückenforum statt. AC/BC und JUDAS RISING haben wir euch ja schon in den Heften davor vorgestellt, diesmal schildern wir, was PERZONAL WAR bewogen hat. als CLIFF EM ALL METALLICA zu huldigen. Außerdem sind die APPICE-Brüder im Heft, die als DRUM WARS mit einem All Star-Line up das Kubana in Siegburg besuchen. Weltstars im Club! Weitere Highlights sind HUNDRED SEVENTY SLIT (mit den beiden TEN YEARS AFTER-Recken Leo Lyons/Joe Goosch), CRUCIFIED BARBARA, HEART+SOUL, CHRIS FARLOWE; MR:PLEASANT (feat. Ralf Sädler MAYQUEEN), SUBSTITUTE (feat. Rudy Len- ners, ex SCORPIONS), SUNNY SKIES etc. Im Businesstalk sprachen wir mit Martin Buchwalter (PERZONAL WAR) über sein neues Studio. Viel Spaß beim Lesen, Jürgen + Manni Impressum: INHALT SEITE Verlag: Interview: HUNDRED SEVENTY SPLIT . 4 SP Medienservice Interview: J.B.O. 6/7 Friesdorferstr. 122, 53173 Bonn Tel.: 0228 / 390 22-0, Fax: 0228 / 390 22-10 Business Talk: Martin Buchwalter/PERZONAL WAR . 8 eMail: [email protected] Interview: MR. -
Stephen Green Biography
STEPHEN GREEN BIOGRAPHY With over fifteen years in music Stephen Green has had experience in many different facets of the industry. From syndicated music columnist, marketing manager, radio reporter, inflight entertainment producer, street press journalist, vocalist, music retailer, voice-over artist and event manager, Stephen had a huge range of experiences before starting PR and marketing company Australian Music Biz in 1999. The business was formed to focus on allowing independent artists and labels to have media representation that could compete with more established record labels. He developed the company over seven years growing to support four staff. Clients included SonyBMG, EMI, Warner, Roadrunner, Rajon, Modern Music and many more. Over the years, the company has worked with the likes of The Butterfly Effect, Tom Jones, Kate Miller-Heidke, Hanson, Screaming Jets, Small Mercies, Epicure, The Red Paintings, The Boat People, Bodyjar and many more. In 2007, Stephen started his second company, Outbreak Marketing which dealt with internet and street marketing. Later that year, he sold his interests in both Australian Music Biz and Outbreak Marketing. Over the last two years he has split his time between two jobs, working as Program Director at Q Music (Queensland's music industry peak body) and radio project manager at digital media servicing company D-Star. His role at D-Star has seen him responsible for the rollout of Play MPE, a web-based tool for servicing tracks from record companies to radio stations in Australia, while his work with Q Music saw him programming and co-ordinating BIG SOUND in 2007 and 2008, which has quickly become Australia's most respected music business conference in Brisbane. -
SWR3 Pressevorlage
Pressemappe SWR3 New Pop Festival 2018 13.–15. September 2018, Baden-Baden Presse-Akkreditierungsanfragen richten Sie bitte an: [email protected] 1 PRESSEKONTAKT Corinna Scheer · Telefon 07221 929 22986 · [email protected] · SWR3.de/presse SWR3 NEW POP FESTIVAL 2018 Inhalt „SWR3 New Pop Festival – Das Special“ mit Revolverheld, Álvaro Soler, The BossHoss, Eagle-Eye Cherry und Amy Macdonald ................. 3 Line-up des „SWR3 New Pop Festivals” .............................................................................................. 4 Konzertübersicht .................................................................................................................................... 6 Programm der Live-Bühne ..................................................................................................................... 7 SWR3 ist mehr als Radio Hintergründe, Profil und Entwicklung ...................................................... 10 Impressum ............................................................................................................................................ 12 2 PRESSEKONTAKT Corinna Scheer · Telefon 07221 929 22986 · [email protected] · SWR3.de/presse SWR3 NEW POP FESTIVAL 2018 „SWR3 New Pop Festival – Das Special“ mit Revolverheld, Álvaro Soler, The BossHoss, Eagle-Eye Cherry und Amy Macdonald Musikshow mit Guido Cantz / Ausstrahlung: 21. September 2018, 23:30 Uhr, im Ersten Guido Cantz moderiert am 13. September die TV-Show „New Pop Festival – Das Special“ im Baden-Badener Festspielhaus. -
Skid-Vm Som Präglat Falun /I Detta Nummer
falun.se/ VÅRT FALUN • EN TIDNING FÖR DIG SOM BOR I FALU KOMMUN • NR 1-2015 Mycket merVM-SPECIAL än sport ELLEN HITTADE DRÖM- JOBBET Många unga bär på en hemlighet skid-vm som präglat Falun /I detta nummer Foto: Ulf Palm ”Vi fick massor med beröm för både spåren och backen …” Tema: skid-VM. Sid 6–13 Foto: Ulf Palm Foto: Peter Dahlkvist Foto: Peter Foto: Anders Hansson Foto: Anders Årets kulturkommun. Sid 4 Spela roll!/Vart femte barn. Sid 18 Foto: Ulf Palm Foto: Anders Hansson Foto: Anders Ishallsfrågan engagerar. Sid 19 Vår stora kommun. Sid 14 Ellens drömjobb. Sid 16 VÅRT FALUN GES UT AV FALU KOMMUN FYRA GÅNGER OM ÅRET. Ansvarig utgivare: Åsa Hedin, [email protected]. Redaktör: Kerstin Lundin, [email protected]. Art direction och layout: Ryter kommunikationsbyrå. Tryck: MittMediaPrint. Distribution: Svensk Direktreklam. Frågor eller synpunkter på innehållet? Välkommen att mejla till [email protected] eller ring 023-827 22. Nästa nummer: Vårt Falun nr 2-2015 kommer i din brevlåda i maj/juni. OMSLAGET, FOTO: Ulf Palm. 2 VÅRT FALUN UTVECKLINGEN AV SÖDRA CENTRUM FORTSÄTTER: /Frågor och svar n Varför är Korsnäsvägen kantstenen är hög och att skyltad som det är? korsningen med Grycksbobanan Trafikskyltningen som hittills har en tvär kant. Den sista kommit upp följer gällande asfalteringen görs till våren. Målet är bestämmelser. Vi ser nu över Efter det kommer alla reste- skyltningen för att se om vissa rande väglinjer och vägmarke- förtydliganden bör göras, till ringar att målas. exempel på de ställen där två körfält övergår i ett. n Kommer det att bli en vänthall vid Knut- en attraktiv n Varför är inte Korsnäs- punkten? vägen fyrfilig längre? Ja, en vänthall ska byggas i På flera ställen är det dubbla hörnet Holmgatan/Knutpunk- körfält åt båda håll men ten, i Systembolagets gamla inte överallt. -
Johannes Oerding Linkin Park Rammstein Die Toten Hosen Astral Doors Diana Krall Paul Weller Mando Diao the Beatles Inhalt
GRATIS | MAI 2017 Ausgabe 38 JOHANNES OERDING LINKIN PARK RAMMSTEIN DIE TOTEN HOSEN ASTRAL DOORS DIANA KRALL PAUL WELLER MANDO DIAO THE BEATLES INHALT INHALT EDITION – IMPRESSUM 03 BLONDIE HERAUSGEBER 04 JOHANNES OERDING AKTIV MUSIK MARKETING GMBH & CO. KG 05 RAMMSTEIN | DIE TOTEN HOSEN Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 LINKIN PARK PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 07 MANDO DIAO | THE KOOKS | HELEN SCHNEIDER AKTIV MUSIK MARKETING 08 THE BEATLES | PAUL WELLER VERWALTUNGS GMBH & CO. KG 09 IRON MAIDEN | FOREIGNER | KRAFTWERK Steintorweg 8, 20099 Hamburg 10 HARRY STYLES | NATALIA AVELON | SITZ: Hamburg, HR B 100122 THOMAS AZIER GESCHÄFTSFÜHRER Marcus-Johannes Heinz 11 ÁSGEIR | FAYZEN | JAKE ISAAC FON: 040/468 99 28-0 Fax: 040/468 99 28-15 12 HELENE FISCHER | ALEJANDRA RIBERA | E-MAIL: [email protected] MIA AEGERTER 13 GUARDIANS OF THE GALAXY | ELIF | REDAKTIONS- UND ANZEIGENLEITUNG THE BOSSHOSS Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 14 DIANA KRALL | LESLIE CLIO 15 JOHN MAYER | KENDRICK LAMAR | THE WHOLLS MITARBEITER DIESER AUSGABE 16 ASTRAL DOORS | DIE NEGATION | Marcel Anders (ma), Kai Florian Becker (kfb), WHILE SHE SLEEPS Helmut Blecher (hb), Dagmar Leischow (dl), 17 ALBUM-TIPPS Steffen Rüth (sr), Anja Wegner, Nadine Wenzlick (nw) 21 DAS LÄUFT IM LADEN 22 PLATTENLADEN DES MONATS | PLATTENLÄDEN FOTOGRAFEN DIESER AUSGABE 23 TOP 20 VINYL-CHARTS Kristina Wagenbauer (2 Alejandra Ribera), Alexander Thompson (3 Blondie), Marcel Schaar Bleibe auf dem Laufenden und bestelle unseren Newsletter auf (4 Johannes Oerding), -
Regulation of Attorneys Under California's Talent Agencies Act: a Tautological Approach to Protecting Artists
Regulation of Attorneys Under California's Talent Agencies Act: A Tautological Approach to Protecting Artists James M. O'Brien IIIt Lawyers increasingly play important and pervasive roles in the California-centeredentertainment industry. When they step out of tradi- tional legal roles to engage in agency or managerial ventures with their artist-clients, however, they risk breaching the licensing regulations of California's Talent Agencies Act. The Act, which is called into operation by the activity of 'procuring, offering, promising, or attempting to procure employment or engagementsfor an artist," was designed to protect artists against iniquitous or overreaching conduct by their personal representa- tives. But unlike talent agents, personal managers, and other players in the industry, lawyers already answer to an ethical and legal code more rigorous than that of the Act. This Comment argues that the Act is at least redundant as applied to attorneys and potentially subjects them to penal- ties for tasks, made illicit when done for artist-clients,that they customa- rily perform for clients other than artists. Two alternatives to subjecting lawyers to the Act are proposed: the California legislature should substi- tute a registrationrequirement for attorneys in lieu of the Act's full-licen- sure requirementsor, alternatively,reconsider its decision not to include an "incidental booking" exception within the Act. Either would help clarify the ambiguous scope of the Act and eliminate the dilemma that those law- yers who seek employment for their artist-clientsmight face. Absent such change, attorneys in California'sentertainment industry are in an uncer- tain position-they constantly must beware of a statutory regime without knowing whether it actually applies to their conduct.