Slouching Toward Optimality: Coda Reduction in OT-CC John J
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The Serial Interaction of Stress and Syncope John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2008 The serial interaction of stress and syncope John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "The es rial interaction of stress and syncope" (2008). Natural Language and Linguistic Theory. 90. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/90 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Nat Lang Linguist Theory (2008) 26: 499–546 DOI 10.1007/s11049-008-9051-3 ORIGINAL PAPER The serial interaction of stress and syncope John J. McCarthy Received: 7 November 2007 / Accepted: 12 April 2008 / Published online: 26 August 2008 © Springer Science+Business Media B.V. 2008 Abstract Many languages respect the generalization that some or all unstressed vow- els are deleted. This generalization proves elusive in classic Optimality Theory, how- ever. The source of the problem is classic OT’s parallel evaluation, which requires that the effects of stress assignment and syncope be optimized together. This article argues for a version of OT called Harmonic Serialism, in which the effects of stress assignment and syncope can and must be evaluated sequentially. The results are po- tentially applicable to other domains where process interaction is best understood in derivational terms. -
Syncope in Crimean Tatar*
Syncope in Crimean Tatar* Darya Kavitskaya Yale University Crimean Tatar has a pervasive syncope of high vowels postlexically. The syncope of unstressed vowels only occurs when it results in a phonotactically acceptable syllable structure. Additionally, stressed high vowels delete between identical consonants with the following degemination which is attributed to a highly ranked OCP constraint. An apparent counterexample, the syncope of high vowels followed by voiceless geminates, is shown to be a matter of phonetic implementation, while the former processes have to be represented in phonology. 1. Introduction Crimean Tatar (henceforth, CT) is a West Kipchak language which belongs to the northwestern branch of Turkic (Johanson 1998:81). CT is spoken mainly in the Crimean peninsula in Ukraine, as well as in Uzbekistan, and also in small communities in Russia, Bulgaria, Romania, and Turkey. According to traditional descriptions, CT is subdivided into three dialects: Southern (or Coastal), Central, and Northern (or Steppe) (Johanson and Csato 1998). All three dialects are endangered (Southern and Northern more so than Central): the language is now extensively used mostly by the speakers older than forty, and very few children learn it as their first language. The sociolinguistic situation of CT is quite unusual. In 1944, the entire Tatar population of Crimea was deported to Central Asia (Uzbekistan, Kazakhstan, and Tajikistan), and to several locations in Russia. As a result, the speakers of CT dialects that used to be linguistically homogenous were separated, mixed, and immersed into radically different language environments. The early 1990s saw the return of Crimean Tatars to their homeland. Currently about 250,000 Crimean Tatars live in Crimea again, and another 250,000 are still in exile. -
Phonological Domains Within Blackfoot Towards a Family-Wide Comparison
Phonological domains within Blackfoot Towards a family-wide comparison Natalie Weber 52nd algonquian conference yale university October 23, 2020 Outline 1. Background 2. Two phonological domains in Blackfoot verbs 3. Preverbs are not a separate phonological domain 4. Parametric variation 2 / 59 Background 3 / 59 Consonant inventory Labial Coronal Dorsal Glottal Stops p pː t tː k kː ʔ <’> Assibilants ts tːs ks Pre-assibilants ˢt ˢtː Fricatives s sː x <h> Nasals m mː n nː Glides w j <y> (w) Long consonants written with doubled letters. (Derrick and Weber n.d.; Weber 2020) 4 / 59 Predictable mid vowels? (Frantz 2017) Many [ɛː] and [ɔː] arise from coalescence across boundaries ◦ /a+i/ ! [ɛː] ◦ /a+o/ ! [ɔː] Vowel inventory front central back high i iː o oː mid ɛː <ai> ɔː <ao> low a aː (Derrick and Weber n.d.; Weber 2020) 5 / 59 Vowel inventory front central back high i iː o oː mid ɛː <ai> ɔː <ao> low a aː Predictable mid vowels? (Frantz 2017) Many [ɛː] and [ɔː] arise from coalescence across boundaries ◦ /a+i/ ! [ɛː] ◦ ! /a+o/ [ɔː] (Derrick and Weber n.d.; Weber 2020) 5 / 59 Contrastive mid vowels Some [ɛː] and [ɔː] are morpheme-internal, in overlapping environments with other long vowels JɔːníːtK JaːníːtK aoníít aaníít [ao–n/i–i]–t–Ø [aan–ii]–t–Ø [hole–by.needle/ti–ti1]–2sg.imp–imp [say–ai]–2sg.imp–imp ‘pierce it!’ ‘say (s.t.)!’ (Weber 2020) 6 / 59 Syntax within the stem Intransitive (bi-morphemic) vs. syntactically transitive (trimorphemic). Transitive V is object agreement (Quinn 2006; Rhodes 1994) p [ root –v0 –V0 ] Stem type Gloss ikinn –ssi AI ‘he is warm’ ikinn –ii II ‘it is warm’ itap –ip/i –thm TA ‘take him there’ itap –ip/ht –oo TI ‘take it there’ itap –ip/ht –aki AI(+O) ‘take (s.t.) there’ (Déchaine and Weber 2015, 2018; Weber 2020) 7 / 59 Syntax within the verbal complex Template p [ person–(preverb)*– [ –(med)–v–V ] –I0–C0 ] CP vP root vP CP ◦ Minimal verbal complex: stem plus suffixes (I0,C0). -
Prosodic Identity in Copy Epenthesis Evidence for a Correspondence-Based Approach
Nat Lang Linguist Theory DOI 10.1007/s11049-017-9385-9 Prosodic identity in copy epenthesis Evidence for a correspondence-based approach Juliet Stanton1 · Sam Zukoff2 Received: 31 October 2016 / Accepted: 23 June 2017 © Springer Science+Business Media B.V. 2017 Abstract This paper focuses on languages that exhibit processes of copy epenthe- sis, specifically those where the similarity between a copy vowel and its host ex- tends to prosodic or suprasegmental resemblance. We argue that copy vowels and their hosts strive for identity in all prosodic properties, and show that this drive for prosodic identity can cause misapplication in the assignment of properties such as stress and length. To explain these effects, we argue that any successful analysis of copy epenthesis must involve a correspondence relation (following Kitto and de Lacy 1999). Our proposal successfully predicts the extant typology of prosodic identity ef- fects in copy epenthesis; alternative analyses of copy epenthesis relying solely on fea- tural spreading (e.g. Kawahara 2007) or gestural realignment (e.g. Hall 2003, 2006) do not naturally capture the effects discussed here. Keywords Copy epenthesis · Phonology · Correspondence · Misapplication · Prosody 1 Introduction The term copy epenthesis describes a class of patterns in which the quality of an epenthetic vowel depends on the quality of one of its vocalic neighbors. For exam- ple: in a language where underlying /pri/ is realized as [piri] but /pra/ as [para] (not *[pira]), the vowel that appears in the unexpected position (the copy) is featurally identical to the vowel that appears in the expected position (its host). B J. -
The Phonetics-Phonology Interface in Romance Languages José Ignacio Hualde, Ioana Chitoran
Surface sound and underlying structure : The phonetics-phonology interface in Romance languages José Ignacio Hualde, Ioana Chitoran To cite this version: José Ignacio Hualde, Ioana Chitoran. Surface sound and underlying structure : The phonetics- phonology interface in Romance languages. S. Fischer and C. Gabriel. Manual of grammatical interfaces in Romance, 10, Mouton de Gruyter, pp.23-40, 2016, Manuals of Romance Linguistics, 978-3-11-031186-0. hal-01226122 HAL Id: hal-01226122 https://hal-univ-paris.archives-ouvertes.fr/hal-01226122 Submitted on 24 Dec 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Manual of Grammatical Interfaces in Romance MRL 10 Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM Manuals of Romance Linguistics Manuels de linguistique romane Manuali di linguistica romanza Manuales de lingüística románica Edited by Günter Holtus and Fernando Sánchez Miret Volume 10 Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM Manual of Grammatical Interfaces in Romance Edited by Susann Fischer and Christoph Gabriel Brought to you by | Université de Paris Mathematiques-Recherche Authenticated | [email protected] Download Date | 11/1/16 3:56 PM ISBN 978-3-11-031178-5 e-ISBN (PDF) 978-3-11-031186-0 e-ISBN (EPUB) 978-3-11-039483-2 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. -
Phonological Processes
Phonological Processes Phonological processes are patterns of articulation that are developmentally appropriate in children learning to speak up until the ages listed below. PHONOLOGICAL PROCESS DESCRIPTION AGE ACQUIRED Initial Consonant Deletion Omitting first consonant (hat → at) Consonant Cluster Deletion Omitting both consonants of a consonant cluster (stop → op) 2 yrs. Reduplication Repeating syllables (water → wawa) Final Consonant Deletion Omitting a singleton consonant at the end of a word (nose → no) Unstressed Syllable Deletion Omitting a weak syllable (banana → nana) 3 yrs. Affrication Substituting an affricate for a nonaffricate (sheep → cheep) Stopping /f/ Substituting a stop for /f/ (fish → tish) Assimilation Changing a phoneme so it takes on a characteristic of another sound (bed → beb, yellow → lellow) 3 - 4 yrs. Velar Fronting Substituting a front sound for a back sound (cat → tat, gum → dum) Backing Substituting a back sound for a front sound (tap → cap) 4 - 5 yrs. Deaffrication Substituting an affricate with a continuant or stop (chip → sip) 4 yrs. Consonant Cluster Reduction (without /s/) Omitting one or more consonants in a sequence of consonants (grape → gape) Depalatalization of Final Singles Substituting a nonpalatal for a palatal sound at the end of a word (dish → dit) 4 - 6 yrs. Stopping of /s/ Substituting a stop sound for /s/ (sap → tap) 3 ½ - 5 yrs. Depalatalization of Initial Singles Substituting a nonpalatal for a palatal sound at the beginning of a word (shy → ty) Consonant Cluster Reduction (with /s/) Omitting one or more consonants in a sequence of consonants (step → tep) Alveolarization Substituting an alveolar for a nonalveolar sound (chew → too) 5 yrs. -
Bleaching and Coloring*
386 Bleaching and Coloring* Patricia D. Miller Ohio State University Current studies in natural phonology have dealt with vowels in terms of three cardinal properties: palatality, labiality, and sonority. Palatality and labiality--the chromatic properties--are optimized by a minimally open, maximally constricted vocal tract; and sonority is optimized by a more open vowel tract) Thus the familiar triangle: A or, more exactly a a represents the maximal opposition of the three properties.2 And in many ways, the vowel space does seem to be triangular: ordinarily, the more sonorant a vowel is, the less color it has; and the more chromatic it is--the less sonorant. Thus, while i, e, and m are all palatal, i is more palatal than e, and e is more palatal than m; and, similarly, the degree of rounding varies for u, o, 3. The vowels #, A, and a are colorless or achromatic. They lack both palatality and labiality, and differ only in sonority.3 In this framework, the terms bleaching and coloring are almost self-explanatory: bleaching removes color, and coloring adds color. Bleaching Bleaching may remove palatality or labiality, or both simultaneously: V !lover -Labial !unstressed and/or !lax/short -Palatal] !mixed _(context) Full-scale operation of bleaching will produce linear vowel systems like those of the Caucasian languages reported to have k, A, a. If A lowers, it will produce the system 4, a like that of Kabardian (Kuipers 1960:23 et passim), or that of the child Curt4 (011er forthcoming); or, if all achromatics lower, it will give the single- vowel system, a. -
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society Title Perception of Illegal Contrasts: Japanese Adaptations of Korean Coda Obstruents Permalink https://escholarship.org/uc/item/6x34v499 Journal Proceedings of the Annual Meeting of the Berkeley Linguistics Society, 36(36) ISSN 2377-1666 Author Whang, James D. Y. Publication Date 2016 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PROCEEDINGS OF THE THIRTY SIXTH ANNUAL MEETING OF THE BERKELEY LINGUISTICS SOCIETY February 6-7, 2010 General Session Special Session Language Isolates and Orphans Parasession Writing Systems and Orthography Editors Nicholas Rolle Jeremy Steffman John Sylak-Glassman Berkeley Linguistics Society Berkeley, CA, USA Berkeley Linguistics Society University of California, Berkeley Department of Linguistics 1203 Dwinelle Hall Berkeley, CA 94720-2650 USA All papers copyright c 2016 by the Berkeley Linguistics Society, Inc. All rights reserved. ISSN: 0363-2946 LCCN: 76-640143 Contents Acknowledgments v Foreword vii Basque Genitive Case and Multiple Checking Xabier Artiagoitia . 1 Language Isolates and Their History, or, What's Weird, Anyway? Lyle Campbell . 16 Putting and Taking Events in Mandarin Chinese Jidong Chen . 32 Orthography Shapes Semantic and Phonological Activation in Reading Hui-Wen Cheng and Catherine L. Caldwell-Harris . 46 Writing in the World and Linguistics Peter T. Daniels . 61 When is Orthography Not Just Orthography? The Case of the Novgorod Birchbark Letters Andrew Dombrowski . 91 Gesture-to-Speech Mismatch in the Construction of Problem Solving Insight J.T.E. Elms . 101 Semantically-Oriented Vowel Reduction in an Amazonian Language Caleb Everett . 116 Universals in the Visual-Kinesthetic Modality: Politeness Marking Features in Japanese Sign Language (JSL) Johnny George . -
Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold
Dwi Nita Febriyanti Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold Dwi Nita Febriyanti [email protected] English Language Studies, Sanata Dharma University Abstract This paper discusses the phenomena of phonological rules, especially assimilation, reduction and elision processes. In this paper, the writer conducted phonological study which attempts to find the phenomena of those processes in song lyrics. In taking the data, the writer transcribed the lyrics of the songs, along with checking them to the internet source, then observed the lyrics to find the phenomena of assimilation, reduction, and elision. After that, she classified the observed phenomena in the lyrics based on the phonological processes. From the data analysis, the results showed that there were three processes found both in the first and second songs: assimilation, reduction and elision. The difference is that in the first song, it has four kinds of assimilation, while from the second song only has three kinds of assimilation. Keywords: assimilation, reduction, elision Introduction brothers and sisters’ discussion or even in songs, for which songs are considered as the As English spoken by the native media for the composer to share his feelings. speakers, it sometimes undergoes simplification to ease the native speakers in Assimilation usually happens in the expressing their feelings. That is why, it is double consonants. This is a phenomenon common for them to speak English in high which shows the influence of one sound to speed along with their emotions. As the another to become more similar. While for result, they make a ‘shortcut’ to get ease of the reduction process, it can happen to the their pronunciation. -
The Domain of Liaison: Theories and Data*
The domain of liaison: theories and data* GEERT BOOIJ and DAAN DE JONG Abstract In this paper it is argued that current theories of the domain of liaison are inadequate. It is shown thai 'domain' is a variable intralinguistic constraint on the (variable) rule of liaison. The variable nature of liaison is also apparent from the fact that its rate of application covaries with extralinguis- tic factors such as style and social class. These results also show that rules of sentence phonology should be based on reliable corpora of spoken language. 1. Introduction Liaison can be seen as the phenomenon of latent word-final consonants surfacing phonetically before a vowel-initial word. For instance, in petit ami [p(9)titami] 'little friend' the final / of petit is realized phonetically, whereas it does not surface in petit garςon [p(3)tigars5] 4small boy', because the following word begins with a consonant. These latent consonants also surface in inflectional and derivational morphology, as petite [p(s)tit] 'small', fern, sg., and petitesse [ptites] 'smallness' illustrate. A survey of alternative views of liaison is presented in Klausenburger (1984). The liaison consonant is usually (but not always, see Encreve 1983) tautosyllabic with the next word, the first fragment of the second word, as is illustrated by the syllabification of petit ami: (ρίί)σ(ΐ3)σ(ηιί)á where σ = syllable. That is, liaison usually implies enchamement.1 In this paper, we will focus on one particular problem in the analysis of liaison, its domain of application. It is well known that liaison only applies within certain environments. -
L Vocalisation As a Natural Phenomenon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Essex Research Repository L Vocalisation as a Natural Phenomenon Wyn Johnson and David Britain Essex University [email protected] [email protected] 1. Introduction The sound /l/ is generally characterised in the literature as a coronal lateral approximant. This standard description holds that the sounds involves contact between the tip of the tongue and the alveolar ridge, but instead of the air being blocked at the sides of the tongue, it is also allowed to pass down the sides. In many (but not all) dialects of English /l/ has two allophones – clear /l/ ([l]), roughly as described, and dark, or velarised, /l/ ([…]) involving a secondary articulation – the retraction of the back of the tongue towards the velum. In dialects which exhibit this allophony, the clear /l/ occurs in syllable onsets and the dark /l/ in syllable rhymes (leaf [li˘f] vs. feel [fi˘…] and table [te˘b…]). The focus of this paper is the phenomenon of l-vocalisation, that is to say the vocalisation of dark /l/ in syllable rhymes 1. feel [fi˘w] table [te˘bu] but leaf [li˘f] 1 This process is widespread in the varieties of English spoken in the South-Eastern part of Britain (Bower 1973; Hardcastle & Barry 1989; Hudson and Holloway 1977; Meuter 2002, Przedlacka 2001; Spero 1996; Tollfree 1999, Trudgill 1986; Wells 1982) (indeed, it appears to be categorical in some varieties there) and which extends to many other dialects including American English (Ash 1982; Hubbell 1950; Pederson 2001); Australian English (Borowsky 2001, Borowsky and Horvath 1997, Horvath and Horvath 1997, 2001, 2002), New Zealand English (Bauer 1986, 1994; Horvath and Horvath 2001, 2002) and Falkland Island English (Sudbury 2001). -
On the Production of Sandhi Phenomena in French: Psycholinguistic and Acoustic Data
On the production of sandhi phenomena in French: psycholinguistic and acoustic data Odile Bagou1, Violaine Michel1, Marina Laganaro1 1 Groupe NeuroPsychoLinguistique, FLSH, University of Neuchâtel, Switzerland [email protected], [email protected] Abstract detect than word-initial consonants (see also, [3]). Therefore, one might consider that liaison consonants have This preliminary study addresses two complementary a perceptual status that facilitates lexical access on W2. questions about the production of sandhi phenomena in French. First, we investigated whether the encoding of At least two hypotheses can be proposed to integrate enchaînement and liaison enchaînée involves a processing these two main results. First, liaison and enchaînement cost compared to non-resyllabified sequences. This consonants might be acoustically less salient than word- question was analyzed with a psycholinguistic production initial consonants. Indeed, liaison consonants [7, 8, 4, 5] time paradigm. The elicited sequences were then used to and enchaînement consonants [9, 10] have been reported to be shorter than word-initial consonants. Hence, the address our second question, namely how critical V1CV2 sequences are phonetically realized across different processing of the misalignement might be facilitated by boundary conditions. We compared the durational the presence of subtle acoustic cues that allow the listeners properties of critical sequences containing a word-final to discriminate resyllabified consonants from word-initial consonants. However, phoneme detection studies coda consonant (enchaînement: V1.C#V2), an additional consonant (liaison enchaînée: V +C#V ) and a similar established that only liaison consonants perceptually differ 1 2 from word-initial consonants [6]. Therefore, the effects onset consonant (V1#CV2). Results on production latencies suggested that the encoding of liaison enchaînée involves found in phoneme detection tasks cannot be explained by an additional processing cost compared to the two other acoustic differences only.