1 the Variable Prosodic Parsings of Nivaĉle Glottal Stop 1. Introduction the Featural Representation and Phonemic Status Of
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T3 Sandhi Rules of Different Prosodic Hierarchies
T3 Sandhi rules of different prosodic hierarchies Abstract This study conducts acoustic analysis on T3 sandhi of two characters across different boundaries of prosodic hierarchies. The experimental data partly support Chen (2000)’s view about sandhi domain that “T3 sandhi takes place obligatorily within MRU”, and “sandhi rule can not apply cross intonation phrase boundary”. Nonetheless, the results do not support his claim that “there are no intermediate sandhi hierarchies between MRU and intonation phrase”. On the contrary, it is found that, although T3 sandhi could occur across all kinds of hierarchical boundaries between MRU and intonation phrase, T3 sandhi rules within a foot (prosodic word), or between foots without pause, or between pauses without intonation (phonology phrase) are very different in terms of acoustic properties. Furthermore, based on the facts that (1) T3 sandhi could occur cross boundary of pauses and (2) phrase-final sandhi could be significantly lengthening, it is argued that T3 sandhi is due to dissimilation of low tones, rather than duration reduction within MRU domain. It is also demonstrated that tone sandhi and prosodic hierarchies may not be equivalently evaluated in Chinese phonology. Prosodic hierarchies are determined by pause and lengthening, not by tone sandhi. Key words: tone sandhi; prosodic hierarchies; boundary; Mandarin Chinese 1 Introduction So-called T3 sandhi in mandarin Chinese has been widely discussed in Chinese Phonology. Mandarin Chinese has four tones: T1 (level 55), T2 (rising 35), T3 (low-rise 214), T4 (falling 51).Generally, when a T3 is followed by another T3, it turns into T2. The rule could be simply stated as: 214->35/ ___214. -
The Cambridge Handbook of Phonology
This page intentionally left blank The Cambridge Handbook of Phonology Phonology – the study of how the sounds of speech are represented in our minds – is one of the core areas of linguistic theory, and is central to the study of human language. This state-of-the-art handbook brings together the world’s leading experts in phonology to present the most comprehensive and detailed overview of the field to date. Focusing on the most recent research and the most influential theories, the authors discuss each of the central issues in phonological theory, explore a variety of empirical phenomena, and show how phonology interacts with other aspects of language such as syntax, morph- ology, phonetics, and language acquisition. Providing a one-stop guide to every aspect of this important field, The Cambridge Handbook of Phonology will serve as an invaluable source of readings for advanced undergraduate and graduate students, an informative overview for linguists, and a useful starting point for anyone beginning phonological research. PAUL DE LACY is Assistant Professor in the Department of Linguistics, Rutgers University. His publications include Markedness: Reduction and Preservation in Phonology (Cambridge University Press, 2006). The Cambridge Handbook of Phonology Edited by Paul de Lacy CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521848794 © Cambridge University Press 2007 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
The Violability of Backness in Retroflex Consonants
The violability of backness in retroflex consonants Paul Boersma University of Amsterdam Silke Hamann ZAS Berlin February 11, 2005 Abstract This paper addresses remarks made by Flemming (2003) to the effect that his analysis of the interaction between retroflexion and vowel backness is superior to that of Hamann (2003b). While Hamann maintained that retroflex articulations are always back, Flemming adduces phonological as well as phonetic evidence to prove that retroflex consonants can be non-back and even front (i.e. palatalised). The present paper, however, shows that the phonetic evidence fails under closer scrutiny. A closer consideration of the phonological evidence shows, by making a principled distinction between articulatory and perceptual drives, that a reanalysis of Flemming’s data in terms of unviolated retroflex backness is not only possible but also simpler with respect to the number of language-specific stipulations. 1 Introduction This paper is a reply to Flemming’s article “The relationship between coronal place and vowel backness” in Phonology 20.3 (2003). In a footnote (p. 342), Flemming states that “a key difference from the present proposal is that Hamann (2003b) employs inviolable articulatory constraints, whereas it is a central thesis of this paper that the constraints relating coronal place to tongue-body backness are violable”. The only such constraint that is violable for Flemming but inviolable for Hamann is the constraint that requires retroflex coronals to be articulated with a back tongue body. Flemming expresses this as the violable constraint RETRO!BACK, or RETRO!BACKCLO if it only requires that the closing phase of a retroflex consonant be articulated with a back tongue body. -
Sociophonetic Variation in Bolivian Quechua Uvular Stops
Title Page Sociophonetic Variation in Bolivian Quechua Uvular Stops by Eva Bacas University of Pittsburgh, 2019 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Eva Bacas It was defended on November 8, 2019 and approved by Alana DeLoge, Quechua Instructor, Department of Linguistics, University of Pittsburgh Melinda Fricke, Assistant Professor, Department of Linguistics, University of Pittsburgh Gillian Gallagher, Associate Professor, Department of Linguistics, New York University Thesis Advisor/Dissertation Director: Claude Mauk, Senior Lecturer, Department of Linguistics, University of Pittsburgh ii Copyright © by Eva Bacas 2019 iii Abstract Sociophonetic Variation in Bolivian Quechua Uvular Stops Eva Bacas, BPhil University of Pittsburgh, 2019 Quechua is an indigenous language of the Andes region of South America. In Cochabamba, Bolivia, Quechua and Spanish have been in contact for over 500 years. In this thesis, I explore sociolinguistic variation among bilingual speakers of Cochabamba Quechua (CQ) and Spanish by investigating the relationship between the production of the voiceless uvular stop /q/ and speakers’ sociolinguistic backgrounds. I conducted a speech production study and sociolinguistic interview with seven bilingual CQ-Spanish speakers. I analyzed manner of articulation and place of articulation variation. Results indicate that manner of articulation varies primarily due to phonological factors, and place of articulation varies according to sociolinguistic factors. This reveals that among bilingual CQ-Spanish speakers, production of voiceless uvular stop /q/ does vary sociolinguistically. -
5 Phonology Florian Lionnet and Larry M
5 Phonology Florian Lionnet and Larry M. Hyman 5.1. Introduction The historical relation between African and general phonology has been a mutu- ally beneficial one: the languages of the African continent provide some of the most interesting and, at times, unusual phonological phenomena, which have con- tributed to the development of phonology in quite central ways. This has been made possible by the careful descriptive work that has been done on African lan- guages, by linguists and non-linguists, and by Africanists and non-Africanists who have peeked in from time to time. Except for the click consonants of the Khoisan languages (which spill over onto some neighboring Bantu languages that have “borrowed” them), the phonological phenomena found in African languages are usually duplicated elsewhere on the globe, though not always in as concen- trated a fashion. The vast majority of African languages are tonal, and many also have vowel harmony (especially vowel height harmony and advanced tongue root [ATR] harmony). Not surprisingly, then, African languages have figured dispro- portionately in theoretical treatments of these two phenomena. On the other hand, if there is a phonological property where African languages are underrepresented, it would have to be stress systems – which rarely, if ever, achieve the complexity found in other (mostly non-tonal) languages. However, it should be noted that the languages of Africa have contributed significantly to virtually every other aspect of general phonology, and that the various developments of phonological theory have in turn often greatly contributed to a better understanding of the phonologies of African languages. Given the considerable diversity of the properties found in different parts of the continent, as well as in different genetic groups or areas, it will not be possible to provide a complete account of the phonological phenomena typically found in African languages, overviews of which are available in such works as Creissels (1994) and Clements (2000). -
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society Title Perception of Illegal Contrasts: Japanese Adaptations of Korean Coda Obstruents Permalink https://escholarship.org/uc/item/6x34v499 Journal Proceedings of the Annual Meeting of the Berkeley Linguistics Society, 36(36) ISSN 2377-1666 Author Whang, James D. Y. Publication Date 2016 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PROCEEDINGS OF THE THIRTY SIXTH ANNUAL MEETING OF THE BERKELEY LINGUISTICS SOCIETY February 6-7, 2010 General Session Special Session Language Isolates and Orphans Parasession Writing Systems and Orthography Editors Nicholas Rolle Jeremy Steffman John Sylak-Glassman Berkeley Linguistics Society Berkeley, CA, USA Berkeley Linguistics Society University of California, Berkeley Department of Linguistics 1203 Dwinelle Hall Berkeley, CA 94720-2650 USA All papers copyright c 2016 by the Berkeley Linguistics Society, Inc. All rights reserved. ISSN: 0363-2946 LCCN: 76-640143 Contents Acknowledgments v Foreword vii Basque Genitive Case and Multiple Checking Xabier Artiagoitia . 1 Language Isolates and Their History, or, What's Weird, Anyway? Lyle Campbell . 16 Putting and Taking Events in Mandarin Chinese Jidong Chen . 32 Orthography Shapes Semantic and Phonological Activation in Reading Hui-Wen Cheng and Catherine L. Caldwell-Harris . 46 Writing in the World and Linguistics Peter T. Daniels . 61 When is Orthography Not Just Orthography? The Case of the Novgorod Birchbark Letters Andrew Dombrowski . 91 Gesture-to-Speech Mismatch in the Construction of Problem Solving Insight J.T.E. Elms . 101 Semantically-Oriented Vowel Reduction in an Amazonian Language Caleb Everett . 116 Universals in the Visual-Kinesthetic Modality: Politeness Marking Features in Japanese Sign Language (JSL) Johnny George . -
Lecture 5 Sound Change
An articulatory theory of sound change An articulatory theory of sound change Hypothesis: Most common initial motivation for sound change is the automation of production. Tokens reduced online, are perceived as reduced and represented in the exemplar cluster as reduced. Therefore we expect sound changes to reflect a decrease in gestural magnitude and an increase in gestural overlap. What are some ways to test the articulatory model? The theory makes predictions about what is a possible sound change. These predictions could be tested on a cross-linguistic database. Sound changes that take place in the languages of the world are very similar (Blevins 2004, Bateman 2000, Hajek 1997, Greenberg et al. 1978). We should consider both common and rare changes and try to explain both. Common and rare changes might have different characteristics. Among the properties we could look for are types of phonetic motivation, types of lexical diffusion, gradualness, conditioning environment and resulting segments. Common vs. rare sound change? We need a database that allows us to test hypotheses concerning what types of changes are common and what types are not. A database of sound changes? Most sound changes have occurred in undocumented periods so that we have no record of them. Even in cases with written records, the phonetic interpretation may be unclear. Only a small number of languages have historic records. So any sample of known sound changes would be biased towards those languages. A database of sound changes? Sound changes are known only for some languages of the world: Languages with written histories. Sound changes can be reconstructed by comparing related languages. -
ELISION in ESAHIE Victoria Owusu Ansah Abstract One of the Syllable Structure Changes That Occur in Rapid Speech Because of Sounds Influencing Each Other Is Elision
Ghana Journal of Linguistics 9.2: 22-43 (2020) ________________________________________________________________________ http://dx.doi.org/10.4314/gjl.v9i2.2 ELISION IN ESAHIE Victoria Owusu Ansah Abstract One of the syllable structure changes that occur in rapid speech because of sounds influencing each other is elision. This paper provides an account of elision in Esahie, also known as Sehwi, a Kwa language spoken in the Western North region of Ghana. The paper discusses the processes involved in elision, and the context within which elision occurs in the language. The paper shows that sound segments, syllables and tones are affected by the elision process. It demonstrates that elision, though purely a phonological process, is influenced by morphological factors such as vowel juxtapositioning during compounding, and at word boundary. The evidence in this paper show that there is an interface between phonology and morphology when accounting for elision in Esahie. Data for this study were gathered from primary sources using ethnographic and stimuli methods. Keywords: Elision, Esahie, Sehwi, Tone, Deletion, Phonology 1.0 Introduction This paper provides an account of elision in Esahie, a Kwa language spoken in the Western North Region of Ghana1. It discusses the processes involved in elision in Esahie, and the context within which elision occurs in the language. The paper demonstrates that elision is employed in Esahie as a syllable structure repair mechanism. Elision is purely a phonological process but can sometimes be triggered by morphological factors. Indeed, the works of (Abakah 2004a, 2004b), Abdul-Rahman (2013), Abukari (2018), Becker and Gouskova (2016) writing on Akan, Dagbani and Russia respectively, confirm that elision 1 Speakers of Esahie in Ghana number about 580,000 and they live mostly in the Western North Region of the country (Ghana Statistical Service Report 2012, 2010 National Population Census). -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
Issues in the Distribution of the Glottal Stop
Theoretical Issues in the Representation of the Glottal Stop in Blackfoot* Tyler Peterson University of British Columbia 1.0 Introduction This working paper examines the phonemic and phonetic status and distribution of the glottal stop in Blackfoot.1 Observe the phonemic distribution (1), four phonological operations (2), and three surface realizations (3) of the glottal stop: (1) a. otsi ‘to swim’ c. otsi/ ‘to splash with water’ b. o/tsi ‘to take’ (2) a. Metathesis: V/VC ® VV/C nitáó/mai/takiwa nit-á/-omai/takiwa 1-INCHOAT-believe ‘now I believe’ b. Metathesis ® Deletion: V/VùC ® VVù/C ® VVùC kátaookaawaatsi káta/-ookaa-waatsi INTERROG-sponsor.sundance-3s.NONAFFIRM ‘Did she sponsor a sundance?’ (Frantz, 1997: 154) c. Metathesis ® Degemination: V/V/C ® VV//C ® VV/C áó/tooyiniki á/-o/too-yiniki INCHOAT-arrive(AI)-1s/2s ‘when I/you arrive’ d. Metathesis ® Deletion ® V-lengthening: V/VC ® VV/C ® VVùC kátaoottakiwaatsi káta/-ottaki-waatsi INTEROG-bartender-3s.NONAFFIRM ‘Is he a bartender?’ (Frantz, 1997) (3) Surface realizations: [V/C] ~ [VV0C] ~ [VùC] aikai/ni ‘He dies’ a. [aIkaI/ni] b. [aIkaII0ni] c. [aIkajni] The glottal stop appears to have a unique status within the Blackfoot consonant inventory. The examples in (1) (and §2.1 below) suggest that it appears as a fully contrastive phoneme in the language. However, the glottal stop is put through variety of phonological processes (metathesis, syncope and degemination) that no other consonant in the language is subject to. Also, it has a variety of surfaces realizations in the form of glottalization on an adjacent vowel (cf. -
The Sound Patterns of Camuno: Description and Explanation in Evolutionary Phonology
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 The Sound Patterns Of Camuno: Description And Explanation In Evolutionary Phonology Michela Cresci Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/191 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY by MICHELA CRESCI A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City Universtiy of New York 2014 i 2014 MICHELA CRESCI All rights reserved ii This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. JULIETTE BLEVINS ____________________ __________________________________ Date Chair of Examining Committee GITA MARTOHARDJONO ____________________ ___________________________________ Date Executive Officer KATHLEEN CURRIE HALL DOUGLAS H. WHALEN GIOVANNI BONFADINI Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY By Michela Cresci Advisor: Professor Juliette Blevins This dissertation presents a linguistic study of the sound patterns of Camuno framed within Evolutionary Phonology (Blevins, 2004, 2006, to appear). Camuno is a variety of Eastern Lombard, a Romance language of northern Italy, spoken in Valcamonica. Camuno is not a local variety of Italian, but a sister of Italian, a local divergent development of the Latin originally spoken in Italy (Maiden & Perry, 1997, p. -
Towards Zero-Shot Learning for Automatic Phonemic Transcription
The Thirty-Fourth AAAI Conference on Artificial Intelligence (AAAI-20) Towards Zero-Shot Learning for Automatic Phonemic Transcription Xinjian Li, Siddharth Dalmia, David R. Mortensen, Juncheng Li, Alan W Black, Florian Metze Language Technologies Institute, School of Computer Science Carnegie Mellon University {xinjianl, sdalmia, dmortens, junchenl, awb, fmetze}@cs.cmu.edu Abstract Hermann and Goldwater 2018), which typically uses an un- supervised technique to learn representations which can be Automatic phonemic transcription tools are useful for low- resource language documentation. However, due to the lack used towards speech processing tasks. of training sets, only a tiny fraction of languages have phone- However, those unsupervised approaches could not gener- mic transcription tools. Fortunately, multilingual acoustic ate phonemes directly and there has been few works study- modeling provides a solution given limited audio training ing zero-shot learning for unseen phonemes transcription, data. A more challenging problem is to build phonemic tran- which consist of learning an acoustic model without any au- scribers for languages with zero training data. The difficulty dio data or text data for a given target language and unseen of this task is that phoneme inventories often differ between phonemes. In this work, we aim to solve this problem to the training languages and the target language, making it in- transcribe unseen phonemes for unseen languages without feasible to recognize unseen phonemes. In this work, we ad- dress this problem by adopting the idea of zero-shot learning. considering any target data, audio or text. Our model is able to recognize unseen phonemes in the tar- The prediction of unseen objects has been studied for a get language without any training data.