Morphophonology of Magahi
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T3 Sandhi Rules of Different Prosodic Hierarchies
T3 Sandhi rules of different prosodic hierarchies Abstract This study conducts acoustic analysis on T3 sandhi of two characters across different boundaries of prosodic hierarchies. The experimental data partly support Chen (2000)’s view about sandhi domain that “T3 sandhi takes place obligatorily within MRU”, and “sandhi rule can not apply cross intonation phrase boundary”. Nonetheless, the results do not support his claim that “there are no intermediate sandhi hierarchies between MRU and intonation phrase”. On the contrary, it is found that, although T3 sandhi could occur across all kinds of hierarchical boundaries between MRU and intonation phrase, T3 sandhi rules within a foot (prosodic word), or between foots without pause, or between pauses without intonation (phonology phrase) are very different in terms of acoustic properties. Furthermore, based on the facts that (1) T3 sandhi could occur cross boundary of pauses and (2) phrase-final sandhi could be significantly lengthening, it is argued that T3 sandhi is due to dissimilation of low tones, rather than duration reduction within MRU domain. It is also demonstrated that tone sandhi and prosodic hierarchies may not be equivalently evaluated in Chinese phonology. Prosodic hierarchies are determined by pause and lengthening, not by tone sandhi. Key words: tone sandhi; prosodic hierarchies; boundary; Mandarin Chinese 1 Introduction So-called T3 sandhi in mandarin Chinese has been widely discussed in Chinese Phonology. Mandarin Chinese has four tones: T1 (level 55), T2 (rising 35), T3 (low-rise 214), T4 (falling 51).Generally, when a T3 is followed by another T3, it turns into T2. The rule could be simply stated as: 214->35/ ___214. -
The Cambridge Handbook of Phonology
This page intentionally left blank The Cambridge Handbook of Phonology Phonology – the study of how the sounds of speech are represented in our minds – is one of the core areas of linguistic theory, and is central to the study of human language. This state-of-the-art handbook brings together the world’s leading experts in phonology to present the most comprehensive and detailed overview of the field to date. Focusing on the most recent research and the most influential theories, the authors discuss each of the central issues in phonological theory, explore a variety of empirical phenomena, and show how phonology interacts with other aspects of language such as syntax, morph- ology, phonetics, and language acquisition. Providing a one-stop guide to every aspect of this important field, The Cambridge Handbook of Phonology will serve as an invaluable source of readings for advanced undergraduate and graduate students, an informative overview for linguists, and a useful starting point for anyone beginning phonological research. PAUL DE LACY is Assistant Professor in the Department of Linguistics, Rutgers University. His publications include Markedness: Reduction and Preservation in Phonology (Cambridge University Press, 2006). The Cambridge Handbook of Phonology Edited by Paul de Lacy CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521848794 © Cambridge University Press 2007 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
Dissimilation in Grammar and the Lexicon 381
In Paul de Lacy (ed.), The Cambridge Handbook of Phonology, CUP. ~ssive' 16 hono main, uages Ii and Dissimilation in grammar .t sibi l1eme- and the lexicon John D. Alderete Stefan A. Frisch 1992). s har peech L1 and form 16.1 Introduction ltivity Dissimilation is the systematic avoidance of two similar sound structures in this is relatively close proximity to each other. It is exhibited in static generalizations over the lexicon, where combinations of similar sounds are systematically lspar avoided in lexical items, like the avoidance oftwo homorganic consonants in ~such Arabic roots (Greenberg 1950; McCarthy 1994). Dissimilation is also observed in l than phonological processes in which the target and trigger become less alike for by phonologically. In Tashlhiyt Berber, for example, two primary labial conson ction; ants in the same derived stem trigger a process ofdelabialization: Im-kaddabl ~ [n-kaddab] 'consider a liar (reciprocal)' (Elmedlaoui 1992, Jebbour 1985). Dissimilation has been an important empirical testing ground for many of the central research paradigms in modern linguistics. For example, dissimilatory phenomena have been crucial to the development of theories offeature geometry and feature specification in autosegmental phonology (McCarthy 1986, 1988, Padgett 1995, Yip 1989b). As the results emerging from this research were incorporated into constraint-based theories of phonology like Optimality Theory (Prince & Smolensky 2004), dissimilation became an important problem in the study of phonological markedness and constraint composition (Alderete 1997, Ito & Mester 2003). In a different line of research, dissimilation has been argued to have its seeds in the phonetics of sound change, restricted by the same vocal tract constraints involved in speech production and perception (Ohala 1981 et seq.). -
Long-Distance /R/-Dissimilation in American English
Long-Distance /r/-Dissimilation in American English Nancy Hall August 14, 2009 1 Introduction In many varieties of American English, it is possible to drop one /r/ from cer- tain words that contain two /r/s, such as su(r)prise, pa(r)ticular, gove(r)nor, and co(r)ner. This type of /r/-deletion is done by speakers who are basically ‘rhotic’; that is, who generally do not drop /r/ in any other position. It is a type of dissimi- lation, because it avoids the presence of multiple rhotics within a word.1 This paper has two goals. The first is to expand the description of American /r/-dissimilation by bringing together previously published examples of the process with new examples from an elicitation study and from corpora. This data set reveals new generalizations about the phonological environments that favor dissimilation. The second goal is to contribute to the long-running debate over why and how dissimilation happens, and particularly long-distance dissimilation. There is dis- pute over whether long-distance dissimilation is part of the grammar at all, and whether its functional grounding is a matter of articulatory constraints, processing constraints, or perception. Data from American /r/-dissimilation are especially im- portant for this debate, because the process is active, it is not restricted to only a few morphemes, and it occurs in a living language whose phonetics can be studied. Ar- guments in the literature are more often based on ancient diachronic dissimilation processes, or on processes that apply synchronically only in limited morphological contexts (and hence are likely fossilized remnants of once wider patterns). -
Prosody of Tone Sandhi in Vietnamese Reduplications
Prosody of Tone Sandhi in Vietnamese Reduplications Authors Thu Nguyen Linguistics program E.M.S.A.H. University of Queensland St Lucia, QLD 4072, Australia Email: [email protected] John Ingram Linguistics program E.M.S.A.H. University of Queensland St Lucia, QLD 4072, Australia Email: [email protected] Abstract In this paper we take advantage of the segmental control afforded by full and partial Vietnamese reduplications on a constant carrier phrase to obtain acoustic evidence of assymetrical prominence relations (van der Hulst 2005), in support of a hypothesis that Vietnamese reduplications are phonetically right headed and that tone sandhi is a reduction phenomenon occurring on prosodically weak positions (Shih, 2005). Acoustic parameters of syllable duration (onset, nucleus and coda), F0 range, F0 contour, vowel intensity, spectral tilt and vowel formant structure are analyzed to determine: (1) which syllable of the two (base or reduplicant) is more prominent and (2) how the tone sandhi forms differ from their full reduplicated counterparts. Comparisons of full and partial reduplicant syllables in tone sandhi forms provide additional support for this analysis. Key words: tone sandhi, prosody, stress, reduplication, Vietnamese, acoustic analysis ____________________________ We would like to thank our subjects for offering their voices for the analysis, Dr. Nguyen Hong Nguyen for statistical advice and the anonymous reviewers for their valuable comments and suggestions. The Postdoctoral research fellowship granted to the first author by the University of Queensland is acknowledged. Prosody of tone sandhi in Vietnamese reduplications 2 1. Introduction Vietnamese is a contour tone language, which is strongly syllabic in its phonological organization and morphology. -
Phonological Processes
Phonological Processes Phonological processes are patterns of articulation that are developmentally appropriate in children learning to speak up until the ages listed below. PHONOLOGICAL PROCESS DESCRIPTION AGE ACQUIRED Initial Consonant Deletion Omitting first consonant (hat → at) Consonant Cluster Deletion Omitting both consonants of a consonant cluster (stop → op) 2 yrs. Reduplication Repeating syllables (water → wawa) Final Consonant Deletion Omitting a singleton consonant at the end of a word (nose → no) Unstressed Syllable Deletion Omitting a weak syllable (banana → nana) 3 yrs. Affrication Substituting an affricate for a nonaffricate (sheep → cheep) Stopping /f/ Substituting a stop for /f/ (fish → tish) Assimilation Changing a phoneme so it takes on a characteristic of another sound (bed → beb, yellow → lellow) 3 - 4 yrs. Velar Fronting Substituting a front sound for a back sound (cat → tat, gum → dum) Backing Substituting a back sound for a front sound (tap → cap) 4 - 5 yrs. Deaffrication Substituting an affricate with a continuant or stop (chip → sip) 4 yrs. Consonant Cluster Reduction (without /s/) Omitting one or more consonants in a sequence of consonants (grape → gape) Depalatalization of Final Singles Substituting a nonpalatal for a palatal sound at the end of a word (dish → dit) 4 - 6 yrs. Stopping of /s/ Substituting a stop sound for /s/ (sap → tap) 3 ½ - 5 yrs. Depalatalization of Initial Singles Substituting a nonpalatal for a palatal sound at the beginning of a word (shy → ty) Consonant Cluster Reduction (with /s/) Omitting one or more consonants in a sequence of consonants (step → tep) Alveolarization Substituting an alveolar for a nonalveolar sound (chew → too) 5 yrs. -
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society
UC Berkeley Proceedings of the Annual Meeting of the Berkeley Linguistics Society Title Perception of Illegal Contrasts: Japanese Adaptations of Korean Coda Obstruents Permalink https://escholarship.org/uc/item/6x34v499 Journal Proceedings of the Annual Meeting of the Berkeley Linguistics Society, 36(36) ISSN 2377-1666 Author Whang, James D. Y. Publication Date 2016 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PROCEEDINGS OF THE THIRTY SIXTH ANNUAL MEETING OF THE BERKELEY LINGUISTICS SOCIETY February 6-7, 2010 General Session Special Session Language Isolates and Orphans Parasession Writing Systems and Orthography Editors Nicholas Rolle Jeremy Steffman John Sylak-Glassman Berkeley Linguistics Society Berkeley, CA, USA Berkeley Linguistics Society University of California, Berkeley Department of Linguistics 1203 Dwinelle Hall Berkeley, CA 94720-2650 USA All papers copyright c 2016 by the Berkeley Linguistics Society, Inc. All rights reserved. ISSN: 0363-2946 LCCN: 76-640143 Contents Acknowledgments v Foreword vii Basque Genitive Case and Multiple Checking Xabier Artiagoitia . 1 Language Isolates and Their History, or, What's Weird, Anyway? Lyle Campbell . 16 Putting and Taking Events in Mandarin Chinese Jidong Chen . 32 Orthography Shapes Semantic and Phonological Activation in Reading Hui-Wen Cheng and Catherine L. Caldwell-Harris . 46 Writing in the World and Linguistics Peter T. Daniels . 61 When is Orthography Not Just Orthography? The Case of the Novgorod Birchbark Letters Andrew Dombrowski . 91 Gesture-to-Speech Mismatch in the Construction of Problem Solving Insight J.T.E. Elms . 101 Semantically-Oriented Vowel Reduction in an Amazonian Language Caleb Everett . 116 Universals in the Visual-Kinesthetic Modality: Politeness Marking Features in Japanese Sign Language (JSL) Johnny George . -
The Emergence of Consonant-Vowel Metathesis in Karuk
Background Methodology and Predictions Results Conclusions References The Emergence of Consonant-Vowel Metathesis in Karuk Andrew Garre & Tyler Lau University of California, Berkeley [email protected] [email protected] Society for the Study of the Indigenous Languages of the Americas (SSILA) 2018 Salt Lake City, UT, USA January 6, 2018 Andrew Garre & Tyler Lau The Emergence of Consonant-Vowel Metathesis in Karuk Background Methodology and Predictions Results Conclusions References Acknowledgements Many thanks to the following: • Karuk master speakers Sonny Davis and the late Lucille Albers, Charlie Thom, and especially Vina Smith; • research collaborators LuLu Alexander, Tamara Alexander, Crystal Richardson, and Florrine Super (in Yreka) and Erik H. Maier, Line Mikkelsen, and Clare Sandy (at Berkeley); and • Susan Lin and the audience at UC Berkeley’s Phonetics and Phonology Forum for insightful comments and suggestions. Data in this talk is drawn from Ararahi’urípih, a Karuk dictionary and text corpus (http://linguistics.berkeley.edu/~karuk). Andrew Garre & Tyler Lau The Emergence of Consonant-Vowel Metathesis in Karuk Background Methodology and Predictions Metathesis Results Karuk Conclusions References Overview • Karuk V1CV2 sequences show much coarticulation of V1 into V2 w j j /uCi/ ! [uC i], /iCa/ ! [iC a], /iCu/ ! [iC u] (all high V1) • We argue that this coarticulation is a source of CV metathesis along lines that are phonologized in other languages. • Goals • To figure out the environments in which this process occurs • -
Repair Strategies in Labial Dissimilation: Diminutive Formations in Xitsonga
Stellenbosch Papers in Linguistics Plus, Vol. 44, 2014, 89-103 doi: 10.5842/44-0-642 Repair strategies in labial dissimilation: Diminutive formations in Xitsonga Seunghun J. Lee English, Central Connecticut State University, New Britain, CT, USA E-mail: [email protected] Clementinah Burheni University of Venda, Thohoyandou, Limpopo Province, South Africa E-mail: [email protected] Abstract This paper presents phonological processes in Xitsonga diminutives. The round vowels /u/ and /o/ are changed into the glide [w] to avoid vowel hiatus. When the glide [w] is preceded by labial consonants, then other processes occur: either the labial nasal [m] corresponds to a velar, or the glide [w] deletes when preceded by labial obstruents. The seemingly disjunctive processes are argued to be responses to the OCP-LABIAL constraint in which adjacent segments with [labial] are prohibited. A rule-based analysis and a constraint-based (Optimality Theory) analysis are presented to discuss these processes. Data with affrication is introduced as an alternative repair strategy, but is not included in the formal analysis, which focuses on labial dissimilation. Keywords: Xitsonga, diminutives, labial dissimilation, Optimality Theory, OCP 1. Introduction In Xitsonga diminutive formation, the juncture between the root and the suffix undergoes various phonological processes: glide formation, velarisation and vowel deletion. We argue that these seemingly disjointed processes are results of repair strategies that apply in order to avoid a sequence of labial sounds. In (1), the template for the Xitsonga diminutive is shown (Baumbach 1987:148-157, Ziervogel 1967:216-234). The root noun is immediately preceded by the class (CL)7/8 prefix and followed by –ana. -
Lecture 5 Sound Change
An articulatory theory of sound change An articulatory theory of sound change Hypothesis: Most common initial motivation for sound change is the automation of production. Tokens reduced online, are perceived as reduced and represented in the exemplar cluster as reduced. Therefore we expect sound changes to reflect a decrease in gestural magnitude and an increase in gestural overlap. What are some ways to test the articulatory model? The theory makes predictions about what is a possible sound change. These predictions could be tested on a cross-linguistic database. Sound changes that take place in the languages of the world are very similar (Blevins 2004, Bateman 2000, Hajek 1997, Greenberg et al. 1978). We should consider both common and rare changes and try to explain both. Common and rare changes might have different characteristics. Among the properties we could look for are types of phonetic motivation, types of lexical diffusion, gradualness, conditioning environment and resulting segments. Common vs. rare sound change? We need a database that allows us to test hypotheses concerning what types of changes are common and what types are not. A database of sound changes? Most sound changes have occurred in undocumented periods so that we have no record of them. Even in cases with written records, the phonetic interpretation may be unclear. Only a small number of languages have historic records. So any sample of known sound changes would be biased towards those languages. A database of sound changes? Sound changes are known only for some languages of the world: Languages with written histories. Sound changes can be reconstructed by comparing related languages. -
Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold
Dwi Nita Febriyanti Assimilation, Reduction and Elision Reflected in the Selected Song Lyrics of Avenged Sevenfold Dwi Nita Febriyanti [email protected] English Language Studies, Sanata Dharma University Abstract This paper discusses the phenomena of phonological rules, especially assimilation, reduction and elision processes. In this paper, the writer conducted phonological study which attempts to find the phenomena of those processes in song lyrics. In taking the data, the writer transcribed the lyrics of the songs, along with checking them to the internet source, then observed the lyrics to find the phenomena of assimilation, reduction, and elision. After that, she classified the observed phenomena in the lyrics based on the phonological processes. From the data analysis, the results showed that there were three processes found both in the first and second songs: assimilation, reduction and elision. The difference is that in the first song, it has four kinds of assimilation, while from the second song only has three kinds of assimilation. Keywords: assimilation, reduction, elision Introduction brothers and sisters’ discussion or even in songs, for which songs are considered as the As English spoken by the native media for the composer to share his feelings. speakers, it sometimes undergoes simplification to ease the native speakers in Assimilation usually happens in the expressing their feelings. That is why, it is double consonants. This is a phenomenon common for them to speak English in high which shows the influence of one sound to speed along with their emotions. As the another to become more similar. While for result, they make a ‘shortcut’ to get ease of the reduction process, it can happen to the their pronunciation. -
L Vocalisation As a Natural Phenomenon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Essex Research Repository L Vocalisation as a Natural Phenomenon Wyn Johnson and David Britain Essex University [email protected] [email protected] 1. Introduction The sound /l/ is generally characterised in the literature as a coronal lateral approximant. This standard description holds that the sounds involves contact between the tip of the tongue and the alveolar ridge, but instead of the air being blocked at the sides of the tongue, it is also allowed to pass down the sides. In many (but not all) dialects of English /l/ has two allophones – clear /l/ ([l]), roughly as described, and dark, or velarised, /l/ ([…]) involving a secondary articulation – the retraction of the back of the tongue towards the velum. In dialects which exhibit this allophony, the clear /l/ occurs in syllable onsets and the dark /l/ in syllable rhymes (leaf [li˘f] vs. feel [fi˘…] and table [te˘b…]). The focus of this paper is the phenomenon of l-vocalisation, that is to say the vocalisation of dark /l/ in syllable rhymes 1. feel [fi˘w] table [te˘bu] but leaf [li˘f] 1 This process is widespread in the varieties of English spoken in the South-Eastern part of Britain (Bower 1973; Hardcastle & Barry 1989; Hudson and Holloway 1977; Meuter 2002, Przedlacka 2001; Spero 1996; Tollfree 1999, Trudgill 1986; Wells 1982) (indeed, it appears to be categorical in some varieties there) and which extends to many other dialects including American English (Ash 1982; Hubbell 1950; Pederson 2001); Australian English (Borowsky 2001, Borowsky and Horvath 1997, Horvath and Horvath 1997, 2001, 2002), New Zealand English (Bauer 1986, 1994; Horvath and Horvath 2001, 2002) and Falkland Island English (Sudbury 2001).