Pale Fire INTRODUCTION Ever Written
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Presentations of the Self As Author in Prefaces and Autobiographies. (Volumes I and II)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II). Laurie Frances Leach Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Leach, Laurie Frances, "Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II)." (1990). LSU Historical Dissertations and Theses. 4998. https://digitalcommons.lsu.edu/gradschool_disstheses/4998 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2011 Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009 Juan Martinez University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, American Material Culture Commons, and the Literature in English, British Isles Commons Repository Citation Martinez, Juan, "Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1459. http://dx.doi.org/10.34917/3476293 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. NABOKOVILIA: REFERENCES TO VLADIMIR NABOKOV IN BRITISH AND AMERICAN LITERATURE AND CULTURE, 1960-2009 by Juan Martinez Bachelor of -
An Aspect of Nabokov's Pale Fire
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. AN ASPECT OF NABOKOV 'S PALE FIRE A thesis submitted in partial fulfiloent of the recu~re~en~s for ~he degree of ~aste r of Ar~s in English at Mas sey University . Stanley Roche 1971 CONTENTS Chapter Page Prefatory Note 1 I Introduction .. 2 II Poet and Pattern 9 III A Note on Nab okov's word- Play 17 IV Poet and Parasite 22 v Shade and Kinbote 36 VI An Anatomy of Man· 45 VII The Creative Compost 68 VIII A Tentative Interpretation 81 Notes on the Text 86 Bibliography 90 1 . Prefatory Note Quotations frow. and references to Pale Fire are iuentified in the text as either page references to Pale Fire ·( New York, 1962) or line references to the poem "Pale Fire" . All other citations are identified in the 2 . CHAPTER I INTRODUCTION Pale J<'ire is a novel that is put together in the reader's mind 1rom the material supplied by ~abokov . The reader is pre~ented with four com plex blocks of material - two large ones (a 999 - line poem by John Shade, and what proclaims itself to be a critical commentary on that poem by Charles Kinbote), and two lesser ones (a foreword and an index, both by Kinbote) . The four parts can be fitted together· in a number of ways, and the pattern thac emerges will depend on the way the reader chooses to relate them . -
Richard Rorty and the Cultural Politics of Literary Criticism
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Richard Rorty and the Cultural Politics of Literary Criticism John Copeland The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Copeland, John, "Richard Rorty and the Cultural Politics of Literary Criticism" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 840. https://scholarworks.umt.edu/etd/840 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. RICHARD RORTY AND THE CULTURAL POLITICS OF LITERARY CRITICISM By JOHN STUART COPELAND B.A., Beloit College, Beloit, WI, 2003 Publishable Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT Fall 2008 Approved by: Dr. Perry Brown, Associate Provost for Graduate Education Graduate School Dr. Casey Charles, Co-Chair Department of English Dr. Rob Browning, Co-Chair Department of English Dr. Jannine Montauban Department of Modern and Classical Languages and Literatures Copeland, John, M.A, Autumn 2008 English Richard Rorty and the Cultural Politics of Literary Criticism Co-Chairpersons: Rob Browning, Casey Charles Simon Stow warns that the influence of political readings of literary texts could be harmful to political discourse. -
Polly Wants a Prada
N.Y. FashionThe We Inside: Pg. 27 CHINA HIT LIST/3 DEBATING THE ISSUES/28-29 WWD Women’s Wear Daily • The Retailers’ Daily Newspaper • September 30, 2004 • $2.00 List ekFavo rite WWDTHURSDAY s Sportswear Polly Wants A Prada MILAN — Miuccia Prada, who launched the trend for eccentric femininity that has ruled the runways for several seasons now, went in a new direction this time. Her terrific spring collection for Prada, in fact, was full of tailored, even sporty looks, along with others that were more embellished, featuring, for example, embroidery and appliqué. Here, her playful shift with an appliquéd parrot, part of a bird motif in the line. For more on the shows, see pages 8 to 11. Seeking Russian Gold: Despite Turmoil, Brands RushtoBooming Market By WWD Staff PARIS — When “Jenny From the Block” — better known as Jennifer Lopez — decides to open her first store in the world in Moscow, you know something is going on in the neighborhood. Indeed, fashion and retail firms are heading to Russia in droves, attracted by a vibrant economy, a free-spending elite and what’s perceived as pent-up demand for style and status. While there is nervousness about the market and its stability — fueled by the Beslan terrorist attacks earlier this month, the murder of the American editor of Russian Forbes See Brands, Page12 PHOTO BY MAURICIO MIRANDA MAURICIO PHOTO BY WWDTHURSDAY Sportswear FASHION In Milan, Prada went tailored, Burberry Prorsum got citified, Karl Lagerfeld ™ 8 showed variety at Fendi and Angela Missoni hit the right notes. A weekly update on consumer attitudes and behavior based GENERAL on ongoing research from Cotton Incorporated Fashion and retail firms are heading to Russia in droves, attracted by a 1 vibrant economy, a free-spending elite and a demand for style and status. -
Bajo El Signo De Proteo. Estudio Comparado De Temas Y Motivos En
Universidad de Granada Facultad de Filosofía y Letras Departamento de Lingüística General y Teoría de la Literatura Área de Teoría de la Literatura y Literatura Comparada BAJO EL SIGNO DE PROTEO ESTUDIO COMPARADO DE TEMAS Y MOTIVOS EN LAS OBRAS DE J. L. BORGES Y V. NABOKOV Tesis Doctoral presentada por Nina Kressova Director: Dr. Manuel Cáceres Sánchez Codirectora: Dra. Marina Grishakova (Universidad de Tartu, Estonia) Granada, 2007 Editor: Editorial de la Universidad de Granada Autor: Nina Kressova D.L.: Gr. 1200 - 2007 ISBN: 978-84-338-4346-3 ÍNDICE INTRODUCCIÓN ...........……06 1. TEMA Y OBJETIVOS DE LA INVESTIGACIÓN ...........……08 2. ESTADO DE LA CUESTIÓN …...………11 3. COMPOSICIÓN DEL TRABAJO …..…….…19 4. USO DE LAS FUENTES BIBLIOGRÁFICAS ...…………20 5. LISTADO DE ABREVIATURAS …...………21 PRIMERA PARTE: BIOGRAFÍA, FORMACIÓN, CÍRCULO DE INTERESES Y POSIBLES VÍNCULOS ENTRE BORGES Y NABOKOV …...………26 CAPÍTULO I: DOS LÍNEAS DE FUGA EN LA PERSPECTIVA DEL SIGLO XX …...………28 1. INFANCIA …...………28 2. ADOLESCENCIA Y JUVENTUD …...………32 3. ESCRITORES DE PROFESIÓN CON EL ESPÍRITU DE CIENTÍFICOS …...………34 CAPÍTULO II: BORGES Y NABOKOV: QUÉ LEEN, OPINAN Y COMENTAN …...………42 1. LIBROS Y AUTORES EN LA VIDA Y OBRA DE BORGES Y NABOKOV …...………42 2. CÍRCULO DE LECTURAS: ANÁLISIS COMPARADO Shakespeare (60); William James (62); James Joyce (74); Don Quijote (79); Stevenson (82); Kafka (85) …...………58 CAPÍTULO III: INTERCAMBIO DE REVERENCIAS O HISTORIA DE UN DESENCUENTRO …...………88 BIOGRAFÍA, FORMACIÓN, CÍRCULO DE INTERESES Y …...………93 POSIBLES VÍNCULOS ENTRE BORGES Y NABOKOV: CONCLUSIÓN SEGUNDA PARTE: ESTUDIO COMPARATIVO DE LOS UNIVERSOS POÉTICOS DE BORGES Y NABOKOV: TEMAS Y MOTIVOS. …...……..100 1. SOBRE LOS TÉRMINOS ‘TEMA’ Y ‘MOTIVO’ …...……..102 2. -
ABSTRACT Manifestations of Transcendence in Twentieth
ABSTRACT Manifestations of Transcendence in Twentieth-Century American Fiction: F. Scott Fitzgerald, Carson McCullers, J.D. Salinger, and Cormac McCarthy O. Alan Noble, Ph.D. Mentor: Luke Ferretter, Ph.D. At the beginning of the twentieth century, the secularization of American society poses a unique problem for fiction writers. As a number of scholars in various fields have established, humans desire and are oriented towards the transcendent, but in an increasingly secular world, the transcendent ceases to be conceivable as a reality irreducible to the material universe and instrumental reason. In response to this tension, American authors of the twentieth century sought alternative visions of transcendence which would not betray or challenge immanent materialism. Looking at the works of F. Scott Fitzgerald, Carson McCullers, J.D. Salinger, and Cormac McCarthy, this study traces various manifestations of transcendence in literature during this period. The thesis of the study is that a desire for the transcendent is a major preoccupation of twentieth- century American fiction, as authors tried to conceive of the otherworldly in immanent, materialist imagery and language, and that by tracing these manifestations of transcendence we gain a richer understanding of the texts, the literary period, and the social milieu out of which they arise. Copyright © 2013 O. Alan Noble All rights reserved. TABLE OF CONTENTS CHAPTER ONE: Transcendence in the Twentieth Century...............................................1 A Definition of the Transcendent............................................................................7 -
A Critical Look at Literature Worth Teaching. INSTITUTION Virginia Association of Teachers of English
DOCUMENT RESUME ED 284 201 CS 210 268 AUTHOR Small, Robert C., Jr., Ed.; Kelly, Patricia P., Bd. TITLE A Critical Look at Literature Worth Teaching. INSTITUTION Virginia Association of Teachers of English. PUB DATS 86 NOTE 182p. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) -- Collected Works - Serials (022) -- Viewpoints (120) JOURNAL CIT Virginia English Bulletin; v36 n2 Win 1986 EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Curriculum Development; Elementary Secondary Education; *English Curriculum; Higher Education; *Literary Criticism; *Literature Appreciation; *Reader Response; *Reading Material Selection ABSTRACT In order to help teachers identify works of literature that will remain vibrant parts of their students' lives and give them new insights into themselves, their friends, and their enemies, this journal contains articles suggesting works that the authors found most meaningful to themselves. Titles and authors are as follows: (1) "April Morning': Coming to Manhood, All in a Few Hours" (K. Donelson); (2) "Is God Dead?" (L. K. Snyder); (3) "A Record of Epiphanies in the Work of M. E. Kerr" (C. Zinck); (4) "A Shelf Life of 'Forever'" (N. E. Davis); (5) "Pinky's Tale: An Appreciative Response to 'A Day No Pigs Would Die'" (J. Morrell); (6) "A Hero Still Ain't Nothin' But a Sandwich" (L. Newbury); (7) "A Look at Foster Care in 'The Great Gilly Hopkins*" (P. Stokes); (8) "The Black Woman: A Focus on 'Strength of Character' in 'I Know Why the Caged Bird Sings*" (S. S. Cordell); (9) "A Reading of 'Hamlet': An Experiment in Personalized 'New Criticism'" (R. G. Goba); (10) "Robert Frost's 'The Pasture': Poem and Metapoen" (M. -
Bile/Pale Fire: Benjaminian Allegory and Nabokovian Melancholy Sigi
C “I myself / Rich only in large hurts” — Timon of Athens C R R I I S No one reads letters anymore.1 Who even writes letters today? Why would S I we, for, if Tom Cohen is to be believed, they are destined to remain unread. I Bile/Pale Fire: S S And this is only true for the letters that are actually posted, which the & majority are not according to Darian Leader.2 Or at least those letters & written by women. Letters that are written but unposted are doubly C C R unread, off-cuts of a conversation that founders before it begins. Misfires. R I Miscarriages. Or just simply missed. Perhaps the letters that remain I Benjaminian T T I unposted are written by a melancholic hand. The melancholic misses. This I Q is what she does best. She misses the one who has inexplicably gone. Q U More precisely, she misses the time in which it is proper to miss. Missing U E E someone ultimately means accepting their absence. Accepting their Allegory and / absence implies one has sufficiently mourned. But the melancholic, as / Freud tells us, fails to mourn because mourning ultimately means turning Volume 3 / Volume 3 / Issue 2 one’s back on the loved one, making an about-face towards reality again. Issue 2 Against such a betrayal of love, the melancholic rebels. She rises up against the slow and painful process of detaching her libido from the lost Nabokovian loved object, making of herself in the process, as Freud says, “the greatest nuisance.” Melancholics, Freud writes in “Mourning and Melancholia,” always seem as though they felt slighted and had been treated with great injustice. -
Nabokov's Humor
Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: • Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. • Authors control the copyright of their thesis. You will recognise the author's right to be identified as the author of this thesis, and due acknowledgement will be made to the author where appropriate. • You will obtain the author's permission before publishing any material from their thesis. To request permissions please use the Feedback form on our webpage. http://researchspace.auckland.ac.nz/feedback General copyright and disclaimer In addition to the above conditions, authors give their consent for the digital copy of their work to be used subject to the conditions specified on the Library Thesis Consent Form Nabokov’s Humor: The Play of Consciousness Matthew Brillinger A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English, The University of Auckland, 2002 1 Abstract As it develops, Nabokov’s fiction becomes increasingly amusing, with more humor used to greater effect. Why is Nabokov so fond of humor? One school of thought accounts for Nabokov’s humor with reference to a perceived inability to take anything seriously. Although misguided, this explanation is by no means absurd, for Nabokov is more lighthearted than grave, and he certainly prefers play to ceremony. -
(And 'Saving' Humbert): Nabokov, Shchedrin and The
Staging Lolita (and ‘Saving’ Humbert): Nabokov, Shchedrin and the Art of Adaptation BRYAN KARETNYK I dream of simple tender things: a moonlit road and tinkling bells. Ah, drearily the coachboy sings, but sadness into beauty swells… (Vladimir Sirine)1 Introduction Recalling the arduous composition and publication history of Lolita (1955), Vladimir Nabokov wrote that his ‘famous and infamous novel’ had been ‘a painful birth, a difficult baby’.2 The same might have been said almost forty years on from Lolita’s first publication, in 1993, when Rodion Shchedrin, one of Russia’s leading composers and former head of the Union of Russian Composers, was completing work on an operatic adaptation of that same novel. Initially beset by an array of troubles ranging from the Bryan Karetnyk is a Wolfson postgraduate scholar at the School of Slavonic and East European Studies, University College London. The publisher and the author would like to thank Schott for their kind permission to reprint the musical extracts included in this article. The author would like to thank further his two anonymous peer reviewers for their insightful comments, which improved the article greatly, and also the following individuals for making available materials without which the research of this article would have been a far more toilsome task: Gary Kahn and his colleagues at the Perm Opera House, Yvonne Stern-Campo and Lena Kleinschmidt of Schott publishers, and Leonid Peleshev of the International Rodion Shchedrin and Maya Plisetskaya Foundation. 1 Vladimir Sirine [Nabokov], ‘The Russian Song’, in Vladimir Nabokov, Carrousel, Aartswoud, , p. 2 1987 25 Vladimir Nabokov, Speak, Memory, London, 2000, p. -
Vladimir Nabokov
VLADIMIR NABOKOV. From the collection of Lester W. Traub, Beverly Hills. Offered by Thomas A. Goldwasser Rare Books 5 3rd Street, Suite 530 San Francisco, CA 94103 Email: [email protected] www.goldwasserbooks.com Tel: (415) 292-4698 The Traub collection, put together over a forty-year span, includes both Russian and English first editions, contributions to books and periodicals from Nabokov’s years in Europe and America, many other significant editions, including translations into a variety of languages. There are working manuscripts for two interviews, and substantial correspondence, the majority dealing with writing and publishing. Interesting provenances and presentation copies include books from Nabokov’s own library, gifts to Véra, books inscribed to scholars, publishers and other friends, review copies from the libraries of Graham Greene, V.S. Pritchett, John Updike and others. The catalogue is arranged as follows, allowing for a few inconsistencies: Manuscripts, letters, documents, Nos. 1-9 Books by Nabokov, including translations of his works and some adaptations and movie memorabilia, Nos. 10-232. Books with contributions, 233-242 Periodicals with contributions, 243-253 Miscellaneous, 254 - end There remains unlisted more paperback editions, and volumes of criticism or scholarship, please inquire if interested. Terms: Shipping and California sales tax if applicable are additional. Libraries may be billed to suit their budgetary requirements. Digital images are available on request. MANUSCRIPTS AND CORRESPONDENCE 1. Nabokov,