On Syncope in Old English
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Syllabic Consonants and Phonotactics Syllabic Consonants
Syllabic consonants and phonotactics Syllabic consonants Consonants that stand as the peak of the syllable, and perform the functions of vowels, are called syllabic consonants. For example, in words like sudden and saddle, the consonant [d] is followed by either the consonant [n] or [l] without a vowel intervening. The [n] of sadden and the [l] of saddle constitute the centre of the second, unstressed, syllable and are considered to be syllabic peaks. They typically occur in an unstressed syllable immediately following the alveolar consonants, [t, s, z] as well as [d]. Examples of syllabic consonants Cattle [kæțɬ] wrestle [resɬ] Couple [kʌpɬ] knuckle [nʌkɬ] Panel[pæņɬ] petal [petɬ] Parcel [pa:șɬ] pedal [pedɬ] It is not unusual to find two syllabic consonants together. Examples are: national [næʃņɬ] literal [litrɬ] visionary [viʒņri] veteran [vetrņ] Phonotactics Phonotactic constraints determine what sounds can be put together to form the different parts of a syllable in a language. Examples: English onsets /kl/ is okay: “clean” “clamp” /pl/ is okay: “play” “plaque” */tl/ is not okay: *tlay *tlamp. We don’t often have words that begin with /tl/, /dm/, /rk/, etc. in English. However, these combinations can occur in the middle or final positions. So, what is phonotactics? Phonotactics is part of the phonology of a language. Phonotactics restricts the possible sound sequences and syllable structures in a language. Phonotactic constraint refers to any specific restriction To understand phonotactics, one must first understand syllable structure. Permissible language structures Languages differ in permissible syllable structures. Below are some simplified examples. Hawaiian: V, CV Japanese: V, CV, CVC Korean: V, CV, CVC, VCC, CVCC English: V CV CCV CCCV VC CVC CCVC CCCVC VCC CVCC CCVCC CCCVCC VCCC CVCCC CCVCCC CCCVCCC English consonant clusters sequences English allows CC and CCC clusters in onsets and codas, but they are highly restricted. -
The Serial Interaction of Stress and Syncope John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2008 The serial interaction of stress and syncope John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "The es rial interaction of stress and syncope" (2008). Natural Language and Linguistic Theory. 90. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/90 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Nat Lang Linguist Theory (2008) 26: 499–546 DOI 10.1007/s11049-008-9051-3 ORIGINAL PAPER The serial interaction of stress and syncope John J. McCarthy Received: 7 November 2007 / Accepted: 12 April 2008 / Published online: 26 August 2008 © Springer Science+Business Media B.V. 2008 Abstract Many languages respect the generalization that some or all unstressed vow- els are deleted. This generalization proves elusive in classic Optimality Theory, how- ever. The source of the problem is classic OT’s parallel evaluation, which requires that the effects of stress assignment and syncope be optimized together. This article argues for a version of OT called Harmonic Serialism, in which the effects of stress assignment and syncope can and must be evaluated sequentially. The results are po- tentially applicable to other domains where process interaction is best understood in derivational terms. -
Syncope in Crimean Tatar*
Syncope in Crimean Tatar* Darya Kavitskaya Yale University Crimean Tatar has a pervasive syncope of high vowels postlexically. The syncope of unstressed vowels only occurs when it results in a phonotactically acceptable syllable structure. Additionally, stressed high vowels delete between identical consonants with the following degemination which is attributed to a highly ranked OCP constraint. An apparent counterexample, the syncope of high vowels followed by voiceless geminates, is shown to be a matter of phonetic implementation, while the former processes have to be represented in phonology. 1. Introduction Crimean Tatar (henceforth, CT) is a West Kipchak language which belongs to the northwestern branch of Turkic (Johanson 1998:81). CT is spoken mainly in the Crimean peninsula in Ukraine, as well as in Uzbekistan, and also in small communities in Russia, Bulgaria, Romania, and Turkey. According to traditional descriptions, CT is subdivided into three dialects: Southern (or Coastal), Central, and Northern (or Steppe) (Johanson and Csato 1998). All three dialects are endangered (Southern and Northern more so than Central): the language is now extensively used mostly by the speakers older than forty, and very few children learn it as their first language. The sociolinguistic situation of CT is quite unusual. In 1944, the entire Tatar population of Crimea was deported to Central Asia (Uzbekistan, Kazakhstan, and Tajikistan), and to several locations in Russia. As a result, the speakers of CT dialects that used to be linguistically homogenous were separated, mixed, and immersed into radically different language environments. The early 1990s saw the return of Crimean Tatars to their homeland. Currently about 250,000 Crimean Tatars live in Crimea again, and another 250,000 are still in exile. -
Bleaching and Coloring*
386 Bleaching and Coloring* Patricia D. Miller Ohio State University Current studies in natural phonology have dealt with vowels in terms of three cardinal properties: palatality, labiality, and sonority. Palatality and labiality--the chromatic properties--are optimized by a minimally open, maximally constricted vocal tract; and sonority is optimized by a more open vowel tract) Thus the familiar triangle: A or, more exactly a a represents the maximal opposition of the three properties.2 And in many ways, the vowel space does seem to be triangular: ordinarily, the more sonorant a vowel is, the less color it has; and the more chromatic it is--the less sonorant. Thus, while i, e, and m are all palatal, i is more palatal than e, and e is more palatal than m; and, similarly, the degree of rounding varies for u, o, 3. The vowels #, A, and a are colorless or achromatic. They lack both palatality and labiality, and differ only in sonority.3 In this framework, the terms bleaching and coloring are almost self-explanatory: bleaching removes color, and coloring adds color. Bleaching Bleaching may remove palatality or labiality, or both simultaneously: V !lover -Labial !unstressed and/or !lax/short -Palatal] !mixed _(context) Full-scale operation of bleaching will produce linear vowel systems like those of the Caucasian languages reported to have k, A, a. If A lowers, it will produce the system 4, a like that of Kabardian (Kuipers 1960:23 et passim), or that of the child Curt4 (011er forthcoming); or, if all achromatics lower, it will give the single- vowel system, a. -
CONSONANT CLUSTER PHONOTACTICS: a PERCEPTUAL APPROACH by MARIE-HÉLÈNE CÔTÉ B.Sc. Sciences Économiques, Université De Montr
CONSONANT CLUSTER PHONOTACTICS: A PERCEPTUAL APPROACH by MARIE-HÉLÈNE CÔTÉ B.Sc. Sciences économiques, Université de Montréal (1987) Diplôme Relations Internationales, Institut d’Études Politiques de Paris (1990) D.E.A. Démographie économique, Institut d’Études Politiques de Paris (1991) M.A. Linguistique, Université de Montréal (1995) Submitted to the department of Linguistics and Philosophy in partial fulfillment of the requirement for the degree of DOCTOR OF PHILOSOPHY À ma mère et à mon bébé, at the qui nous ont quittés À Marielle et Émile, MASSACHUSETTS INSTITUTE OF TECHNOLOGY qui nous sont arrivés À Jean-Pierre, qui est toujours là September 2000 © 2000 Marie-Hélène Côté. All rights reserved. The author hereby grants to M.I.T. the permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of author_________________________________________________ Department of Linguistics and Philosophy August 25, 2000 Certified by_______________________________________________________ Professor Michael Kenstowicz Thesis supervisor Accepted by______________________________________________________ Alec Marantz Chairman, Department of Linguistics and Philosophy CONSONANT CLUSTER PHONOTACTICS: A PERCEPTUAL APPROACH NOTES ON THE PRESENT VERSION by The present version, finished in July 2001, differs slightly from the official one, deposited in September 2000. The acknowledgments were finally added. The MARIE-HÉLÈNE CÔTÉ formatting was changed and the presentation generally improved. Several typos were corrected, and the references were updated, when papers originally cited as manuscripts were subsequently published. A couple of references were also added, as Submitted to the Department of Linguistics and Philosophy well as short conclusions to chapters 3, 4, and 5, which for the most part summarize on September 5, 2000, in partial fulfillment of the requirements the chapter in question. -
Rhythmic Syncope and Opacity in Mojeño Trinitario Françoise Rose
Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose To cite this version: Françoise Rose. Rhythmic syncope and opacity in Mojeño Trinitario. Phonological Data and Analysis, Linguistic Society of America, 2019, 1 (2), pp.1-25. 10.3765/pda.v1art2.2. hal-02275393 HAL Id: hal-02275393 https://hal.archives-ouvertes.fr/hal-02275393 Submitted on 30 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution| 4.0 International License Phonological Data & Analysis Volume 1, Article 2: 1–25 (2019) pɗɑ https://doi.org/10.3765/pda.v1art2.2 Received 7 December 2017; revised 19 October 2018; accepted 29 January 2019. © 2019 Françoise Rose. Published by the Linguistic Society of America with permission of the author under a CC BY 3.0 license. Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose* Centre National de la Recherche Scientifique – [email protected] This paper presents rhythmic syncope in Mojeño Trinitario, an Arawak language spoken in lowland Bolivia. In this language, every vowel that is in a weak prosodic position can syncopate. The syncope pattern of Mojeño Trinitario is remarkable for several reasons. -
Rhythmic Syncope and Opacity in Mojeño Trinitario
Phonological Data & Analysis Volume 1, Article 2: 1–25 (2019) pɗɑ https://doi.org/10.3765/pda.v1art2.2 Received 7 December 2017; revised 19 October 2018; accepted 29 January 2019. © 2019 Françoise Rose. Published by the Linguistic Society of America with permission of the author under a CC BY 3.0 license. Rhythmic syncope and opacity in Mojeño Trinitario Françoise Rose* Centre National de la Recherche Scientifique – [email protected] This paper presents rhythmic syncope in Mojeño Trinitario, an Arawak language spoken in lowland Bolivia. In this language, every vowel that is in a weak prosodic position can syncopate. The syncope pattern of Mojeño Trinitario is remarkable for several reasons. First, it involves a regular, categorical and complete deletion rather than a statistical reduction of vowels. Second, it applies similarly to words with either of two stress patterns: iambic words, which make up the great majority of words, and trochaic ones, much less numerous. Third, a great variety of consonant sequences are the result of syncope, and syllabification applies again after syncope. Fourth, rhythmic syncope actually underapplies: almost half of the vowels that are in a position to syncopate are maintained, and vowel quality plays a statistical role in immunity to syncope. Fifth, due to a rich morphology and a set of complex phonotactic rules applying sequentially, syncope leads to extreme opacity. The data presented in this paper in a theory-neutral way contribute to the typology of rhythmic syncope. It will also be of interest to phonologists considering constraint-based vs. derivational models of phonology. Keywords: phonology; stress; prosody; rhythmic syncope; Mojeño (Arawak) 1 Introduction Mojeño is an Arawak language spoken in lowland Bolivia. -
Phonetic Explanation Without Compromise the Evolution of Mussau Syncope
Phonetic explanation without compromise The evolution of Mussau syncope Juliette Blevins Max Planck Institute for Evolutionary Anthropology, Leipzig Blust (2005, 2007a, 2007b) questions the phonetic motivation of a number of well-attested sound changes. One sound change in this class is the purported case of stressed vowel syncope in Mussau, an Oceanic language (Blust 1984, 2001, 2007a). Regular syncopes typically target unstressed vowels. By contrast, loss of stressed vowels is difficult to motivate, due to their inherent prominence. Close inspection of Mussau historical phonology suggests that, at its origins, syncope was limited to unstressed vowels, with subsequent developments ob- scuring its original phonetic motivation. Under the proposed analysis, the Neo- grammarian insistence on phonetically motivated sound change is maintained. Keywords: sound change, phonetic motivation, naturalness, vowel syncope, Mussau 1. The general problem Are all sound changes phonetically motivated? The Neogrammarians believed so, and catalogued many instances where sound change was of a purely phonetic nature, triggered by the effects of surrounding sounds, accent, syllabic position, and general articulatory tendencies (Osthoff & Brugman 1878, Paul 1880). While Neogrammarian phonetic explanation was based primarily on the mechanisms of speech production, a range of students who studied in Leipzig during the latter part of the 19th century, from Baudouin de Courtenay to Gustaf E. Karsten, soon embraced perception as an additional explanatory mechanism of phonetically based sound change.1 In more recent times, further evidence has accumulated for 1. On Baudouin’s conception of misperception, see Blevins (2007a:144). Karsten, a student of Paul’s, presents an eloquent and strikingly modern exemplar-based view of sound change and analogy in which perception and misperception are central in his 1894 paper “The Psychological Basis of Phonetic Law and Analogy”. -
Phonotactics on the Web 487
PHONOTACTICS ON THE WEB 487 APPENDIX Table A1 International Phonetic Alphabet (IPA) and Computer-Readable “Klattese” Transcription Equivalents IPAKlattese IPA Klattese Stops Syllabic Consonants p p n N t t m M k k l L b b d d Glides and Semivowels g l l ɹ r Affricates w w tʃ C j y d J Vowels Sibilant Fricatives i i s s I ʃ S ε E z z e e Z @ Nonsibilant Fricatives ɑ a ɑu f f W θ a Y T v v ^ ð ɔ c D o h h O o o Nasals υ U n n u u m m R ŋ G ə x | X Klattese Transcription Conventions Repeated phonemes. The only situation in which a phoneme is repeated is in a compound word. For exam- ple, the word homemade is transcribed in Klattese as /hommed/. All other words with two successive phonemes that are the same just have a single segment. For example, shrilly would be transcribed in Klattese as /SrIli/. X/R alternation. /X/ appears only in unstressed syllables, and /R/ appears only in stressed syllables. Schwas. There are four schwas: /x/, /|/, /X/, and unstressed /U/. The /U/ in an unstressed syllable is taken as a rounded schwa. Syllabic consonants. The transcriptions are fairly liberal in the use of syllabic consonants. Words ending in -ism are transcribed /IzM/ even though a tiny schwa typically appears in the transition from the /z/ to the /M/. How- ever, /N/ does not appear unless it immediately follows a coronal. In general, /xl/ becomes /L/ unless it occurs be- fore a stressed vowel. -
Phonotactic Complexity and Its Trade-Offs
Phonotactic Complexity and its Trade-offs Tiago Pimentel Brian Roark Ryan Cotterell University of Cambridge Google University of Cambridge [email protected] [email protected] [email protected] Abstract 3.50 We present methods for calculating a mea- 3.25 sure of phonotactic complexity—bits per phoneme—that permits a straightforward 3.00 cross-linguistic comparison. When given a 2.75 word, represented as a sequence of phone- mic segments such as symbols in the inter- 2.50 national phonetic alphabet, and a statistical 2.25 model trained on a sample of word types 5 6 7 8 from the language, we can approximately Cross Entropy (bits per phoneme) Average Length (# IPA tokens) measure bits per phoneme using the negative log-probability of that word under the model. Figure 1: Bits-per-phoneme vs average word length This simple measure allows us to compare using an LSTM language model. the entropy across languages, giving insight into how complex a language’s phonotactics are. Using a collection of 1016 basic concept communicative capacity (Pellegrino et al., 2011; words across 106 languages, we demonstrate Coupé et al., 2019). a very strong negative correlation of −0:74 Methods for making hypotheses about linguis- between bits per phoneme and the average tic complexity objectively measurable and testable length of words. have long been of interest, though existing mea- sures are typically relatively coarse—see, e.g., 1 Introduction Moran and Blasi(2014) and §2 below for reviews. Briefly, counting-based measures such as inventory One prevailing view on system-wide phonological sizes (e.g., numbers of vowels, consonants, sylla- complexity is that as one aspect increases in com- bles) typically play a key role in assessing phono- plexity (e.g., size of phonemic inventory), another logical complexity. -
Slouching Toward Optimality: Coda Reduction in OT-CC John J
University of Massachusetts Amherst ScholarWorks@UMass Amherst Linguistics Department Faculty Publication Series Linguistics January 2007 Slouching toward optimality: Coda reduction in OT-CC John J. McCarthy University of Massachusetts, Amherst, [email protected] Follow this and additional works at: https://scholarworks.umass.edu/linguist_faculty_pubs Part of the Morphology Commons, Near Eastern Languages and Societies Commons, and the Phonetics and Phonology Commons Recommended Citation McCarthy, John J., "Slouching toward optimality: Coda reduction in OT-CC" (2007). Phonological Studies (Journal of the Phonological Society of Japan). 74. Retrieved from https://scholarworks.umass.edu/linguist_faculty_pubs/74 This Article is brought to you for free and open access by the Linguistics at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Linguistics Department Faculty Publication Series by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Slouching Towards Optimality: Coda Reduction in OT-CC* John J. McCarthy University of Massachusetts Amherst Abstract. There is a well-established asymmetry in the behavior of medial consonant clusters: the first consonant in the cluster can undergo assimilation or deletion, but the second consonant in the cluster cannot. This article presents an explanation for that asymmetry based on a version of Optimality Theory with candidate chains (McCarthy (2006a)). The key idea is that a consonant can only assimilate or delete if it first loses its place features by debuccalizing, and debuccalization is only possible in coda position. Keywords: OT, coda, assimilation, candidate chain. 1. Introduction Medial consonant clusters are often simplified or assimilated: /patka/ → [paka], /pamka/ → [paŋka]. There is an interesting asymmetry in these processes: they always target the first member of the cluster for deletion or assimilation. -
Alternatives to the Syllabic Interpretation Of
ALTERNATIVES TO SYLLABLE-BASED ACCOUNTS OF CONSONANTAL PHONOTACTICS Donca Steriade, UCLA Abstract Phonotactic statements characterize contextual restrictions on the occurrence of segments or feature values. This study argues that consonantal phonotactics are best understood as syllable-independent, string-based conditions reflecting positional differences in the perceptibility of contrasts. The analyses proposed here have better empirical coverage compared to syllable-based analyses that link a consonant's feature realization to its syllabic position. Syllable-based analyses require identification of word-medial syllabic divisions; the account proposed here does not and this may be a significant advantage. Word-medial syllable- edges are, under specific conditions, not uniformly identified by speakers; but comparable variability does not exist for phonotactic knowledge. The paper suggests that syllable- independent conditions define segmental phonotactics, and that word-edge phonotactics, in turn, are among the guidelines used by speakers to infer word-internal syllable divisions. 1. Introduction. The issue addressed here is the link between consonantal phonotactics and syllable structure conditions. Consider a paradigm case of the role attributed to syllables in current accounts of consonant distributions, based on Kahn (1976). Kahn suggests a syllable- based explanation of the fact that tpt, dbd, tkt, dgd strings - two coronal stops surrounding a non-coronal - are impossible in English. Kahn explains this gap by combining three hypotheses, two of which are specific to English, and a third with potential as a universal: (i) English onsets cannot contain stop-stop sequences; (ii) alveolar stops cannot precede non-coronals in English codas; and (iii) each segment/feature must belong to some syllable.